vinyl only - 200 copies - be fast!

patrick keel is a multi-instrumentalist, composer, producer, and performer. the pool was his solo project, the sum of fifteen years of experience in live bands, studios, and home recording. patrick was heavily influenced by the radio of the early and mid 1960

ltd pressing , following the frankly huuuuuge norsk tripping release we get another xl rune portion, this time on his own drum island imprint... disko romeiko, as the title may suggest is a stomping, campfire lit and admittedly unlikely culture clash of greek and norwegian music. a vocoder laced, up-tempo workout of norse disco technique and traditional greek melodies that is a surefire dancefloor delight. remixes come from rune collaborator in chief, oyvind blikstad, who pitches the vocoder vox front and centre and strips back the groove while amping up the drama. finally baz reznik opts for a rumbling, acid laced house take... quite a package

shan s third outing for running back is an ode to a time when * house* was characterized by old grooves and nu ones alike. here you get a well-rounded treatment for the times before, during and after the rave. break beats included. featured in gerd jansons fabric 89 mix.

nice price deal !!! mixes by mark knight & funkagenda, ian carey and james doman!!

nice price deal !!! after several releases on saw, moon harbour, audio therapy and lots of other globals, presslaboys deliver their first ep on our cologne based imprint yellow tail. both tracks runners monkey and snobshit start to roll instantly from the first second on

10 years redshape live is a special thank you to the labels i mainly worked with in the past ten years and also to all the people on worlds dance floors, which gave me so many stellar moments. starting on running back, the best of live series will contain tracks which were only part of my live set: previously unavailable and not even arranged as full tracks. as i always record my shows, i searched for the moment, in which each of those tracks had their biggest and also earliest impact. i took that recording and rebuild them part by part to make them proper dj versions without loosing their live roots. named after the cities where they were performed. av aviv and rome.

the inimitable ld nero with his first outing for running back. best-known for his merits on trelik and a poetic sound which is distinctively his own, ld nero immerses himself in a rare breed of deep house music that isn’t classicist, yet dateless, emotional but not kitschy, and most of all meditative without drowsiness. devoid of any second thoughts, these are three tracks made for those wee hours in the morning that may never end.

2016 repress x 300 units
excellent fresh house for the deeper underground business

edits by chris rhythm.

those familiar with the world of dub disco and modern balearica should know all about layne fox, a san francisco-based producer who has released some killer records over the last decade as part of noted collective 40 thieves. the bay area ensemble has been responsible for some killer records, including gems on rong music and leng, who released their expansive debut album the sky is yours back in 2014. now, fox has decided to go it alone for an outing on magic feet that marks his first solo outing since 2005 s move me under the tuffy alias. its something of a gem, too, effortlessly combining many of his familiar influences with nods towards druggy italo-disco and horizontal pop.

running hot ep is one of the projects which has been close to our hearts. welcome to the world of aera.

brilliant hypnotic techno , incl tim xavier & jstx remixes

janette jnett pitruzzello is considered something of a legend in her home city of melbourne, where she’s been djing for well over two decades. here, she delivers her debut solo ep, featuring a quartet of tracks co-produced by maurice fulton. the latter also delivers a solo mix of opener reflection, which adds a little leftfield disco sparkle and percussive sweatiness to an otherwise organ-heavy deep house groove. theres a similarly cheery, funky and disco-tinged feel to the rolling, cut-up house goodness of swangzipani. elsewhere, the duo gets a little stranger in pursuit of dancefloor thrills bubbles away is deliciously dark, wonky and intergalactic, while judge not wanders off into head-nodding, instrumental hip-hop territory.

die zweite remix-auskopplung aus moderats neuem album * iii* beweist einmal mehr das händchen der band für brennend heiße clubmusik. sowohl shed als auch kink übersetzen * running* in absolute primetime-banger mit der markanten hookline als leitmotiv. der bulgarische produzent kink umschmückt sie mit einem verspielten house-groove und einer voluminösen bassline. das ergebnis seiner berüchtigten produktionskünste klingt nach dem sommerfestival-hit 2016. ganz ohne irgendwelche dezidierten anwendungsgebiete im hinterkopf, bringt shed unberührt die kickdrum gleich zum anfang des tracks. sein kompromisslos treibender techno warpt * running* mit seinem stoisch stampfenden beat in eine tödlich effektive dancefloorwaffe. mit dieser platte werden moderat die clubs, aus denen sie kommen, im sturm erobern. aber sowas von.

moderats neue single -running- vereint das kollektive gefühl einer durchtanzten festival-nacht mit der eher isolierten stimme der melancholie zu einem gefühlvoll euphorischen moment. es ist hoch-emotionaler pop, der zum tanzen anregt ohne simpel zu klingen. hier werden dunkle, sonische augenblicke mit einer brillanten klangpalette zusammengeführt. vertrackte perkussion erzeugt eine tiefe, in der sich die markante melodie so wohlfühlt, dass sie den hörer mit ihrer ganzen euphorie ansteckt und mitreißt. ein sommer-pop-song, der seine schönheit im gegensatz entwickelt. das exklusive * 90% wasser* zeigt eine andere seite der band. hier ist der gesang zu einer summenden fläche reduziert und in den hintergrund verlagert, vor dem sich eine moderne, wesentlich düstere clubnummer entfaltet, die mehr an kontemporäre klänge aus den bristoler keller-clubs erinnert als an rauschhafte sommerfestival-abenteuer und das erlebnis dieser platte eindrucksvoll abrundet. schön.

konstantin sibolds long-awaited techno-trance-smash hit mutter. already in heavy-rotation with the biggest ones in the brobdingnag dj league. 10 minutes and 29 seconds of rave rabies with and without beats. dedicated to konstantin sibolds mother and frankfurts seminal techno club omen. sounds of yesterday made for today.

two years ago i played at studio 9 in vilnius, lithuania. the following day i missed my flight home and ended up spending an extra day, which gave me a chance to explore the city with my friend linus, who took me to the contemporary art centre. it was there i spotted a book named ‘rojus’, that linus told me translated as ‘paradise’. the word and striking cover of the book stuck in my mind. a few days after returning home, i turned on to a national geographic documentary named ‘designed to dance’, explaining the courtship rituals of birds of paradise. as i watched, i jokingly began drawing similarities between these birds’ attempts to captivate and impress the opposite sex with dance, and the way strangers try to attract one another in clubs and interact on the dance floor. this gave me the idea of creating a record of functional club music, sequenced as if it were a club night, from doors to closing, using samples of these birds of paradise and their habitat. thus, rojus. leon vynehall 2016

stunning ep by paul woolford with a remix friom special request.

limited original warehouse find 1982 original pressing from the experimental band from the bigazzi brothers founders of materiali sonori & fuzz dance labels that also produced alexander robotnick.

bangin harder techno monster

the return of hugh mane! this time its not a dusted house music dat, but a collection of canny compositions that leave you feeling like you have spent an evening with ashra taking es at ku, you get heart-breakers, slow-motion ravers, melodies of love and lots of drama. dont you dare to say the b-word!

if a grail was ever holy. colonel abrams demo tapes. as dope as you d hope! ron morelli (l.i.e.s.) classic nyc bootleg tape versions that floated around for a long time, nice to see official remasters, good job.

the original motion picture soundtrack to ridley scotts science fiction masterpiece *blade runner*, pressed on 180g vinyl and housed in gatefold sleeve.

oh my goodness ! oslo s rune lindbaek finally unleashes his latest stash of secret weapons - featuring the incredible higher (as featured on harvey s boiler room milan show - back to back no less !) uber rare disco / rock extensions flipped with beautifully realised edits taking in afro- balearia, an early 80 s dub freakout & a sunrise classic. limited run - buy now or cry later .

debut release from brian ring. raised in cork on a diet of us-american house music and disco oscillating between sylvester and glenn underground, while sneaking into clubs underaged (see sir henrys for further reference) ring was baptised by by david mancuso and theo parrish in london (thank you easyjet) while his record collection grew and grew. living in berlin now, an epiphany in some remote parts of australia (it was 42 degrees!) resulted in him following his own path in making music. so, here we go: the movements ep brings together mike dunn (sample has been cleared, folks), timothy leary and tee scott puts disco roller skates on heavy legged deep house and is most of all as much fun as it is sincere. all in a certain way that is personally his.

vernon felicity is also known as conforce and boris bunnik, the tireless dutch producer who marries analog and digital sounds together into otherworldy sound tracks. now he is back on mos once more after a new conforce album on delsin, and again he impresses with his unique ear for detail and ability to craft intricate sonic worlds.

transmitting from new york (via toronto), jex aka jex opolis has so far been known as the man behind and in front of the good timin label. infamous for its boogie burner bombs to quote discogs member kutter karlo jex, trades his label for running back and a shifts the gear. up with the tempo and down with the lights, there still is a variety of styles. studio e is named after an after hours spot in edmonton that the record s author partied at in the early 2000s, also sounds like something ivan smagghe would have enjoyed at that point in time. laxmi tool is referencing classic tribal house and a street in pune, where jex wifes grandma bought the drum used in this track. on the flip, harpa brags and boasts with its trampoline bass line, while la casa surfs some timpani waves.

tensnake s standard in the end (i want you to cry) release gets not one, but seven remixes. a nod to the good old remix double pack craze of the nineties, you will find them spread out over two plates. ranging from a classic tiger & woods treatment to prins thomas quirkiness via lone s happiness, two versions by shan, the timid dj oyster as well as pete herberts & dicky trisco s respectful re-arrangement, this one has it all: disco, techno, jungle (alomost!), house, cheese & chocolate!

the second edition of the rose records limited 10- series comes courtesy of junktion, whose releases on the likes of outplay and slow town didn t only sell out at breakneck speed but also established him as one of holland s biggest talents in discerning deephouse/disco circles. junktion does what he does best on this delightful little platter. the lolloping running for whatever on the a is as infectious as they come, with loads of clever samples arranged over classy rolling drums and a deep, rubbery bassline. flip over for pale blue dot, a slightly tougher, trippier uptempo workout with spaced out pads, big drums, crisp hats and massive synth stabs that should whip up a real frenzy in a packed club. killer pair of tunes from a producer that s very much on top of his game.

second shan release on running back. this one has chicagos jack, leanings of new york garage dubs, miami bass methodology and breakbeat led rave signals all on one record and made for the dancing publics benefit. includes the infamous piano mix as heard in the boiler room with ata and gerd janson back in november 2014. you better work!

** vinyl only release **
innovator is a pretty strong word but we believe it really is the only one that will do as we at future reactions very proudly present the one and only boo williams. born and bred in chicago and inspired by house musics true greats - we are talking larry heard, lil louis, marshall jefferson and co., of course - williams has already enjoyed a long and illustrious career as both a dj and producer with numerous essential and seminal releases for some of the underground’s most distinguished labels, relief records, ovum and track mode to name but three. now we warmly welcome him to our stable with his spiritually runnin ep featuring the eponymous title track and last chance, two cuts of beauteous, textured, soul-warming house music that are proper deep too. just the way we love it.

ukrainian duo woo york mark their 5th release on soma records with the pulsing blade runner, backed by an incredible zadig remix. the boys have made a welcome home on soma records as the continue to push their raw analogue sound upon the world.

its the long-awaited return of a classic combo - michael mayer and reinhard voigt join forces for time is running

concept record alert! fairlights by fort romeau is a tribute to the - technically minded readers might raise an eyebrow - australian computer musical instrument that people like peter gabriel, herbie hancock or kate bush fell in love with during the late 1970s/early 1980s. anyways, if fort romeaus current album is like painting with oil, fairlights is like drawing with permanent marker- to quote the man himself. all based on the word saku, you will experience an epic journey evolving around heart-breaking dance-floor romanticism, jaw-breaking beat exercises, life-affirming ambient digressions, and a general feeling of spring fever.

on a friday morning available on cd and double lp via running back... produced by maurice fulton.

runddans ist ein 39-minütiges werk von abstruser schönheit und brillianz, das für die doppel-lp auf 45 rpm in seine bestandteile zerlegt wird.die sensation ist zweifellos die teilnahme des classic-rock-veteranen todd rundgren, singer/songwriter, progrocker und produzent in den glorreichen 1970ern, der sich nie scheute, mit musikern jüngerer generationen zusammenzuarbeiten, sei es tame impala, daft punk, nine inch nails oder sogar tyler, the creator. seine beiden mitstreiter sind der norwegische musiker emil nikolaisen, mitglied der psychrock-band serena-maneesh (4ad), sowie (hans-peter) lindstrom, neben prins thomas und todd terje der profilierteste vertreter des typischen cosmic/space-disco-sounds made in norway.

the legendary clarence reid has long been a towering figure over black music for almost 50 years! even if you re not instantly familiar with his name you have %100 heard some of the mans music... hes produced, played for, written for & performed with endless amounts of legendary artists in his career, he is simply put, a legend.

in a time before cdj loop buttons and stone-cold arrangement techniques, bonus beats and beat records were a vital tool for aspiring, working and tone-deaf djs. the third release in an unofficial beat-tracks sublabel (se redshape and todd osborn for further reference) rhythm trainx vol 1 tries to breathe new life into that lost craft with an all-star cast: manuel tur, i:cube, blank spanner, disco nihilist, Âme and radio slave. all in different bpm, varying styles and (un)fortunately a bit more than simple kick-drum-hi-hat patterns. built to last.

eintakt 30 vinyl, time is running ep - a celebration, music from labelheads plastique & telly quin as einklang freier frequenzen and new on eintakt stage sub human bros from japan. pressing on colored / marbled vinyl.

dan farserelli releases the runnings thoughts ep, his first solo outing on the fuse london imprint. running thoughts kicks things off with a sub-aquatic joy ride of deep and twisted beats, shards of static sound puncturing through to lend the track an otherworldly feel. another day toughens things up with a booming kick and more focused dance-floor sensibility whilst the eps vinyl only track lost inside injects a sense of melancholia with its eerie pad imbuing the groove with a trippy edge

the music strahil velchev alias kink creates for the 12-inch format is as playful and fanciful as it is functional and precise. his first outing for running back is no exception. inspired by the hardware of the same name, his cloud generator ep makes the most use of that. computer nerd symphonies and cyberpunk melodies for clubs, roofless raves and virtual racing games. wilhelm reich and william gibson would enjoy this. oh, and there is a breakbeat mix on here as well.

the sophomore late night running release features a jazzy theme by aakmael and a more machine driven rework by appian on the a side. for the b-side the label has tracks by man of the moment anaxander and a tightly produced edit by michael zucker.

techno powers from ireland. our favourite pirate john daly shifts up one or two gears into the fifth. tracks and tools of diverse adaptabilities for different dj tastes. if this is too fast, you are too slow.

rune lindbaek s drum island label returns after a short hiatus - and what a return ! rune teams up with recent lp collaborator oyvind blikstad for north, an absolutely beautiful poly-rhythmic norse epic, with soaring strings, shifting live instrumentation and a sophisticated musicality that s light touch enough to lose yourself in completely... the flipside is handled expertly as ever by eddie c eddie never fails to deliver and he s amped up the african elements of north perfectly, taking us to a late night nigerian disco bar for a dubbed out, disco epic stunning stuff & another all ears sureshot limited edition import vinyl - full picture sleeve.

the man like octo octa: best known for his still devastating let me see you cut for 100% silk, the brooklyn producer graces running back with four fine cuts. creating the new, while respecting the old, the more times ep features heavy house (more times), twitchy house (fever dream), dubby house (take me to the dark) and breakbeat house with due respect to ltj bukem (dresses). thats a lot of house for your money. music for clubs and places that would like to be clubs. watch out for octo octa on the back of the brilliant cover.

havamal inspired briton will flisk takes his filmic approach to music to the streets with his first output on our curious little imprint. with the help of good friend black merlin (george thompson) on synths and drum machines and natasya hodges on cello, this amazingly orchestrated title track (red planet) takes us to different planets and back, even though our money is too short for commercial space travel. nashville, tennessees very own grey people (alex j michalski) works his distortion on a sinister remix (b1) thats leaning towards the more techno side of things. for the b2, will bestowed an amazing bit of roughness upon us.

limited nice price - last copies left
very limited royal flush with this monster production by prax paris. cover from an original track produced by kate bush