feel good (tv=off) sounds like an hommage for the 90s filtered house thing, as hes a true lover of the roule imprint, but its 2007 electronic tech house music. shinichi osawa from mondo grosso, tokyo, has made a special edit for the song (remember his edit for christopher just popper)

morris audio celebrates the 50th release with a superb 2-tracker fully swiss made !! shaka (floppy funk), one of switzerlands finest producers when it comes to detroitsh sounds, presents >the coming< – a track catching a detroit/chiacgo/sheffield vibe of the early days tuned for 2007! bleeps, strings and basslines. the remix on the flipside comes from one of the hottest guys around, deetron.

after his dessous debut >bona fide< in spring 2006 st. sebastian aka gamal sebastian kaba returns with a new two-tracker. on >genetics< the young talent from manchester perfectly manages to produce stripped down and dark techhouse tunes. both tracks spread a rather dark atmosphere with their vocal samples and an elaborate choice of sounds set in the right spots, but still manage to make the hips shake. the title track >genetics< convinces with a sparse but very effective build up with synthie stabs and a wafting bassline. just as well and cleverly arranged is >backwardsman< on the flipside. the mumbled vocal sample and some spooky laughter hide in the dark behind a punchy kick, a deep deep bassline and some strange chords which make this the perfect soundtrack for your techy ghost train

first techno output by this collaboration between mario masullo, already known for his records on defrag and for his collaboration with g man, and maurizio martusciello, one of the pioneer and key figure in the italian electronic scene. woy out lines is a melting pot between different styles with an ear to the past and an eye on the future. on the a side a stylish minimal tune that present a solid, sophisticated groove with 303 pattern interaction and a melancholic and touching pad that give to this track a special taste that reject the abused micro techno trend. on the flip side dogon, here the 303 pattern is the body and the front of the track, the bass line is mind blowing and evolves floating during the whole arrangement, tribal voices, percussions and distorted synths to complete this energetic tune. m203 is a futuristic detroish track where the machines meet the softwares techniques to create an hybrid sound, the bass line is preminent but is well mixed with a lot of small details and concrete sounds. overall woy out lines is an eclectic and tasteful record

hier wird 4 mal anstaendig geklickert weiche baesse und atmospherische minimale klangwelten fuer liebhaber des reduzierten sounds

guns n bombs is made up of filip nikolic aka turbotito, a profilic musician (whose music projects include ima robot, ludo x, and junior senior) and johnny love (one of chicagos most notorious party promoters and djs). during one party, they bonded over mutual love of early rave, minimal techno, chicago jack, acid tracks, and the cybernetic broadcasting system. nothing is getting us anywhere is a vocal track mixing all these influences leading to an apocalyptical path through rhythm. crossover appeal is instrumental but strong as : let the rhythm hit them ! robot music for daft punks. dirty sounds from l.a. via chicago = mosh on the dancefloor !

the country of the rising sun brings us four pressure - loaded tracks from the artist keisuke kondo and the axis tokyo - berlin goes into a further phase. 2 sides 2 views. the first two tracks are the berlin side of keisuke. pkg und eboy are massive tunes with reduced basslines and shorted spooled sounds which moves into the depth of consciousness. eboy builds it self verse whistling with the certain humor up in order to induce one to the internal. with digdag we are movin to tokyo a tool for every ekg which breathes with the pushing pulling sounds and however with the certainty lofi presenting the living digital time. downtown tokyo becomes conscious with the track zoomin – the tarmac_the_humans_the jungle. driving whipping with the trigger like spoiled pitch which pushes one through the masses. bleeps and freaks simple technoid minimal reduced

this ep is rock solid from top to bottom. rock. solid. even rhythm plate say this is their best ever release. this means - 4 tracks of burning, pumping, forward-thinking house music. every track on this ep is a killer tune, whether it s dark warehouse soul, throbbing deep house or early 80s disco dub. silence is sounds like dfa playing at a berlin warehouse rave. techno, live bass and wild vocals - crazy anthem. hard times is tight, heavyweight house which will tear the roof off when played in a sweaty club. remember the days is an instant dancefloor-filler with life-affirming rubbery bass movements and warm squidgy chords. node out is stripped-down underground disco dub with chunky 80s beats and jiggy piano stabs. absolute winner

producer tools, phat locked grooves with vintage syth sounds and elektro beats for innovative djs an producers

played by dj hell.. aufregender techno aus berlin. drexciya sounds versus drogenpop. limitiert !!

satoshi fumi is one of the most exciting producers from japan.. with his new maxi on forcetracks, he explores the field of house music again, somewhere between funky electro techhouse and moody detroit sound. satoshi adds energetic electro house grooves to sensual sequences accompanied by sweet strings.. perfect sounds for urban clubbing

leandro gamez and nico arianoutsos aka cio + resonic make a nice mixture of minimal beats, cosmic synth layers , 303 lines and detroit style sounds

steve rachmad, has taken the global techno scene by storm both as a producer and as a much sought after remixer. his dj exploits is second to none. for many, he is considered a father of detroit techno in the netherlands, respected in the world of electronic music for his deep, groovy sounds that tend to rest on impressive strings, melodies, funk and soul.his first single from his forthcoming album >neo-classica< on sino exemplifies the efficient combination of sonic subtleties and frenetic nuances found in his productions. energy abound with an unwavering level of production quality, this single is yet to be another modern day dancefloor classic

frenchman frederic faupain(aka fuzz) is a veteran of afro, latin and mediterranean sounds. under aliases such as sofian rouge, mr.fuzz and jack in da box hes recorded for labels such as deep touch, filtered, soulgroove and grab recordings. here,he drops the mr and just becomes fuzz for tropicanas 2nd single. on the a side, the original highlife mix is deep down and discofied afro house. imagine nile rogers & chic getting down in lagos. classic discohouse beats with juju style guitar and vocals for an uptempo and feel good mix.on the flip, fuzz takes us down into the rainforest, with a deeper and darker mix, while still retaining the musicality of the original version

the black >e< sind cristian vogel & ben mallot. the black >e< ist eine jackende jam session. the black >e< benutzt rz1 drumcomputer, dx11fm sounds und kopfhörer als mikrofone. the black >e< wünscht viel spass

a ground breaking 3 tracks ep that we re not less then proud to present you. kemistrycian is a wonder tune,based on twistery and magically well balanced clever programming that as an obvious goal, to make you move. back 2 basics has a shaking and grooving start, percussive elements from beyond our universe, panned along sounds for your modern listening experience. patch for dogs is a dubbed out track that just never stops. and it sure grooves, like the whole ep.

idjut boys fellow and label boss steve kotey returns under his afrobutt guise for a seemless mixture of boogie influences and the original fat analogue sounds of classic chicago house cheeky vocal licks and dreamy chords are given a damn good dubbing over the bumpin beats and bassline. second track continues the 80s electronic vibe with a basic, almost computer game like melodie. the flip holds another strong spaced out dub houser

nice floating electronic fly with a look into sounds of jm jarre , klaus schulze , tangerine dream etc

already played by magda, chloe, dinky, mike shannon, laurent garnier the beloved member of einmaleins, sweet n candy is back with number 017release of the established label. scrollmops the original track is charactrised by clickyness and simple but effective sounds.deep, dark n slow.no title (…!?#) is a more playfull track with quirckyness and trippy landscapes of noises developing all the way through its existence.it gives groove to the body based on nice textures.falko rmx is keeping it dark just like the originalkeeping the rhythm and the paths its works slow and trippy. falco brocksieper does a really nice interpretation of the original within the boundaries of the sounds available to him, completing this release in the best way

support by chloe & jennifer cardini !! actually, a tragic fact that the two label owners of sub static never enriched the own catalogue with a cooperation, but then again, there was no time, passion, and maybe also the right tracks hadn t come yet. now we found them, the ideal components, and thus this split- ep succeeds to involve both sides of the same medallion in an extremely animated conversation, which also the party benefits from. a real brocksieper starts off the record, with that slinky, permanent groove which everyone likes to ride on, as it s making you look well on the floors which signify the world. then the flipside laxly continues where just hopped, speak: a little bell rings, the beats pose, the shiny side always in the floodlight. however, the mood changes - functionality mutates to emotiveness, the music floats differently. this can only be m.i.a., who still disassembles sounds with never known precision, gets ideas in order, simply generates funk. so the tone is given for the next techno season, thanks for that

the excellent aesoteric imprint continues its crusade for deep, unique, techy house. thankful is build around a soaring, soulful vocal line that gets looped and twisted over a sharp, swinging beat with abstract percussive sounds and relentlessly pushing chords. this funky tune comes with a remix from brett johnson already hailed by the press and househeads alike as the new house messiah after his releases on classic and seasons

corporate stand for hard, dark and jackin hard techno. after leo laker and switchblade comes tomash gee. he spreads his sounds via many of the most respected hard techno labels. after productions for cannibal society, methadon, carnage and crowbar he now conquerors the young us label corporate !!

nice price deal !!! long awaited self titled, full length album from land shark a.k.a. lance desardi on coco machete will shake up any preconceived notions held by fans of all dance, rock, electro and alternative sounds. the land shark project is an edgy departure from lances previous projects as an underground house music mainstay. still deeply rooted in dance rhythms land shark takes derailing hard left turns into the sonic realms of industrial, punk and electro. definitely for fans of dance rock crossover acts such as blackstrobe, soulwax, the rapture and dfa. an album that sounds like an album not a compilation of lumped together twelve inches

after many years of waiting, treble o present the release of the highly sought after domu production by nicola kramer best in me.the sample string and strong melody see the rhythm section chilling a little, but the shuffle kicks in on the chorus, lifting it from a head nodder to a foot shuffler. included in this single is the hottest remix around at the moment by mr dego ranks and kaidi tatham, publicly known as dego and kaidi. here kaidi and dego fuse subtle keys with chunky beats that glide wistfully under nicolas haunting vocal. the bumpy groove gives it the dancefloor edge whilst its deep musicality gets the hairs standing on their very ends. trademark sounds from both artists in their own rights, a certified future classic

black flg is a combination of james holden s style , acid and german elektro and sounds like a future classic. illusion is a deeper track with nice melodies which find a perfect place in your afterhours sets

on the second release from its remix imprint vr, berlins vakant label comes with the goods, turning out what might be its most far-out release to date - and at the same time, its most punishingly effective. going head to head, glasgows alex smoke and paris man tolga fidan tackle each others tracks, twisting up knotty rhythms and gauzy electro-acoustic sounds into a battered syntax that expresses one thing, move !!

two slammin instrumentals from mr. ferrer grace this new double a sided ep of tracks from his forthcoming full length. this ep again showcases dennis diversity and distinct ability to go from uplifting spiritual deepness to hot,underground, deep, danceable, head nodding tech. >transitions< has that repititive synthy bassline with latin claps and afro styled percussion and gargled vocal sample. >destination< starts off with slapping rhythms, adds strings and middle eastern flavors then throws in parisian styled accordions. he meticulously assembles all these sounds and creates a smooth seamless boundary defying sound

dj venom is one the producers behind of the latest incognito albums, and the album >equilibria< on far out recordings by the new brazilian diva sabrina malheiros, (daughter of alex from azymuth). been a regular at the arision s camp from the beginning with his alias vipersquad, he finally drops a visionary album, reworking some of the greatest tracks by marco di marco (from the album >my london friends< with guest like nathan haines on sax/flute) but also some jazz dance original classic like >par avion< or >bossa with regards<. on this 12inch sampler you find a masterpiece created in collaboration with big bang >bossa of the future<. it s an authentic piece of pure techno-jazz that slides from past to future with his jazzy double bass and his carl craig s styles synthetisers. on side b side there s the massive bossa reconstruction of >up west<, lost between the sax of mr nathan haines and the percussion of the quintet from >my london friends<, mr venom introduces his distinctive sounds, echoes of new jazz revolution

im vergleich zum entspannten vorgänger schaltet >basics< zwei groovegänge hoch. präzise im sound, schieben sich bolero-mässig immer neue sounds & effekte über den groove. acht minuten abfahrt garantiert

der kahlwild resident aus chile liefert einen straighten & soliden groove ab, über dem er ein feuerwerk sympathischer & weirder sounds ablässt. terapia ? nun ja !!

superb electro house with oscilating synth sounds, kicking bassline and shocking electro sounds

warme und weiche sounds!!!!

upcoming uk duo audiofly x make their debut on get physical music with a 3 tracker that sounds fresh and entertaining x will appeal to a wide range of feelings moods and emotions get ready to take a trip with these purveyors of modern house

the new enliven music release comes with a minimal clubtrack that is ruled by a rolling bass and some wooden sounds that will power up the melancholic voice and some mysterious special effects resounds out of the autumnal foggy woods. the mobilee and einmaleins artist pan-pot supplies this release with a bit more aggressive remix

crash/ almost crasch, is an acid-flavoured minimal groover for fans of minus and loco dice however in a very own style.the sg-remix and the original are stripped-down but raw pieces full of sparkling sounds based on a straight beat that makes this track a perfect tool and a peaktime - anthem at the same time! the dadableep portion adds a little bit of german flavour and takes the track more into the tech-house-corner... straight but funky.

battle twig ist ein analoges biest, das auf dem boden herumkriecht, verstecken spielt, hier und da verharrt und sich durch das aufeinandentreffen verschiedener sounds dynamisch verändert. na, angst gekriegt ?

koba records have after it s launch gained great success among a large variety of people. with support from wellknown djs and producers like dave clarke, valentino kanzyani and erick decks etc., it is now time for the 4th koba release. this time mikael delivers a four tracker e.p. with a wellknown blend of retro sounds and electro flavoured rhythms. everything in order to make the crowd go wild on the dance floor

new and remixed tracks by this spiritual, cosmic jazz group. comes with a cool percussive 10 minutes long (tech) house remix on the flipside by matthew dear (aka audion from spectral / ghostly) for the minimal fans of villalobos & luciano.... anthem, includes bonus locked groove

next gastspiel comes along with oscar from karateklub / confused! damage is a cool fusion between crunchy-minimal sounds and advanced deephouse with five green cicle remix (traum / trapez) and samm & baur remix (meerestief). also check the bonus-tune at the b-side: die vernunft rockt unterm teppich!

hypnotic and deep, but always funky, stuart li takes the listener on a journey back into time to early days as well as providing us some classical techno groove. instead of just utilising tools to create sounds, he is a good deal more telling us little, well selected stories.with his elaborate and sophisticated arrangements, his melodic loops and the seductive, pushing bassline, he delivers three different, sometimes minimal, but always melodic new pieces on this second vinyl on versatile records

radio is a true rocker with delicate melodies and solid beat programming, it reminds us of early dirt crew flavours and therefore it is the perfect addition to the label catalogue. catchy vocals and a nice flow troughout the whole track makes this single a special release out of london city, very similar to the sounds of people like mike monday and the playtime crew. the first remix is by the bassthedub heroes 2020 soundsystem. they transform the track in a great minimalistic stomper, fully loaded with tons of bass and a great live feel to it. following in the footsteps of their highly acclaimed latest album the 2020 crew made their typical bouncey bass edit of this track. the flip offers you another deep and spacey rework by dirt crew

on the a-side orlando comes with an oldskoolish dark detroit track >pimp the princess<. a mysterious, almost psychedelic / mental, atmosphere, build around a solid groove. it also has a perfect building up, breakdown and climax. this is really something to experience anywhere, anytime. the b-side contains a ritzi lee remix on >pimp the princess<. typical ritzi lee style. hard, funky and uplifting. the bonus track >meltdown< also has a solid groove, oldschool style techno, with mental hypnotic sounds to pull the crowd to a higher tension. this one is for the true believers

louis benedetti followed the footsteps of his previous floor anthem 7 minutes of drums and delivers this new afro fused electronic instrumental, featuring multiple layers of synth sounds blended with an array of live percussion and drums programming

the maps with a new release called >dont fear< and sounds like ulrich schnauss playing too much spiritulized on no sleep and its utterly brilliant

crazy electro breaks, raw synths, metal and industrial sounds from one of belguim’s finest electro producers. huge praise from lee combs, laurent garnier and adam freeland

the son of sound is back on speak with another dirty disco jammy. this two track release is loaded with the chunky fuse of nasty nyc flavored disco, punk and soul sounds that have become this labels trademark. late night party material for the idjut boys, rong and bear funk heads

kris menace delivers the goods once again new one coming from jaunt & kris menace, a braxe monster in the tradition of discopolis or runnin.a simple funky house groove that gets you locked in from go big french house sounds with electro beats, make all the girls wanna dance.dj supports from lewis dene,kris menace,annie mac, michael gray (full intention) pete tong, jim shaft ryan, oliver lang and many more

les bandits du temps who consists of underground solution first capo ollie grabowski and switzerland senior house don mirco esposito throw some weight around and hand out a righteous disco funk beating with some lovin dropping a beat heavier like an anvil, slightly smoothered with some love sounds is only a short foreplay before a hard slapping bassline, wild sweeping disco strings and piercing horn choruses chase you through a enduring pleasure session with numerous ups and downs testing your stamina to the max. if still got power reserves in your loins to go another round flip over for a deeper dub, stripped down and centered around the pounding bassline with more filtered strings in the background. studio 45 pick up the pace and intensity again to send you back to sweaty peaktime frenzy

massive electro flavoured basslines spiced with catchy male vocals and sweet synth lines on back again, whereas move my body over on the flip shows what it sounds like if the dynamic rockers take the dark route of electro house. a dirty banger that should rock many different boxes