something scary ist wahrscheinlich eines der repräsentativsten beispiele für den belgischen new beat, als sich das genre zum hard beat wandelte, und stammt von einer der schlüsselfiguren in der explosion der frühen belgischen rave-szene, rembert de smet. schon in den ersten sekunden des tracks wird der hörer mit einer der wohl unvergesslichsten acid-basslinien des new beat konfrontiert, die das menschliche ohr je erreicht haben. sehr direkt und charakteristisch für ein genre, das aus studioexperimenten zu einer zeit hervorging, als sich chicago acid etablierte und bereits das vereinigte königreich kontaminierte.

rock

rock

rock

cassette / tape

incl yushhs dusk mix

dub reggae

new york label homage welcomes dart with his debut ep

remastered reissue on heavyweight 180 gram vinyl of david bowie’s 1980 album.

after their enormous release on bad taste recordings, new drums/double thinking, the teddy killerz return with nphonix for another dose of some of the hardest, underground drum and bass around. with releases on the likes of fokuz limited, icarus audio, citrus recordings, caliber music and bad taste recordings between them, the deadly pairing bring two tracks of cutting edge dnb for bt027.

repress without full coverartwork

vinyl only - limited - special artwork by andrea amaducci! supported by francesco farfa, stephan bodzin (september scary is not scary at all!!! nice and smooth bassline. love it.), alli borem, steve lawler, claudio coccoluto, claude vonstroke, butch, george morel, spiller, 6th borough project, makossa, boddhi satva, michael reinboth,audiojack...

big with: trevor jackson, alexi delano, the advent, davide squillace, phil kieran, timo maas, chris liebing, markus kavka, troy pierce, josh wink, oliver ho, terence fixmer, …. john selway teams up nyc compatriot tony rohr to bring us the next installment of csm mind and body moving. things get a little crazy whenever these two collaborate making their less scary ep nothing short of exceptional. the a side presents us with the last time, a techno joint that travels to infinity and beyond. thick bass stabs, scary space horns, and a melodic synth hook bring the dance floor to a boil every time its dropped.

james hammer storms the a with a bright hypnotic groove on solid beats that displays a definite mills influence that is sure to have the floor heaving & perfect for the mix. flip for label boss gus brown taking things in a darker direction, heavier snares & a buzzing bass used to maximum effect. then techno legend orlando voorn steps ups for the final remix & slams down a harder remix that builds on the original groove & twists it over and over to finish the record perfectly.

aus continue to release the best and brightest of contemporary dance music with the oehug the scary ep, a collaboration between luminaries will saul and lee jones. will saul is best known as the head of simple records, up for nomination as best british label in dj magazine this year and also sister label to the more experimental aus imprint on which this ep is released. in his career to date he has released numerous singles on simple, the critically acclaimed space between album and has recently produced an ep for the german label systematic. englishman in berlin lee jones has to date released acclaimed singles on liebe detail, aus and his own label, just rec. formerly releasing under the moniker hefner , he is also a main creative force behind playhouse my my, whose oesongs for the gentle album won plaudits worldwide in 2006. opener oehug the scary is a transcendental journey. trace echoes of melody encircle an intensifying percussive step, filtering to a chimed key reflection. tonal themes fade in, compete, distort and then depart, making way for peaks of overwhelming melody, with only the fittest surviving and elevating to the sublime. on the flip side, partial arts (the duo of ewan pearson and al usher) give their own, heavily percussive, account of proceedings. stormy fuzz and bubble bath accents introduce a funk bassline and interplay between looped guitar and tonal melody. a sci-fi synth haze halts and then dictates the progression into a saturated melodic climax.

incl oliver koletzki and pig & dan remixes !!!

stunning hardtechno to burn the floor !!! volume two is definitely a true treat for those sick of the other part of today s scene, which is exploring there way into the infinite abyss due to their search for the ultimate minimalistic sound. in the end there will be a few clicks and cuts left and most of those in need for percussive music will be begging for rock-hard, cut the crap sharpness like this new fatalic resignation !!

die a side kommt mit verfrickeltem minimal dub electronics daher ...der john tejada remix auf der flipside zeigt sich von der besten techhouse seite !! dj support / reactions : gabriel ananda: >beautiful and soulful stuff. thanx!< karotte: >6 punkte für den john tejada mix...< lars sandberg (funk d void): >john tejada pulls pack on this one to give us a lesson in restraint...fabulous<

a new trenton release for the upcoming polish duo!! 3 ultimate dancefloor tracks.. definitely trenton branded: forward with chords and groovy beats!!!

limited to 300 copies