mechanism aka denver mccarthy is one of the first true pioneers of industrial tekno. these 3 trax have all been re-mastered for a fresh new sound, and have been a big influence on tekno & industrial hardcore. hard edge drums, trippy arrangement & live recordings of real life organic sounds make this music timeless & relevant today.

you can see it on the news: techno is back, but for those who never left, techno is not a word that comes and goes, techno are forward thinking sounds that you cannot do in one minute with some libraries and cheap software.this brand new release from our factory shows exactly how techno should be done properly, in the interpretation of kike pravda, eric krakeroy and label owner oscar mulero as a remixer.main track, >fear is the enemy< has a direct approach, clean and driving drum programming grows and grows helped by shuffled 909 hats, leaving room for a razor sharp synth line that opens and closes filter in the most dynamic way you can imagine. just a few elements put together wise. oscar reinvents the original in a very similar way, but slowing the vibe a bit, adding more percussive details and elonging the structure, again the sound is clear , punchy and hard, as you like it.closing release, >jaque a la reina< its a 21st century acid track, modern, sharp in sound and agressive in low end, concrete claps, metal hatz and driving synths makes this one the perfect compliment for this stunning release.

incl. rmx by kabale & liebe and julien chaptal big with: mike shannon, luciano, loco dice, laurent garnier, matt star, butane, seuil, seth troxler, brett johnson, someone else, brothers vibe, daniel dreier, jermemy p. caulfield, mark henning, dario zenker, lee jones, luciano, lee van dowski, kabale & liebe, ryan crosson, anthony collins, lee curtiss,... after a short summer break cityfox is back with its 3rd release. gregorythme, who already released the last record as one part of digitaline, shows us again his masterskillz on the synthesizer. the result of the close relationship to his hardware is the futurama ep. the title track indeed sounds very futuristic, maybe retro-futuristic to quote lee jones: >it sounds like a 1970s idea of the soundtrack to the future. this would be the easy listening music piped into every monorail in the future cities.<

dj support: endymion, dj d, giangy (ex stunned guys), manu le malin, broken rules, peaky pounder, the outside agency and many many more
finally the long awaited gpw010 is ready! once again the gunpowder rec. brings you an absolutly slamming release composed by 4 monster tracks that, following the typical gpw mission, provides various hardcore styles ready for all the dj bags out there, from mainstream to faster and industrial sounds. except for the already wellknown hit >dig it< created by gif phobia, you will find other three demoniac gems composed by the soldiers of gunpowder family, assembled to offer one of the most complete and interesting screaming hardcore vinyls of the year! yes, the gunpowder rec. is still here, fuck off the global economic crisis and keep the real underground noise alive!
this label is dedicated to hardcore music, raw sounds, noise, industrial beats, distortions, big and fat kicks!from mainstream to experimental, from climax floorfilla to dark influenced hard bases, this label is all about hardcore. every release contains different styles, every release is a surprise and every release can be played in various djsets, because there is ever at least one track good also for you.the logo is a restyled version of the old personal logo of gif phobia, now used for a more global and massive project! now shared with all the artists of gunpowder records.

flint kids are london based electronic music duo dave smith & daniel nolan. they began writing together in 2000 on an akai mpc 2000, s600, korg trinity and 303. years later, after having brought laptops, logic, ableton and other electronic goodies, it became clear that the sounds they were hearing in their heads were possible to recreate. their passion for so many different styles of music saved them from ever being pigeonholed, glitches & bleeps fuse with organic matter fired from a techno blunderbuss to create a pool of binary sputum that finds no home in any one genre. what may begin as a well earned candlelit soak in the tub of ambiance can quickly drain away as they pull the plug, leaving the listener cascading down a dank, jagged hole with only a rung less ladder made of plasticine.... not for the faint hearted!

rising up from the gurgling belly of the underworld comes disco of doom, the brand new project from production and dj duo tom real & the rogue element. the disco of doom is a place of unspeakable depravity from whence tom and rogue deliver twisted, filthy productions. >warpig< and >spawn again< follows their first ep which came out last year on passenger records to critical acclaim. >warpig< takes things deep, dark, heavy and churning with surprises at every turn just when you thought it was safe to get back on the dancefloor. >spawn again< brings you back to the jack of old school chicago acid madness while simultaneously slicing in the heavy duty rave sounds...you are all well and truly doomed!

here we have one slice of electro badness & one dubstep remix! on remix duty, giant pussy have seduced helsinki-based dub-stepper extraordinaire, tes la rok, into their kinky boudoir. his re-work of pocket rocket is a beast of a no holds-barred reggae-tacular bleep-fest. tes stays true to the vibe of the original but buries it in a bass-odyssey of a tune. heavy-weight sounds indeed from the finnish maestro.

moment psychedelik - its all said in the title, actually. it is easy to get lost in all those layers of mesmerizing sounds, swirling around you like bubbles sparkling out of a well shaken bottle. just before you lose it all, the kickdrum comes in to lead you to a winding path... upon glistering plains, through some dry land into a multicoloured jungle, populated with all kinds of textures and sounds. enter the next level - like the title suggests. the flipside utilises a more pronounced guide: mr talking drum himself will show you how to find the clearing of enlightenment where your heart gets filled with joy and your feet cant stop dancing. supported by lopazz, ame, tobi neumann.

two more tracks from the much anticipated italoboyz full length cd >bla bla bla<. those of you familiar with italoboyz music will be aware of its roots in the fusion of organic with electronic sounds and the collision of genres as varied as jazz, opera and folk with what we traditionally know as house and techno. >techno tower< and >chinese< are a real testament to the italoboyz musical roots and will surely turn some heads on the dancefloor.

supported by stephan bodzin, kombinat100, mathias schaffhäuser, p.toile ..... again that laid-back, humorous and open-minded character of the people of mecklenburg glistens from the grooves of the available acker record. this time it is represented by the gentlemen schaeufler, who is an essential part of the local producer and dj scene since many years, and zovsky, who was musically socialized in trancy sceneries and shows a remarkable versatility. set di dol comes around on a powerful, pushing bass line, precisely placed percussions, minimal melody fragments and an exotic vocal sample make this track distinctly stimulating. after that the two dudes pick up the relaxed and cosy atmosphere of every day, which originally hails from the easy listening genre, and garnish it with reduced but very effective rhythms. on the flipside, the radio version puts this remix even more in a nutshell and finally acker mister mollono.bass presents his version of set di dol on the flipside: based on his typical, bouncing groove, he creates a frisky and somehow tropical atmosphere, using refreshing xylophone sounds and a proper portion of tribalistic percussions

marcus homm provides the starting point with “transposer“: funky, impulsive and peppered with unusual sounds. next up, tom clark takes the helm with “ultimo” and steers a course towards the dancefloor peaktime! on the flip, asem shama and demir & seymen splash out. asem’s “erato“ rocks in exhilarating fashion, and the fresh new highgrade lads demir & seymen provide rolling percussion and powerful orchestral stabs on “ethnos“, which really give the dancefloor some legs.

ultimately affected by this summer, remain records 007: cool water e.p. by axel karakasis aims at keeping the vibes high for the new season. this year has been exceptionally good for axel and remain records, so this release is more of a celebration signalling the third year of the label, which grows stronger by the day!this 3 track e.p. opens up with orisha on the main side, a spot on tune with a straight kick and minimal techno elements that gradually build up to embrace the main character sample. at its peak, the track makes an inspired transition into funky, laidback groove, where axel works mostly present day sounds with 90s intelligence! the second track on the side is a far cry from orisha, as let it roll does exactly that: it rolls! bassheavy throughout, it s an insane piece of work with smart cuts that give way to teasing loopy layers. this track is a burner for serious techno players!the title track on the remain side begins as a mishmash of dub groove, and a rolling bassline. midway, cool water has an extended cut that builds up with relentless sirens and its menacing bassline that seem endless. in a word: flawless!

brooklyn based, zero g sounds label head, triton gangs up with former roommate ruoho ruotsi in a followup to selector ii, their 2006 collaboration on skor records.

markantonios analytic trail label has been instrumental in creating what is now recognized as the neapolitan techno sound. the labels inventive approach is the key to their success. marrying raw basic elements with funloving party vibes, the label is a destination for djs wanting a bigroom sound. previous releases have featured the likes of rino cerrone, valentino kanzyani, the advent, davide squillace, and joseph capriati.
electric rescue has been at the heart of the parisian rave scene for the past fifteen years. cutting his teeth at parties at legendary avantgarde club >boy<, a career evolved fast, becoming part of the mentasm crew alongside laurent garnier and chaotik rames. since then electric rescue have released on many innovative techno tracks on high profile labels including fcom, afu, yellow label, eterno and his own skryptom imprint.
the flash tool is a simply constructed but incendiary club tool. deploying a limited palette of elements to create an earcatching track, the use of heavy kick, undulating bass, ever rising synth lines and wildly distorting pitch tones screams dancefloor impact.
las castagnettas is nothing short of a mainroom monster. uncompromising and direct with a raw, assertive energy this is inyourface ravetastic techno. booming beats and abrasive sounds set the tone but this is all about the supersized bass stab. watch out..
saving the title track for last, electric rescue unleashes the beast that is locomoto. industrial and uncomplicated, this 4am bodyshaker is packed with plenty of percussive punch and crowderuption moments to ensure maximum effect. file under >encore tune<.

minimal music has the reputation to create alot of little. alexander pavlenko, a talented producer from ukraine, is here to change all that and even raise the bar while he is at it! you cant deny this young mans skills for production and minimalism, no cheesy lines, no blips and blobs that we all heard a 1000 times allready. >carbon black< is one of those tunes you will instantly remember.. it sounds so crispy, so clean, so... pavlenko.. and it sticks inside your head like chewing um sticks to your hair.. the flip is no different. on >error 99< pavlenko keeps the drive a bit lower but the effectiveness is immense. dark vibes combined with even darker basslines make this one error you cant call the helpdesk for.

young and talented boris brejcha has a long musical history. he was trained in playing drums and keyboard at his childhood which had been a perfect school for the following chapter - producing electronic dance music. his sense of humour resonates in his productions as well as his predilection for unconventional sounds. he started showing his talent at several stages and online labels which lead him to harthouse mannheim. now he shows the ropes to his audience with his first vinyl ep and you hear him grin because he knows what hes doing. attention please

city wasteland comes as a full cd as well as a split in two 12inches including some tracks that are vinyl-exclusives. sebastian lohse a.k.a. break sl from dresden is still quite young, but you can feel that he already defined his own universe of sounds and proper production skills. the second 12inch (city wasteland pt.2) now starts with the track move! which doesnt carry it s name for nothing - this is true-school techno! next, dirtbomb shows some nice edges and has a kinda dark feeling. hovering samples and a raw, dirty feel on the drums gives the whole track a very subtle blues. on the flip break sl enters deepest territory of detroit-influenced techno with weird dancer. the last track here tff is a vinyl-exclusive which delivers intense and acid-like drum layers ... chicago galore! thanks for purchasing a real copy!

heinrich mueller and victoria lukas with a new project! some dark abstract modern electronics with the atmosphere of russian novels combined with the sounds rooted in an almost opposite part of the world... detroit.

heinrich mueller and victoria lukas with a new project! some dark abstract modern electronics with the atmosphere of russian novels combined with the sounds rooted in an almost opposite part of the world... detroit.

some sublime athmospheric techno tracks that go somewhere between dubstep, detroit techno and broken beat / garage. roof light did an excellent job on this 4 track ep with tracks that are light but full of emotion and athmosphere. radiance is for sure one of the high lights with its minimal funky bass line and cut up beats and massive strings layered on top. around here is the main track with its 90s two step rhythm and its deep athmospheric sounds and vocals. ltj bukem goes dubstep? not sure who is the producer... but if its a debut its pretty impressive. great release! must have for all the martyn and 2562 fans!

a: dj ss & dubzero - this is the future: the track starts with a tense energizing build up, incorporating futuristic samples and sounds with a pulsing industrial feeling bass. the tempo builds up to a sharp climax and drops with force guaranteeing chaos on any dancefloor.
b: rollz - solid state: a new face at the formation records camp, rollz s debut track was hand picked by dj ss as a must for the album project. this track kicks off with a dark and eerie feel, building slowly to the chime of bells and echoing bass before dropping with intense punch that will take your breath away.
c: influx uk - stay on this channel: after a recent break from production influx uk returns on top form bringing with him the third track of the two-part release. stay on this channel has all the feel of previous influx smashers, a slow rhythmic snare guides the track as it builds with a jagged edge before dropping with shaking fluid samples and an earth moving bassline
d: generator & dj ss - killa: this track delivers exactly as its name promises. a melodic wobbling chord builds gradually to the sounds of a distant vocal sample, and intense climbing bass, which all combine and drop with sheer vengeance. expect to slay the masses when this tune is pulled out of the bag.

andres is releasing an ep on kalk pets featuring three different versions of his track >ballad<. now if you re associating melancholy and a thousand tears with that title, you ll be taught better by the track itself. for this particular ballad is full of positive energies and sings anything but the blues.
uwe senor coconut schmidt aka atom polishes the >ballad<-track with additional beats and insightful words and turns it into a real disco-pop wingding: >this song is not about sex / it s about music / because music is better than pussy.< the minds are shaking. he has proved his sense for slant humour already before on his album >liedgut<.
another potential hit is the remix by john keys & los updates. >los updates< being jorge gonzales, who has contributed the vocals. having played in a popular band called >los prisoneros<, he is a celebrated popstar in south america, and, amongst other things, has been participating as a singer in the last album by >sieg über die sonne<. a finely lascivious party-mix. john keys aka dandy jack & andres garcia are responsible for the musical part. file under powerpop and emotronic.
playful sounds keeping the stroke of a ping-pong game and sure to keep your body high-spirited.

kicking off our new series called esperanza extra, which will showcase our favourite picks for strictly dancefloor-oriented music, we have no more than rills & step. the turin suspects who already collaborated with us with some great digital releases are making their vinyl debut showcasing 3 stunning floor killers. on the a side, we have rodeo drive, a deep burner with some disco infused sounds all over the place, already tried and tested this track can make serious damage, now its time for you to test it. on the b-side, sunset boulevard is a chi-disco hypnotic driving track which we can even call futuristic house music and closing the ep, costa verde a super solid track in a similar of rodeo drive but still showing its own character

on august 29, 2009 around 10.000 hardcore heads gathered in and around the turbinenhallen (oberhausen, germany) for the biggest earthquake event ever! now u.h.m. presents the official vinyl sampler release for this major event in the line of the rave itself all styles are represented on this slammin 12 inch, so we re going from mainstream hardcore to raw industrial sounds.all this wicked stuff is brought by the top hardcore artists tieum (aftermatch rec.), kristof & na-goyah (coolman records), triax (the rising star of u.h.m.) and mr. sinster (the other rising star of u.h.m.) all tunes rock like crazy and will cause total mayhem on the local hardcore floors!excellent e.p. which is another u.h.m. must-have for all those hardcore boys & girls out there, time to do some speaker damaging!

peter grummich is a man who needs little introduction. peter has been producing grade-a techno and house for over a decade now on some of the most established electronic dance music labels in europe. peters unique production techniques draw upon a deeper sense of music. segeltuch – >the triolig deep track< is a dark and stripped down tech-house journey. chunky snares and simplistic high hats meld with ominous synth dripping with dub-styled delays. classically detroit sustained string sounds and rich analogue sweeps reflect peters loving detail oriented production at it s finest. what is most remarkable about this collection of sounds is that it gives segeltuch – >the triolig deep track< a remarkable versatility, both dancefloor energy and time.
elevation funk is no average b-side. elevation funk is a super sexy house groove that does the job right. deep and hypnotic analogue stabs slowly modulate to keep the bodies swinging on the dancefloor. odd synthetic effects and cut up noises just drip in overdriven dub-styled delays keeping the groove from getting style and providing delicious ear candy for the dancefloor. then about half way through this journey peter slowly brings back in a wet sounding hat pattern to bring this slow cooking bomb to the boiling point.

autodiscotheque return with a mighty release by one of their favourite maverick producers and djs danny berman. with releases on tirk, untracked, deep freeze and society, danny has made a big impression with his mixed up approach to production and djing. from the wonky house of the hot coins material released on tirk, to the more classically detroit outings under his red rackem moniker, danny is a music lover with an ear for the not so obvious and the left of centre musical territory.on this release which features both his musical personas simultaneously, the idea was to truly represent the difference between the red rackem and hot coins sounds on a single release, and to recreate an intense peak time feeling, but to do it from these two completely different scenes.place for me is detroit inspired heads down, cut up motown soul business, which pays homage to one of dannys favourite producers moodymann, and fits perfectly into that crossover space between slo-mo house and disco. chinese electro on the flip however, references that authentic early 80s new wave electro sound, and is influenced by yellow magic orchestra and recordings from new wave radio shows like belgiums liaison dangereuses

marquese, best known for his hit >keep movin< on la pena, has released an outstanding record on niveous proving yet again his talent for dancefloor and deepness. let the weekend begin! >weekend you!< is an excellent tool with a massive kick stomping over a landscape of powerful percussions and repetitive sounds. >la musica< (dawn mix) takes a different path. unique moments emerge as piano, choir and atmospheres move to the same groove, sometimes unfolding more obviously, sometimes more subtle.

played by richie hawtin, loco dice, lauhaus, pheek, tim green and many more!
lessizmore continues with a striking fresh release from its new darker serie noire imprint. kane roth is working towards a mix of psycho-reactive minimal techno while tim xavier redefines kama sutra with playful bass lines.
kane s kama sutra is focused on a melodic audion-like gimmick. the track is remarkable by the use of typically pitched down vocals and massive kicks, it viciously hooks the listener.
yearning begins with strange and dark sounds but after three minutes holds the line with simple yet magnificent synth layers. in this track, kane is close to robag wruhme s delicate vision of techno music.
the remix of kama sutra constantly thumbs our nose at. tim xavier arrangements are mapped out with calculated intent, he pushes the track into a brilliant fun and never-ending roller coaster.

redux hit their 9th release with the second offering from the very talented musician/ songwriter known simply as fernando. first appearing on the label with his solid cover of kick in the eye by legendary goth rockers bauhaus. fernando gained instant support from many djs and tastemakers, showing the world that he got the full package when it comes to being a talented recording artist .now hes back again to unleash the first of his original solo material from his forthcoming debut album, guaranteed to be a firm favourite with disco stallions , pump rockers and bearded ladies. scarecrows kicks the e.p off , setting the tone immediately with a rock steady bass groove , crisp synth stabs and catchy vocal snippets (from another famous goth influence) sprinkled on top that will stick in your head for days .bladerunner ups the energy a notch with some lively drums and a beefy bassline sure to shake any waistline (one size fits all). weird trippy textures and surging synth sounds keep it moving and occupy your brain whilst the groove kidnaps your feet and hips on the dancefloor.on remix duty is croatia s leading light and all round nice guy ilija rudiman. taking a slightly different approach for scarecrows, giving the track a deeper, moody feeling but still keeping the essence of the original. subtle pads and acid lines weave in and out as the groove pushes on and draws you closer in, dropping in to the break down and sending you off singing doop doop doop do do. this 12inch clearly showcases some of the freshest talent thats coming through the ranks and will instantly appeal to fans of reverso 68, tensnake and emperor machine to name a few strong examples. if youre feeling this then be sure to keep an eye/ear out for fernandos debut album coming soon on reduxà. this is just a taster

more untried sounds from esteemed producer hieroglyphic being aka jamal moss, who offers two of his most gap-bridging electronic compositions to date on this 12 release, exclusively made for dope jams 3rd anniversary - strictly limited to 100 copies!

pole folder has emerged as an intrinsic part of the emotive dance music juggernaut that has been steadily powering through club land over the course of the last few yearsà alongside djs such as guy gerber, guy j, and james holden, pole folder has been at the forefront of a movement back towards the melody rich sounds on which house music is based. his first 2 releases on label la tour garnered huge support from the likes of sasha, laurent garnier, luciano, carl cox and christian smith. this offering starts off with pole folders original, which features the vocals of sean ryan, delivering epic slabs of sound, stacked atop glitchy lo-fi drums that result in a listening experience that simply swallows you whole. the vocal whilst gritty retains a rich and lush quality that is the perfect overlay to this track.

insane electronic sounds from amplified orchestra. foto-krome is a mental and provides for classic dancefloor moments with its hard hitting drums, spaced out synths and off-the-wall vocoder effect. instrumental version is included too. cntrl alt dlt is a modern house tune with raw live bassline, mesmerizing keys and killer breaks n cuts! comes in very tastey limited yellow vinyl!

australias canyons (who you might recognize from their excellent releases on modular, hole in the sky, etc.) are featured for their debut release on the esteemed nyc label. fire eyes takes the a side with its deep disco house rhythms topped off with growling diva vocals, acid synths and all kinds off jungle sounds and percussion. they re definitely taking it there and it sounds huge. dancing on silk is on the flip with more female vocals, this time a lot more playful and sexy, over a warping disco beat complete with dubbed out horn solos and arpeggios. also includes the jaques renault living in the jungle mix of fire eyes that strips down the original while adding tight key stabs and dubby vox for more of a straight forward house groove

kolour return with some top quality uk bizness the excellent crazy p remixed by inland knights sounds sweet to us!

stefan alexis aka somnabulist is a young musician from skopje, macedonia nowadays based in berlin. he is not focused only in one style of music. he experiments with different and weird sounds and dont like to limited his way of felling about music. he reaches from techno, electonica to chill out and ambient. his results you can see in the releases for global underground uk, v.i.m records greece and samuvar ltd germany.

the first release on clapper is by swiss dog dachshund. a side: patte d oie is the name of a neighborhood in dakar, senegal, where dachshund was hanging out back in the days. this track is infused with the sounds of cora, a west african guitar, and wrapped in a heavy drum-kick that fluctuates from highs to lows, creating a hypnotic bass line. b side: bread. the second track is a smoother work that keeps us going with a steady rhythm, airy yet solid like a cloud that cannot evaporate

limited vinyl in a gatefold sleeve. la roux - the red haired one - steps up to claim her thrown as the new pop princess with the release of her debut album on polydor. with influences ranging from prince to blondie to tears to fears la roux is electro pop for the 21st century. elly jackson, the voice of la roux has a distinctive sound but sounds mature beyond her years. her dynamic combination of vulnerable emotive lyrics, snaking off kilter synths and killer hooks are fast becoming her trademark sound and continues to mark her out in a class of her own. the album features the three singles so far - the club smash quicksand, the old yet modern sounding synth pop classic in for the kill and the latest bulletproof. this is pop with a capital p.

no hay banda starts very deep and grows to an end time sound which comes to a high point with a male vocal tone that will get in your mind. crazy sounds which will blow your heads off!

top ten of techno dj legend dave clarke and ben sims !! michael walgram, born and still living in steyr, started his dj career at the age of nineteen. that time he was deejaying at small private parties, heating up the vibes with commercial beats. the artist mike turrento was born. however, he soon started to alter his style and went from commercial music to fine, chilly, yet pumping and pounding tribal techno. he is especially known for enriching his sounds with numerous sound effects using different equipment. the hype of minimal techno did not alter his individual style, yet he tried to combine minimal and classic techno with breakbeats. through adding skillbreaks, speedbreaks, scratches and spins he managed to find the perfect mixture and created outstanding classic breakbeat techno sets.

nys underground celebrity, electronic obscurity and rare disco specialist william burnett (aka grackle, aka speculator) delivers an ep that truly defies any categorization and therefore will have a harder time to find its way into the stores usually packed with easily digestible pre-masticated dancefloor stew that comes with filing recommandations. the music on this record evokes images of mad peyote sessions held amidst dry and sandy landscapes. the original desert acid sounds like a jam machines and instruments would do when left on their own, unsupervised by humans. a wobbly and acidey synthline goes on a psychedelic journey with fuzzy guitar riffs, backed by a stompy almost tribal discobeat. düsseldorfs currently most interesting band musiccargo rework the piece into a cinematic krautdisco gem that floats on a loopy vibraphone drone, sprinkled with german and english lyrics. sombrero galaxy (aka cbs/intergalactic fm regular dj tako reyenga and his mysterious uk buddy jonny nash) take the track into cosmic realms (rare occasion where the term really fits) and their version could easily be interpreted as a vangelis tribute. the last track on the ep we are it is a slow 808 jam with druggy and spaced out fuzzy vocals, paired with equally druggy and fuzzy guitars. if you are a filmmaker and you need a song for a weird desert scene youd be an idiot not to consider this one the perfect choice.

lost for 30 years - unreleased masterpieces by disco legend patrick cowley and indoor life singer jorge socarras - remixed by morgan geist (metro area) & kink (rush hour)! first single from the forthcoming album “catholic” by patrick cowley & jorge socarras. “soon” is a dark proto-techno track with hypnotic lyrics and warped synths, while “robot children” builds on a rigid sequencer bassline and futuristic sounddesign. these masterpieces were lost for 30 years and get released for the very first time! the first remix comes from no one less than metro area’s morgan geist - and it’s arguably one of his best mixes to date. responsible for environ’s unclassics series, he certainly was the first call for the job. his rework transforms cowley’s trademark production sound into 2009, respectful for authenticity and forward thinking at the same time. rush hour’s kink has turned heads with his incredible production skills and live appearances. his remix of “soon , derived from the original’s drum machine sounds, catapults the track to the future. bass heavy with a rugged beat, this is one to cross boundaries from techno to dubstep to experimental!

latest release on lmd comes from a new signing ion ludwig aka koos ludwig. the clair obscur ep opens up with late bed, lush sensual sounds & magical piano rifts keep drifting in & out making the track feel like it is alive calling you to come and play. lakes loosh is deeper with hypnotic cords and a beautiful occordion hook. the whole ep feels playable on or off the dancefloor giving it both a limitless & timeless feel.

support by anthony collins, laurent garnier, hernan cattaneo, alex flitsch, shur-i-kan, funk dvoid, tiefschwarz ...
switzerlands mina records may be young, but their freshness and commitment to all that is lush and deep can not be matched. today label boss claudia ayala brings us a wide ranging and far reaching bumper 5 track release from berlins rene breithbarth. known for his ability of crossing genres, rene has produced in a variety of styles from minimal, techno, deep, tech and house. his releases, remixes and two full length albums have featured on labels including pokerflat, treibstoff, spectral and dessous. the >freshin up ep< is vast collection of the finest sounds, woven together with the magic touch of breitbarth. the heavy bassline, amazing cymbals and hip-hop vocal of >freshin up<. lush, deep, atmospheric synths of >moody<, trippy flavour flav action on >you keep on< and the smokers delight, key-fest that is >brothers & sisters<.

nice price deal !!! born in a voodoo cave from an analogue broth of baldelli & mancuso, mysterious new music project zarrylade puts first feet forward with this limited self produced release. a connie chase inspired calypso moog line serves as the backbone with heavy vocals soaring all over... we re not sure if he is a person, or a band, or from los angeles or london, either way leo zero has picked up zarrylades afro disco boots on a stripped down aa side. deep grooves for the feet & psychedelic sounds for the head and sky - heavy on the ethno beats and tribal overtones... all coloured in with some west coast spiritual glue. a zarrylade album is in the pipeline with this and another follow up limited 12inch - so dont sleep on this one people!

the new series for raw no-nonsens techno and house tracks. some straight up techno... some edgy, exciting and fresh, sometimes just plain functional dj tools. first one is mike dehnert with his solid umlaut track that was overlooked by many when it was released on his own fachwerk imprint. mike is one of the big talents with his own trademark sound.. something we don t hear to often! 3 unreleased verions of umlaut2... mikes first unreleased mix, slightly housier then the first one, the umlaut2 new version which is a straigth up club tool. big surprise here is the remix by levon vincent! a new talent from new york that got his name on the map after 3 incredible releases on his own novel sounds and deconstruct labels. he did a more then excellent job with his dirty and housier version. levon did lay down a crazy groove with an old fashioned hook line (very n.y. house) and mold it into a fierce techno track. fresh and completely different then most techno out there these days.

dave huismans aka 2562 with his a made up sound project. archive contains four raw house tracks from the vaults with their roots in detroit and chicago house. æbounceÆ and ædisconnectÆ combine the best of two worlds: the more traditional sample based house grooves and the spacious sounds and wrenching sub bass that have become his trademark. the same goes for the other two tracks... æwireÆ is a phat acid track with a great drive. a strange atmosphere and a unique combination of classic structures with new and old sounds. this track will make sure that the sweat is dripping off those basement walls! æon&onÆ has that catchy drunken beat slightly reminding of some theo parrish productions... finished with futuristic technoid synth stabs and pulsating acid-ish bass sounds that make this a great abstract & stripped-down house work out! killer!

this is driving epic banging body shaking techno with soul that reminds of the good old techno days married with sounds of today. a great crossover appear for tech trance and techno sets. just a word for each: simian: manic thunderous punkish techno with attitude, collider: cool rockish bassline and amazing atmosphere. tiburon: organ rave sounds used in it and the small melody playing that gives it a spicey edge. and finally the best: particle with the spanish guitar sample that drives along with a lovely break that adds to the tension of it. this can become an ibiza favorite and you can see people like r.rivera or h.cataneo playing it as well.

the killer house label is back ! the long-overdue relaunch of the silver network imprint û by none other than jef k & chris carrier. way back when, silver network was primarily doing the deep-house thing. and boom! wouldnt you know it, these sounds are making a resurgence in club-land. back by popular demand, and out the gate with a nu-disco flavoured ditty, jef k & chris carrier team up on the >morning< ep. side a features the title track. side b features the throwback, >im in love today<.. silver network is back to stay & the year ahead is going to bring forth more tasty numbers

after almost 2 years without publishing new material. the label properproud reappears with this ep limited to 250 copies. the owners of the label santi and roger (strange connection) have worked very hard to remind everyone with this record that the electro-techno and ebm will not die ever! this time, properproud back with more force and with the intention of staying forever. closing mouths includes 4 tracks of 4 major artists and the name isn t coincidental. it s time to shut many mouths that don t rely on this kind of music the first one closing mouths (a1) has been signed by the owners of the label (strange connection) is the first time published in properproud. a track of pure ebm, dark and evil but with great force and which has received great support from artists like angel molina and dave clarke who has played several times in his white noise radio show. the second one hurt me (a2) has been signed by jonathann cast in collaboration with the voices of drey. after publishing in dancefloor killers come to properproud and do it in a forceful and dark track that can move any dance floor. bluntly electro-techno and without mercy! on b side, we find 2 of the best signings he has made during that properproud parentheses. in the first cut (b1) adriano canzian, currently one of the most bizarre techno artists, with halim the dream shows because david carretta and dj hell is set in it. a brutal track, direct and intended to enjoy it in a club. dave clarke has supported it without hesitation. and to finish off the ep, ruben montesco (b2), after his passage through lasergun and other labels turn to properproud to demonstrate in madrid that also makes good techno and ebm. insomniac s red room is a dark track, evil but with a lot of energy and a perfect voice. rubÚn besides being a great friend and supporter of properproud is undoubtedly one of the best producers of this style at national level. 4 tracks that shape a piece of craft for lovers of brazen sounds and is the first of a series of 12 inch that will see the light soon and will be limited to 250 copies. properproud is back .... stop the minimal. use your brain!