skizofrenik presents its new release chromosome disorders ep. after several releases, skizofrenik records launches necro dur s first entire release with a really complete reference for the hardtechno comunity. this release contains four different tracks. on the a-side damage recipe with an old-hardtechno touch and chromosome disorders with a powerful break and a blasting voice. on the b-side dracula with a great dark melody break and the dark side with a hard and dark synth style. all four tracks come with a really hard bass that will hit hard in all dancefloors for sure. so be prepared for this new skizofrenik records release!

one of rough trades island 50th anniversary selection - 50 crucial titles, specially selected by us to highlight the unique contribution this seminal label has made to british music since 1959. jones best post disco album recorded in nassau, bahamas, with a truly remarkable studio band, including the legendary reggae rhythm team of sly dunbar and robbie shakespeare, along with marianne faithful collaborator barry reynolds on guitar. the songs are generally arranged in an innovative, ahead of their time way (echoey yet spare, with lots of deep bass) that owes a bit to dub and in any case provides a perfect backdrop for jones queen of the undead vocals. highlights include the proto rap walkin in the rain, (by easybeats / ac/dc auteurs vanda and young) and a spooky cover of bill withers use me.

disco devil number 8 sees the return of the man from vienna, mikeburns, sporting 2 more twisted disco edits of the very special kind. galaktattakk on the a side, as the title already suggests is an explosive funky space disco monster, laden with heavy bass, far out synth sounds and an ethereal choir that literally besieges any dance floor. the cheerful and more esoteric theme of the b side track, earth blues disco meditation, makes it feel like the long awaited return home to this blue planet of ours, after an extensive cosmic journey.

nowar has the privilege to introduce this new producer duo from the netherlands, duijn & douglas, composed of esther duijn and steady douglas. their very first outing on the wax comes with a solid deep house monster, pounding steady beats, hip shaking chords and sexy sweet percussion. cat concrete will have you dancing and sweating in no time. close your eyes and lose yourself in the infectious rhythm of this brilliant track. its house music in its purest form. on the flipside you can find baazs remix which takes the track in a more stompy direction. slow jacking beats, a gripping sub bass with a deep old skool touch. its a deep but slow chicago stomper for both warming up the early birds and easing out the afterhour creatures. this record is solid, deep, raw and comes in a very nice artwork sleeve!

we are very excited to present the first release on brand new label doppler records and it comes courtesy of jacksonville, an artist who continues to delight & surprise in equal measure & who delivers quality tracks every time. the trix ep is an eclectic 3 tracker which showcases jacksonvilleÆs versatility. it ranges from analogue synth-driven deep tech to smile inducing disco-fueled deep house & cheeky, bass-heavy tech house. doppler records is a new underground label releasing the very best in house music. their aim is to bring our sound to the dance floor without sacrificing groove, melody, warmth or originality. jacksonville co-founded uk labels advance & sensei, producing & remixing tracks for both labels & appearing on many compilations, most notably sashaÆs global underground ibiza mix. after leaving the labels he took a bit of a break, then returned as mecanique, putting out tracks on plastic city, toolroom trax, district of corruption (berlin) & slave recordings. jacksonville is the latest project.

its been 5 yrs since the last record was released on tetrode music. (the deep theory ep). the wait is over and the duo of damon lamar and specter have returned. this ep is picking up right where they have left off. deeply rooted in the underwater sound that have made the releases on tetrode must haves by heads around the world. side a is produced by specter and he drops his signature beatdown sound. >bazerko< is a stripped down minimal heater that builds up with 707 drums, sub bass and a hammond organ riff that really bring this track together. >nighthawk< is a beautiful laid out sunrise track. smooth drums, warm pads, and bubbly appregiated synths. inspiration drawn from larry heard and the deep techno sound of the 90Æs. side b is produced by damon lamar. >large crowd< is this beating track pulled and resurrected from the vault. heavy percussion loop, dirty bass, deep chords and a haunting vocal that must be heard to understand the meaning. >put it on ice< is a laid back downtempo track that shows the versatility of damon lamar. lush strings, dubby bass and melodic keys make it a track that just grooves and soothes the ear. tetrode music has returned with this solid offering and one thing for sure is the sound hasnÆt changed ... just more refined.

the sunshine coast?s resident electronic maverick, milanese is back on with his heavy-as-fuck 2nd album on the mighty planet mu, and a snapshot of the continued evolution of his unique, fresh angle on streetwise uk bass music.
having pioneered the heavy, dark and twisted experimental dubstep sound with his previous releases on warp, combat, mg77, arcola, seed and planet mu, this new lp sees a shift towards collaboration. with strong vocal artists like ben sharpa (pioneer unit, cape town) and rqm (al haca, vienna), who deliver interesting lyrics in a unique style, melded perfectly with milanese?s own fat swerving basslines, solid drums full of attitude and odd, mangled samples.
melting dubstep?s earth shaking frequencies with hip hop & grime vocals and hard edged timbaland influenced drums and percussion, the result defies categorization: neither dubstep, grime, hip hop nor idm - you could call it a mashup of all these, but it?s more accurate to say it sounds like streetwise bass music for the year 3000. incredibly strange beats and sounds but keeping the funk, fury and bounce 100% on lockdown.
challenging, menacing and forward thinking like his previous releases 1up on warp (2004) and extend on planet mu (2006), its also 31 year old steve milanese?s most dancefloor record yet.

support by enzo elia, sultan, oliver koletzki, martin eyerer, marc romboyà flash recordings was a result of collaborations between oliver koletzki and florian meindl back in 2006, now after olivers label stil vor talent took off and flooded him with work, florian manages flash on his own. the first musical statement for this new paths florian is going comes in the shape of a single with two perfectly crafted dance-floor weapons: >time to move< is a disco tech- house tool built with a solid and mechanic meindl beat&bass construction, which ends up in a superlong break before it gets hit back by the beat.

>my pet gorilla< is jerome sydenhams interpretation of rolling techno thunder. energy, big kicks, fat bass lines and infectious piano chords. what you are left with, is purehands-in-the-air apotek techno. prime time business! >tonto< is a deep techno track with an immense grooveaccompanied by futuristic efx, rhythms, and chords that forcefully exhibit jerome sydenhams consistency and forward thinking yet again. this deeply satisfying modern remedy represents in appropriate doses the meaning of deep tech syndrome for the psyche and the floor. >museum of modern< is a tough and funky and minimal tech- house track. this edgy experience is filled with surprises. the groove gives way to an epic rise that collapses into an unforgettable breakdown. with no empty spaces jerome sydenham pushes the envelope to pumpout this cross genre gem.

the single sees midi joined by foreign beggars orifice vulgatron, spitting double time over a pulsating fusion of syncopated guitar licks and throbbing bass lines. blending punk-esque riffs against electro beats, midi proves he knows more than >4 million ways< to raise hell on the dancefloor and bring the

upfront (white label) promo copies ! strictly limited... huge drum and bass power, solid tracks from muffler and certainly getting dj support across the scene

played by karotte, giles smith (secretsundaze), laurent garnier... already up to its 17th release, yore keeps rolling on, this time with a new release by memory foundation. in 1994 robert hood found his way into a dark basement somewhere in viennas suburbia. mr. hood was impressed by what he had heard, and with him a dat-tape took a long journey back to where techno was invented once. with their first appearance on detroits m-plant label 15 years ago, the memory foundation or one of their many alter egos found its way into the hearts and the record-bags of many serious electronic music lovers. in 1997, after setting up their own record labels central and together with jeremiah grow! and other releases on m-plant, 7th city or usm followed. the memory foundation now returns with their contribution for the yore camp, with their >reptiles in exile ep< they prove that they havent lost their magic touch. the track burns with electro-funk fire, with natural kit and cymbal sounds giving the already-surging cut extra thrust and the staccato burble of metallic chords adding berlin flavour. a lithe eight-note bass motif anchors the warm techno-funk of >bass traveller< as a flaring synth motif squiggles alongside rhodes chords and a boogieing clavinet line, and its easy to become so engrossed by the tunes relaxed swing that the artistry of its arrangement can go underappreciated. textbook body music, >summer visions< is an earthier, mid-tempo funk workout thats sure to get the dance floor crowded, while the light-speed closer >reptiles< blazes a slinky house trail whose fresh swing has got yore written all over it. with any luck, we wont be waiting twelve more years for the next memory foundation release

its already well-known that cocoon recordings is a sucker for tracks that stand out of the usual field of - lets be honest - often uniformly reduced tech-house, and the past nine years of the labels history have proven this sustainably. and the rhein-neckar area based team flatner/lopazz are again two hot candidates to leave their very special mark on the summer of 2009. after all, circlemusic manager alex flatner is rocking the floors as a dj and producer for already 10 years now, having been releasing for labels such as harthouse or black nation, whereas the heidelberg-born stefan eichinger aka lopazz has made himself a name with releases on imprints from the likes of output, international deejay gigolo and mainly get physical. together they celebrate a very funky understanding for percussive techno, which is setting highly meaningful moments for the primetime, particularly by means of lascivious vocals. i wanna take you all night long, for sure! and you definitely cant find a better expression for the perfect pounding symbiosis between bass-focused club stompers and economically dosed pop elements than its time to make up your mind.

this is the first in a series of three various artist 12 inch releases, that features four of the dublin labels most trusted henchmen. puresthatreds >robbery< is his debut track on mantrap and what an awesome one it is: dark imposing bass and beats meet the sound of smashing glass, rave led keys and all round mayhem, with haunting strings that send this one into deepest hell. meeting him there is magnetize, who in one take supplied this evil vox led synth grinder in >distant observer< , with deft 808s and distorted crackling fx creating both a scary but grooving feel. rory st john pushes wobbly techno eccentricity on >dysentry<, with fluid editing and supreme use of effects proving again why he is one of the most exciting new talents around. sunil sharpes >print more money and shut up!< is a slippery mover, where a succession of unruly lead sounds accompany odd vocals and rasping hats - with a straightforward approach that will penetrate all in its way. so, four top class techno cuts here, all with their own unique character and all for peak time play.

big big big. stumbling grooves matched up with a mean bass line and explosive kick, all mixed up with a very intense zitar that takes the track through massive peaks. this track will blow the dance floor at peak hour ... no chance you will be disappointed.

new york’s talented cielo resident, ibizian willie graff joins forces with fellow ibizian house activist guiseppe tuccillo in this late-night jam. after numerous quality release on labels like drumpoet community, liebe*detail or jimpster’s freerange the ibizian combo stikes back on circus company. this 3 tracker is quite complete. on a side youll get some >snerata< for your picktime with a housy flavor. power is inside : feel the bass, feel the keys… the b side leads us to some deeper vibes. rucula is a delicious house track to play on build up time. warm athmosphere, five star deep house… then the ep close down with >do it<. here we are still in the deep but in a more tooly direction. perfect one to play. ladys and gentleman, come on and dive into willie graff & tuccillo fantastic flow !!!

huuuge percussive electrohouse club tune!!!

show-b is making a triumphal procession through the heaven of arrangements and the musically modernistic housemusic. complex, but fleet footed, his rhythmic structures produce a soulful symbiosis with the music of long gone times of dance music. traditional elements, such as flutes or rhodes unite with sub basses, crisp kick drums and detriotesque bass lines, culminating in show-bs own definition of housemusic. shallowness, ordinarity and a simple sensation of contentment are not part of this definition.

joker & ginz purple city quite simply put ? purple city is one of the biggest tunes you will hear in 2009, no fronting! being repped across the board by the biggest, pickiest names in the scene, hear is a rhythm that crosses boundaries effortlessly. think turbo charged g funk flavours, chunky square wave bendy bass and rolling carnival drums ? perfectly executed. rave funk ? served extra greeeezy!

after three long years spent in their clandestine research facility, vienna s prime electro scientists once again emerge: binary systems is the title of their lastest transmission, a five track mini-album to be released this june on trust. generated on microthol s formidable array of vintage analogue gear, binary systems sonic spectrum ranges from classic, hard-hitting techno bass to sähko-esque sine-wave assaults and fragile detroit-style electro.

roaring 2005 release by franklin de costa back in stock!

together with john lagora, caie! is currently making noise all over the place with his fortek single dirty wings ep, supported by all villalobos, luciano & magda. now the german producer is back with another blissful release. caie! blends ethnic percussion, eastern instruments and modern electronica resulting in hypnotic and pumping mayhem. deep & enchanting floorfillers with killer bassline and sublime synthwork. minus recording artist and upcoming man larsson delivers an exciting remix and added a bass-heavy layer giving new depths to the track!

directions is a soon-to-be-techno-anthem. built around an instantly memorable vocal hook this is a genuine big room tune for the summer. pitched to a chugging groove and mounted on a low, throbbing bassline, no time is wasted in introducing the looped vocal hook that builds and drops towards a sprawling, crowd-pleaser of a breakdown.
backing up the package is the equally impressive tipping point. the 3am front left speaker mix is a shimmering, bass-heavy fusion of old school techno riffs and soaring strings.

originally released on analytic trail at the end of 2007, c est la vie (and b-side oasi) marked the debut for joseph capriati. since this time capriati has gone on to become one of the hottest names in techno with releases on the scenes labels including drumcode, clr and sci and tec.
to celebrate the success of this favourite son of naples, analytic trail are releasing a staggering set of remixes of two tracks from joseph s debut release on the label from the best names in techno: umek, ramon tapia, xpansul, ortin cam, hauswerks, gaz james and abnormal boyz
first up to rework oasi is great stuff s ramon tapia. without doubt one of the names of 2009, tapia delivers a typically dramatic mix where sparse trial rhythms meet pulsing, offkilter melodies. hot new production duo hauswerks and gaz james keep up the pace with a more funked up version centered around a wicked rolling groove while homegrown neapolitan talent abnormal boyz offer up a stomping rework that twists things out with deep undulating bass.

when he isnt busy touring and recording with various artists as a session drummer (most recently with one beyonce knowles) guillaume jambel aka giom djs and produces deep house music. with only a handful of releases and remixes under his belt on labels such as amenti music, black cherry, tango, eight tracks and aroma its obvious that he is eager not too to spread himself too thinly. this makes us even more privileged to get him onto ornate music. and he certainly doesnt disappoint on blue matter ep which kicks of with bring down the walls a deep house disco builder promoting us to... you guessed it bring down the walls. with a metro area style bass line, warm keys and popping percussion this is bound to make you do exactly thatàin fact it should probably come with a public health warning. i know you were right, probably not something we say very often but here giom says it like he means with a tough kick drum, sweet seductive female vocal, bubbling bassline and a whole heap of other good stuff thrown into the mixer. this phat slab of deep house will brighten up the cloudiest of days, have a listen im sure you ll agree. hailing from brighton c soul are magnus asberg (head honcho of on the house records) and jimmy day. they have appeared on labels such as diy discs, suspect package and have also collaborated with house music legend robert owens on german label plastic city. for c souls on the house remix of i know you were right they strip it right down to the bone and produce a haunting, electronic house music rework. you know we were right!

l-vis 1990 is quickly solidifying himself as a bass-prodigy. you re forgiven if you re unfamiliar with the name but pay attention - this 25 year old from brighton has stormed on the scene and is making some of the most singular dance music we ve heard of late - this stuff is truly standout. with the ever-building epic come together and the floating then undeniably face smashing united groove , we re hearing a heavy sound with a new and refreshing take on structure and style. he has upcoming releases on kitsune & dim mak as well, plus a busy club schedule with his night slugs monthly in london, and one offs at the biggest european clubs (fabric london, social club paris, scala berlin, etc). oh and did we mention that with all that he still finds the time to make videos for the likes of dance area and riton!? definitely one to keep your eye on. in the meantime, these two tracks form a serious weapon. amazing new mad decent record that s making big waves worldwide. touches of grime, house, uk funky and your classic mad decent styles. big.

the first of the rising music summer series 2009 comes from chris lake & lys. lake & lys >violins< is a dark and uplifting slice of house. a hypnotic violin loop over throbbing bass and snappy tech rhythms. new kids on the block sour grapes provide two astonishing remixes to complete the package.

after releasing successful lps in the past, we re happy to announce a new manmade recordings series by the name of feature funk. the first release features some more proper floor filling funky break beats by well known beat mixing talents like funkanomics, basementfreaks, quasamodo and manmade. the feature funk series begins with a typical manmade styled tune called supersonic. coming with fast hammond chords in the beginning, followed by a rolling bass line and punched with a short feature form benins (west africa) upcoming rap star penny this track kicks ass! with lets dance explodes another funk bomb from quasamodo. this talented producer from greece gives another masterpiece-definition of the phrase funky breakbeat. hi did an unbelievable mix with this on of a kind nightrider feeling. basement freaks is another greek rooted producer, who fires one more funk missile with his track hot beastie. after having released plenty of successful tracks on different international labels, we re happy he found his way on this record. get your party started with this one! funkanomics hit things hard again with their recognisable style, and we re happy to present them on this record. their track is a wild and fast mixture of kravitz rock elements combined with classic old school raps. their track kravitzbuster makes mincemeat out of clubs!

with a plethora of well received releases on labels including creative source, exit records, dnaudio, quarantine, critical and shogun audio, survival?s deep, organic sound has rapidly earned him a reputation as one of the true craftsmen of modern drum & bass. collaborations with d-bridge, break, silent witness, fierce, sabre, chris inperspective and zero tolerance clearly illustrate the respect he commands from his peers.

one of the great aspects of the endlessly varying bass music soundwave is the way it seems able, even compelled, to fuse antecedant styles and genres to itself. in the most innovative hands, influences from last month are absorbed and reworked as smoothly as those from last century, and creativity sparks brightest when the marriage of form and function takes place beyond recognised boundaries? and it?s from that unrestricted zone that uk producer o-dessa emerges. opening with an initial resemblance in sound to the same plaintive blue air of burial, as these tracks resonate deeper in the mind, it becomes clear that this sonic affinity is merely a veil beneath which a new heart beats. the rhythms lurking below the bassline in ?deeper? are like some undiscovered amalgam of old skool hardcore and something you might hear on the latest dirty south mixtape, which somehow manage to defy sense and co-exist in a driving and breathtaking way. mournful mariachi horns and a plunging dub bassline intermingle in a desolate approximation of sergio leone?s western soundtracks, while reedy flutes and distant female voices build a swirling vapour through which skittering woodblocks and metallic ticks raise an anxious sense of motion. anchored by a vast, cone-melting sub-bass undertow, ?deeper? s treasures are buried well below the surface. the juxtapositional subtle-tear-out nature of o-dessa?s production is even more apparent in ?million dollarz?, which reveals itself in stages to be a gradual descent into layers of tweaked amen breaks, but with a grandeur unlike anything previously heard, even though that drum pattern has already been chopped countless ways over the years. it?s not until midway through its five-and-a-half minutes that the famous phased snares rise from the dense banks of atmospherics, but when they do, a moment of blurred euphoria hits and the tune bursts into colourful life. this 12¬ is the first broadcast of many more to come from o-dessa, as - like many have in their own way before and still more strive to do so now - he embarks on his individual journey in the continual reinvention of bass music. instant thrill junkies won?t find their fix in these grooves, but followers of the path less travelled will recognise many signs pointing the way to a rich future.

faze action release their latest single taken from the new album which is out now , >i wanna dancver< has been described as like a lost disco classic from 1979 , >its the sort of tune you if you were digging in the crates and came across it you would want to release it as a re edit<. this breezy summer disco classic featuring the vocals of mary moore has already been receiving huge support from a wide selection of djs including dave lee (joey negro)on his recent australian tour, pete herbert (reverse 68) and many more. radio is also getting behind it with plays on bbc and already receiving plays off the album on the ministry of sound radio courtesy of ross allen, the 12 inch also includes a disco rock dub mix which has added pianos and a pulsating bass line aimed more for the after hours party and a reflex mix which includes a more early eighties boogie bass line. watch out for it at a festival near you this summer

hot on the heels of phonica records inaugural release comes a new 12inch on the label from jc freaks, with a very special remix from the revenge. jc freaks is the duo of anthea nzekwu and werner niedermeier. like hector, who helmed phonica 001 with ben bryant, anthea is phonica through-and-through, working behind the counter at the london store. an award-winning dj, she produces with werner as jc freaks and has already released two acclaimed 12inchs on mojuba offshoot wandering. dub praise is a sultry, funked-up assault on the dancefloor, incredibly direct and immediate but full of subtle modulations and dub chords. theres a jacking, almost boompty feel to the track, but the blissed-out vocal snippets, rich synth-tones and burbling acid licks give it a timeless, rolling quality beyond that. this is seriously addictive stuff. on the flip theres a remix from the revenge, aka graeme clark. phonica have been huge fans of clarks releases on labels like jiscomusic and instruments of rapture over the years, both solo and as part of 6th borough project. here he reimagines dub praise as a deep disco track which is all spaced-out percussion, breezy keys and low-slung bass but has real character and intensity to it. so it is that the eponymous label run out of londons best electronic music store continues its march on the worlds dancefloors and dj-boxes - with a 12 inch of hypnotic house class that fizzes with ideas and, more than anything, groove

with electric rescue, the french dj d jedi, who is known all over paris, becomes a part of the cocoon family. he is connected with the development of techno in france already since the beginning of the nineties. despite being busy as a producer for commercials and soundtracks, he always finds some time to release exciting electronic music on imprints such as f comm, communique, elp media and paul nazcas label scandium, where he has released his debut album >el.ue< three years ago. with the two tracks on >the darkest star<, electric rescue succeeds in the daring feat of transforming the energy of rave tracks from the early nineties into the present time without producing an anachronistic impression. besides a tectonically shaking bass drum, the title track relies on the power of sound, a superlative of raw club energy with a twist of irony, which can set a surprising climax with a steadily rising noise level, even after almost ten minutes. >the devils dance< is grafting a comparably brute state-of-emergency techno in a somehow restrained way, rhythm-wise, but is no less effective with its distinctive acid sound effects. and who said that modern techno cant use the tradition of belgian rave-signal-floor-burners?

fashions come and fashions go but disco will never die - so hoist up your hot pants, polish the glitter ball and pop your collar cos disco international is in town and its time to throw some shapes. as in every true kandi anthem >ready 4 more< has all the hall marks of a kandi classic in the making. addictively catchy vocals, a pounding bass line and a sprinkle of disco kandi magic makes for another unforgettable release from the hed kandi camp that any true disco-lover would be proud of, so get on the floor if your >ready 4 more< with disco international

the debut 12inch from finnish duo hannulelauri! first up is glittering night, conjuring visions of 8 bit videogame soundtracks applied to the dancefloor, or an alternative theme to the movie robocop (which lauri seems to have a strong affinity for), with shimmering electric synth chords washing over a commodore 64 groove before a peter hook soundalike drops a lovely bassline, making new order comparisons inevitable (a good thing!). perfect late night machine funk. next is sally 2000, a more introspective piece with insistent digital strings providing the foundation for a childlike toy chime melody, pulsating bass and more as layer upon layer builds to a fuzzed out, pixelated yet beatless climax. finally, the late night vibe continues as sally 2000 gets a version from finlands techno/house master jori hulkkonen who works the tracks pleading strings into a more dancefloor friendly mix, adding perfectly tuned drums and a nice, fat kick but keeping the synth melodies intact and the tempo slower than your normal electrohouse jam. adventurous djs looking for alternative moods need look no further! another strong flexx release.

time to express is pleased to present the first results of the collaboration between italian producer donato dozzy and colognes finest, cio d or. both artists have recorded seperately for labels such as wagon repair, railyard, aquaplano, motoguzzi, broque and treibstoff. a great three track ep with dirty minimalized techno killers that must be played out loud for full effect! somehow reminiscent to the good old days from minimal unit moebius and plastikman tracks.... when minimal techno wasnt about pleasing the crowd (which it did after all). 3 tracks with deep sub bass driven grooves and distant melodies that move in spirals in and out of the mix with a moving and twisting beat. it s sour and dirty, with a touch of that particular blend of mesmerising techno both producers are known for. the peter van hoessen mix is more upfront and in your face. mental introvert techno tracks that will take the party to another level! tip!

i got my own rhythm and i got my own bass, got my own kickers in my mer ce des... get fresh is the latest single from kid sister, an electro rap gem that manages to put a fresh twist on stunting thanks to kid sis catchy hooks and infinite lyrical charm - who else could shout out louboutins and dominos pizza in the same verse and make both sound equally fly? the tracks clever, thumping production comes courtesy of a trak and xxxchange, who team up to flip zzts indie techno hit lower state of consciousness into a hip hop tempo banger everyone can enjoy.

for the 8th outing tech itch has 2 big dramatic tracks brought to the table, bi polar has huge beats and killer boomerang basslines, crimson tears has a slighty oriental theme throughout the intro then a big dark soundscape takes control all this paired with low freq sub bass make this one for the big sound systems.

the 9th release on domestic violence comes from sveteq and septromatiq. these two are creating a big stir in the scene with some extremely fresh releases on labels like mental torments and reconstruction, just to name a frew. on domestic violence they present their killer style in the form of calm storm ep, four absolute killer tracks full of energy and heavy bass!

feedback agaric - club tracks vol.1:
karotte : a seite ist super!
shonky (freak n chic): full support for revuelo, play for sure. like the vibe, the bass, the way it runs. good job
ray okpara (oslo): thx alot man, like your club tracks vol.1 ,) rock on bro...
ben parris (foundsound): these tracks be hot!
derek plaslaiko (ghostly): revuelo is a fucking jam dude!!! will be playing the shit out of it!!!
mark henning (soma): bombs!!! will chart em and play em both :) rock on!
sean o neal (foundsound): i love this release! i will play it for sure! and catchy title!
perc (perc trax): thanks for this, runner is a great track for me.
signal deluxe (persona): thanks a lot for sending your new release, its fucking bomb dude!!!kreon (below): loooove em...great job once again :)
carlo (metroline): thanks for the tracks once again, runner is the real business will defo play it this saturday..
nicolas duvoisin (siteholder): i will play it for sure, nice summer tracks!!
mr statik (perplex): oui oui oui!! great work, relentless grooves, can t wait to try em out!
kai limberger (plus+): revuleo is a really cool track! i really like the way it grooves! thumbs up
gummish (trapez): i m playing the tracks especially runner nice release!
additional dj support: adam beyer, alexi delano

the seventh release of restoration records is the celebration of the love between men and machines. sykon is true joy and happiness, it s the speech of the synthesizers, it s the passion for hardware samplers and sequencers, it s the addiction to the juicy sound of tape compression. as usual, no computer has been involved in the production of this record.
ôyes, the 4th dimensionö, by eduardo de la calle is a masterpiece of hermetic theories applied to advanced minimal techno. it s mental and involving, deep and solid. hi-tech reduced synthesized sound build up a never ending progression upon the strictness of its low tom layer. mystical energy tthat will kidnap everybody on the dancefloor.
in marieu s ôrootsö, you can hear all the trademarks of the boss of the label. dark, hypnotic and pumping, it developes a bouncing double bass line that breaks the atmosphere with an aggressive 808 kick. acid and funky at the same time, it s simply a time bomb.
on side b, lucretio s ôwhere youö is a superb synthesis of his detroit techno and uk-garage influences. relentless effective old-school drums run with a female vocal sample. soulful chords sing along balistic claps. an evocative string line introduces a touch of blues. a sweet sunset on the groove, a smooth weapon.
last but not least, a touch of class by the analogue cops: ôslowlyö. it s a down beat fusion of jazz and deep house. a monumental bass drum bursts a celestial big band interlude. a sexy 303 acid line, an elegant high-hat, a snappy snare. just few things but on the right place. a delight for your mind and for your body.
restoration records are played by djs such as james pennington aka the suburban knight, dj buzz goree, ame, eddie flashin fowkles, alan oldham, rick wade, marcel dettmann, prosumer, steffi, tama sumo, tyree cooper, norman nodge, santiago salazar, pacou, mad max, dj jus ed.

a: the flight: the deadly combination of rune and sydenham who brought you the classic >elephant< are at it again. >the flight< is a tech house delight. futuristic beats combined with old school snares and rhythms and a subtle hypnotic vocal will draw you in. the simple organ stabs glue everything together. a damn fine track that will surely cross genres. b: the >crossing< is a humping dubby deep techno monster. the bold bass line drives forward while the fanatic efx put you over the edge. the rhythms are constant are the results are deeply satisfying.

this record is a bomb! it had to be said... telegraph is proud to present tom ellis first vinyl album! sex, drugs and sausage rolls is an 8 track project that showcases the huge talent of this special uk producer. there are so many hits on this record that we can definitely call it a bomb and djs will go crazy for this one! all tracks are dancefloor killers, always funky and groovy they are full of creativity evolving into different atmospheres. a uk garage flavour on some tracks brings a fresh vibe into his productions, toms music definitely is very human and always musical. the sexy vocal tracks like simple truth or boogie turns are just incredible and sound like nothing else. sex, drugs and sausage rolls will become a classic record over time. toms highly acclaimed and ever growing discography spreads far and wide through labels such as hartchef, minibar, trimsound (his own imprint), logistic, archipel, floppy funk, morris audio and telegraph. he regularly performs live around europe and can be witnessed displaying his bass guitar skills along side label partner leif with their trimsound live project.

delusions hits the spot once again with number 3, this time highlighting the production skills of a certain zepp001. the seattle based disco obsessive has been leaking out high class edits over the years under a dizzying array of deliberately forgettable pseudonyms but feels the time is right to push his original tracks. who better then to make these beauties available for you discerning djs than delusions of grandeur. dont sleep is a dark, brooding groover with throbbing bass, cute cuica fills and intense strings that lalo schifrin would be proud of. a real heavy mood setter and as good an introduction to the sound of zepp001 as you re likely to need. next up we have the mighty revenge in for remix duties on dont sleep. the much hyped master of the edit keeps the vibe of the original well and truly in place but opts for an even more stripped back approach leaving all the space for crisp claps, slowly building strings and bowel wobbling bass. flip over for giraffe, a more upbeat affair where the filtered keys come to the fore and things steer in a hyped up deep house direction. show your luv...

nice price deal !!! support from : dave ellesmere , phil weeks, loco dice , marco carola , ilario alicante ! ! ! danzaikaki is proud to present its first various artist which features all the label artists. vasta delivers a pure dancefloor track, followed by sten with a clever deep house. on the other side tinto bass made a powerful hypnotic track! pure bomb krakatoa closes this ep with a funky-tribal track !! dont miss it

supported by: raresh, phil weeks , alex neri , ilario alicante, dave ellesmere, dandy jack, sonja moonear , ralf, krakatoa!! this is a recently born and emergent deep house label, produced by lorenzo chiabotti(iena saw), that is a perfect mix of groove, rhythmic, a powerfull bass line and a definitely catchy chord. the e.p. contains also a >ika red rice< remix, realized by ilario alicante, young talented dj from tuscany, resident at tenax club. he made different realeses for most of the best labels like cecille rec. second track is another >ika red rice< remix, made by federico grazini, famous italian dj-producer resident at tenax club too. the label is composed of two members, paolo rossano aka pato donald, dj resident at doctor sax, the famous turin after-party, and lorenzo chiabotti, producer and live performer of the project called iena saw (vinyl club/ibiza)

based in strasbourg, florent is a very talented french artist who has already released a bunch of maxis on k2, modelisme, funktion, style rockets ... his simple view ep on modelisme had shown his flirting with deep music, his plus ep confirms his love for it ! plus is a beautiful, very groovy deep track, full of old school mellow tunes, with a very personal touch and varied influences. as remixer, modelisme welcomes the excellent jonas bering, master of the genre, mainly wellknown for his huge beautiful discography on kompakt. the result is a superb transformation with charming melodies and hypnotic layers, driven by a killer bass and subtil effects.

alasdair roberts spoils album features alasdairs old hands from appendix out (tom crossley and gareth eggie) as well as free percussionist xtraordinaire alex nielson, noted baroque guitarist gordon ferries, emily maclaren, niko matti ahti (of finnish free pop duo kiila), and david mcguinness and alison mcgillivray (both of scotlands concerto caledonia), bringing a loose and lively mixture of drums, bass, piano, flute, glockenspiel, harpsichord, harmonium, viola, synthesizer, dulcimer, psaltery, hurdy gurdy, fiddle, and of course guitars and voices. spoils has a lot on deck, but its meted out evenly and with an intense energy, always in service of the songs, which are marked with some of alasdairs finest melodies. additionally, spoils ingratiates new compositions in a deeply personal manner with the world of traditional music that has sunk beyond the horizon for too many of us. it is a gift to these latter days that a man like roberts exists, to sing us back to our ancient home.

following the success of his last lp, chronicles of never, and his recent track jedwab on nick curlys 8bit imprint, marcin czubala makes his return to mobilee with mezcalinna. continuing his string of exceptional releases bearing his unmistakable signature marksùslinky, undulating grooves full of bizarre twists and turns that ceaselessly continue to surprise the listenerùmezcalinna is comprised of two tracks whose continuities only serve to highlight the ways in which they differentiate themselves from and act as complements to one another. day 1 begins with a heavy bass line echoed by a stuttering percussive beat that guides the rhythm until the vocal chants and kick drum drop. accented by occasional drum fills and cymbal crashes, the track reaches its climax with the entrance of a lone piano chord that, despite its initially alienating presence, ultimately serves as a means of melding and unifying the tracks constituent components. if day 1 is an early morning track, day 2 provides its counterpart as a nighttime dance floor stormer with a darker sound and haunting, reverb-laced vocals. also beginning with a splattering of percussion but taking a decidedly somber turn with dissonant synthesizer stabs and an eerie vocal loop that shadows the track from beginning to end, rhythm and creative use of contorted vocals lead the way as this track zigzags in a way that only marcin czubala can make music do