the next one is signed by one of my contemporary idols. his zero-f*cks-giving attitude and his aim to move forward make ascion the perfect artist to keep telling this story which two years ago was started to write. it could have been nineteen ninety two or today. it could be acid, techno-trance or even ardcore (you know the score). echoes from belgian new beat and uk’s intelligent dance music resound all along it. call it how you want and no matter when or where. this rave instrument is going to fill many epic warehouse moments. there is no way to escape: welcome to your finest nightmare. - hector oaks, september mmxviii

deep listening, spatial imagery and floating introspection evoked by genres of ambient and electronica to enhance the immersive journey with rhythms of dub, bits of breakbeats plus erratic frequency rumbles and machine noises.

infuse027 marks label head enzo siragusa’s debut solo ep on the imprint. for the occasion, he finally releases ‘little angel’, a track close to his heart which was debuted on his bbc radio 1 essential mix at the end of 2016. embellished with swinging drums, and gentle soaring pads, it s a feel-good masterstroke of deep house. on the flip is romania’s cristi cons on remix duty, who keeps things deep but adds a subtle attitude that builds throughout, all while paying homage to the original.

a new adepth audio record featuring canadian rennie foster, including a remix of nomadico (dj dex/underground resistance). the title track witch hazel is a 9 minute long track with no breakdown and a minimal approach to arrangement, with organic elements cycling in and out subtly rather than obviously beginning and ending. a rolling half time, tribal groove drives the power of the track with a haunting vocal sample and layers of percussion creating a heady, polyrhythmic hypnosis on the dance floor. not since rennie s well known devil s water has he presented such an overtly occult offering as this extremely finely crafted ep, and this song represents the initial seduction of the record to the listener very effectively. the second track, navigator, is a drum machine driven workout, again with a polyrhythmic and tribal vibe, this time drenched in a rich, holographic pad that morphs and moves in unexpected ways. minimalistic in presentation, this track is bass heavy and functional for the dj, yet artistic and emotional. the nomadico remix by dj dex of underground resistance takes the elements of witch hazel and re-constructs them in a futuristic style with a more driving kick and molten detroit attitude. a heavier techno approach to the piece, but still intact is the melancholic atmosphere of the original and siren song of the vocal sample. this mix includes a dramatic breakdown and unique arrangement familiar to fans of nomadico s awesome yaxteq label. the last track on the ep is called crossing the boundary is possibly the only track in this style to sample distorted vocals usually associated with black metal, making this a very unique, perhaps polarizing, experiment in sound. evocative of the desolation of deep space and suggestive of sonic dark matter. this track combines rennie s singular approach to dub techno with ambient and drone music and the result is like nothing else currently in existence.

4th tilly jam with four deep disco / house slammer
folks, here is tilly jam number four, served by till von sein with a striking can’t stop, won’t stop attitude. as if the first three fourtrackers were just heating things up, he’s firing out another ensemble of four to bring serious exercise to the floor. “say say say”, the opening title track of this ep checks many trademarks its originator is known and praised for. an explicitly soulful affair, even flexing some g-funk muscles here and there. crackling vinyl noise in the background, warm and thick bass footing, a bassline doing the filterhouse-routine and a sample heavy arrangement that even gets a boost-up after half of its running time. then there is “shadrach”. go do some exegesis if interested where that name stems from. we can assure you, this jazz-infused build-up including nervous hi-hat patterns, a boldly bass groove, a frenzy drum-solo, inciting chants and a horn section scaling things up, stems directly from peaktime heaven. and on b1, “impala” is taking up the thread of this rather outgoing vibe, tvs is going for with this set of tunes. find an energetic beat providing the ground work for filtered adlibs that kinda nail what comes to mind when this track gets mixed in. “whoo-hoo-hoo” – that’s right. just add some subtle percussive lining and let a saxophone take over and you’ll have another trigger for floor-ecstasy at hand. cooling things off a little bit it’s “baden powell dr” as closing cut. tilly is winding up the melancholy-meter on this one, reversing elements and by adding pianochords and synth-pads, infusing an overall mood of wind-whistling summertime-sadness

musik krause 041 + musik krause 042, from techno berk offset) to house (soulphiction)

ambien baby is an emergent project from the increasingly prolific d. tiffany and dan rincon, both luminaries of the vancouver scene. after a first official appearance on normals welcome last year, the pair are back with some deft and delightful adventures through rugged breaks, playful synth touches and a healthy dose of 90s attitude. somehow these ingredients are deployed with that distinctive laid back west coast vibe that makes for such compelling listening as well as potent dancefloor weapons - take nada (live at sweep up) as a case in point. rolling breaks and nasty acid lines there may be, but the mood still has a heads down quality to it that just gets under your skin.

it sounded all right through two walls, so what s the problem? the final words of two walls, the fast and very catchy leading track of dj marcelle s new record, sum up an aesthetic almost lost in today s musical climate, where often a pleasing attitude and overproduced music sadly rule, even in so-called alternative circles. the quote comes from the late mark e. smith (1957 - 2018), legendary frontman of the fall, and is taken from some of the conversations marcelle had with smith over the years. smith is referring to a recording process but for marcelle his words stand for something bigger.

the young dutch dj & producer lewski debuts on darko essers wolfskuil limited series with folkloric human ep presenting four fine electro/techno cuts. the title track opens the ep with a blend of old school electro and distinctly modern techno, featuring rhythmic bouncy beats and a playful built up perfect for the floor, followed by phase mistress, a vintage sounding beauty with captivating bass sequences and plenty of analog flavor. erebus kicks off the b-side with its twisted drive, cyborg samples and sinister attitude that justifies its name been derived from the mythological god of darkness. the atmospheric, detroit flavored decommissioned androids rounds the ep off with tight basslines and relentless analog madness. lewskis debut ep on patron records last year gained support by the likes of ben ufo, dj stingray and umwelt. lewski is part of a select cut of young artists who are absorbing electros legacy, carrying it into the future and with his release on wolfskuil limited we can be sure that the future looks very promising.

with this debut ep, the ozzie producer succeeds in rounding up disparate & dubious elements together in a serious way without departing from a non-serious attitude - the record even rounds off with a very “put your hands in the air” moment with space gekko’s ravey sirens. “music to party on the river yarra to” (just google it).

in 2015, something magical happened. we met a couple of talented young swedes named artur bra&#776,ndstro&#776,m and egil kahlbom who excelled at composing and producing these lighthearted, breezy disco-hued house tracks (or house- hued disco tracks, perhaps) that both fit the aesthetic and character of lph and brought something new into the fold. the result of that first encounter was marathons, a full-length album, their debut to the world, and now, two years later, we re back for the much-anticipated follow-up. rehearsal is a little briefer than its predecessor—it s five tracks—and has a markedly different tone, one that s less about dusty, sun-bleached samples and more about tightly-engineered and delicately-crafted songs. if the first effort was marked by its carefree naivete&#769,, the sophomore effort is, well, something a bit more advanced or, perhaps, rehearsed. what hasn t changed, though, is these guys ability to home in on grooves and coax something trasncednetally hooky, memorable out of them. the five tracks contained here are low-key in attitude but powerful and punchy in approach. they re uniquely juicy, nourishing numbers for mellow hours and fearlessly fun ditties for party hours. lots of love went into the lot of them, and we hope all s you feel when you let them wash over you is that. love

what should have been a quick process has taken a bit longer than we hoped, but thats the way of handcrafted products, be they ginger beer or sourdough bread, and like the bread, the vinyl is currently cooling down to ensure an undisturbed, top quality product. np004 contains two tracks, cunningly devised in yorkshire, reflecting the area s no nonsense attitude and warmth. the final touches of mastering, have been added once again by the highly trained ears of moog expert dr spaventi. this continues to give us a very important international dimension to what is still a local artisanal product. specially formulated to make you dance and give you something a little extra, we ve switched to stealth black paper sleeves for this release, and where cutting engineer failed with inscriptions, as can be their wont, we ve lovingly re-designed the label to incorporate details of the free gift we re providing

longtime friends and production partners ali Çak&#305,,,,,,r and soren jahan launch their new label hörru with a 4 track ep. hörru will focus on releasing vinyl from düve as well as personal projects from soren, ali and friends. &#8232,,,,,,konsekvenser is a reduced house banger for the club, 808 live jam style. nej takes things a step back and with a little more attitude, saying no to you in the crowd. uzay kök is a hard dripping trance exploration. beluc closes the ep with a dialog between voice, flute and eliot bates on the oud.

(180gr) after a twenty-year search for the man behind the cult 70s jazz-funk group opa, far out are honoured to present barrio opa: a new work from fattoruso and his team of world-class musicians, including the sensational candombe drumming of the renowed silva brothers. recorded at sondor studios, montevideo, the album is the natural development of the original opa sound, fusing afro-uruguayan rhythms, jazz harmony and heavy funk attitude, under hugos unique musical vision. more recently fattorusos music has been sampled by the likes flying lotus and madlib.

raw dirty jacking tracks fatter than a ferry to helsingor! nimam spregleda provides 4 tracks representing the underground sound of helsingborg and its tradition of embracing sounds from both chicago and karlskrona. most tracks are on the gritty acid house slant but with a weird punk attitude & the last one is a nutball out-of-sync dancefloor wrestler for drunken sailors. yes, you need some smalltown dang from nimam spregleda before the ferry arrives. -dj joakim cosmo

brothers harvey and ryan mckay return to drumcode with their dynamic alias project. we were introduced to alias last year when the mckay brothers dropped the impact-heavy visions ep mid-way through 2017. the duo followed with a lauded contribution for drumcode live and the buzz from fans was palpable. the follow up sees the pair in powerhouse form. the title track nrg is an attitude-packed tour de force compromised of aggressive snares, warped vocals and a tension-filled break, it has been smashed by adam beyer for the last six months. orange sunshine pulls no punches as it dishes out apocalyptic acid paired with the siblings startling drum work. the event rounds out the ep and is an exhilarating affair propelled by uplifting synth lines and a buzzing energetic bassline.

seven davis jr proved once again he s one of the brightest lights in authentic soul-soaked deep house with attitude when he released love from the other side back in 2016. now he s pulled together a strong cast of cats to offer up remixes of key album tracks, with scintillating results. davis jr s heady atmosphere is maintained in all of the versions, from marcel vogel s funky broken beat treatment on -99 candles- to the woozy bump of the teflon dons version of -this weekend-. watch out for the tracky heat of coflo s remix of -me like you- as well - just the kind of lean, mean, sexy jam that will get bodies heaving in the right party spot.

in ancient lddlm times, blddlm even, belgium could well have been the freaky house and ecstasy center of the world. if only we could remember all the lost hours. but after all, as the brussel saying goes: its friday, tomorrow is tuesday. at lddlm, we try not to reminisce, that was just setting the mood.we are very happy to welcome arthur johnson in our non-fold, a young producer from liege via marseille and la dame noir. aj is amongst those ever mutating artists, his u-turns slowly composing a real personality, and one fitting our contrarian attitude. in a way perfect stranger reminds us of a good 90’s farley/heller remix, not so much camp fire island than almost sweaty late night trancer. we love those tracks that do not fit our ethos a priori but that we can’t stop playing. cosmo vitelli is a long time family friend and he beams up this stranger through the axis into some kind of romantic italo-german anthem. ballada and secretary discordia show a different side of aj, a dub march echoing dif juz and a percussive machine funk number. we sincerely hope aj keeps on straying for the best, his way being our way.

for its tenth anniversary, killekill decided it is worth to resurrect the main label and bring it back in full effect with another compilation of tracks by our beloved family members, favorite artists and bestest friends. cat. number 020 was never released, and we thought, this celebratory occasion was perfect to fill that gap, so everything is cleared, and we can step into the next decade. we start off with a track by mmm, the legendary duo consisting of fiedel and errorsmith, known for pushing the boundaries with every of their very rare releases. this one is an extremely simple, but effective weapon to destroy all dancefloors with its slightly loutish appeal. neil landstrumm got together with brian rays and produced a bleeper hit with catchy vocals. we don t know who the lyrics refer to, but they definitely express a punky fuck-off attitude, which we are missing a lot nowadays.

british dj/producer bearface has been on a bit of a roll of later. aside from releases on his own beartone label, the london-based label owner has also found time to deliver outstanding cuts to the likes of exploited ghetto, which housed his last release, the wonderful moon . this time around, he comes correct on his own beartone label with a record that s notable for its quirky demeanour and undoubted eclecticism. opening up the release is the sounds of mumbai nights . although it gets us underway in fairly innocuous fashion, it quickly finds its feet thanks to a brilliant, whaling indian-inspired vocal that weaves in and out throughout. a whimsical track of that sort that s sure to be a hit with more daring djs, it s an auspicious start to a release that s never lacking in personality. as is his forte, bearface then goes much deeper in search of kicks on data storm , taking us taking us down the rabbit hole to a place that s full of enticing oddities throughout. after this, the frankly bonkers sound of the electro-leaning title track sista take centre stage. a thoroughly intense peak-time workout, it s full of attitude and an indication of the producer s more gnarly and abrasive approach. all things considered, it s sure to get the night moving in an altogether different direction wherever it s unleashed. closing out the ep is the drum heavy sounds of march . a broody track that s tailor made for the night s more relentless moments, it s a a fitting way with which to sign off an eclectic and dizzying release. the latest chapter in the beartone story is a captivating listen throughout.

we are glad to intruduce you this new joint venture, crvel are p.e.a.r.l. and tensal colliding in the studio with the aim to create cyclical weapons for the most osbscure dancefloors. raw synth lines, crispy high frequencies, continuous sequences and plenty of details and subtle twists that keep the flow going. four exercises of futuristic techno with no turnabouts, straight to the point with a timeless attitude.

nicolas lattansio, aka shit, was raised in temperley, a small borough in the city of buenos aires, argentina. in 1996, he had his first encounter with electronic music and has been inseparable ever since. hes in love with the beats and the dance floor. his tracks are played by the likes of djs pareja, alejandro paz, carisma and mijo. hes the founder and resident dj of te re cagamos la fiesta and tokyo, the festival. he defines his music as indie techno, with strong beats, vocals and plenty of attitude. without a doubt, shit is one of the most powerful projects in the neighborhood. the solo en la pista ep shows shit s veritable force in the blooming indie-techno scene growing out of mexico and south america, and the remix with mexico city s ali x x ximena (former azari iii) is an extremely strong dance floor track that has proven itself upon many floors and festivals from burning man and beyond over the course of 2017 in preparation for it s public launch this year.

archie hamilton touches down on fuse once more for the mercury rising ep . right hook kicks things off in typical archie style with a snaking groove, resplendent with another one of his trademark catchy b-lines. limbo is the eps vinyl only track and delves a slightly deeper furrow with a headier vibe whilst mercury rounds off the package, a brisk tech-houser with warm attitude via blissed out pads and a charmingly understated synth riff.

lithuanian based label sodai started its journey in 2016, making it a label still in its infancy but making a big impression. owned by artist gardens of god, who started the label to create his own no limits platform for his experimental sounds and projects. while at the same time a platform to give other artists the chance to also have freedom with art and music. with releases from raxon, few nolder and alex krell under their belt, they can announce the exciting debut from uk producer third son this april. ive been an admirer of gardens of gods music for a long time, when he asked me if i could do something for his imprint, i was more than thrilled! adds joseph. syncopes synths spread far and wide, making this a journey of a track, modulating and panning in and out, pushing and pulling along a percussive drive. his broad musical range can be felt in this mix, with its slightly hypnotic tones. irony has a punctuated low end, which creates a deep and dark groove. the synthetic elements in this track gain in attitude, on top of ambient pads, leading nicely into bach to close out the release. its driving and determined bass makes the backbone of the track, with a modulating hook line, along building and expanding frequency ranges. the whole package makes for a very strong first release from third son, and sodai are excited to be welcoming him to the family.

after launching last year with who, get your copy returns to the fray with a little help from italian powerhouse steve murphy. the producer gets plenty of action on labels like hot haus, chiwax, lobster theremin and more besides, so you know you re going to get a solid dose of tuff house business delivered with that gutsy roman attitude. -everything u know- channels an abundance of 90s vibes, from the nagging chord stab to the understated speech sample, while -infiltrator- takes a tribal direction without losing the old-skool flavour. both cuts are perfectly shaped for the dance, whether you want to hit a peak time note or take the crowd deep into the groove

insurmountable heat sliding through the cracks no doubt, uks sentry imprint is at it again. dj youngstas vinyl label is continuing its high-pressure output on dangerous 12inch records. routinely adding some of the worlds finest bass music artists to its roster, now welcoming none other than gramz to its venerable discography. the notorious alter ego of sleeper, highly respected producer and label operator (crucial rec.), takes a turn for the more aggressive & experimental side in dubstep territory firing up dance floors with its in-your-face attitude and hip hop inclined slack. unadulterated gangster business, stirring the melting pot of forward-minded sound system music.

alex.do is best known as part of the dystopian collective, where he works alongside scene leaders such as rødhåd and recondite in pursuing a focused strain of contemporary club music loaded with emotional depth to match its functionality. this attitude comes through in spades on dusted, where do presents a selection of tracks that tap into all four corners of the night.

ghent based pianotrio steiger have earned their place in the ever growing peloton of young belgian jazz innovators. as a result, they won the young jazztalent price at the 2017 gent jazz festival. with their luscious and rigid grooves in minimalistic framing, they cose themselves between schntzl and de beren gieren, likewise minded young beljazzbands that don’t take it so closely with traditions. they play jazz with a rock’n’roll attitude. sdban ultra is very pleased to present a sampler of their debut album ‘and above all’ on a limited 10” vinyl for record store day 2018. this release marks their introduction on sdban ultra, their sophomore album is expected next fall. ‘and above all’ houses both jazz and modern compositions, avant-garde and experimental electronics. steiger takes inspiration from jazz and refers to the traditions but equally pulls those apart, for example in the chaotic miniature bachfag and in the intimate inverse/reverse . with berlin revisited the band clearly chooses electronic instrumentation. it is reminiscent of the electronic jazz of the noughties: bands like triosk, sofa surfers and flanger did not so much work towards jazz but used the genre as a stepping stone to dive into the cosmos. steiger are launching themselves into infinity on this track with a pounding beat, shrill cymbals, overdriven keys and an unwieldy bass.

theus mago comes from mexico city, his light is a harness of levitation escalating beyond the galactic thin air. stars collid-ing, feeding off the dust of unknown ashes risen from the earth and sand in resolve. doog offers eerie and optimistic vocals to the disconcerting yet comfortably soothing waves of theus magos ella and smokey red lights. the french duo il est villaine journey ella to the obscure and swung out dimensions, while arthur johnson brings his guitar and synth-laden attitude from the shadows to the brightest dance floor on his mix. dreams can be so weird sometimes.

the „sweet memories ep” is the first release of a three-ep-series coming up in 2018. christophe salin is taking us on his musical journey and paves the way for cooperation with future artists on his very own imprint „salin records” that he runs with his wife daria salin as a platform for electronic music and art. „sweet memories” is just setting up the right mood for this ep that will unlock some forgotten moments and will take you back to that feelings. „paradise” is an homage to the early 2000s and their happy go lucky attitude while „covered with pain” takes you on a modern ambient trip. the flip side is a statement, „house music is like a call, it is a religion to them…” as well as „love is unfair” are coming deep from the heart.

adam beyer s drumcode closed out another hugely successful year in 2017, with a non-stop release schedule showcasing some of the best techno on offer from both the labels roster of artists to some fresh new names popping up on the scene. now in its 21st year, the label announced its drumcode festival later this summer, that will only contribute to solidify their position as the world s no.1 techno label. making his debut on drumcode in 2017 with his track fake featured on the a-sides vol 6 compilation, one of brazil s much loved exports wehbba brings us his first full ep this february with eclipse . a no nonsense 4 track offering, and all thoroughly road tested by adam, they have gained much support from longtime drumcode fans. eclipse, delivers a low end rumble along with a modulating synth line. reigning high throughout the track, is the undeniably catchy and unique synth. leaving this track one to be recognised on dancefloors all over the world. ‘protocol doesn t turn down the pace, straight into a chugging hypnotic drive, this track leaks with attitude, along it s eerie undertones. probably the most acid influenced track of the ep, glasswerk has a futuristic modular synth riff which thunders along a hypnotic bass line which flows nicely into framework to close out the ep. its punchy and powerful kick sits alongside the cleverly crafted synth pattern, taking this track into a dark zone with a groovy element still resonant.

arkityp, the imprint solely dedicated to archie hamilton and rossko s collaborations, returns in 2018 with its sophomore release - 3 for a tenner ep, landing in all good record stores march 19. born out of marathon sessions in hamilton s london based studios, the duo would road-test the outcomes of these endeavours, letting the dancefloors adjudicate the ep s final tracklist, one that elaborates further on the theme of aktp001 - growing up clubbing in the uk s capital. delving deep into the cross-pollinations between minimal, dub techno and tech house, this three tracker celebrates the attitude and energy within england s club culture, a culture that has profoundly impacted the perspective of both label bosses and their production style.

taking advantage of his first japan tour, ortella is back with a strong ep rich in styles. believe is mixing memories and fantasies, each track gives a deeper journey with a panel of emotions and feelings, keeping the french man own solid base with dance-floor oriented drums and enhancing them with some cosmic trippy loops, a very special romantic mood and a drop of acid : the perfect formula for evasion. dancing is great, tripping is better!

vidab x returns with a new artist, faltin, who chooses to remain anonymous, plus a stepping rework by gowentgone aka label owners oliver deutschmann and stephan hill. faltin s phobos is a stripped down analogue masterclass. rolling and snaking, its arpeggiated lead growls with a hot headed tension, climbing while never losing balance and poise. the gowentgone stepper translates the original into a heavyweight, early-morning trip - a certain hybrid of broken beats and techno attitude that melts between genres. waves of euphoria are carried by rumbling drums in this essential version.

decks full cover edition!!! the Ÿ is the underground vinyl only record label based by stan preston. the label starts its first release darija featuring an amazing artist mr. sakamaka. the sound of this label relates to avant-garde attitude, enormous deepness and after-hours relevancy.

a mysterious new label launches with a double lp that ranges from ambient, house, 2-step, breaks and techno. this idea originated from collaborations that the artist had with musicians from different spectrums of the universe but by keeping an open mind and a positive attitude they were able to create music and a deeper respect and understanding for the others art form, opening themselves up to infinite possibilities outside the normal realm of the comfort zone. the relative positivity project will consist of solo projects as well as collaborations with people that have had a positive impact on the life of the artist.

four 140 bpm bass bangers from the grime wonder boy boylan (who also has some history in drum and bass, releasing for the likes of the legendary bad company) and the grime godfather dj slimzee, co-founder of rinse fm, member of the legendary pay as u go cartel and owner of slimzos recordings, slimzee is a key figure of first generation grime who shot to international underground fame at the turn of the millennium, alongside partners in grime wiley and dizzee rascal. boylan and slimzee make an outstanding production duo and this debut ep is a testament to that, these beats leave a trail of destruction anywhere that they are played around the world, while crossing 140 boundaries and delivering unique bass music with weighty attitude.

after a successful release with church recordings at the start of the year ben hauke returns to his label woop records for a five track ep , first takes. first takes ep combines the sounds of broken beat and house music with a strong nod to 90s hip hop throughout. ben is cementing his own sound and approach to music through his eclectic sampling of jazz records detailed drum sequencing and no nonsense attitude

decks full cover edition! a super talented romanian artist moratu joins the label complatt with this enormous ep -efect de sunet- that brings us all his amazing notes, way of thinking, his vision, his underground attitude. this record contains of 3 amazing tracks that must be played on the very best underground parties only. vinyl only format, no digital promo or digital release afterwards, no further re-press.

brame& hamos brand new label with release no.2! following their blistering 2017 trants ep, brame & hamo return to their own b&h imprint with an irresistible follow-up, club orange, delivering another trio of spirited tracks that encompass warm-hearted house, trippy analog-textures and a general crowd-pleasing attitude that’s nonetheless never short on charisma. for the first of the three cuts, the irish duo honour a fellow countryman, the joint-most successful irish footballer of all time, mr. roy keane. although not known for his love of joyous, blissfully filtered house anthems, the infamously dour midfielder and prawn-sandwich sceptic would surely offer a stern nod of approval from the sidelines as this hi-nrg, hi-spirits crowdpleaser works its undeniable charm in sending both local and national league discoteques into some kind of rapture. as they like to say out on the terraces goal!

a gust of leftfield electronics, stark electro and deep-techno blows in from the industrial docklands of helsinki. liberate yourself from confirmative, nondescript sounds with the steely attitude of the hietalahti liberation front. e&#769,,,bor combines the essence of raw machinery, abandoned materials and brooding liquid in a mind-expansive debut for the label.

hold tight for a shocking, rare discovery from the dusty vaults of a forgotten 90s breakbeat house outfit s minidisc archives. the two tracks that make up the repertoire of the two bad jews crew are steeped in the wistful optimism of the good old days - they just don t make them like this any more. -holland memory- rolls on a measured use of a break and a simple chord sequence that could melt on for days, plus there s space for the odd cheeky sample to remind you of the unpretentious era these tracks herald from. -tony hayers (dub)- meanwhile ups the dx7 funk with a rollicking house cut that would sit right with any true deep house head who wants a little uk attitude in their soul stew.

f*clr music are proud to present irish producer/dj, glenn davis and his debut release. a deep soulful affair aimed firmly at the dance floor fusing his love of all things chicago, detroit & nyc. the title track body & soul has its roots firmly in the strictly rhythm/nu groove groove a lush, organ driven banger that is guaranteed to incite hands in the air mayhem. ashley beedle & the north street crew put a different spin on body & soul giving it a spaced out, balearic feel while i ain t got nothing has got attitude and then some. the held string, melancholy chords and beautifully ethereal vocals take you to that tiny, dimly lit backstreet club in your mind you ve all been there the one you never want to leave. the gasping interjections on i feel it are underpinned by ominous synths while emotional intelligence takes you in an even darker detroit direction.

continuing its cosmic techno research path, subosc is happy to present the latest work from hydergine. known for his deep and dub influenced techno releases on labels such as phorma, modelisme, knotweed and ranges, he delivers two ambient influenced techno tracks with a mental and dancefloor attitude. driving grooves, pulsating synths and melancholic melodies are the main elements of the original tracks, which journey narrates about cosmic energies, self healing and mental stimulation.
the “omega point” is, at fact, a spiritual belief and a scientific speculation that everything in the universe is fated to spiral towards a final point of divine unification. “light from light” puts emphasis on the eternal and bright light of wisdom, which allows to think and act using knowledge, experience, understanding, common sense, and insight. wisdom leads a person to overcome feelings of helplessness, powerlessness, anger or aggression by non-understanding of external elements and internal acknowledgement. the ep includes two immersive, dreamy, enlightening and spaced-out electro infused versions by artefakt (delsin / field records) and 2030 (construct re-form / clft).
already supported by svreca, etapp kyle, abstract division, quail, leghau, kessell, alfredo mazzilli, nihad tule, roberto clementi, shaded explorer, distant echoes, unbalance…

2017 remixes of volcov s this time under his classic isoul8 moniker song on my heart, featuring the great paul randolph on vocals. the ndatl boss delivers three versions that combine jazziness and dancefloor attitude. also included here the in-demand jam speak your word that features osunlade on keys and spoken word by rasiyah.

one of the most diligent underground djs from the ranks of detroits finest, whose bodacious style has bubbled up from the underground to become highly in demand by the house scenes tastemakers, detroits filthiest stays true to name with his debut for defected. since he was sampled by disclosure on bang that, detroits filthiests genre-hopping abilities have really resonated. the pounding 4/4 beat is infectious and the sass-laden vocal hook is hard to forget after being blasted out relentlessly throughout the year. defected draft in the skills of belgian nu disco king aeroplane for this special 12inch vinyl package, delivering as always with a melodic electro-influenced banger, shining a whole new light on amina ya heards vocal attitude. the 12inch comes equipped with instrumental versions of the original and aeroplanes remix, plus the accapella, making this the most complete dj-friendly package available.

rbchmbrs returns to 1432r with another mind bending dance ep. passports barges in with a mean kick drum and a manic attitude, slammin and trippin its way through sweaty samples. sliced mangos follows behind with more madness, a swaggering polyrhythm beneath a sicko loop. the b-side sees rbchmbrs slide back into freaky break mode. a cleaned up, bugged out update to the drum n bass featured on his first record. club tested and approved!

the Ÿ is the underground vinyl only record label based by stan preston. the label starts its first release darija featuring an amazing artist mr. sakamaka. the sound of this label relates to avant-garde attitude, enormous deepness and after-hours relevancy.

a super talented romanian artist moratu joins the label complatt with this enormous ep -efect de sunet- that brings us all his amazing notes, way of thinking, his vision, his underground attitude. this record contains of 3 amazing tracks that must be played on the very best underground parties only. vinyl only format, no digital promo or digital release afterwards, no further re-press.