since his past exquisite productions with donato dozzy on the releases metal slave and solidliquid on the label orange groove, brando lupi is joining dozzy records with his musical mastermind and diverse instrumental skills by unleashing the two most tripping, eccentric and brilliant tracks that will drive anyone insane

americhords 2004 enter ep get a double reworking by two of our favourite producers: dan curtin and mark broom. ohios dan curtin metamorphic records delivers two diverse interpretations of >tighter my grip<. his first >track mix< is more in keeping with his recent stripped down productions on tuning spork, with a sharply produced linear reworking which focuses in on the original tracks vocals and shimmering synth riff. his second >string< mix sees him turn in another of his signature techno-funk classics, as only dan curtin knows how. long standing d1 collaborator mark broom, effortless as always, rearranges >phoenix< into two pulsating 4/4 grooves, with the originals haunting string line riding on top throughout both. again, as with recent d1 releases, this is strictly limited vinyl run of 300 copies

since fall 2006 dapayk is raising a lot of dust with his first solo album >impulsion parasite< and the ongoing tour. now, mo�s ferry prod. presents the >rmxs part 1< with adaptations by louderbach, butane, tanith and 3dots. the tracks are as diverse as the remixers themselves and show in what plurality and variety dapayk�s music is recognised and interpreted

klickhaus gains momentum with this trippy, late night minimal endeavor for their third release, produced by now m_nus artist, ambivalent. this is ambivalent s second ep, the first being on klickhaus successful sister label, clink recordings, titled >roomies< , and he again proves himself as a name to watch out for this year. ambivalent has a unique, rhythmically diverse and funky style that can be mixed in many different arenas and always has an element of personality to each piece, which makes it a unique experience in dj sets. on the remix side, camea takes the original to the next level by stripping down the rhythm and adding a peak time chromatic pattern to the bubbling lead tone provided by ambivalent. camea s unique style adds a great diversity to this ep. dj emerson is the techno gentleman of the berlin underground scene for quite a while now, on this 12inch he provides a stellar re-work somewhere between house and techno to palindrome

lush deep jazz house recontructed by anthony nicholson and william kurk. stellar group of accomplished musicians wrap themselves around the trumpet playing of duke jones himself a veteran who has worked with a diverse a set of groups as dr.buzzard savanna

the sound of miami wmc 2007! celebrated us producer/dj john julius knight returns to the production forefront with his highly anticipated soulfuric trax ep trax for my head.it features three very diverse productions and is set to capture the attention of a wide range of djs, making this ep a perfect example of jjks ability to create varied sounds to maximum effect. the cut rolls in as a captivating french kiss style tune, that fuses classic house sounds with contemporary beats, making this a seriously gripping instrumental only track. most likely the biggest surprise production wise, the rush is a laid back but equally powerful tech cut. the blend of atmospheric sounds, tight beats and a driving bassline creates a sublime musical weapon. with what is love jjk delivers a prime time bomb, that is set to create some real heat on the dancefloors. uplifting strings and a pumping bassline build the core of this explosive production.

the master of simplicity is back on with his second release on karmarouge. the story behind the titel goes like this. saint patrick was a christian missionary and is regarded as the patron saint of ireland. he banished the snakes from ireland and some irish people say that human snakes replaced them. sian asks himself if we might need a new modern saint patrick? the a-side track >stegosaurus< is a creepy, slow builder and melodic track, somewhat like a placid dinosaur. >merman< on the b-side is a more melancholic, angelic theme with hidden melodic patterns and messages. born in dublin ireland, raised gypsy style in southern spain, sian, aka graham goodwin has worked in music since the age of 17. now 28, he has produced and released electronic music consistently and has worked with diverse artists during this period. his productions are arty, unique and childlike simple, he works with sounds as blocks of bright colour and makes music for both the club and mind simultaniously. sian believes that electronic music is more than just an interesting theory, it shapes lives and his dj sets are well known for sweat, eclecticism and positive energy

john >julius< knight returns to the production forefront with his highly anticipated soulfuric trax ep >trax for my head<. >trax for my head< features three very diverse productions and is set to capture the attention of a wide range of djs, making this ep a perfect example of jjk s ability to create varied sounds to maximum effect. >the cut< rolls in as a captivating >french kiss< style tune, that fuses classic house sounds with contemporary beats, making this a seriously gripping instrumental-only track. most likely the biggest surprise production-wise, >the rush< is a laid-back but equally powerful tech cut. the blend of atmospheric sounds, tight beats and a driving bassline creates a sublime musical weapon. with >what is love< jjk delivers a prime-time bomb, that is set to create some real heat on the dancefloors. uplifting strings and a pumping bassline build the core of this explosive production

hit alert !! the debut dance single by the proxy aka yevgeny aka >the russian kid<. 3 tracks of nouveau pub-techno in a moscow stylee. already being championed by djs as shockingly diverse as erol alkan and 2manydjs, the lead single destroy might be the best russian song ever made. lada than a bomb !!!

ovum is proud to bring you a release from christian smith & john selway. known for their amazing releases on tronic , underwater, and intec are finally a part of the ovum family. they deliver a main room monster in silver bullet. this bass driven monster builds to a huge tension filled breakdown that comes back in with a punch that will blow up any floor. already being championed by marco carola, adam beyer, josh wink, loco dice, and carl cox. slam has delivered a percolating remix that has a very old school feel to it. this could be played in a techno set as well as a house set. a very diverse package that should be in every djs record box

the newest release from german native stefan riddel is a smooth infusion of pulsating techno trance and deep tribal flavours certain to leave a lsting effect on a diverse range of dancefloors..

"we are happy to welcome a well known guest from the international minimal house scene for an outstanding intermezzo at highgrade � hello mr. tigerskin. tigerskin, a splendid artist with records on labels as diverse as dessous, morris audio, resopal and others. german and international top imprints, produced for us two rather nontypical tracks - compared to his recent output - showing us his deeper side; and he does it so well! two stunning tracks for your maximum pleasure, somewhere in the twillightzone of deepness, hypnosis and true madness � njoy it! played by anja schneider, woody, chloe, karotte, james flavour..."

here we are presented with black jam records, something new for intergroove! four tracks each diverse from one another, being re-edits and booty versions ranging from disco influences, funk, electro and even reggae! serious fun for djs and partygoers alike....

futures returns here with a new and diverse range of mixes for the dancefloor, from rub n tug, metronomy, and al usher !!!

for his second outing on wagon repair, hrdvsion (a.k.a. nathan jonson), yet again blesses us with a showcase of diverse style and emotion on this 5-track gem. dedicated to the memory of his best friend, gary white, this ep comes straight from the heart and proves to be special - not just for nathan, but also for those lucky enough to hear it. played by laurent garnier

kevin rocks is a very taleneted young producer and dj from düsseldorf /germany. his previous production on fullscale already gained support from a range of quiet diverse djs like martin eyerer, oliver moldan, dave mothersole and so on.... kevin rocks produced this tune in cooperation with klaus schneider, who also did a smashing dark, dubby and dirty electro house mix. a mix that will find his way into cases of timo maas, scanners for sure...

the neurotic drum band began in 2002 by combining two enigmatic personalities known as >s< and >u< or john selway and ulysses. despite stodgy classical music training a, >s< has proven himself a small giant on global dance-floors as a producer, (memory boy, csm, serotonin). despite a diverse dj background that began in 1991, >u< has demonstrated the >can-do< attitude required to establish a foothold in the world of dance music.

after having released on various labels such as cynosure, circus company, mo s ferry productions, orac or floppy funk, mossa became one of the most refreshing artists of the house and techno scene. with his current album masterpiece >some eat it raw< (circus company), mossa again shows his uncompromising style of house music. the very burlesque ep on this ever consistent morris audio offshot is his latest proof of the canadien antistatic mircofunk! rhythmically solid and subjective, his sound is made from diverse sources collected here and there causing this composer to effectively transplant arrangements. some minimalist, most of them amusing but rarely symetrical. we can always feel a large range of inspiration in his music : jazz, folk, funk, house, glitch and minimal techno! using an assortment of plastic and static sounds collected here and there, mossa arranges an eclectic bouquet of rhythm and kick! ace!

the montreal-based duo of producer guillaume coutu dumont (luci/chic miniature) and audio artist julien roy exists at the junction of diverse musical influences. enveloping listeners in a subversive sonic environment ruled by elasticity and rhythm, egg serves up aesthetically pleasing hybrid microhouse music that appeals to the head and feet alike. following the groups acclaimed 2003 debut, dont pospone joy (mutek_rec), egg participated in numerous events and festivals around the world and released on mutek_rec and karat records. the super cracker ep is their latest masterpiece of canadian styled microhouse feat. a booming remix of top tech-funker mossa (mo s ferry, circus company, morris audio, orac)

a diverse, old schoolish yet modern techno record. a killer record we think! the a-side offers the club groover �first one� and the beautiful deep detroitish heitere gemüter . the b-side offers a re-relase: erfolgsgeblubber was released on morris audio citysport a year ago, but has been getting superb feedback (e.g. steve bug: thisis huge! ) and we just love this early warp styled bleeper! finishing off this well rounded ep, shaka comes up with some great jazzy electronic trickery called phalonmukka . great stuff for openminded freaks, and well worth checkin shaka s upcoming stuff on revolver and his remix of pan/tone s gringo grinder

after releasing three cult copy releases of dancefloor pleasure, this three track album sampler shows a more diverse side of the cult copy project. these four 12inches together make up most of the album, as there wont be an lp version available. as mentioned side b gives us a more laidback, listening feel. though side a is a techno/house crossover hit, which should please all the djs and dancefloors, like the first three cult copy 12inches did.

after releasing three cult copy releases of dancefloor pleasure, this three track album sampler shows a more diverse side of the cult copy project. these four 12inches together make up most of the album, as there wont be an lp version available. as mentioned side b gives us a more laidback, listening feel. though side a is a techno/house crossover hit, which should please all the djs and dancefloors, like the first three cult copy 12inches did.

for its 1st collaboration with jeff samuel, logistic decided to re-issue the fantastic track 'bae' initiallyreleased on tektite and 'maru' originally released on deep night essentials gathered with 2 greatunreleased tracks from 2000. his records are played by a diverse range of the world's mosttalented djs including: richie hawtin, sven väth, ricardo villalobos, francois k, akufen, claude young...

fat double pack includes diverse rmxs of the oas catalogue + unreleased tracks.. deep detroit techhouse music

das sympathische lp label liefert hier diverse techno variationen mit ska & dub einflüssen. schön verspielt ohne überladen zu sein. geilstes cover seit langem

pacou is best known as resident dj at tresor in his hometown berlin. his singaporean partner angela flame completes the autofokus project and is a well-respected artist in her own right. europe meets asia in this diverse e.p. so there's something included for everyone

the second in the new inspiration information studio album series on strut pairs up studio one reggae legend and massive attack collaborator horace andy with revered uk producer and remixer ashley beedle for a new and unique soundclash. the album is a revelation for those that know and love horace andys music as he stretches out lyrically on a series of wry, topical commentaries around brotherhood, love and the family, all rooted in his rasta beliefs. the album represents a production landmark for ashley beedle. although known primarily for his work with xpress 2 and for his consistently excellent 4/4 remixes. on this album, he draws on all of his diverse musical influences to create a collection of fresh roots fusions, ranging from dancehall to dubstep.

the 3 tracks are all diverse in style with the a side being a superb moroder influenced dance floor killer with a funky bassline, subtle string edits and clinical production. the 2 b side tracks are more minimal in nature but no less effective with the b2 track having a haunting string melody that's truly awesome

hotline to the pentagon is a lo-fi, minimal breaks track with a sexy porno vocal sample from a phone-sex recording. the aa side, sexslave is a little more up tempo. support from a diverse range of djs including bushwacka, will saul, chris carter, brothers bud & the jengaheads.

the record has already been gaining support and props from djs as diverse as laurent garnier, ivan smagghe, jeff mills, riccardo villalobos, highfish, and many others. three tracks of slightly experimental dancefloor minimalism that defies genre. the first from a talented duo that we will all be hearing a lot about in the future.

desmet & diesel follow up their successful for you on tango with the sultry deep house vibes of get up, complete with remix help from the mighty natural rhythm crew and upcomers j-rod & pat nice from kc. plenty of late night grooves andfunky flavors on this diverse four-tracker, with styles ranging from lush deepness to jacked-up freaks-styled tech-house.all tracks work the floor extremely well, so just pick up this 12inch and choose for yourself!

a diverse package of original works from fresh talent, established artists and sasha himself.

avalon emerson with a diverse selection for the next entry in !k7Õs dj-kicks series.

der kanadische produzent bt schrieb den score zum bollywood-mystery-thriller ittefaq es geschah eines nachts von regisseur abhay chopra aus 2018. die 29 tracks bilden eine ausgezeichnete klangkulisse aus downtempo-electronica und orchestral-symphonischen, klassischen instrumentals. bt bewies sich bereits in der vergangenheit mit arbeiten f�r go, the fast & the furious, monster und diverse pixar-kurzfilme als hervorragender soundtrack-komponist.

terence fixmerÕs path through the changing techno landscape of the past 20 years has been anything but direct. indeed, the french born producer, musician and planete rouge label founder has long been influenced by the periphery of continental european dance music subgenres from electronic body music, new beat and acid, before combining them into his own pioneering hybrid of futuristic, ebm-inflected techno with classic releases such as 2001Õs muscle machine or the collaborative between the devil lp with nitzer ebbÕs douglas mccarthy as fixmer/mccarthy. while the sound in recent years has been rediscovered and recast in diverse contexts by a new generation of producers, through the cortex sees fixmer gravitating toward a different kind of industrial-tinged electronics, led as much (or more) by analogue sequencers, melodies and ultra-saturated sounds of synthesizers than drums and percussion. across eight tracks at a compact but varied 40 minutes, the lp touches on an aesthetic hinted at in recent ostgut ton releases (2016Õs beneath the skin ep and 2017Õs force ep), revealing a sonic narrative through noisy, screaming synth/vocal riffs with a jagged, guitar- like post-punk sensibility.

currently the rediscovery of long forgotten japanese electronic, jazz and new age music is at a peak like never before. but although many re-issues already flood the record stores around the world: the large, diverse musical culture of japan still got some gems in store that are really missing.

essential- ist ein album, das urspr�nglich f�r pete tongs bbc radio 1 essential mix im mai 2017 im soulwax eigenen studio deewee in gent aufgenommen wurde und in weniger als zwei wochen entstand. seit der gr�ndung von soulwax im jahr 1995 sind die dewaele br�der stets neue und kreative wege gegangen. im vergangenen jahr haben sie nicht nur den soundtrack f�r -caf� belgica- geschrieben und s�mtliche auftretenden bands erfunden und produziert, sondern waren auch weltweit mit 2manydjs unterwegs. mit deewee betreiben sie ihr eigenes record label und studio, ver�ffentlichten als radio soulwax online diverse mixe, arbeiteten mit james murphy (lcd soundsystem) unter dem projektnamen despacio zusammen und hosteten auf beats 1 ihre eigene radiosendung 2x2 - nicht zu vergessen die innovativen remixe f�r acts wie warpaint, tame impala, metronomy, arcade fire, daft punk, gossip, hot chip, mgmt und viele mehr.

new long player from manchester s claro intelecto. entitled exhilarator , the 13 track album marks a return to action for the esteemed producer. a cinematic album of icy techno, weighty bass and poignant melody. from plaintive keys and slow motion drums awash with melody to corrugated industrial drums that don t let up, this is a diverse album in both mood and texture. moments of ambient celestial beauty exist next to breezy and summery grooves while skewed and sludgy acid sits next to serene underwater dub. stewart s mission to step outside his usual self has resulted in another landmark electronic album. killer release!

infectious. vibrant. diverse. all of these are perfect descriptors of bert h s debut album Òall aboutÓ. this freshman album for the moscow based producer showcases his incredibly vast love of all sounds and styles of drum and bass, and gives a dramatic glimpse into just what he is Òall aboutÓ as a producer. his collaborations with local producer high n sick as well as monrroe and silence groove shine with influences from all parties involved. rounding out the album nicely is a set of powerful remixes from heavyweights such as bop, seba, the vanguard project, and command strange. bert hÕs Òall aboutÓ is available in vinyl, digital, and cd format this october on fokuz recordings.

a diverse selection of remixers from todayÕs generation of detroit producers and musicians, looking back at the immense legacy of funkadelic and re-imagining it for now, with the re-interpreters chosen to prismatically represent the vastness of funkadelicÕs genre-bending music.

spearhead records label boss steve bcee returns with his 4th studio album, and itÕs safe to say that itÕs his best one yet. not just a solo affair, bcee has also drafted in some of the finest vocal and production talent around. with features from two time best d&b vocalist winner riya and d&b legend logistics being just the start. northpoint is bcee at his most diverse. from the early 90s hardocre influenced keep moving on to the jungle roots of hollow eyes this is an album that really showcases how broad the d&b spectrum can be while still keeping to the spearhead ethos of being uplifting musical d&b packed full of heart & soul. bcee said i wanted to make an album packed full of d&b that would work in a club just as well as it would in the car. no fillers, no showcasing how i can produce house or hip-hop or whatever, just pure no nonsense drum & bass. with bceeÕs spearhead presents brand regularly selling out shows at clubs like the legendary egg in kings cross & shoreditchs village underground, plus his growing dj & production schedule and the vanguard project his alias as a duo with fellow d&b produced villem, itÕs safe to say that even though bcee has been in the game for 16 years, heÕs only just getting started. support from friction, mistajam, metrik, technimatic, s.p.y, nu:tone, logistics, london elektricity and a whole load more

dj-kicks has tapped up life and death label founder dj tennis for the next instalment in its long running and landmark series, which is due for release on 14th july. the italian is the first artist to ever be granted not one but two discs across which to showcases his style, and he doesnt disappoint. the mix comes as a double cd and triple vinyl release and features four exclusive tracks. these include a brand new original from dj tennis featuring fink and called certain angels, plus new tennis versions of tunes by pole and frank brettschneider, and finally an unreleased track, paratrooper, from acclaimed tel aviv duo red axes. in programming these two diverse, eclectic and yet coherent rides, dj tennis shows off his singular knack for nailing an aesthetic that is subversive yet seductive in equal measure.

panorama bar resident nick ho&#776,,,,,ppner gets to work on his second solo album on ostgut ton, connecting the territories of house music with the ease of alt-pop. work as in labor. an axiom that fuels the capitalist system just as the techno/house scene economy says that one needs to keep oneself busy to make a living. as a musician, things are complicated of course. itÕs a long way from the romantic idea of creating music simply for the sake of art to becoming a full time musician. those who have accomplished this feat often find themselves in a professional loop of writing the music, producing it, promoting it (with an info text like this), releasing it and then hopefully selling it. after leaving his full time job as ostgut tonÕs label manager in 2012, nick ho&#776,,,,,ppner went fully freelance, focusing on his musically diverse, deep and dynamic djing in and outside berghainÕs panorama bar, but more importantly spending more time in the studio. the result was his critically acclaimed debut album folk (ostgut ton, 2015), various 12Ò releases and remixes, and now his sophomore lp, work, which, more than ever, lays out his refined production skills and his talent to work the machines until they reveal their inner ghosts: nine new songs that now dodge the dance floor, then fully embrace it.

on his sixth album, the arc of tension, the berlin based dj, label owner and producer oliver koletzki yet again presents his remarkable vision of contemporary electronic music, while he assumes the role of a storyteller. the arc of tension speaks to its listener as a singular, self contained work, which communicates by way of its natural flow and arc of suspense. the latter is mirrored not only in the multifarious narrative of the actual album, but can also be understood as evidence for its creatorÕs long musical history. while koletzki focussed on a diverse range of vocal collaborations on his previous long players, he now moves on to a different form of storytelling, rooted in the quiet confidence of a veteran musician, as well as the hectic lifestyle of a globally in demand dj. the arc of tension is the psychonautic journey through the various continents of oliverÕs consciousness. the quiet chirps and warbles, which initially unfold on the opener a tribe called kotori, thus act as a loose associative bridge to der mu?ckenschwarm, olivers big breakthrough hit of 2005. the first minutes of the album leave no room for doubt - we are immediately locked into an autobiographical world of sound that knows how to captivate from the get go. the dreamy, exotic timbres of the downbeat tracks by my side, tankwa town and byron bay penetrate our minds in a subtle yet purposeful manner. but soon the tension tightens and organic sounds one by one evolve towards a sterner, electronic cadence.

tobias. returns to ostgut ton with his third full length eyes in the center and expands the musical narrative laid out by his helium sessions ep (o-ton, 2016). the berghain resident keeps exploring the vast modular synth-driven techno, experimental and ambient territories on a journey in-between genres. tobias freund is long established as an influential artist and has Ð since the early 1990s Ð been working as a professional producer, sound engineer, label owner and strictly live musician. besides his early solo projects (such as pink elln, metazone or phobia) heÕs also been collaborating with dandy jack (as sieg �ber die sonne), ricardo villalobos (as odd machine), max loderbauer (as nsi.), valentina berthelon (as recent arts) and atom tm to only name a few. with his vast experience, diverse output and interests, tobias. doesnt tire to actively push against existing boundaries and explore new areas of electronic music.

the avant garde movement largely influenced katsoulisÕ early compositions. after which, he turned to minimalism, applying elements of jazz and rock into that genre. since the 80s, the use of technology became gradually apparent in his compositions, whist not diminishing the importance of the human factor and the creative involvement of the performer. . today, he is striving for simplicity, trying to express the most, using the least, providing the context for this release. from the subtle ambience of title track Òif not now whenÓ, to the intense and confronting sound on Òall the blue skiesÓ, katsoulis and his accompanying musicians deliver a diverse and contemporary work with a level of sophistication that will challenge the current electronic musical landscape. the purity of sound in stand out track ÔtoreÕ is juxtaposed by the dark and gritty Ògrand delusionsÓ, a remarkably modern composition which sounds like it has been composed for a berlin techno club, from a man we suspect has never been to one. Ôslipping beautiesÕ, the most revered of katsoulisÕ back catalogue (recently remixed by young marco) is given an organic and intelligent reinterpretation for 2016. the haunting and provocative vocal performance by anna linardou on ÔzarrinÕ leads the record down an even more emotive and provocative path.

always keep moving, never stand still, a motto that dapayk & padberg have been following consistently for more than ten years in every respect. for nearly three decades sought-after musician, producer and machine enthusiast niklas worgt has researched diverse club sound effects with countless projects, while singer eva padberg is an internationally renowned high fashion model. since 2003 they have been traveling and performing together as dapayk & padberg. they are passionate sound nomads who capture acoustic impressions of their exciting journey. each album is a sound logbook, which captures memories in the form of beats, tunes and skits. on sink this ship, released a few months ago, the berlin-based duo provided a first glimpse of what you can expect from dapayk & padberg in 2017, with their new album harbour.

compost pr�sentiert das 13. kapitel dieser bahnbrechenden, hoch gesch�tzten compilation serie. das gesamtpaket auf einer doppel-cd und 4-lp mit zwei gelben, zwei schwarzen scheiben. wie immer hat compost masterind michael reinboth diese compilation mit geschmack und sensibilit�t f�r ausgefallene tracks zusammengestellt. von schlagkr�ftigen floorfillern, �ber geisterhaften tunes oder latin , funk monstern, cinematischen epen, balearic, zerfransten tools, bis bitter-s�§en hybriden ist alles dabei was future jazz ausmacht. selbst die geklampfte version von maze twilight �berrascht mit einem vibe, den fsoj immer ausgemacht hat. diverse magazine haben die fsoj serie als eine der besten compilation serien aller zeiten gefeiert oder gelistet. mit dem start der serie 1995 wurde das genre future jazz quasi aus der taufe gehoben.

hot casa records present togo soul 70 (selected rare togolese recordings from 1971 to 1981). a treasure-trove of rare and unusual recordings mostly recorded in lom� during the 70Õs, a fusion of traditional voodoo chants, raw soul and afro jazz. hot casa records selected 13 tracks, a snapshot of some hundreds of rare and often forgotten tapes from the most prolific, professional and exciting phase of the countryÕs recording history, including international stars like bella bellow (who even performed to maracana stadium in brazil), or roger damawuzan, compared as the james brown from lom�, and forgotten tapes and brilliant songs in mina, kabyi� and fon languages. many of the tracks featured here are peppered with innovation and experimentation highlighting how diverse the music scene in togo was at the time, even if the political context influenced their creation.