feel my bicep records returns once again for round three. this time however the lead is given to peers and friends in the form of a remix 12inch where by brassica and john talabot have remixed bicep - satisfy taking one side each.

mysterious white label release on jolly jams! a side feat a religious house groove b side feat a paradise garage disco vibe track who did it? we dont know! amazing 12 inch gets massive rotation thats for sure.

after the killer first ep, somewhen is back with another stunning work on his own label sana. the follow up 12 inch from somewhens sana tetralogie contains four drifting electronic tracks. on the a side starter *nimbus* is followed by the rite *altar*. banned on the flipside electronic killer *ecsit* merges the sound of somewhen while *koppernigk* isolates our view. unknown number, no repress, no digital download.

like stepping into a warm electronic sound bath, chaim’s latest release for visionquest ripples with pulsing sonic textures and propels forward at a softly galvanic pace as the slowly emerging melody takes hold in underwater. b side remember when is just as compelling - a slightly tougher edge and darkly euphoric atmosphere injected with sporadic chimes, disembodied voices and dramatic synth stabs. this is a truly hypnotising release.

continuing his prolific run of new material for the label, johannes heil continues to push forward with his >transitions< series, here collecting four more unique tracks for volume 2. opening with the serene calm and krautrock influenced >transition five<, a five minute piece that opens up a rich synth landscape full of space and texture, we then move onto the first of the eps two full-spectrum techno trips. hotly tipped for the summer as an essential festival and open air moment, the powerful and optimistic energy behind >transition six< is hard to ignore. that combined with heils extremely well sculpted and high-end production, the scene is set for madness to ensue… on the flip side we visit more paranoid zones with >transition seven<. building from a minimalistic stuttering rhythm, a soaring sci-fi soundtrack of strings and intricate synth patterns lift the tension, while dramatic sound effects crash and shimmer across the spectrum. this then prepares us for >transition eight<, in which we find johannes working his refined club-sound into yet further directions and angles. at once hypnotising and dominating in its driving bass register and captivating arrangement, a highly charged minimalist club tool for 2014 awaits!

providing a state-of-the-art rejuvenation of 90s ambient house, the heart ep (the first in a 2-part set of records) serves as a fluent example of the lighter side of greg scrases previously little-known, but masterfully honed craft – here paying homage to the past greats of electronica, drawing together different threads of influence and applying them to his own colourful sonic palette. the white 12 inch contains 3 exquisite original tracks that bubble and grow with a vibrant analogue charm, imbued with scrases house-ier tendencies and melodic capabilities - backed-up by a very special remix of *flyover* from like-minded acid aficionado dave monolith (under the moniker mnlth).

sounding like the cosmic dub of a lost d-train hit, *out at the deep end* has already been featured by benji b on bbc radio and sparked a collectors frenzy on limited pre-release. the futuristic 80s classic vibe continues on the b-side with *into the rest*, a beautifully multilayered slow burner.

-never say never- ist die erste single-auskopplung und steht exemplarisch für deren entwicklung. das stück - halb song, halb club-tune überzeugt nicht nur diese kombination, sondern das stück funktioniert auch auf beiden ebenen gleichermaßen gut. dabei be

for the next lost release leftwing & kody have drafted in max chapman. only three years ago max was tipped by pete tong as one to watch. on side a, the lead track temperature is a delightful slice of deep house with lingering bassy washes, jacking drum patterns topped off with a killer female voice

exclusive japan import. london based producer jamie blanco and chris stokers re-enter is exotic & balearic. mysterious & anonymous engineer man power remix on a flip side. epic!

the chicago house legend strikes again with three more killer re-edits: freda paynes pullin back (gu edit) on the a-side, b/w easy to love (gu edit) from motown sounds space dance and lenny williams midnight girl (gu edit) on the flip. strictly limited pressing. burnin hot!

exactly one month on from tp5, demdike stare unleash the 6th instalment in their ongoing testpressing series, a split session focusing on damaged dancefloor articulations on the a-side, and demented metal edits on the flip.

bright sounds present their third release, from paris-based producer shlømo - owner of kindred spirit label taapion. having made a big impression in late-2013 with taapion s debut release the harvest ep (featuring conforce and stephen brown remixes), shlømo now presents his second full solo ep: rechaïm explores similar sonic textures to those found on taapion and bright sounds releases so far - a richly layered and dense world of dub techno atmospherics with dancefloor versatility. the four tracks all allow for different aspects of shlømo s exemplary production skill to shine through, marking the producer alongside bright sounds owner and fellow parisian as producers and a&r talents to keep close watch of.

the next outing on mora music comes from leeds based tms, delivering two well-rounded & versatile tracks. *fuck you, pay me* is the peak timer with firing, pounding kick drums and off-key stabs in the background. it builds to a crescendo of intense feedback, before suddenly dropping with the bass line you have been waiting for. *slomotion* on the b-side is the slow burner of the ep confirmed by the beautiful hook that comes in halfway through the track. rounding off the release comes a remix of slomotion from mora music favourite bobby o donnell. this hypnotic trippy little number raises the bar, taking the track to an intense dance floor high.

2014 repress !! salz have done another rework for telrae we are really happy with and on the flip side there is a remix from the cologne artists joerg mueller who has remixed salz stainless dub.with very much attention for the sound. joerg develops sounds for cars as a profession.

rising talent david scuba teams up with the supernature duo dance spirit for a 3-track ep of hypnotic grooves that stay on the tech-heavy side throughout.

there is an alternative reality known as the big funk factory. those unsuspecting travellers who fall into this other place find themselves exposed to many characters and tales from this universe. once inducted into this particular charged vacuum embodiment you have only one choice but to go on and familiarise yourself with the history and people involved in the hope that you ll find a way through to the other side, but beware the experience and sensations may be seductive, you may choose to remain. be aware it is an audio, visual and kind of literate assault on the senses. the beginning in the loosest possible use of the term starts with the creation of the creature known as d-roid. as a new entrant, before conducting yourself through each chapter, perhaps you should familiarise yourself with the characters involved in those disreputable individuals featured in this episode.

3rd release of downbeat black label, the sublabel of downbeat. the owners of the label, jose rico, urtzi and f-on present us two long slow motion tracks with field recordings, whirring melodies and voices from beyond the grave. two dense experiments which show us the less kind side of downbeat and continue along the path opened up by *solaris*. only 200 copies pressed.

xxxy returns to ten thousand yen with a pair of cybertron futureproof rave burners. goldfish exists to pull you in, mangle you up and squash you out the other side. the flip evade is on a hands in the air, vapour jets in amnesia flex. we love em both. a lot. hope you do too x.

dj goethe big classic here, at least realesed on vinyl. a superb 140 bpm acid techno tune with everything needed in a good tune. on the b-side stands a very ptit gris, playable any speed and totally minimal and easy. a superb dj tool bringing a fat kick like never before and thats the point.

the new generation of punchi punchi is made of certified organic cotton with a high-low woven pattern on one side. the light and smooth terry towelling scarf was designed for heated situations. once unpacked it will immediately embrace its new owner. no sweat.
• personal drying assistant • towelling scarf • multi-function • 100% gots certified organic cotton • ± 175 x 22cm • high-low weaving : triangle • machine wash up to 60°c • born in berlin – made in turkey

the new generation of punchi punchi is made of certified organic cotton with a high-low woven pattern on one side. the light and smooth terry towelling scarf was designed for heated situations. once unpacked it will immediately embrace its new owner. no sweat.
• personal drying assistant • towelling scarf • multi-function • 100% gots certified organic cotton • ± 175 x 22cm • high-low weaving : triangle • machine wash up to 60°c • born in berlin – made in turkey

the new generation of punchi punchi is made of certified organic cotton with a high-low woven pattern on one side. the light and smooth terry towelling scarf was designed for heated situations. once unpacked it will immediately embrace its new owner. no sweat.
• personal drying assistant • towelling scarf • multi-function • 100% gots certified organic cotton • ± 175 x 22cm • high-low weaving : triangle • machine wash up to 60°c • born in berlin – made in turkey

the new generation of punchi punchi is made of certified organic cotton with a high-low woven pattern on one side. the light and smooth terry towelling scarf was designed for heated situations. once unpacked it will immediately embrace its new owner. no sweat.
• personal drying assistant • towelling scarf • multi-function • 100% gots certified organic cotton • ± 175 x 22cm • high-low weaving : triangle • machine wash up to 60°c • born in berlin – made in turkey

giallo disco journeys further east with the release of baskin. our first original soundtrack written by turkish composer volkan akaalp for the short film by enfant terrible can evranol (to my mother and father). baskin tells the story of four cops discovering a nightmare of lovecraftian proportions during a routine investigation. this incredible soundtrack is an eastern twist on the works of fabio frizzi, industrially corroded by early 90s r&s records. shot independently in istanbul, turkey, during the height of the gezi riots baskin has been described as disgusting. disorienting. brilliant by horror director eli roth. comes with a full colour sleeve and two exclusive remixes on the b-side by giallo disco heads vercetti technicolor and antoni maiovvi. things are about to get weird...

just in time for summer, our down under import dilby returns to mother recordings for the third time with a heavy-hitting and funky ep, sure to set dance floors on fire!same manthe a-side is built on a bed of tropical percussion fused with analog drum sounds and lush deep chords

crystal structures brings three very special people together for its third release christian rindermann (c rock, dubstar) of germany & the icelandic dub techno artists exos & thor. the a side (icelandic side) consists of one part hard hitting acid techno courtesy of thor - pleasure dome.

if you have spent some time in the nightclubs of amsterdam, you will probably have shaken a leg to the selecting skills of mr. mendel. youll find him often spinning side by side with rahaan, whos releasing mr. mendels edits on his third installment of street edits. including a respectful dance floor take on * mind powe*, the island disco stomper * boogie with the channel* and a gospel-like hypnotizing version of * spirit, the power*. this soulful 12- will certainly light up some dance floors around the world...

having previously impressed with vivid blends of cosmic r&b, skewed space-pop, glistening post-ambient soundscapes and mangled, synth-laden grime, rising star throwing shade (aka producer nabihan iqbal) demonstrates her dancefloor side with a killer 12- on happy skull. -chancer- and -blanx- both retain iqbal s uniquely intergalactic aesthetic,whilst flitting between jacking, chicago-influenced house rhythms and jazzy, off-kilter dancefloor grooves. synths sparkle, while vocal snippets drift in and out of the mix. the 12- is completed by a riotous, predictably heavyweight remix from kowton, whose guttural techno grooves are peppered with cut-up samples of iqbal s distinctive, dreamy vocals.

spritual south have developed a real reputation for quality through the years with many established djs and producers counting themselves as fans. now it’s time to give the basic fingers fans two tight & timeless grooves. ‘everyday’ is simply seductive feel good vibes and ‘gonna getcha’ on the b-side is keeping the boogie side of the disco fire burning. hot stuff!

solid split vinyl ep featuring two outstanding artists. on the a side we meet the veteran turkish producer and vinyl dj, ugur project (ostwind, back and forth).

comes with beast on one side and the prev released night chaser on the flip. 180 gramm vinyl and limited release.

two fat and insanely grooving detroit house cuts on the first side and one 4/4 detroit meets basic channel on the flip. btw, just vinyl only

groove line records completes the summer schedule with the third 12” in our series of properly licensed rare disco / funk reissues. next up is another title from the collector’s holy grail, the brothers’ promo 12” for the 1976 album don t stop now. this features one of the most sought after instrumental tracks of the 1970 s, under the skin. a luscious disco orchestration with full horn and string sections playing alongside an infectious conga groove played and arranged by warren schatz and his band, the brothers. the second side has long versions of two tracks from the album, brothers theme and make love. both tracks have the same hallmark of luxurious string and brass sections as under the skin with the brothers providing the driving grooves and bhen lanzaroni coming to the fore with his keyboard skills. all groove line records releases are fully licensed and taken from the original master tapes, remastered by nick robbins at sound mastering, and cut by matt colton at alchemy (mastering engineer of the year 2013). all vinyl is heavy weight 180g manufactured optimal media in germany, one of the world’s finest pressing plants. groove line records cut no corners when making sure that each and every one of our releases has the highest quality performance possible. the next three 12s are due in the autumn. groove line records’ deluxe reissue of under the skin is an essential purchase for any serious disco, jazz or funk vinyl collector who demands the very best in quality vinyl pressings

special double pack for all you back and forth / grand canal lovers out there - includes 2 classics releases from the sunny side of life!
baf006: johnwaynes / gene - algarve / foreplay (tiger skin & molly mixes)
gcrv001: max d. blas - you belong to this (markus fix, dorian paic mixes)

limited 2014 repress
played by: dubfire, sven väth, anja schneider, karotte, gregor tresher, carl cox, dave seaman, super flu!!
andré winter delivers his second exclusive ideal audio release – dogma. it is dark, it is hypnotic, it is what we call modern techno music. on the a-side you can find the original, which amazes with the number of sequences, which mr. winter twists and turns.beats and rhythms clash one after the other creating a mysterious and threatening, yet curious atmosphere. just close your eyes and enjoy the mood ride. the b-side offers pan-pots treatment of the track. the remix is massive, somewhat housier and brings exciting sound effects to the surface. great work

straight out of egypt via berlin comes this excellent two-tracker from the little-known son of sun. according to the press release accompanying the whispers ep, both tracks were inspired by a week sailing a yacht around the black sea. true or not (we have our doubts), there s certainly a sun-kissed laziness - despite weighty kick-drums and hissing, detroit techno style cymbals - about the woozy, dubtribe soundsystem style deep house of a-side -moonchild-. while impressive, the real killer is -whispers-, which peppers a swinging, dance mania style hip-house groove with snaking saxophones and atmospheric, spoken word vocals. it feels like a late night adriatic anthem in the making.

chelsea hotel records come back with the second release from romanian artist called alex kravitz. mr. blacklash a-side is a solid trip into the new melodyc techno atmospheres. wrecck b-side is composed by a very strong techno tool, in which solemn rhodes try to create suspence on the dancefloor. enjoy this amazing 180 gramm vinyl with full cover print and shrink wrapped sleeve.

soundway records present a special summer tribute double a-side 12- with two tracks from african musicians that both passed away within a couple of months of each other at the end of 2013 / start of 2014. both tracks are perfect summer tropical dj fodder for the dancefloor.

on a mission records is the new label runned by jef k and rhythm&soul. focused on keeping alive the spirit of house music that inspires their own musical background. the first release comes with their project: the groove brothers. a classic flavoured house package that shows the label identity. the a side starts with -soul food café-. a strong 4x4 beat, house chords, some vocal hits and catchy piano melody. an everlasting groove. -everyday- is a track made to shake girls on the dancefloor. a funky bassline and a r n b vocal sample that slowly goes warmer and warmer. a summer tune that shows that both producers really like it when things goes sexy. on the b side a remix of -soul food café- by nottingham house legend, nail. a powefull remix that brings his extraordinary touch. floating chords a boundless groovy pad and a pumpy bassline that drives the original track into a timeless uk house anthem.

cromie s bubbling, spacious house sound first drew critical acclaim last year on the sold out 12- vines / pyrex (peach001), a collaboration with fellow la producer sage caswell. now, peach is thrilled to present cromies solo debut ep inner knows, a revved up set of idiosyncratic dancefloor weapons. how to stop a bulldozer, a rotating helix of synth stabs, warped vocals and low-end torque warrants it s epic title. elsewhere, flan functions like a potent concentrate of 22nd century funk. inner knows kicks off side b with a swirling late night house jam that flirts with the deeper corners of the genre. another fixture in la s electronic scene, suzanne kraft (running back, esp institute, pharoahs) closes out the record with a cubist reading of flan. on his solo debut, cromie s creative depth and attention to detail belies his freshness to the game. regular sets at las club called rhonda and various underground happenings in the sprawling southland have taught him some valuable lessons. if he can deliver this many distinct sounds on a single record, we cant wait to hear what’s next.

weightausands music is born out of the crash between expectations and daily praxis. a dub-infused, non linear array of data in which memories, obsessions, in the shape of sound pieces borrowed from friends and collected from the most various sound sources (even cannibalizing dance music power cliches such as the amen break), are arranged to enter a psychic cage system set to take advantage of their raging power. the resulting tracks sound like jungle rave hits echoing from outside time. side b contains a doomy aquarian remix of by morkeblå, and a remix by concrete cave inhabitant heith of an unreleased track, produced with no previous listening of the original.

listening to the sound of konfetti klub ensemble creates associations of those sparkling drops that run down the side of an ice cold drink on hot summer days. it’s a very refreshing and delicious listening experience, it’s both stimulating and soothing. if you think the formula brass players + club groove is somewhat worn-out, you will be pleasantly surprised. pomelo comes with bouncy offbeat rhythms, and when the trombone hits in there’s clearly an air of balkan sound. however, around the middle of the track it turns into a joyful freestyle session. mollono.bass puts a bit more emphasis on beats, bass and pressure in his version, in other words: even a bit more emphasis on the dance floor. rotwein und sommerverbot gives a groovy hint why konfetti klub ensemble describe their sound as live brass house – it’s extremely jazzy and casual, a live session rather than a programmed arrangement. even more so schwankel, as it vibrates effortlessly between intricate musical deepness and sheer to-the-floor euphoria. last but not least there is a track exclusively for the digital release: stranddub – beach dub. let’s put it like that: there’s a damn good party happing at this beach.

first release on vi tva for this upcoming techno producer ink other darker side of young and talented producer from bosnia & hercegovina, azur odobasic. his new ink style is dedicated to an techno sound and frame of mind in regards to underground electronic dance music. we have on this release ink original track with remix support from powerfull techno artist with likes from worldwide djs and techno radio stations. osmicz is up on board with his dark and trippy edit of velocity, indigo children is serving much more groovy and harder techno sounds giving original some more power. forest people is on a remix work here too, he is doing amazing in 2013 and have some pretty amazing stuff upcoming in 2014 so with this guys on board this release is a really must have for all techno fans..stay tuned!

b.riddim is luis sequeira, a portuguese living in london. magic my ear is his second ep for third ear, following the (in) theory ep in 2012. formerly a driving force in the influential portuguese rap group g-ward under the name bellatur, luis followed his love of jamaican dub using electronics to arrive at a sound which is identifiable through the sum of its parts but which is quite unique.

three track ep by detroits mgun pushing his own brand of motor city techno sounds. adventurous and fresh with the exciting deeper debit track, the raw uptempo jacker wideeye, and the warm relaxing mountain side.

more sickness from gay marvine. a side pure disco and deep funk reshaped as tools for today. b side total cult classics revisioned to devestate any dance floor.

randomer sees a cccp release with three tracks of gutter club techno mayhem and off beat oddball vibes that will surely rock down the house. floor burners for the adventerous dj of today.

this 5th release consists of three tracks made by the twin duo manic brothers, one edited by petter b. they have during their relativity short career proven themselves as worthy keepers of the swedish techno heritage with big releases on drumcode a.o. what they bring to bond on this release is their signature big room sound but with a much more simplified approach than previously heard. on the a-side there are two great tool tracks with lots of space for creative interpretation for a dj. on the flip there are a long and epic track with a massive vocal breakdown. groove based but yet with a big and strong hook.