remixes coming from terranovas fetisch himself, veteran allies stereo mcs and karl friedrich.

after making a great impression with its first ep, giant records serves up a second hot helping of house music from boss man grant dell, complete with fresh remixes by scottish techno stalwarts silicone soul. dell, also known as chicago transit authority, has been doing his do for 25 years now. as a dj he is at home in clubs in ibiza and barcelona as well as around the rest of europe, and is someone who always prefers to push his own brand of widely infused and influenced music than his own profile. once again here he comes up trumps with the emotive, glowing house cut ‘in your mind’. with a neat bassline and mid tempo house drums, subtle but effective synth smears add warmth and colour to the groove, whilst soul fuelled vocals add a real sense of personality. this is sure to get people grooving at any hour and comes with grant’s own space echo remix. as the title suggests it’s a more dubby and reverb rich affair with cosmic signifiers and sci-fi vibes pervading from start to finish. silicone soul need little introduction having been at the heart of real deep house and techno for decades on the soma label. their first remix is a darkroom dub - named after their own label - and is a seductively slo-mo and lazily unfolding house cut with languid synths that really suck you in. their lush hypnohouse mix is then a twinkling, late night bit of melodically rich deep house with starry skies twinkling above sombre chords. this is a patiently served but hugely alluring ep that is stuffed with plenty of tender feeling. one again then, both grant and giant have come up with the goods.

„obsidian“ lässt raum für melodie zwischen den kicks und snares und öffnet sich dem hörer in einem traumähnlichen gefilde. damage verzichtet dabei eher auf rohe beats, tracks wie „cosmonaut“, „parallax view“ und „transmission“ liefern aber mit sicherer schlagkraft einen adrenalinschub. es sind jedoch die sphärischen titel wie „pulse width“ und „poly“, das acid-angehauchte „tetrapod“ und das großartige „shimmer“, mit denen sich der künstler tiefer in das unbekannte wagt. man fühlt sich an die genialität von afx, skam und autechre erinnert. „obsidian“ zeichnet sich durch ein zusammenspiel von wärme, herz, seele und viel viel schweiß aus und zeichnet somit ein perfektes bild und ein grandioses finale für das label. benjamin damage selbst beschreibt das album als: -collection of fragmented memories from all the music i’ve ever liked, distorted and restructured into a full length techno record. a purely personal project and an end of an era with 50weapons.” man vergisst schnell, dass benjamin damage erst seit 2010 platten veröffentlicht. nur zwei jahre, nachdem sein erster track released wurde, erschien sein hochgelobtes debüt-album „they!live“ zusammen mit doc daneeka. damages erste solo-album folgte im folgenden jahr und zeigte eine entwicklung hin zum von plaid und jeff mills geprägten sonic sci-fi. kritiker lobten die wärme und rückkehr des souls in die von kälte geprägte welt des berlin-techno.

i got to know gavin russoms music thanks to the amazing the days of mars album he recorded together with delia gonzalez now ten years ago on dfa records. flash forward to last year, when we released michele mininnis trippy endless ceremony. gavin russom loved that one and sent over a demo shortly after - youre listening to it now. i am really proud to be able to release an ep from such an extraordinary artist, enjoy! 1st pressing on splattered 12! (transparent vinyl with pink, light blue & black splatters)

welcome back to the movielike resonating sound world of the 23s. already in 2008 the mysterious one-man band proofed with the album “bolivia” that they are trying to do another kind of music – something that isn’t entertainment, something that isn’t show, something that goes gently straight to your soul. now the producer from nord-rhine-westphalia did it again and tuned in the longplayer “flamingo”. anew he delivers a special kind of cinematic journey music that grooves opposite to his other, more rhythm based hypnotic dance productions. also as the 23s he produces pattern-based music, but it pursues a different intention: each listener should dive into a hallucinatory world of seen and unseen films that his inner eye creates unprejudiced. all ten tracks are romantic smooth operators. they put themselves in service of an artistic vision, in which the listener should get lost in music. the album can be seen as a love-letter to the movie scores of the french 70s cinema or the impressionistic sound arrangements you can hear in the early cinema of peter greenaway. with double bass heat, discreet piano melodies, levitating guitar chords, some gentle horns here and there and beats that recollect the warm jazz influenced soul of oldschool hip-hop the 23s generate a sublime get-down-deep instrumental journey. you can listen to it attentive. or you can just play it in the back while doing whatever you like to do. it is recommended to play “flamingo” in a decent amount of volume as all loungey tracks begin to live bigger and brighter with sound intensity. if you play it flashy you will experience an atmospheric sometimes light-flooded, sometimes foggy 40-minute electronic journey that offers open-minded souls to fill the room between the notes with their very own milky fancy. soon the album will be accompanied by a bunch of remixes tuned in and twisted by producers like giegling and white artists edward, christian s of the cómeme tribe, canadian producer the mole and the german post rock and electronic music band to rococo rot.

the fourth release from palms & charms sees the return of label co-owner barnaby bruce, ruminating on the perils of fine fabric care. we ve all been there – a lengthy session on the dancefloor playing havoc with the pile of your velvet coat. faced with this dilemma, barnaby reaches for the battered volume, passed down through untold generations of his family, detailing archaic yet uncannily effective methods for extending the life of even the most exquisite textiles. as he does so, the percussive jazz-tinged boogie of sweat on velvet takes over his mind, unleashing a wave of dancefloor euphoria. not to be outdone, pete herbert (reverso 68), unveils his own masterful fabric care techniques, providing a remix that will starch your collar and shake out the creases. not the same clothes, but something brand new. freshly attired, barnaby begins to notice curious and somewhat unsettling noises coming from the next room. he gingerly opens the door, and is confronted with a seance in full swing. strangers sitting around his dining table wait with baited breath for word from the other side. but the unearthly howling of tortured spirits is quickly silenced by the devilish groove of seance fiction. as the arp makes its entrance, every soul is up and dancing. finally, barnaby bruce also provides the eminently useful go go percussion dub of sweat on velvet – rounding out a sartorially elegant ep with something for everyone, from sceptics to lost souls.

all the tracks are unreleased tracks. this box is an f communications release. limited edition of 1000 copies. a 4 vinyl (purple, gold, blue, black), cd & limited edition poster boxset collating music from laurents recent 4 eps, plus exclusive tracks and brand new remixes from bambounou, marc romboy, voisky, uner and more. the first new music on the legendary f communications imprint in 8 years.

another famous producer transferred himself to a dystopian character to define his impression of electronic music. science-fiction sounds meets eclipses and melancholic souls, all under the umbrella of isaac asimovs ideas and visions. 2015 has landed.

entirely off the safe path, nonconformity and badass sounds are merging for snork #72 to send the ultimate sos for genuine techno. snork enterprises meets remute out in left field with three tracks not only to save our souls, also to save our sound of raw, underground techno. in a distorted space of sound, eclectic morse-codes come floating while persistent base lines keep the machines running. sirens sound and tortured steel is building up a sphere of vibrating noise spreading all over the hull and sustainedly screaming for sos. soaring beats forecast the last burst of strength. a freak wave of forceful sounds is rearing up. scared minds are facing the darkness of endless depth, still longing for the last beam of moonlight. yet, the all-embracing wall of infinity is merciless closing the entire surface. in an ambience of distortion, finally everlasting silence is drawing through the dark deepness devouring every vivid glance. from the distance down below there remains one inward echo - the ultimate sos.

as bass culture proudly reaches its 40th release, it gives us great pleasure to welcome back john jastszebski after he last turned out an ep for us back in 2012. releases for phonogramme and robsoul in the past two years have confirmed that he is a force to be reckoned with in the booming parisian house and techno scene. his approach on the would be back e.p fits in perfectly with the bass culture aesthetic, delivering tracks with a simple immediacy, always loaded with soul in just the right places, but never shirking the all-important groove. > would be back< s sturdy beat leads neatly up to a colourful burst of piano chords and rousing strings that make this into a perfect summer house cut. > fevrier< comes on with an entirely different season in mind, as mysterious and dubby tendrils of synths and samples unfurl around each other with a distinctly wintry mood. > my girl< meanwhile keeps the energy levels up with a stripped back, punchy beat, filling the space in the mix out with rousing pads that soothe and uplift.for a remix of > would be back<, we decided to turn to a long-time legend of the uk house scene, nail. his remix takes a more emotive approach to johns original, dropping in some playful synth lines and dreamy effects with stunning results. reaching across all seasons, situations and times of day and night, the would be back e.p delivers just the kind of versatile house music that sets our souls alight here at bass culture

deep, dark and instinctive techno/ rhythmic/ industrial/ drone music from manchester uk, are the words that can be found to describe the music of casual violence.. its safe to say that they picture the painting discovered in this new ep. expression unrelated is made up of four tracks as good as they are varied.. on the a side theres burn it all down , pure quality techno 4/4, dark and fleshy, the perfect bullet to hypnotise the dance floor in a few seconds.. youth horde, an interlude/break, deep aquifer on a down tempo beat, which rails in this a side beautifully. on the b side, the track who gave his name to the ep, expression unrelated is a track as dark as it is rhythmic. a broken devasted beat, over 9 minutes of insanity.. sensitive souls beware. we finish off with an outro/intro, where long and hypnotic strings interlace.. as already stated, pure drone music from manchester.

die serie der greensleeves lp-wiederveröffentlichungen geht weiter: hier ist das album des sängers linval thomspon aus dem jahre 1983 im originalartwork. *baby father* wurde mit den roots radics und dem bläsersatz bestehend aus dean fraser und nambo robinson im channel one studio aufgenommen. am mischpult saßen dabei soldgie hamilton und der sänger als produzent in eigenregie. linval thompson (geboren als phillip alphonso im jahr 1954) hatte seinen ersten karrierehöhepunkt mit dem kultalbum *dont cut off your dreadlocks* im jahre 1976 für bunny lee. zu diesem zeitpunkt hatte er bereits das studium zum toningenieur in new york abgeschlossen und später begann eine erfolgreiche produzentenkarriere, u.a. dennis brown, cornell campbell, the wailing souls, barrington levy, eek-a-mouse, sowie die zwei scientist alben *meets the space invaders* und *encounters pac man*.

what happens if such restless souls like akiko kiyama and laurine frost start to melt their sounds together? the result is that one of the most interesting piece of art of the forward-thinking techno music becomes alive. ’through the mountains ep’ is a golden section of their utopistic musical imaginations, influenced by classical minimalism, live instruments and the ordered chaos of contemporary techno and found sound elements. all the four tracks contain their recognisable fingerprints. the gently and respectful collaboration is proven by the perfect balance of chemistry. in the collage of their musical layers every tiny sound and every tiny breaks have its own weight and meaning. waving and playful structures, exciting journeys on the edge of reality. 

on this new 12 inch, we present 3 big names of the digging scene: tokyo matt from the otaku soundsystem originally based in hong-honk, and mori ra & asn from tokyo oyama edit, well know for their releases on curt jackson rotating soulss label. the 4 edits they are presenting are just out of this world. all very atmospherics, they are the ideal combination of space disco, balearic rock, jazz, pop and fusion. another ep to take very seriously.

*the island of dr electrico* is a varied musical landscape, at times lush and tropical, at other times an impenetrable swamp teeming with all manner of surprises. migrating seabirds have long flown thousands of extra miles avoid dr electricos blighted isle, leaving him alone to experiment with dark beats, primitive synthesizers and the raw emotion of kidnapped souls. the resulting sounds are a rich palette of classic cinema, from lonesome spaghetti to surf-rock, from psychedelia to spine-bending space disco, overlaid with the voices of our protagonists the tiger and the mysterious lady. from their unlikely beginnings in the suburban wilds of melbourne australia, the bombay royale have taken their unique sound to audiences throughout europe, uk and the usa, where their performances have been met with astonishment and critical acclaim.
the vinyl lp comes in gatefold sleeve, mp3 download code included.

when leeds duo galaxians formed in 2012, their mission was clear, to bring back beat, and at a breakneck pace, including releases on rotating souls (atlanta) and leedss own stargaze, plus stages shared with the likes of tom tom club, golden teacher, zombie zombie, and ultramagnetic mcs, galaxians are here to bring back visceral funk. with their latest release on brooklyns dither down records, galaxians have found the perfect home for a duo inspired by nyc boogie labels like west end and sam. giving them the perfect opportunity to showcase the sounds that have made them such a hit with festival crowds. it is their inherent love of nycs hard attack, that makes the bounce of ducket$z through the slippery glide of skydive all the more visceral and exciting. say hello to your new favorite gang of two, galaxians.

usb stick - kein vinyl !! (usb stick - no vinyl)
2014 is the year of degree records first anniversary celebration. after three highly successful eps, which all hit the top 10, the label owners veitengruber and 212fahrenheit give their love back to the audience with the most sustainable and utterly stylish gimmick - a wooden 8 gb space to race usb flash drive with 16 exclusive tracks by the best national and international deep house and techhouse artists. it will be delivered in a precious box together with a necklace.

yoruba records is honored to bring to you the incomparable lady alma. coming from the roots of that philly soul sound, quickly became synonymous with house music. her powerful voice and empowering lyrics lifts generations to fully understand self worth and self love. osunlade is a force within the foundation of house music. born at the intersection of funk, jazz, blues and rock n roll, he injected new sounds into house with his pristine production and respect for the harmonizing roots of all music. these two dynamic souls join forces in an explosiven song, its house music

ltd repress !!! another main player of the current elite of deephouse producers makes an anonymous but definitely not impersonal appearance on the ever great story imprint. right from the beginning of >fascinated< we get slowely woven into a maze by the spellbinding introduction of a sultry soulstress and when the eeriy string, gentle harp sweeps and a swinging yet almost coy beat fall in it only adds to the feeling of hazy, latenight intimacy. >taj mahal< has a more robust, earthy beat with tabla and deep twangy sitar sounds panning around, making you see all these groovy colors and feel like you are lifted above ground and even >you better find a job< - despite its title - doesnt even try to pull you back to earth and into dull reality. its warm pulsating bass, psychedelic feedback and flanger sounds much rather urge you to flip that record over again and stay in the groove

through the gate of hell a wild savage forest of wretched souls had let me frozen and faint. now all is heard. lux rec presents the second appearance of echo 106 on the label. free download included.

hands off recordings is a new label based in odense, denmark with a remit to release quality underground house music and who better to inaugurate proceedings than detroit legend rick wade. releases on labels such as kolour ltd, robsoul, soulstar, rush hour, hudd traxx, harmonie park and much much more says it all, this guy need no intruduction!! vinyl only, no digital and limited pressing worldwide.

what is good music? most of the time you judge by your feelings. and feelings differ. one step back ahead is a mindset shared by the wupwup group of creatives connected through their passion of music, this passion has resulted in the foundation of a record label without a musical focus. this freedom allows our artists to produce music that reflects their own personality - true music for warm souls is the heart of one step back ahead. a gathering of international artists operating in different fields of expression form the debut release. judge for yourself. underground is a fairytail.

after a couple of well-received contributions to new breed of deep house and finest ny house 2011, house producer washerman releases a 4-track ep thats just chock full of all that great 4/4. reminiscent of works by the great kerri chandler, whos one of his major influences, the synth jabs, booming baselines and funky kick drum of tunes like the eps namesake, >be what you wanna be,< >feeling good,< and >do it< are sure to win the hearts and souls of househeads abound. lets not forget >moody life<, also offered on this ep, for those who like it a little mellower & deeper

limited edition release on red coloured double-vinyl.
the electric dominance forms resistance! germanys gate to the stars of the international electrofunk, bass & breaks scene – dominance electricity – is back in effect with the long awaited follow up to last years interstellar >astronauten< ep by dagobert & kalson.
the new various artist compilation album electrofunk resistance transports twelve perfectly sexy shaped electrofunk & adult robotpop jams. carefully selected from three continents, the songs draw a colorful mosaic of different electrobreak-styles all sharing an extra dose of funk. for the perfect unity of sound and vision, the accompanying cover-artwork is provided by none other than japans legendary sexy robot illustrator hajime sorayama.

the electric dominance forms resistance! germanys gate to the stars of the international electrofunk, bass & breaks scene – dominance electricity – is back in effect with the long awaited follow up to last years interstellar >astronauten< ep by dagobert & kalson.
the new various artist compilation album electrofunk resistance transports twelve perfectly sexy shaped electrofunk & adult robotpop jams. carefully selected from three continents, the songs draw a colorful mosaic of different electrobreak-styles all sharing an extra dose of funk. for the perfect unity of sound and vision, the accompanying cover-artwork is provided by none other than japans legendary sexy robot illustrator hajime sorayama.

kht 002 comes from affie yusuf, a longtime legendary producer from london, who has released tons of tracks solo and in groups on labels such as ferox, force inc and many more. meeting affie yusuf for the first time via internet was like meeting an old friend. a sympathy for the devil was our common sense and after hearing some of his unreleased music it was obvious we needed to get closer. for his first release on killekill he has sent us so many good tracks it was not easy for us to compile the first release. but here we go now with the >i m free ep<, a 12 inch full of house as we like it. raw as shit and full of fun, funk and energy!

nice price deal !!! melodies and words are in faccinis bones and his finely crafted songs resonate with traces of his ancestry. if his songs were maps they would stretch from the english moors to the saharan dunes via the parched plains of the mediterrannean before spanning the atlantic ocean all the way to the mississippi delta. for piers, recording albums means surrounding himself with old friends, people he can talk music with, true accomplices, fellow souls who share a common vision. a soulful and expressive singer/songwriter whose music fuses folk, acoustic blues, and west african textures, piers faccini was born in england to anglo-italian parents, and moved with his family to france when he was five years old.
includes cd-version of the full album.

re-release! melodies and words are in faccinis bones and his finely crafted songs resonate with traces of his ancestry. if his songs were maps they would stretch from the english moors to the saharan dunes via the parched plains of the mediterrannean before spanning the atlantic ocean all the way to the mississippi delta. for piers, recording albums means surrounding himself with old friends, people he can talk music with, true accomplices, fellow souls who share a common vision. a soulful and expressive singer/songwriter whose music fuses folk, acoustic blues, and west african textures.
double 12 inch vinyl plus cd-copy of the full album.

rude boys are synonymous with jamaican dancehall culture from the present day going back to the very early days of sir coxsone dodd and duke reids first sound-clashes in kingston. studio one rude boy features artists and songs about rude boys and rude boy culture from all periods of studio ones history. the album features ska, rocksteady, djs, roots and dub the album features classic tracks from jamaicas finest singers and groups such as the wailers, john holt, the wailing souls, dennis brown alongside super-rare tracks from artists such as mr foundation, dudley sibbley and the soul brothers all recorded under clement sir coxsone dodds supervision at the legendary recording studio and record label. musical backing comes from the legendary in-house bands û the skatalites, the sound dimension, soul vendors and soul defenders û who provide the classic studio one rhythms so influential in the history of reggae

silicone souls darkroom dubs label has pulled off quite a coup with their latest release. taking a retrospective look through the labels archive, the duo approached some of their favourite producers, asking them to rework and give their own take some of the music from previous releases... and boy are we in for a treat! the coup in question was the securing of the talents of a certain mr robag wruhme. currently enjoying the acclaim generated from his exquisite long player, >thora vukk< (pampa), wruhme has kindly turned his attention to remixing extrawelts >neuland< for darkroom dubs. the lead track from their 2010 >neuland< marked a key moment for the label, as silicone soul celebrated the signing of an act that they had admired for many years. robag provides not one, but two reworks of the stunning original, each as impressive and moving as the other. the second rework sees john selway turning filippo mancinelli & allen mays >the hills< on its head. the deepness of the 2009 original, is still in evidence as the atmospheric sounds sweep within selways wonderfully driving tech reconstruction.

some more proper house music from new quintessentials signing azuni! the lads have been making a name with an excellent debut album on sthlm audio and further releases on various labels like drumpoet community. azuni stands for proper house music - and the >soulship ep< is no exception. ranging from kerri chandler type of tracks like >do it to me< to the hip housey >feel it< (featuring the vocals of up and coming chicago based bolo, who already worked with glenn underground and ricardo miranda) to uplifting old schoolish tunes like the rob mello remix of >do it to me< to the deep and pumping >how wonderful<, it all there! grab it!

andreas gehm returns to the mathematics imprint for another round of sick cuts. this is voodoo opens with an eerie basement banger that is followed by all soul day, a deeper journey into his production. the return of ra kicks up the dark acid while the title track ends the ep with more tech.

all indians no chief. everyone is winning when two like minded souls are sharing their passion under the strobelight. each design strictly limited to 100 copies!!! quality: 100% cotton - 170 - 175 g / m2 - single jersey, preshrunk

all indians no chief. everyone is winning when two like minded souls are sharing their passion under the strobelight. each design strictly limited to 100 copies!!! quality: 100% cotton - 170 - 175 g / m2 - single jersey, preshrunk

after the success of the >nathaniel x project ep< in may, the parisian label finally comes back with another killer ep! from this label calling all souls and spirits from the old skool new jersey house, early italian after-hours house and chicagoan finests, from music station, to prescription underground, to palmares, to goldtone … who is paris underground trax? we dont really know, as the label wants to keep the producers name secret! only thing we know is that these tracks were produced in 2010 by a young french dude! so again, these are proper 90s vibes, in the purest deepest tradition, heavy kick, fat basslines, hard swing and massive oldschool keyboards! kerri chandler: >great tracks, i love them all<

all indians no chief. everyone is winning when two like minded souls are sharing their passion under the strobelight. each design strictly limited to 100 copies!!! quality: 100% cotton - 170 - 175 g / m2 - single jersey, preshrunk

all indians no chief. everyone is winning when two like minded souls are sharing their passion under the strobelight. each design strictly limited to 100 copies!!! quality: 100% cotton - 170 - 175 g / m2 - single jersey, preshrunk

all indians no chief. everyone is winning when two like minded souls are sharing their passion under the strobelight. each design strictly limited to 100 copies!!! quality: 100% cotton - 170 - 175 g / m2 - single jersey, preshrunk

everything from a small room. a few friends joke and start to record something.. something strange, indecipherable, or maybe just their souls. a voice begins to sound diffuse, catchy, distorted, hot. what happened to them on in that room don t know, but it was enough to convince us that this was a true story, unique ,inimitable. hooved was amused to construct a simple, yet many artists have come out of my mind, since the scsi-9: anton e maxim have made a pop song like this phoebe, that seems to be everywhere, but didn t think hitherto.. barrytone, new project of korablove, we delight rolled, cuts batteries and more pressing reason, unlikely to fade in your shelves. echonomist in greece seems to fall after many years in his bedroom, and start playing with the same old things, but with the eyes of this. finally tuccillo helps us find a very specific connotation, destination, disco. vinyl seems to sail on his last tour, but in the digital ve rsion will still expect the memories: l original track of hooved, version reinterpreted version of the cool voice hvoya, and the last train, the remix of dualism. a man and a woman summed up in just under 13 minutes all monsters and insecurities, words and glances, the soul of a gesture that turns into projects, loop, hours, bpm, second. apparel is pleased to present phoebe ep.

michigan central station built in 1913 for the michigan central railroad, was detroit, michigans passenger rail depot from its opening in 1913 until the discontinuance of amtrak service on january 6, 1988. at the time of its construction, it was the tallest rail station in the world. the building, located in the corktown district of detroit still stands today, though it remains unoccupied. restoration projects and plans have gone as far as the negotiation process, but none have come to fruition. spread throughout the city of detroit and its surrounding metropolitan area, the decay of once magnificent buildings during the industrial revolution and automobile era now cast a shadow of despair on a once flourishing city. these monuments of achievement now lay barren and forsaken by city government. infrastructural restoration and city development are fundamental elements in detroits recovery, and the recovery of cities worldwide. it is time for revival in our cities, but first, in our souls. the michigan central station ep is a platform for this change.

the day is finally here... we kicking off the new year with a big one! the original release of restless soul and i know it in 2007 featuring the breath taking vocals of zansika took us all by storm the first time we heard this tune. it was one of those records that has timeless stamped all over it when it landed on our desk, but after years it was time to bring it out of the vault and give it new life! we called on restless souls new generation jose carretas to take a walk down memory lane and give us his take on this record we loved all so much... hope all enjoy this one as much as we do and play it loud!

noir de coeur ep is the second projet of the aglia records label, with the theme africa or perfect mixing between jazz, afro and electro dub style. to do this, krispaglia turned to 3 talented artists: melchyor a (razana prod, rec soulshine, slip and slide, ludovic allen (tribal winds, real tone, basenotic, gswing) rochdee (rec elephunk, boys basment rec)and krispaglia (aglia records) to give their musical vision on this continent. melchyor a feat long bass - house of groove: afro house classic pure style. ludovic allen feat mediff - darkside: moody dub vocal house track. rochdee - idealgroove: pure afro dub...

2005 compilation by ian pooley!! tracks by turntable rocker, satin souls, natural rhythm, mike monday...

a new beginning is always an euphoric and scary step towards the unknown. the euphoria comes right after the original idea, when first signs of feasibility are shown. then comes reality. i think that nobody is able to eradicate reality (or what a common society sees of it) out of his mind, though art allows us to escape temporally this fiction. its not an easy task to achieve and artists hold in their hands, intellects, souls and guts a great responsibility. terpsichór? will be a support that transfers this responsibility to others: the artists, the public, the crowd, the souls, the dancefloor

dj andy smith has been diggin deep in the archives of bgp and came back up with 24 pearls in funk, all made between 1966 and 1975. enjoy!

nice price deal !!! brand new single from uk producer perempay n dee featuring the vocals of cleo sol. written by c.chichester z.forde c.nikolik e.francis produced by perempay n dee all instruments played by perempay n dee. additional keyboards played by chris >zay< williams. all vocals by cleo sol

rough to the touch, the jt3s latest will sink into your souls, purifying them by breathing in the bad and exhaling out the good. js songs use blues and r n b templates, executed with sweaty, wide eyed energy - and this time, hes added a couple of colours to his rainbow that are blowing our minds, those of dub reggae and ska, which squeeze next to their northern brethren with excellent tightness. you ll be left breathless after a nonet of new songs, all of which address the modern dilemma of identity and faith. vinyl only release - as befits the classic rock and soul sounds.

the munich resident florian senfter aka zombie nation or john starlight is well-known as the creator of tracks like kernkraft 400, souls at zero, space marines and last not least blood angels, which can also be found on the sound of the third season, and is thus a reliable choice for sweaty, energetic eruptions up to the fringe of demolition. this doesnt change significantly on road rage, which was originally released by ukw in a limited number of copies and is now the first sign of life from senfters studio, after three years of abstinence. with timehonoured plus 8 references and acid elements, the original recollects an almost gone quality of techno: to blow away your skullcap with the unashamed joy of telling stories, many breaks, some funky dirtyness and experimental noise playfulness. exclusively made for cocoon was the remix by parisian turbo producer popof who gives the track an even more intense gross-grained feeling. one does not have to be a prophet at all to tell that both versions are facing a great future in club autumn 2008 and beyond

office gossip is the imaginary workday daydream of up-and-coming uk midlands producer nathan brody. nathan just recently offered a stonking remix of schmoov’s >spirits< ( road 004 ) which has been given the stamp of approval by dj’s like tom middleton or miguel migs and many more. >blue on black< is a meaty tech-disco track with a basslline which instantly clicks. on the b-side mantis recordings’ atjazz tunrs the track inside out and gazes at it’s underbelly. the result is a chunky acid house workout with all the trimmings and quality used from atjazz. as an extra treat he also handed in a pure acid house dub. dirty stuff!