limited vinyl release of injury reserve’s self-titled debut album.

firmin is a resident at our parties and this is his second ep for us. it s a new alias of his focusing on more progressive club tracks. carlo who did the remix for us runs neovinyl records and is a resident at ipse in berlin. dj support so far from: brett johnson, radio slave, kinrade, sage caswell, dave harvey (futureboogie), photonz, tony humphries, the wasp (dabj), dennis quin, ernie guerra, christophe, alkalino, freedomb, tiga, robbie akbal, nic fanciulli, steve lawler, gene farris, john digweed, horse meat disco, demi, audiojack, claptone, vincent neumann, joris voorn, absolute.

40th anniversary edition on 7 inch picture vinyl.

15 collaborations from the late, great dj rashad with friends from the teklife crew and beyond. double vinyl in gatefold sleeve.

massive crossover hit from the american gospel star kirk franklin, marrying patrice rushen s classic with r&b and hip hop leanings to create this uplifting, inspiring and infectious feel-good sensation. a true tony humphries, southport and soul collectors favourite finally getting a full single release.

repress available! foreign bodies / ugly duckling are taken from the calibre album >condition<. supported by fierce, kasra, ant tc1, dj friction, tony coleman, fabio, klute, marcus intalex and presha.

die 5. ausgabe der lp-serie geht noch steiler: wilde britische tanzmusik der präbeatles-zeit.

sounds by oliver night are supported by tony humphries, kerri chandler & seth troxler

love bite compiles the efforts of a cadre of talented djs-cum-producers from across the globe for a selection of 4 songs each tailored for before, during and after peak time at your pool party or discotheque.

solid and raw bangers from northern irish techno producer tony mcmurray.

four talented chefs join forces and presents the first volume of amouse-bouche. take notice, this is not a one-man show, together all four erase the distinction between sweet and savoury.

first proper 2x12 inch vinyl release of alpha stone’s 1996 space-rock album “stereophonic pop art music”.

limited ddition of 750 individually numbered copies on orange 180 gram vinyl.
red red wine is a compilation album compiled by the jamaican producer brother dan, better known by his stage name dandy. the album consists of some of his most popular productions like tony tribe’s “red red wine” and israelites “games people play”. the reggae version of the neil diamond title song became a hit in the uk in the summer of 69. with his own showcase label downtown dandy entered the music world, including his popular release “reggae in your jeggae”.

the new album from nas, produced by kanye west. the vinyl lp is housed in a gatefold sleeve.

reissue on translucent red vinyl - marvel standard cover edition.

reissue on translucent red vinyl - limited marvel hologram-cover edition with exclusive comic.

covering 40 years of northern soul with this fine selection of 16 highlights from the scene.

italian 80s house mixes

originally released in 1981 via elite / mca records, ‘en trance’ is a joyous album that arguably represents the pinnacle of the brit-funk sound. the band consisted of bassist, and keyboardist lester j. batchelor, drummer ray johnson, guitarist andy sojka, saxophonist stewart cawthorne, singer and guitarist tony antonio and producer jerry pike. the album captures the excitement of these exceptional players demonstrating utmost originality in the studio. more atmosfear and elite records reissues are available/coming soon on mr bongo, including ‘xtra special’ and ‘dancing in outer space’ on 12”. official mr bongo reissue. remastered. licensed from chemical discs.

heat in two belgian flavors! check out the zaïrian electronic dance floor banger “nakombe nga” by les choc stars. comes with the dope, largely unheard belgium new beat version on the flip from the teknokrat s. both tracks were originally released in 1989 and this is the first time they appear together on 12-. reissue co-curated with renowned record fiend john gomez. the music on this winning double-sider was written by tony baron and gery françois, two belgian producers that were involved in several musical projects on the new beat scene in the 1980s. they worked under many aliases and recorded the teknokrat’s haunting “what did she say?” at the famous studio madeleine in brussels in 1989. prompted by jean martin from espera records, baron adapted the music into a further two songs to be released that year, virginity’s melancholic “the key”, and the surprising but ear catching collaboration with the label’s soukous stars, ben nyamabos les choc stars du zaire. it is still a mystery how the seeds were planted for the one-off pairing that culminated in the electronic soukous bomb “nakombe nga”. what is certain is that it is set to light up dancefloors worldwide.

the latest release on nicetraxuk sees danny ward share wax space with jcub under his dubble d alias. ward is best known as moodymanc, a long-standing figure in the uk house scene, and he s on especially strong form with evans above, where gorgeous strings and meandering live bass cascade around a journeying beat in mesmerising fashion. for those wanting the same musical delights but in a more club ready format, the subtly fired-up club dub on the flip should be just the ticket. meanwhile jcubs mestizo beats- reappears after an outing on the last nicetraxuk release, this time remixed by deeper-than-deep stalwart tony lionni with scintillating results

official repress on 12inch of these sought after charly kingson tunes. the label says: charly kingson, (ps. for charlie kingue soppo) is a legend of afro-funk who managed to shake the entire continent up with his infamous 1978 lp, born in africa. often forgotten when conversations turn to afro-dance, and the likes of tony allen or fela kuti, he has been an incredible source of inspiration to many musicians exploring the funkier side of jazz-dance, and this album itself goes way beyond any traditional notion of tropical discotheque. -born in african- itself is a funky groover for the dancefloor and here is the original 1982 remix, made by dutch legendary percussionist eddie conard available again, featuring nimele bolo on the flip-side. released in 1982 on ariola/fleet, but also pressed on the original fleet label. the latter (remarkably with identical catalog-number) never saw daylight. but, we got them all! all in all, this hard to find 12 inch (at discogs copies on the ariola/fleet label go for around 250 euro) was recently re-discovered, and now you can finally enjoy it again

this release is individually 200 hand-numbered limited edition cassette (100 pink and 100 smoke transparent) with a sort of greatest hits of (almost) all archeo releases (ar001-ar011) + an unreleased bonus track from roberto aglieri (ticino parte 4 il merlo), celebrating 3 years of the label, from 2014 to 2017 selected with love by manu archeo (ar001c). archeo recordings is a reissue record label that regenerates old, lost, obscure and forgotten rare gems of predominantly italian music but also all over the world of the 70s, 80s and 90s. all outputs are licensed by the artists and the vintage labels, audio tracks are remastered in their original form the sleeves and center labels are graphically recreated for today but all based on the original images. archeo would like to make the music available to a wider audience of collectors, djs, music lovers of a forgotten time. all releases are hand-numbered limited edition vinyl. the first copies of each release are pressed in coloured vinyls.

das legendäre jamaikanische label trojan records feiert bereits seinen 50. geburtstag und veröffentlicht mit »ska & reggae classics« eine neue compilation mit den größten hits des labels, nun auch auf 2xlp!
im juli 1968 eröffnete das jamaikanische label mit sitz in london, trojan records, das geschäft und innerhalb von monaten nach seiner gründung wurde der aufregende neue reggae-sound einem weltweiten publikum vorgestellt. im laufe der nächsten jahre stand trojan für eine reihe von weltweiten mainstream-charthits durch legendäre künstler wie desmond dekker, ken boothe, john holt, the maytals, bob & marcia und dave & ansel collins. zudem legte trojan den karrieregrundstein für die zukünftigen superstars des reggae bob marley, dennis brown und gregory isaacs.

as well as all the jazz and funk, best italy are also dab hands at digging out italo disco gems that pretty much qualify as proto house jams for their heavy spinning by the seminal chicago djs like ron hardy. this essential transmission from amnesie is a fine case in point, a one hit wonder originally released in 1983 appropriately enough on proto records. now turas makes a welcome return, sounding resplendent in both vocal and instrumental versions, but the real treat for the dedicated diggers is the previously unreleased dub version mixed by legendary dj tony carrasco. thats the jam that will have eclectic spinners getting in a lather.

seth troxler & the martinez brothers’ tuskegee music welcomes chicago legend k- alexi shelby for a new ep that features some essential solo cuts as well as two great collaborations with tony lovlesss. k-alexi is a genuine chicago great. he’s been at the core of the scene since the eighties and releasing his raw grooves on dj international, trax and transmat, as well as his own k klassik label. he has recently remixed for seth troxler’s other label, say it play it, but is now back serving up the sort of engaging originals that have made him such an enduring star.

5 vinyle in einem pizzakarton!

der spanier pablo fierro ist dope: herrausragende produktionsskills, drei (an)treibende tropical-/ afrohouse-tunes, alle drei suuuuper buuuurner, die genau rechtzeitig für die freiluft festival-, und beach-saison erscheinen. tony allen lässt grüßen. tipp-topp compost black label 12” von anfang bis ende. no filler, just killer. der auf den kanarischen inseln, spanien, geborene sowie aufgewachsene pablo fierro ist produzent, musiker und dj. seine musik wird als tropisch, elektromagnetisch und gewaltig beschrieben. außerdem ist pablo gründer von vida records, einem der global club music plattenlabels, die die besten tropical sounds veröffentlichen. seine musik findet man auf labelgrößen wie warner music, defected records, atjazz record company, kingstreet und g-rex. neben auftritten im spanischen fernsehen verwenden auch angesehene regisseure wie bigas luna seine musik.

deluxe reissue of leroy’s seventh and final album on curtom records. features amongst others ‘right or wrong’, ‘(you put the) funk in my life’ and ‘so nice’. the album comes with full colour inner sleeves complete with in-depth notes by award winning soul expert tony rounce. part of acid jazz’s campaign to reissue all of mr. hutson’s classic albums which has so far seen impressive support at radio and press.

the strictly rhythm imprint is legendary and is instantly recognisable by connoisseurs worldwide. it s a label that has contributed time and time again to dance music culture across it s almost 30 year lifespan. countless classics passed through the nyc offices of mark finkelstein and gladys pizarro and this brand new strictly classics series looks to celebrate this cornerstone dance label and it s immense catalogue by going back to the archives and presenting some double-header action for diehard fans and newcomers alike. that s right, the proper mixes, reissued from source and remastered to the highest spec, each track spread across one side of a 12- for optimal sonic playback. the second instalment of this essential repress series sees the amazing bass tone from sole fusion (aka louie vega) take up side a. it s a truly deep slice of that nyc grit that works on every level, the rough with the smooth, trademark vega-isms and those drums! a sure-shot. on the flip is yet another gem - hardrive s just believe which is certainly a knowing nod back to the disco days delivered with gusto by louie vega and the maestro tony humphries. do not sleep on this, over 10 mins of that funk!

not to be confused with the 80s heavy rock/funk band from the us, this living color track was written, produced and released by tony kalangis on his sophisticated funk label in 1974. kalangis, who sadly passed away in 2017, was a man of many talents who could not only write a great tune but also novels, poems, and film scripts.

in 1982, a group of friends deep into post-punk, jazz and dub got together in mad professors studio and lay down their youthful interpretation of a nyc disco cut. their unique take included trombone, vibraphone, piano, and an ital dose of tape delay. they called the song trouble and released two versions (vocal and dub) on their friend tony mcdermott s !drum! label with artwork inspired by russian constructivism. tip! . the group, comprised of justin langlands, chrysta jones, john schofield, tom dixon, and dave killen, decided to call themselves a-team, having no idea that mr.t and co. would make them almost totally ungoogle-able 30 years later. the result of their adolescent studio idealism sounds akin to otherdisco misfits like arthur russell, maximum joy, talking drums and wouldn t sound out of place on legendary nyc label 99 records. remastered with an extended club dub formaximum dance-floor action.

love bite compiles the efforts of a cadre of talented djs-cum-producers from across the globe for a selection of 4 songs each tailored for before, during and after peak time at your pool party or discotheque.

sub-heavy, dreamlike ai techno from the mysterious yugen disciple. ‘ibex 2’ is hypnotic techno that would kill in a big-room, ‘luxury flat’ is a pulsating, monotone banger. on the b side ‘pattern recognition’ is a timeless slice of electro finished with the a late night trip on the japanese bullet train with ‘shinkansen blur’ for fans of shinichi atobe, donato dozzy, dj sprinkles, lee gamble, other people place. played by pearson sound on rinse fm kowton/livity sound on nts tony poland on netil radio

written and produced by thomas caesar, guillaume lespinasse, axel ropert-lemercier and jean redondo. snowballs provided by tony mastroianni on a kawasaki z750. type by dinamo, illustration by almost free services

after more than 10 years of making music it finally time for legendary stockholmian mans glaesers solo debut. in his baggage youll find everything from the 2012 album with stay gold that included the hits backseat (the most played track on swedish radio the year of the release) and wallpaper that was topping charts around europe to feautures on karlovak and velvet pony with label head art alfie to tours around the world with savage skulls. hes also involved with of the meds, a swedish house group with a couple of eps out and more music coming up on studio barnhus. this includes three varied tracks. first out is the french filter house burner velvet tony. followed by the suave swing of angelina and rounded with the organic headiness of o.0.o.

after putting out kito jempere s well received sea monsters album last year, hell yeah now serve up another selection of remixes of it. accomplished musician jimi tenor, plus miskotom and max essa all contribute before a 7inch, also taken from the album, lands later in summer. first up is jimi tenor, the legndary finnish musician who has released on warp, collaborated with tony allen and has his own band as well as occasionally playing sax with kito jempere band at live gigs. he flips puzzled into five minutes of stripped back and moody electronics with plenty of his own flute playing in the track. busted drum sounds, spooky sci-fi synths and scattered hits make it woozy and late night and utterly absorbing. miskotom—a newly emerging pair made up of mik and his wife andra, both based in vilnius, lithuania with credits on pleasure unit and balearic —then reimagine ampa as a beatdown but of deep house with trudging drums staying low and shimmering synths drift out in all directions. crunchy hits bring a subtle sense of funk and reverb drenched vocals bring a heavenly feel to the soul drenched grooves and summery keys. then comes max essa, the japan based brit who is a regular on this label as well as the likes of is it balearic?. his first remix is a huge one that is sure to soundtrack many a boat party this summer. it s a gorgeous rework of ampa that puts achingly blissful vocals front and centre as low slung bass and slowly turning drums sink you into a pan-pipe laced reverie. secondly, essa offers a dub reprise that removes the vocals and places all the focus on his churning drums and new age grooves. this is another perfect package of masterfully electronic horizontal sounds.

drum union is a new series documenting the different shades of leftfield house. london based tony nwachukwu (aka attica blues aka wah-chu-ku) provides a deep broken dub techno monster. manuel fischer presents a beat-driven disco-influenced track to make any dance-floor burn and mitsubishi galaxy, who are also known as jack pattern take us into a wavy trip to another dimension. look like rounds it up and is merging afro-cuban rhythms with modern electronica soundshapes. a journey wider and deeper than most of the average 4/4 business!

sunlight by herbie hancockis a 1978 jazz-funk, fusion album. it features hancock’s vocals through a vocoder as well as performances by drummer tony williams and bassist jaco pastorius. this was when hancock began heading towards a more mainstream smooth jazz/r&b fusion, similar to fellow jazz-fusion pianist patrice rushen. the album produced a hit-single entitled “i thought it was you”. as a whole the album tends to lay more toward funk than a jazz record, and is reminiscent of much of the electro-funk of the time. this release marks the beginning of the 80s electro-era style that was more refined in herbie’s later albums such as “future shock” and “sound-system”. pressing on 180 gram audiophile vinyl.

uneven paths: deviant pop from europe, 1980-1991 is the second multiple artist compilation on music from memory and is compiled by record connoisseur raphael top-secret and label man jamie tiller. the compilation brings together twenty one tracks from across the continent, exploring the more unusual and unexpected sides of pop music produced during that period.

various lurkers includes 4 mega tracks beamed down from brighton, leeds & sweden featuring kalidasa, zmatsutsi, tony pineman & tross. wicked collection of krautrock inspired chuggers, dubbed out disco and weirdo balearic beats. must have for fans of music from memory, invisible inc, optimo etc

penthouse penthouse is a duo born out of the la-based crew team supreme. their debut lp ‘cruise control’ lands on alpha pup this february, with features from tony larchmont, carla, love logiq, kingjet and more. right in time for valentine’s day, cruise control is a smooth and sultry 9-tracker of r&b-tinged pop songs. in the short time since the group’s formation, they have collaborated with the likes of djemba djemba, mr. carmack, stwo, chloe martini, marvel alexander & promnite and have been billed with acts such as xxyyxx, sweater beats, salva, and the glitch mob. their music has received support from bbc radio 1, vice, earmilk, and la’s kcrw.

helsinki based hpty recordings run by trevor deep jr. celebrates and honors finnish dance music and some of its champions operating close to the main source by releasing an anniversary double vinyl package of underground rhythms cross the genres!

new music by hailu mergia, featuring tony buck (drums) and mike majkowski (upright bass). the culmination of mergias remarkable worldwide tours over the past few years, these new recordings celebrate an evolving, youthful soul. lala belu completes a realistic portrait of hailu mergia

long-term soma collaborator tony scott drops his debut album with the label under his edit select alias, the perfectly crafted experience, “cyclical undulations”. having released with soma under his percy x moniker for years and having countless hits under his belt, scott reinvented himself as edit select. known for his dark, expressive and expansive music, edit select has become once of the most well respected and renowned artists in the genre. with this latest full length, he continues to explore the furthest reaches of the deep techno spectrum.

francis harris is a founding member of the scissor & thread label a brooklyn-based imprint established 2011 as an outlet for deeper, more personal sounds, as well as music from a range of associated artists including black light smoke, bob moses, frank & tony, dj aakmael, desert sound colony and aris kindt, to name a few. harris own output has gone from tightly wound tech house cuts as adultnapper in the early days, sublime deep house as frank & tony, intricate and expressive musical journeys as evident in his two solo-albums ‘leland and ‘minutes of sleep, and ambient shoegaze with two aris kindt albums, co-produced with gabe hedrick. most recently harris branched out with a new label kingdoms a home for his love of a more adventurous sound. now we are proud to present his new solo single, the first since the release of ‘minutes of sleep, ‘minor formswhich includes two remarkable remixes by valentino mora. more we cannot do is a perfect example of harris feel for depth and dynamics a track that feels submerged in a warm amniotic fluid cocooning the listener in a thick subby bassline, providing much of the groove, with skittering percussion on top and intricate fragments of melody throughout leading to a wonderful moment with live vibraphone provided by new york player will shore. minor forms, the eps title track is cut from similar cloth emerging from a subtly distant place to inhabit a melancholic, beautifully evocative space somewhere between ambient, jazz and the dancefloor. joining harris is greg paulus on trumpet, a long time friend and collaborator adding his signature touch to an already moving piece.

black truffle is honored to present the first ever reissue of whirled music by max eastley, steve beresford, paul burwell and david toop, one of the key documents of the inventive and energetic scene around the london musicians collective in the late 1970s and early 1980s. originally released on toop’s own quartz label in 1980, the lp features a remarkable series of performances made entirely with whirled and swung instruments and objects. part of the second generations of british free improvising musicians, the prolific scene centered around the performers heard here chafed at the limitations present within the music and ideology of improvising legends such as derek bailey, evan parker, tony oxley and john stevens. where the first generations of british free improvisers often demonstrated a rigorous commitment to non-idiomatic free improvisation and instrumental virtuosity, musicians like beresford reconnected with the dada antics of figures like han bennink and surrendered to joyful musical promiscuity, gleefully disrupting expectations around ‘serious’ improvised music through quotations (of anything from betthoven to reggae) and deliberate amateurism.