a collaboration between label boss mark seven and dance music legend boyd jarvis (r.i.p.) on keys here. deep house cuts with that chunky disco-dub sound, breathing echoes of ma foom bey and man friday amongst others. dope!

tk disco the miami disco and boogie label, dominated throughout the 1970s and 1980s with back to back classics revered by dancers and disc jocks alike. it s no wonder the labels catalogue still gets played today and still makes people dance, inspiring new fans and the old school alike to hunt down the ubiquitous yellow labelled 12 inch singles with fervour. it s in this spirit that tk present some of the finest contemporary reworkings from their legendary catalogue, classics reimagined with todays dancefloor in mind, nipped and tucked in just the right way by some of the finest names to flirt with the discotheque. across 2 lovingly mastered and selected slabs of wax we have versions from dimitri from paris, norman jay, todd terje, late nite tuff guy, kon and danny krivit a truly allstar cast right there all showing their love for this sunshine state disco powerhouse. resplendent in original tk disco label art and with the classic palm tree sleeve this 100% legit and official selection of re-edits is now available for your disco dancin pleasure. dig in, and enjoy!

the 4th edition in the acclaimed sterns edits series sees curator ben gomori open up the sterns music catalogue to other keen re-editors with brownswood / worldwide genius smbd (aka simbad) the first to step up to the plate. nigeria s segun adewale is sometimes referred to as the crown prince of jùjú music, but in the 1980s he developed a sound all of his own, which he called yo-pop. a mixture of jùjú, funk, reggae, afrobeat and jazz, its vibrant melange can be heard on his 1986 record ojo je , where both these originals are taken from. smbd delivers too superb flips of the title track a gritty funk-fuelled disco version with live bass, and a deliciously deep dub-house version. gomori, meanwhile, takes the haunting atewo-lara ka tepa mo se for an extended hypnotic, tribal trip. the stunning artwork comes from kofi ankobra, the son of radical white south africans who grew up in ghana and studied art at oshogbo, nigeria the place adewale himself was born. sterns edits is an official collaboration between african music stalwarts sterns music and londons ben gomori.

orlando voorn comes through with a hi-tech soul future classic. original mix is a prince-in-detroit tinged electro floor filler. two remixes from gary gritness one a full-on assault of west coast electro funk and a djax-inspired cut of speaker-busting bonus beats. hidden away on b2 is an otherworldly, dub techno masterpiece, reworked by cv313.

leeds based beat machine niko maxen returns for his second outing on shadow sanctuary. two indelible, groove led originals are on offer here, served up with remixes from man of the moment michael james and label boss dexter kane. having already stacked up releases on the likes of hoarder and fantastic friends, it s been a strong 2018 so far for the pathway traxx boss. 300 copies - vinyl only, get it while you can

inner sunset recordings s homero g. is at it again with another deep house 4-track e.p., only this time serving up an emotionally unique and introspective angle never before heard on the isr imprint. this landmark 10th pressing from isr (entitled the -companionship & solitude e.p.-, cat no.: isr1210), takes listeners on a gentler journey into the realm of house music via soft pads, sentimental keyboard progressions, atmospheric organs, wispy flutes, and delicate vocal and oceanic samples. track a1 s -touch me (mess of emotions mix)- passionately, and intensely ushers listeners upwards towards a flourishing climax and back, via classic house piano chords and organs. while in contrast, track a2 s -touch me (low top dub)- applies all the themes and elements of a1, but in a steady and unwavering manner, to create an evenly sustained sense of well-being throughout. track b1 s -a companion s stroll- exudes happiness with its catchy flute riff, organs, and percussion, while b2 s -polyedrum tide s lament- uses the sounds of swelling ocean shores to entrancingly lull listeners into a hypnotic state of bliss and clam. packed full of emotion, ambiance and aura, this record is a truly unique addition isr s catalog and is not to miss!

inner sunset recordings is at it again with another slammin 4-track 12- vinyl e.p. that showcases the label s distinctively deep sound and classic roots, only this time with a modern twist! scheduled for release in april of 2018, squares there – -contemporary tools e.p.- (isr1209) takes isr s catalog to new territories with a more tech-oriented vocabulary of sounds and an array of modern production techniques never before employed on an isr release. for the classy and deep old-school heads out there, -she s shopping drunk again- (a1) is sure to be an instant pleaser with its jazzy vibraphone solos, soft organ lines, and walking bassline. -my sisters- (a2) meticulously utilizes repetition, major chords, and sub basses to blissfully numb and entrance the floor. side b s two versions of -hard press-, with their chunky beat and heavy bass, are an interesting study in variations on a theme. the -light mix- (b1) serves up radiant pads and swirling synth stabs, and the -dark mix- commits to taking the listener on a brooding, introspective, and psychedelic journey. this e.p. is not to be missed, as an awesome angle on the isr soundprint – one that seamlessly fits in with the rest of the catalog!

attention long-time inner sunset recordings fans, collectors, newcomers, and anyone who might have missed getting their hands on these tracks the first time around! in response to ongoing public interest and demand, inner sunset recordings is proud to announce a special 4-track e.p. that features classic works and underground dance club favorites from the earliest years of the label s existence nearly a decade and a half ago! -i.s.r. classics: a reflection on the s.f. aughts- is a 12- record that fiercely epitomizes the inner sunset recordings sound and showcases some of the most loved and most highly sought after works (all remastered!) from releases: isr1201, isr1202, isr1204, and isr1205. from the dreamy and cosmic atmosphere of the attendant s -star gazing- (a1), to the uplifting and introspective ride that is low top s -hold me (original mix)- (a2), to the bold grassroots garage house sound of homero g. s -shoo be do anna- (b1), to the dark and ominous ambiance of homero g. s -manos lujosos- (b2) – this e.p. is the truest heart and soul of the inner sunset recordings crew, imprint, and sound.

psychemagiks danny mclewin has been quietly cooking up some choice edits under the skyrager alias lately, and here he is launching a new label magic wand special editions with four finely thought-out groovers for those who like their balearic business smooth and silky. there s a hefty dose of soul pouring out of these cuts, leading in with the synth-tastic sweep of dream merchant before hawaiian love song slides in with some seductive rhodes licks and romantic vocals. magik mountain is blue-eyed boogie of the highest calibre, and yeah yeah yeah edges a little understated disco into the mix for long, balmy nights dancing under the moon with your beloved.

dj sneak teams up with tripmastaz , two great floorfriendly acid laden tracks ... ltd edition , fullcover artworks

adam x prod. strongly ebm tied techno ep

incl konrad black remix

as well as all the jazz and funk, best italy are also dab hands at digging out italo disco gems that pretty much qualify as proto house jams for their heavy spinning by the seminal chicago djs like ron hardy. this essential transmission from amnesie is a fine case in point, a one hit wonder originally released in 1983 appropriately enough on proto records. now turas makes a welcome return, sounding resplendent in both vocal and instrumental versions, but the real treat for the dedicated diggers is the previously unreleased dub version mixed by legendary dj tony carrasco. thats the jam that will have eclectic spinners getting in a lather.

89:ghost are thrilled to bring you an ep from talented finnish producer vesa-matti, with an ep that could be a dub techno soundtrack to a finnish sealife documentory, here s some direct info: tracks were written & produced by vesa-matti kivioja in vaasa, finland, between 2011-2017 in three different locations, highsquare sound, studio k & seafront mixingroom: we seriously dig this dude, try check out his other, more ambient work too if you can. peace. nx

in the 1990s the collaboration between influential german artists klaus schulze and pete namlook led to the famous the dark side of the moog series. it’s an hour-long journey into space territory with a mixture of modern and classic electronic music. droning sounds flying all around, before the different parts are kicking in. the futuristic music marked them down as true innovators and it’s another great trip through their musical world. pressing on audiophile 180 gram vinyl, with the front covers of volume 1 to volume 4 form one image together.

on our tenth belters outing, we re borrowing the mighty fine bostro pesopeo from permanent vacation.. we ve been big admirers of his music for many years now and he contributed to our mix series back in the day. these particular tracks were actually ones he gave away on soundcloud and we immediately messaged him saying we d release them. took a while, but here there are. dj support from barnt, midland, erol alkan, etc.

detroit s inner city, one of the most influential dance acts of all time celebrated their 30th anniversary starting with a memorial day live show on the main stage of detroit’s movement festival this year. formed in 1987 by record producer, composer and international dj kevin saunderson and vocalist paris grey, inner city are best known for their early crossover hits “big fun” and “good life”. further successes saw the group topping the us billboard dance chart five times and securing nine top 40 hits on the uk singles chart.this 30th anniversary will mark a new chapter for inner city, one which sees kevin saunderson now joined by his son and creative protégé dantiez as a full-time member. new material and a live show will soon follow, featuring a variety of musical collaborators and vocalists. movement festival will set the stage for inner city’s new era, with a show formation featuring grammy winner and original inner city bandleader dennis white and kevin saunderson’s long-time collaborator tommy onyx alongside local talent and vocal sensation, steffanie christi’an. in kevin’s own words: “a true family and new sound for a new generation”. with over three decades in the game under inner city’s wing, with a renewed commitment to live performances featuring a strong family core, and two generations of saunderson men in the studio – inner city are poised to enjoy the good life as much today as they did in 1987 and this is entirely evident on the group s latest offering heavy . boasting a stellar edit from detroit techno luminary and inner city collaborator carl craig, heavy is a fresh taste of what s to come from this legendary outfit. essential detroit techno.

what can be said about this absolute classic that hasn t already been said? a true, blue gay anthem and much loved and sampled dance record, it really doesn t get any bigger to be honest. how about a super high quality 2018 reissue with all of the big mixes in one place? sounds good, right? featured here on this brand new pressing are shep pettibone s better days and club mixes, tom moulton s version and larry levan s live edit mix. need we say more? bag yourself an essential piece of disco and dance music history, remastered and reissued for today

with another blazing number lined up in this burgeoning chain of sound (with tracks from ray kandinski, anthony fade, dos...) nerang recordings have just announced their latest, nrngva004 - a six-track mini comp featuring nyc s finest j albert, cassettes for kids, m44k, label staples dj whipr snipr & iok, dj nerdiboy and dj psychiatre. it s all due out late july according to the label... if the pressing plants aren t too busy minting some useless david bowie reissue for 2019 s rsd by then

contemporary disco remix guru moplen steps up to the salsoul archive and turns in 2 absolutely stellar reworks of some solid evergreens. always remixing and reworking with the utmost respect and understanding moplen takes these classics into a new direction, working from the stems and retaining the funk, soul and grooves of the og s. the disco mix market is a busy one these days with lots of people taking a shot at the classics in their bedrooms, but not these, these are legit, heavyweight mixes created by someone who knows! candido s jingo sounds completely fresh, beginning with a totally unheard first few bars, rearranged piano motifs and dubby sounds bristle up against the percussion, all with an even heavier focus on the cuban, latin roots of candido camero s sound, amazing! you ve heard this one before, but not like this. on the flip is first choice s all-out anthem let no man put asunder - again a truly original reimagining of a stone-cold classic, using the percussions and infamous vocal vamps to devastating effect, absolutely essential versions here. moplen has truly done the business. this limited reissue has been made in conjunction with above board distribution and salsoul records, 100% sanctioned and lovingly re-presented for your dancing pleasure. this one is hot. sleep at your peril!

salsoul records present a crate digging anthology of the funkier side of their catalogue - an essential collection of dirty new york grooves from the salsoul stable . primarily a salsa label on it s inception, salsoul delved into numerous styles throughout it s existence but this killer selection focuses on the rawer sounds. featuring artists such as the labels legendary in-house orchestra, carol williams, destroyers, gary criss and joe bataan and many more this amazing compilation features those slower, more grooved out jams that have been lurking in the recesses of the vaults. take the mighty rattle snake by carol williams, a lesser known, four to the floor strutting piece of dancefloor bliss that delivers and then some, or the immense, spaced-out deep soulfulness of the destroyers tom moulton produced rarity slave of love , everything is here that the underground dance music lover could ask for and then some....... all graced with that salsoul qulaity and touch. essential. curated with the full input and backing of salsoul records and carefully selected to reflect the truly timeless nature of the music contained within. for listening, for dancing, for turning on a party! remastered by optimum mastering. artwork & design by million dollar disco.

b stock - covers are broken on the border
ahead of melé stepping up to deliver his coveted in the house compilation, defected presents a four-track vinyl taster showcasing his standout percussive, tribal sound. from 13-year-old bedroom dj growing up in the wirral to his breakout anthem ‘ambience’ in 2015, melé has now fully honed his skills in production and mixing, culminating in two mixes for ‘defected presents melé in the house’ and three brand new productions. all three of these original productions are included in this vinyl sampler along with an exclusive from joe corti, demonstrating what’s to come from the compilation.

dusty archives, the backrooms of record stores, private reel to reel stashes, master tapes - these are the environs of the dynamic range experience. dynamic range is a new label focused on unearthing deep soul, funk and disco jams that continue to resonate with todays dancers and dj’s. time spent scouring the bowels of the majors and independents has unsurprisingly resulted in numerous gems being added to the dr wants list. high quality, fully licensed reissues are the order of the day, always taken from the correct master source and re-presented to hungry record heads the world over. to repeat, this is a fully legit operation avoid the sharks at all costs! the debut release on the label is a real doozy new birth, the mighty detroit funk outfit who operated from 1970 onwards are first up to bat. their late 70s rarity deeper is a real monster lifted from their killer behold the mighty army lp. produced by legendary motown stalwart frank wilson this is some straight-up disco-fied funk for sure! one of those solid, mid-tempo groovers that just ignites a dance-floor at any time, any place. side-a is the glorious full-side disco mix and were treated to the full instrumental version on the flip. no lazy edits here, just the full funk and nothing but the funk, just as the group intended! this is one of many soulful treats that dynamic range will be presenting in the coming months, stay tuned for more - aint it something?.

seth troxler & the martinez brothers’ tuskegee music welcomes chicago legend k- alexi shelby for a new ep that features some essential solo cuts as well as two great collaborations with tony lovlesss. k-alexi is a genuine chicago great. he’s been at the core of the scene since the eighties and releasing his raw grooves on dj international, trax and transmat, as well as his own k klassik label. he has recently remixed for seth troxler’s other label, say it play it, but is now back serving up the sort of engaging originals that have made him such an enduring star.

in the 1990s the collaboration between influential german artists klaus schulze and pete namlook led to the famous the dark side of the moog series. it’s an hour-long journey into space territory with a mixture of modern and classic electronic music. droning sounds flying all around, before the different parts are kicking in. the futuristic music marked them down as true innovators and it’s another great trip through their musical world. pressing on audiophile 180 gram vinyl, with the front covers of volume 1 to volume 4 form one image together.

in the 1990s the collaboration between influential german artists klaus schulze and pete namlook led to the famous the dark side of the moog series. it’s an hour-long journey into space territory with a mixture of modern and classic electronic music. droning sounds flying all around, before the different parts are kicking in. the futuristic music marked them down as true innovators and it’s another great trip through their musical world. pressing on audiophile 180 gram vinyl, with the front covers of volume 1 to volume 4 form one image together.

excellent classic blaze deep house ...

dan stielow mortazavi has an outer edged family background and a long testament in music starting in his teens with his first recorded project the product that was self released to cassette back in 1983. three decades later it saw a vinyl release on the dark entries label. the debut spite cathedral lp is made with his long-time musical partner karsten svendsen (to feed on others, hinsidan, ate23) and is released with a free bonus 7” on bodies on july 2nd. ultra minimalism streaming from the darkest of places still with a presence of a cold, cold love. with sparse elements they create dramatic scenery. industrial beats backed with something that sounds like hostage jazz and rock drummers fused with the loneliest of themes, epic at times and oh so broken at others. touching topics of man’s inhumanity, paranoid misinterpretations, the fragility of the mind, sex and broken homes without mouthing a single word.

houseworx proudly welcomes gary romalis from the motor city! i guess we don t need the introduce this great artist anymore. gary released on some of the scene s big players like intangible records, slow town, rawax, housewax, skylax jutst to name a few. w re very excited to share the -back 2 basicz- ep with you

phonica records welcomes spanish producer extraordinaire pional to it’s main label with the ‘xme / one night stand’ 12”. pional is miguel barros and the madrid based musician has been producing for over a decade. with a string of well received solo releases on hivern discs, permanent vacation, young turks and counter, remixing the likes of the xx, chairlift, the rapture, prins thomas and john talabot (who he also co-wrote the incredible ‘fin’ album ender ‘so will be now...’ with) as well as djing around the world, pional has been keeping very busy indeed. for his phonica release he has produced two versions of two very special tracks. on the a-side, ‘xme’ is a melancholic and uplifting electronic excursion with delicate flourishes of it’s synthesised melody becoming a real ear-worm throughout its six and a half minutes. the slower and more foreboding ‘quiet ceremony’ reinterpretation takes the same melody in a darker direction. on the other side, ‘one night stand’ is a bumping, stripped back and moody club track with ghostly vocals floating above metallic pads rising to a release of energy and emotion. the ‘slow drumapella’ lowers the tempo and alters the feel of the track, reducing its elements to a bare-bones drum track with the vocal, fx and pads eventually coming to the fore.

when jackmaster opened his mixmag covermount mix with arthur baker & dave clarkes collaboration from 2001 it shone a new light on this southern fried classic. it demanded a re-release and two new remixers were entasked. first up man power, whose recent releases on futureboogie and dfa are turning heads, and also rising star cody currie whose output on pusic & razor n tape make him an ideal fit. dj support: groove armada - love the man power remix! fouk - really awesome, we remember this one from back in the days! loving the cody currie remix, full support the 2 bears - great! black loops - sick release! diggin all the mixes :)

it was said that the craft was so large that one could walk for days without touching a wall. that instead of the glowlights above, there was only one, and somehow it split into the many we have today. and in the floor of the ship, there were rushes of water, hallways so to speak, that entire men could float down. and so they did.
depth over distance is bringing new talent to the limelight with its second release. a collection of cosmic grooves spanning 5 original tracks conjured by young bristolian mcgregor.
going from solid crunchy house grooves (light years from you) and an ethereal mix of breaks, pads and crisp percussion (reality) on one side of the vinyl, to a more extrapolated back side: wanna e, with its unexpected groove and drops, ready to tear up an unsuspecting dancefloor, closer feeling like a timeless breakbeat classic and with 1997 (vocal mix) forming an elegant, emotional last note of the ep.

acclaimed purveyors of magical (classic) world and soulful grooves, diephuis & jephte guillaume, release their colourful summer afro jam, baba m fa njika - featuring the electrifying voice of cameroon’s songbird, barbara gwanmesia. as you’d come to expect from this duo, baba m fa njika’ is a musical feast of earthy afro beats, hypnotic synths, infectious sax and rhythmic vocal chants, which, pirouetting around barbara’s magnetic croon, throbs with the love, hope and gratitude that the lyrics exude. there could be no better expression of positive power than that unleashed on this gem release from the prestigious shelter records.

one of detroits true talents today, amp fiddler joins forces with grammy winner louie vega hitting you with some funk deep house on vega records. amp fiddler is the quintessential singer / musician who has played in the seminal band parliament with george clinton, and has had his own band for years now. louie has always wanted to work with amp since first meeting him at the montreaux jazz festival when amp and his band and elements of life were on the same bill on the worldwide stage. finally coming together, amp reaches out to louie for a remix and the result is a beautiful soulful song written and produced by amp fiddler. the remixes by louie vega combining deep house sounds with the funk synths played by axel tosca. there’s one version where amp did more lead vocal overdubs and adlibs, as well a funktified synth solo version which gets immediate response when played. the four versions on 12” vinyl lend itself to different moods and are sure to bring you a dancefloor or house party on fire!

pyramid transmissions is back with the first solo release on the label from pt creator adj. street life ep is four tracks of bass driven future electro music from one of the longest standing members of the scene. street life part 1 is pure unadultered future bboy music with punching kick drums, dirty acid and characteristic glitches added to the mix for that unmistakable adj sound aimed at making you dance while getting in your head simultaneously and adj always looks to the future but with nods to his past of 808 electro music.

max graef and julius conrad are ratgrave. electronic p-fusion from earth. recorded over a period of 3 years in different locations. stop wars and investors.” all tracks written, produced, mixed and performed by julius conrad and max graef additional efx by ludwig l. made on earth, recorded over a period of 3 years in different locations. stop wars and investors.

one of our humble imprint s closest allies and a longstanding pillar of philadelphia s electronic music community, billy werner has been a constant presence in the booth at parties throughout the northeast corridor since 1998. we debuted his m//r alias in 2014 with the gathering response data 12- . since he s been busy bringing the grit to points beyond the city of brotherly love, putting in work for the likes of detailssound, l.i.e.s. and jackdept. most recently, he turned out a remix of karen gwyer s -why does your father look so nervous- for the rembo remixes on don t be afraid, as well as another for chaperone s -grit neglect- on the aforementioned snapbackbalaclava ep. written, recorded, and mixed over a period of 15 months, among the methods is in no small part a reflection of the affinities and sensibilities billy holds as both selector and producer. referencing a variety of influences from jazz to dub to electro, the album s allure stems from his deft ability to recontextualize those genres disparate aspects into a familiar–yet fiercely idiosyncratic–musical context. the end result is at once wildly fractured and precision-focused as among the methods finds its own seductive rhythm within a matrix of dub echoes and modulated low-end. it s heady ground,to be sure,as well as the most declarative aesthetic statement fromm//r to date. presented without further comment. the music is the message

croatian producer ilija rudman returns to classic with his funk-drenched ‘lovers change minds’. well-known for his distinctive analogue-disco sound, the record’s delivery on 12” vinyl comes as a perfect pairing. he remains reverent to his well-rounded retro style with heavily filtered soft vocals complimented by a deep 70s-centric bassline. hot toddy’s bass-focused mixes come laden with electric guitar riffs and synth flares for an even slicker groove on ilija’s smoothly minimalist masterpiece.

nz import. 12inch with printed deluxe sleeve, plus lovely 2 sided full size photo inserfor its second release, strangelove resurrects two cuts from the australian cult synth pop duo, arvos, much-mythologised 1984 album luna. having spent time in europe and with heads & hearts full of the continents synth-pop movements, deborah gray and roy nicolson each returned down-under to discover a doggedly rock orientated landscape. finding solace in roys studio and inspired by their musical o.e.s, the arvo concept was formed and an album took shape. a glamorous visual/electronic opus, major label misjudgment and local bewilderment left luna to unjustly slip under the radar. rescued here, bikini channels an ipanema electronic vibe, nostalgically recalling antipodean beach culture while the synthetic undercurrents of so deep reflect on the nature of our dreams. also presented is a reimagined so deep instrumental from australias synth pop scholar-in-chief hysteric, while french m.o.t.m. shelter tailors bikini into an excursion version.

julius is finally back on his own home smallville with along the coast- its the first solo 12 since his mesmerizing flocking behaviour album in 2014. after remixes for telfort and lerosa recently, a 12 together with moomin on his closer label and some smallpeople material last year plus a surprising non-electronic album with his band-project tonight will be fine (together with abdeslam hammouda) on japanese label mule musiq, julius is now back on his own imprint, delivering 3 deep cuts for the dancefloor. next to running the smallville record-store and -label, julius started his own club-night and accompanied stamp-label down by the lake (catalogue number 03 is out now) in freiburg, plus hosting the smallville & friends thursday at legendary golden pudel club in hamburg every month as a smallpeople residency together with just von ahlefeld. they also put out record no. 5 on smallville-offshoot fuck reality recently. watch out for more good things to come this summer.. as always along the coast comes with a full cover artwork by stefan marx. all tracks are written, produced and mixed by julius steinhoff mastering & vinyl cut by helmut erler, dubplates & mastering artwork by stefan marx distributed by wordandsound

not content with already steering the vigenere and oscillat labels and appearing regularly on will & ink and lazare hoche, malin genie has launched his own self-titled label as a vessel for his most intriguing twists on the house and techno template. the record strides in with the tracky tones of hypothetical island of stability, a feast of micro pops and squiggles strapped to a rock solid beat. fudeoroshi is more overtly minimalist in nature, using the barest of ingredients to make a potent dancefloor cut. bulbocavernosa opens up the filters and lets a little nasty acid fun and games into the mix, and then mer neith it es rounds the record off with a soaring slice of melodic, deep techno that stands confidently apart from the rest of the tracks.

!! 2018 repress !! after a seven years release break, mambotur take you on a quality journey of airiness. except for the stunning result, there is nothing magical about it, because berlin-based venezuelan argenis brito and chilean pier bucci take nonchalance seriously.

from playing acid house at the legendary haçienda to residencies at a number of the world’s super clubs and a grammy nomination, sasha s career trajectory is pretty much unparalleled. his contribution to electronic music in the 90s is synonymous with the rise of progressive house. as a producer, his vast discography includes a number of studio albums, remixes for madonna and the chemical brothers and soundtracks for computer games, whilst a long list of acclaimed mixes are heralded by many as some of the greatest of all time. as well as his work as a highly visible public figure, he has an extensive history of mentoring other artists behind the scenes, running his own management agency and a studio in new york whilst introducing a wealth of acclaimed artists via his last night on earth imprint. here, across 4 plates of vinyl, all but 4 of the 20 tracks on sasha s fabric 99 mix are available in their full-length glory. featuring his own exclusive track smoke monk (fabric mix), his moog-apella edit of george fitzgerald s echo forgets, and his fabric1999 remix of baile - amae feat. felicia douglass.

shall i call you bobby? the second release on the swedish label jack trax on wax. on this release produced by tsr and joseph garber we have five versions of the track ”shall i call you bobby?” and one bonus track made with some help from the swedish synth duo engine one ”jack bobby jack!”. we are also happy to announce two remixes made by some great friends and producers.

the smoke is lolinas third solo album, following live in paris (2016) and because im worth it (as inga copeland, 2014). self-released. made by lolina. mixed by lolina and amir shoat. mastered by amir shoat.

cordial recordings in partnership with miami legend willie clarke are proud to release this unreleased version of ‘stand up for what you want’ by kat roberts. the song had previously been released on 12&#8243,,, with kat doubling up with les brown, who provided a motivational speech throughout the song. the version we’re releasing on the a side is the luscious solo vocal version by kat which had sat on tape since it’s recording in 84. on the flip we’ve used a small extract of les original vocal before kat lets rip.

candi staton’s much-loved disco anthem ‘hallelujah anyway’ gets a house-inflicted remix by italian producer moplen, as well as a previously unreleased frankie knuckles and eric kupper version, on this 7” vinyl gem. italian producer moplen delivers a 90s-house-esque classic vibe mix while production greats frankie and eric pick up the pace with soaring synths and a grooving beat in the fk’s director’s cut soul praise mix. glitterbox presents two must-hear mixes both breathing new energy into this timeless record.