dead rail is a soundshaping railroad soaked in fog and cough.
dead rail is the breath that transforms light into smoke, smoke into brain waves and brain waves into some anamorphic sound blend.
dead rail is a walk through an eyeburning beat and runs on mandibular tracks.
dead rail is the dark corner of a party where the tones are stagnant in a motionless dynamic.
dead rail is the suspended activity of synapses while earing is driving the other senses.
dead rail is the dying frequency in your ear.
dead rail is noise from within.
180 gram / vinyl only release.

first part of the *music is dead* album by olaf hund.

alland byallo returns to his own bad animal imprint with two dark, hypnotic, broken techno gems. the title cut features the gifted aquarius heaven on vocals, while byallo himself blesses the mic on good hurt. uks finest, mosca, flips dead ringer into a psychedelic dance floor burner. this unique, timeless record marks a triumphant return by a true underground stalwart. art work by byallo himself. good hurt was featured by medlar on his 22 tracks ade special selection. support and/or positive feedback from four tet, josh wink, john tejada, efdemin, maya jane coles, axel boman, dave aju, andrew grant, basic soul unit, dan curtin, re.you, robert owens, cevin fisher, joris voorn, davide squillace, coyu, brothers vibe. and many more.

another one from the chicago legend. a-side features a re-issue of a classic,freddys dead. b-side features another unreleased one from 88-92. tip!

nice price deal !!! next decoy release is made by dead sound, including a remix by and.

debut release on studio barnhus from our man in wroclaw: pawel klimczak, a.k.a. naphta. this thomas mann-readin, sun ra-diggin young pole made palm trees love and spring ball so we could all keep the magic summer of 2014 blazin just a little bit longer. dzieki, pawel! simon haydo, our man on alpha centauri, delivers a deadly remix of spring ball, reworking the nice & bouncy original into a warehouse-maddening techno missile with that extra haydo twist.

it is said that the gods of the dead demand you ritualistically commit to each intensely hot beat of the ceremonial drum. now, here, is the music for their celebration of death, music to dance together with, to oblivion, a music both spectacular and ecstatic where, like never before, the spirits of santería and vaudou mix with raw electricity into burning diabolical polyrhythms. we here present cut hands and festival of the dead.
the double vinyl lp comes in gatefold sleeve and includes mp3/flac download code.

• great collection of raw and frenzied battle tools from this trensmat artist
• limited to 250 copies on red vinyl
• the 15 dead minutes - a collaborative effort from three well established uk techno / electro artists

special offer, a limited amount will be avaible for a super nice price! includes limited edition hand painted sleeves. following on from their inaugural release dsnt records are back with a second helping of unvarnished, pummeling tracks in-keeping with the labels clear focus of releasing only the highest quality techno.

dead fader returns in in spring 2014 with two full length album releases and this enhanced 12 inch single *in cover*, which features the unreleased non-album tracks *hiphoop* and *altar ego*. this single comes with additional bonus download of 2 unreleased tracks from the *scorched* sessions - *mandel* and *ceaser*.

rising label releases its second ep with an original track by victor martinez, another artist from the agency, that gives life to this record and gets completed by remixes from oscar mulero, ness and adriana lopez. the original track by victor, -anything called dead consumerism”, is all about visceral and obscure techno with broken rhythms and high levels of hypnotism. following, we can find oscar mulero’s remix, a version that suggests another groove but maintains the essence of the original making it a serious and effective weapon. on the b side we can find ness’ remix, a track that captures you since the beginning. deep, elastic and elegant at the same time where hypnotism reigns and this few characteristics of the italian producer. adriana lopez closes the ep with a more percussive and energetic version. fine techno that catches you from the first beat, a perfect track as a dj.

raw and dirty anlalog styled techno bombs

limited stamped whitelabel release.

the dusk kept dropping, dropping still. squandered years, secret scars.she smiled,again and again.

dead heats music contains deep psychedlic influences in their sound. feat. the field & lucy mixes.

50 minutes of flowing, minimalist, synth electronix from swedens northernmost regions. awesome mid winter tracks on abdulla rashims northern electronics label. ltd supplies!

for their fifth release, deadplate present the debut 12 inch from london based producer will ward. although a new name to many, ward is &#8531, of live electronica outfit circle traps (made up of members of the revered portico quartet) and has further developed his production potency on a collaborative ep with my panda shall fly and on rita maias sine of times compilation

cheeky booty time! two of the uks original and premier house crews team up for this dope slice of heads down, deadly deep house action

furanum rec. continues its industrial assault on the latest ep from label-head dominik muller, liberation from deadlock, this time on an inaugural limited 12inch vinyl release

the ny duo land on ttt with four chapters of toxic, virus-ridden techno-house amalgamations for the bravest of heart. taking the boundaries of the genre to their very limit and further - another instalment of wacked-out electronics from the london institution

the latest installment in deadbeat s infinity dubs series sees him submerging his rhythms deep into the echo chamber, offering up 2 solid state dubs with basslines so low only the largest systems will even register their presence. enlightenment through stoic repetition is the order of the day here, and deadbeat once again proves his unrivaled skills as a master hypnotist on both cuts. dont sleep.

deep techno action on par wax. supported by: samuli kemppi, chris liebing, speedy j, inigo kennedy, reeko, developer, milton bradley, nx1, tadeo, ascion, claudio prc, deepbass, tommy four seven, tom bonaty, victor martinez, frabrizio lapiana, audio injection, juho kusti, go hiyama, mattias fridell, arnaud le texier, dj emerson, tea, angel molina, exium, jeff derringer, ness, mark morris, erphun, max m, mike wall, merino, mark morris, liss c, paul boex, peder, and others....

ltd repress - after mark ernestus mix of moyege in this series, now his basic channel / rhythm and sound partner comes to the control tower. moritz s deep berlin steppers discloses dubwise traces of our original lagos recording — the percussion of yinka ogunye, the singing of fifties palmwine legend rolling dollar, oscar olimbi s guitar lick — in with his own oberheim voicings, additional drumming, and cool-and-deadly rhythm track. its a tough, masterly dance record in fine rhythm and sound style — which during its ten-and-a-half minutes seems to ponder time elapsed and journeys undertaken. like a stepping razor, but t-u-m-p-i-n. this reggae land version is the take-no-prisoners, pared-down dub of wareika hill sounds rootical rework of ise nla. magnificent trombone and percussion. expert, classical ja mixing. brings to mind those great dubs of glen brown s black man stand up pan foot

dank has been at the forefront of the heavy bass culture movement since its early inception years ago. this new york city native considered to be a pioneer of the underground sound currently coming out of the city that never sleeps, represents heavy bass culture from the school of the hard knox and is knee deep in it. it has been said he eats, sleeps, and breathes heavy bass culture. in addition, he is no stranger to demolishing dance floors throughout the united states and abroad. fused with sexy bass and super funk, dank has played along side some of the hottest talent on the planet.

theres a feeling... a sense of urgency in the air... things are going wrong and some things have never been right

music is dead is the new solo project by french producer olaf hund. juggling absurdity, cynicism and intimacy, hund wakes the dead, singing a post-punk score for guitar and electronic instruments bringing a new breath to electro-pop music. with the memories of a boy from the old school who saw the end of the golden age, olaf hund defines himself as a post-electronic artist.

reissue! kavinskys long-awaited debut album *outrun*, produced by sebastian (ed banger records). including features by havoc (mobb deep) tyson & sebastian!

acid house legend justin robertson returns to the gomma label under his ‘the deadstock 33s moniker with a superb new single featuring remixes from ewan pearson & disco bloodbath..

*a dead summer* is the highly recommended first album by der noir, a roman trio offering a dark and gloomy sound reminiscent of early bauhaus and the sisters of mercy. this is the remix album, released by minimalrome and featuring heinrich dressel, mick wills, teslasonic, newclear waves and alessandro parisi. highly limited to 120 copies! dont miss out on it!

children of tomorrow are back with a new techno ep by antigone & rod remix

die nachpressung des letztjährigen non albums *back to mono* erscheint jetzt als schwarze vinylpressung inklusive cd via mute artists ltd!

schmutzig-fieser rock n roll: reissue des zweiten albums der ex-band von nick cave. pressung auf 180 gramm vinyl, inklusive bonus 7 inch und cd-version des albums.

6 cuts of speedcore annihilation.

high quality reissue of alice coopers 1971 classic >killer<. cut from the original analog master tapes, packaging replicated to the finest detail, pressed with more care than ever on heavyweight 180 gram vinyl.

throughout this release, hodge crafts a unique sound that resonates somewhere between the sparse, delay soaked realms of primitive dubstep, and the driving vigour of modern techno. inspired by the use of field recordings and vintage analogue gear, the dusted ep has a raw and insightful charm that will lure a wide scope of electronica enthusiasts. sealed with a characteristically hypnotic remix of turmoil by close friend kowton, the dusted ep marks the full arrival of one of the most forward-thinking young producers, harvesting the rich breeding ground and heritage of bristol

the two part makers series is the result of a bourbon fueled studio jam involving four prolific producers, using an array of gear ranging from a modular synth to a farfisa organ. throw in a 6 part saxophone harmony, shake, stir, record and there you have it. makers.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. its loosely connected to sleazy mcqueen and his assorted cohorts...

fire at work are the most popular in many productions idm and have assets (including collaborations with venetian snare, d arcangelo and somatic responses).detest, although very young, has a high musical maturity, and has already printed on many top labels hardcore-techno underground (deathchant, rebelscum, face off, strike, etc

brilliant bass-heavy techno tracks with a strong industrial vibe… a must have in the record bags of all techno-djs coming on limited orange transparent vinyl!

the dead as disco strike again with another 4 track ep created under the influence of too many years of ron hardy, dirty warehouses, piles of vinyl and a deep love of the chicago roller boogie groove. features edits of peter brown, ashford & simpson, walter jackson and more.

deep, thumping after-hours burners, flush with prominent drums and groovy bass lines and sultry vocals

the original soundtrack for quentin tarantino’s timeless masterpiece from 1994 re-issued on 180 grams vinyl.

carrying on from the success of their last release from artifact, deadplate records present hackman & blutos what matters. what matters is a bouncing house track with a weighty bass line, sure to waken up any dance floor and perfectly timed for the summer. marimba vibes keep this track bubbling along with an addictive and strong melody that has become unanimous with hackmans style. james fox creates a powerful 4/4 remix on the flip, stripping back the original and bringing a mid-90s uk garage flavour to the table. a real powerhouse on the dance floor, this is one of the strongest pieces of work from one of the uks most exciting house producers. supported by rob da bank, ma1, west norwood cassette library, guy andrews, midland, goldffinch, artifact, thefft

limited one sided ! killer electrohouse

this is part two of senseless records synesthesia series, celebrating their 5th birthday. limited edition vinyl with a hand printed sleeve and art poster insert.
mak & pastemans contribution is a high tech bass bomb built around a carefully chosen sample that devastates right from the start.
elsewhere you will find nkc, who matches up ballroom house attitude with a huge siren-like bassline and a stuttering 4×4 beat and jtrp, who build rattling percussion around their signature tech-atmosphere into a deadly drop that comes out of nowhere. artwork comes from brighton based katie scott.
artwork comes from brighton based katie scott who is arresting and varied work is intricate and detailed, balancing technical ability with a wild creative streak.

having hinted at upcoming collaborations on blkrtz over the last months in several interviews, deadbeat finally makes good on his promises offering an epic piece of heaviest dub business featuring the unmistakable vocoder stylings of canadian danuel tate of cobblestone jazz fame. title track lazy jane locks in a murderously tight 135 bpm steppers rhythm sure to appeal to fans of both the burial mix series and malas most head down exploits for dmz alike, with tates heaven streaking vocal elevating it to the realm of instant classic from the very first drop. the flipside s 909 dub meanwhile sends the originals synth and vocal lines deep into the echo chamber atop a reinforced version of the bass line and unrelenting 909 drum pattern to create the most classist, purified slice of big room dub techno you are likely to here all year.

i know u combines tribal rhythms, pounding bass, insistent synth stabs, some distressed dialogue and a insanely large crash in the most maniacal way imaginable for what has to be one of the most devastating and original tunes for a very long time. sparse and spacious but yet rhythmical and energetic, lxc manages the ultimate arrangement balancing act here. the intensity increases gradually as the track progresses, culminating in an all-out tribal war ! a modern day jungle masterpiece from one of the most under-estimated producers around. on the flip, senses finally unleashes a track that decimated the very first technicality all-nighter back in 2004. 8 years later and that power is still very much in evidence! everybody want go heaven. nobody want dead – taking influence from the 1990 film marked for death, senses builds a dense vibe here, thick with imminent danger. rolling drums soon give way to a energetic ride-heavy break and pounding sub-bass hits. drum rolls drop and mentasms screech before the storm begins to subside half way through. the respite is brief however and after a complete silence the track reassembles, beginning with some insane slow to fast mentasm pitching which continues as a dark, slick reece begins to build with mysterious atmospherics. the tension is cut by the return of the drums – rolling along at first, before the mentasms and subs hit hard again, signaling a percussive onslaught! jungle just got catapulted into 2012.