mugwumps subfield label introduces its first signings with the belgian-italo duo front de cadeaux (brilliantly named after the belgian ebm pioneer group front 242). front de cadeaux are dj athome & dj hugosan. hugo runs the roccodisco label with italian disco mastermind rodion (gomma/nein) while belgian killer dj athome has been spinning italo wave & house in brussels since the 90 s. they expertly produced their own brand of supreme rallentato, which is a fucked-up slo-mo italo, acid, disco, techno and house hybrid that so rightly fits with subfield s mission statement of covering subgenres. their 2 first outings on roccodisco have been remixed by fabrizio mammarella and optimos jd twitch, and a staple in ivan smagghes sets. this full ep on subfield features 2 original f2c obscene & dirty slo-mo tracks at their most playful, ouvre ta bouche and front de cadeaux theme plus the magnificent dub-house of killers. remixes comes courtesy of factory floor s gabe gurnsey (dfa) in a quite brutal bleep-techno mood and manchester s nu-balearic kingpin ruf dug (music for dreams), getting into what he described as a 808 snare roll warehouse analog fucked-up version.

tired of the politics of the minneapolis funk scene it’s rumored the group has taken refuge in tokyo’s late night disco scene. their brilliant and cheeky song writing combined with incomparable musicianship will be sure to make a bold statement in the modern funk scene this year. “hot touch” brings bass that goes oops upside your head and down your back into your butt crack. we’ve all been burned before, but never like this. brilliant cut followed by the super deep two-step stunner “ain’t gonna last” on the flip. perfect soundtrack for the end of the party when you look around and yourself, “which one of these freaks is going home with me tonight?” out on star creature.

mattia tranis first full-length, an album inspired space travel, that continues to push detroit sounds, as well as venturing into some jungle rhythms.

our third release untitled emerges as a moody four tracker born in matteo luis home studio. the title track is the driest start off there could be. it monotonously heads for the tracks climax in manner of a cyclone, a straight stomper that evolves its full strength within its last solution, surprising with an acidic and dubby face that makes you want to dive right into the dashing structure of its last minutes.

continuing a sublime run of form for the label, the fourth outing on the lopasura imprint, is yet another classy trio of heady, analogue machine laden masterpieces. opening up with “out of the fog’, the familiar acidic arpeggio and crisp hits we’ve grown to love from benedikt frey, dance unwittingly along before being opened up by long, cinematic pads drenching the track with an emotion and grandeur so synonymous with his music. complimenting the a side, the looming intent ‘wolves’ adopts from the off evolves quickly into a driving, hypnotic and beautifully crafted piece that’s a true heads down, eyes-shut techno battle weapon. rounding off the ep on the b side is the exceptional ‘lights’. an unsettling, caliginous whir of industrial drones balances the tribal, percussive elements almost depicting a lost ship crashing over the swells of the ocean as it clings on to futile hope of finding the lighthouse. it meanders and threatens before an incredible synth hook ebbs in and takes over momentarily, before calmly simmering as the storm passes. never before has love pain sunshine and rain been more perfectly encompassed.

ygrok brings a long-awaited fourth release to its catalog. rene&#769,, audiard’s “sakhalin” takes things a step away from traditional club music.
the a side, “vox out” opens with the skeleton of a rhythm. scattered tom drums and barely detectable whirs, fading and reeling in the background. when the distorted voices begin their story behind a hissing, grinding off-shaker, you know this will not be your traditional club track. a story develops. the barest hint of a shuffling beat, a subtle reminder of soren’s previous work, pins down the journey into the darkest psychic territory. the title track sakhalin steps even further into darkness. crackling electrics and disjointed atmospheres change at a glacial pace over a submerged hydraulic beat. sakhalin audiard experimental territory.

following a year hiatus, hottrax returns to make serious impact with eno minimal from u.s. native dms12. veteran techno producer the model is also onboard to remix delivering a high energy cut of futuristic electronica. label boss jamie jones rediscovered the original track explaining i had it in a playlist in 2015 for ages and finally dropped it in my all night long session with seth troxler at the warehouse project. the place went crazy and seth asked me what the f..k is this? ive since played it on some huge stages and its insane, no matter where i am it grabs people and slaps them into space. dms12 is a dj and producer from new york. the model is a dj and producer from romania, founder and owner of the label adult central

modern love very rarely reaches out to artists outside of its immediate surroundings, it’s happened just a couple of times in the last 14 years. but there’s something about philippe hallais that compelled the label to ask him if he wanted to do something together. philippe has released music on a bunch of cool labels (l.i.e.s., the trilogy tapes, delsin, in paradisum), but hearing the first tracks recorded for lighthouse stories, it was obvious philippe was hitting on something new: a kinda weird slow/fast dance music that sounded like a footwork variant sewn up with an exotic production style that was impossible to pin down. these tracks eventually splintered off into different directions, held together by a strong sense of narrative and motion harking back to a teenage obsession with turntablism, detroit electro and ghetto house, and eventually juke and grime. although he’s spent the last few years focusing on more industrial dancefloor variants, for lighthouse stories philippe turned to these foundational influences, as well as his love of mixtapes and sound collages full of unfinished ideas, skits and experiments, all things that inform the flow of this new album. lighthouse stories captures a sense of nostalgia well, but is also a futuristic vision full of that exploratory, vibrant spirit that’s so hard to find in electronic music these days. frames of reference are hard, but in places it reminds us of the dusted swagger of anthony shake shakir, the acquatic drexciyan movements of ultradyne, a loose-limbed take on shangaan, and of actress at his most submerged. but ultimately, it’s an album made by a producer looking to his personal history while forging new ground, pushing ahead with little regard to convention and ultimately ending up with something completely unique: a kind of intimate journal rendered in bright colours and odd shapes.

introducing red d, the belgian dj and producer, one half of fcl (alongside san soda), long standing club promoter (since 1992), owner of we play house and general all round good guy. with releases on ferrispark and delusions of grandeur (with mcde), remixes on eskimo, regular sets at the likes of panorama bar and an ra mix under his belt you could say things are falling into place nicely. on top of all this his fcl project continues to go from strength to strength with a new ep dropping soon on kai kzr alces highly regarded ndatl label.

using his 2014 opal tapes opus ‘holo earth’ as a jump-off point, jimmy billingham aka holovr lays down an expansive 5 track mini lp for edinburgh’s firecracker recordings. deeply atmospheric and functioning in multiple realms, trace realm is a collection of drawn out acid and ambient textures with nods to early uk rave and no wave electronics. essential celestial, new age dreaminess, battered acid and fried techno. • unique 5 track ep from holovr • strictly limited vinyl • silkscreened artwork by house of traps

with releases on rush hour, mister saturday night and delusions of grandeur, nebraska is a man who needs little introduction. here, he delivers and amazing ep for heist, showcasing his talent for finding those catchy, but hard to pin-down samples. the soften the wireless ep navigates nicely between disco and house with 4 originals and an amazing tom noble remix. khans bargain will be the go to track the more disco minded listeners out there, with a catchy-as-hell synth line that you wish youd made up yourself. the remix, courtesy of nycs finest disco selector tom noble, goes on a clubbier path, turning the silky smooth original into a distorted house jam full of delays and filtered drums. the b-side sees nebraska turning towards the housier side of things himself, with the blues as a perfect example of minimalistic house. here, he uses only a small amount of elements to create an intoxicating and intense groove. it wont be long breezes through with a lighthearted arpeggio and some lovely dreamy vocals to set a more emotional vibe. ep closing track (digi only) varkala is somewhat of a special track, being dug up from an old hard disc and remastered for your listening pleasure. sincerely yours, lars & maarten

2016 reissue! ... of course best known as the dj of most mysterious drexciya, sherard ingram (urban tribe) has been a strong pawn in the resistance of underground music... now, out of the shadow of detroits underground, one of the godfathers of the electronic scene joins forces with belgiums underground label mewe/weme. immediately, the first track is confirming dj stingrays drexciyas membership while the second track is a dive into the (un)known abyss. and further with robotic and futuristic anthems reminding us all that big brother is more than just fiction... theres a 68.71 percent chance you re being watched right now

arts is synonym of future, this is an intensive work of art, a big dedication to bring art on a solid form, we present you shlomo, our new add on the label rooster is a big talent able to bring strong atmosphere into very deep grooves. the 2 cuts are outstanding, on top of that we added 2 masterclass remixes to complete the opera, inigo kennedy & label boss emmanuel. epic!

analogue, one of the main techno projects in athens (greece), steps up into the vinyl world in order to offer quality dancefloor techno music. the debut release is taking place with one of france’s fresh & hot producers, birth of frequency. three driving, hypnotic, full of bass tracks that will work on any dancefloor.
early support from oscar mullero, christian wunsch, zadig, dimi angelis, kwartz, keith carnal & manni dee.

... well, solo for the opening track. -a liquid state- is a mellow, melting piece of marshy machine music. warmth flows as clicks and clacks orbit a soft and soothing syntheline in a track that epitomises the term ambient techno. acronym, of northern electronics and semantica fame, takes over the controls for the flip. percussion is folded and refolded, layered into itself into a hypnotic haze. behind these blurred beats a burbling bass bulges as gentle key strokes scatter for a remix brimming with textures and intensity.

known and admired for its rich and moody ambient and techno output, field records is proudly presenting a brand new lp from iori. his mesmerizing ambient excursions come under the title of cold radiance, and the album features eight tracks that suck you right into his world. each track here is a long and absorbing affair that slowly unfolds and pulls you right into its grainy core. there are dark, texturally rich tracks that are full of menace as well as more heavenly, suspensory and angelic ambient offerings.

it’s been a while since planet rhythm released an entire lp project. who else to thread into album territories than ukranian planet rhythm stalwart yan cook. after releasing various efforts through the rotterdam based imprint over the last few years, yan cook comes up with a double lp consisting of 2 discs with 2 tracks on each side. whilst shifting between various sides of the yan cook identity the xx lp proves to be an effective and bulding package over mechanic techno sounds with strong builds and exciting taints of fx.

schwefelgelb is the electronic music project of sid & eddy. having carefully straddled the boundaries between techno, ebm and electro, the duo is entering 2016 with a 12” release on the new label incarnation of the berlin based fleisch collective. fleisch consists of a group of miscreants known for throwing some of the best curated dark underground dance parties in berlin, with a focus on sounds ranging from e.b.m., new beat, acid to techno. the metamorphosis of fleisch into a label could not demand a more fitting debut than schwefelgelb’s newest sonic discharge. tight programming, catchy analog synth-bass coupled with well utilized & frenetic shouted vocals echo the golden age of electronic body music. a refreshing progression of sounds moves the style forward without being afflicted with the formulaic and hollow tendencies befallen similar attempts by others acts over the years.

the „continuum 1991-1998“ white label series brings back the euphoria of the early days and remind us what techno sounded like before dogmatic blueprints, taking us into claustrophobic basements where boundaries were broken up in blinding flashes of strobe light.
future9192 offer the hysteria of rave culture in it’s rawest form, taking us from violently distorted 303s and uplifting pads in „plutronick“, industrial soundscapes and pulsating synths in „house of snax“, to „rhythm of slime“’s raging ebm-chords and stomping kicks, only to close with the epic „murder someone“, a hypnotic, bell-driven monster utilizing a droning „amen“-break as percussion.

serious time is joane skylers forth novel following orz and the skyler&kinlaw lp on reckno and ssssssssss on boomkat editions. serious time births you into a tangerine tinted-sci fi like inauguration of gently pulsating, rising and falling synths, you find yourself stumbling out of bed after a night on the alcoholic blue milk, opening your space blinds to multiple suns rising over some big pyramid building strewn in lights and a couple of flying cars knocking about the sky which is foggy probably. load up all your favourite cubase (circa 1998) plug ins and run through them at a progressive velocity, tapping the ^ key repeatedly, until you reach enlightenment.

we present the second of three 12inches to celebrate our 10th anniversary. deep house legend jimpster re-edits galcher lustwerk s nu day, adding his own mesmerising live keys and steering the original into classic deep house territory.

cyclo is relaunching with an absolute classic track from its extensive back catalogue. produced by derrick carter & chris nazuka the chicago house classic rednail kidz -do my thing- was an underground smash when it was first released at the end of the 90 s. clubs nights such as space at bar rhumba rocked hard to the incessant groove of this track. we have included a remastered original with 3 remixes: the nacho marco remix takes -do my thing- into big room territory. nacho works closely with roland and on this remix you can witness big 303 lines and huge bass that will rock most discerning floors. hallo halo (jon dasilva & jonas nilsson) remix the track superbly and add their trademark warm tech sound. mystic bill creates a stunning, deep, chicago inspired, sonic journey of a remix where less is, most certainly, more. we hope you will enjoy these tracks as much as we are!

one of the early big records in the uk that preceded the acid house mania that followed in 1988 and mr. lee s first in a string of releases on trax. adonis recalls bumping into mr. lee in the street: what s up with you, adonis? and i said, oh man, i got a record out. i m doin house music and makin money at it. the next time i saw him, he was sayin , hey man, i got a record out too! i can t forget features a more spoken word delivery in comparison to his later productions where he d retooled and become a rapper (of sorts).

having unleashed the beast that is his debut lp columbusing, thatmanmonkz grants a couple more heavyweight producers permission to get busy with the sonic manglers for remixes of turn it out and boogie down. first up, one of the vocalist contributors to the lp dave aju (known for his releases on circus company) takes on his own track turn it out, transforming the original from a backyard bbq summer jam into some kind of mutant electro p-funk meets broken- beat fusion. a filtered bass line and bare bones 808 kicks are what this track is all about forming the perfect rhythmic union with the vocal.

ltd 2016 repress , with his first release on co-owned smallville-label lawrence aka peter m. kersten celebrates another tribute to more than 20 years of house music. wether it is the magic sound of nick holder or modern grooves of labelmates like melchior, pronsato and christopher rau- this ep is full of inspiration. beyond the club influences kersten was mainly driven by slow detroit jazz from the early 70ies and classical minimal music which make the colorful taste of this ep. with sorry sun lawrence invites to another adventure into the miracle of a cosy dancefloor letting only the music shine and the people close their eyes and smile. sorry sun, here comes the night.

support from todd terje, crazy p
from da vaults…nettles is a new series from red rack ems bergerac label which will focus on the more sample based end of things. tracks which have remained secret weapons for many years will finally see the light of day. this first release features music which was played by quite a few heavy hitters but sadly remained lost on the hard drive…until now… ‘bill george starts of as a super funky, cut up electro disco jam which morphs into the mother of all breakdowns before drifting into super deep detroit style house and then peaking back to the original electro funk vibes. a secret weapon for the likes of crazy p (who featured it on their beats in space mix way back in 2010) and one of red rack em most unreleased tracks requested for release , there s going to be quite a few people around the world celebrating bill george finally making it to wax. a 30 second piece of incidental music from a long lost german children s television series is extended into a late night disco jam timm which picked up props from none other than todd terje when danny extended it back in the hot coins edit days of 2007. another lost track which is finally seeing release…. ‘transfer list began life as a hip hop beat which ended up being such an epic opus that the full glory of the track had to be unleashed. once again a cdr classic for a trusted few. a super funky beat evolves into a kind of honky tonk vibe sort of on the kmd tip but with added poppy vocals. made in 2003

as tanzverbort laws in some parts of the world still deprive people s basic need to dance, croatia s legalize lambada movement brings you it s very own second cry for freedom. side a features two slices from camp cosmic ambassador albion leading the way with an italo disco obscurity known to cause hip replacement called yetti, followed by a travel ticket to hazy cosmicville named into infinity. on the flip austria s main digger mikeburns saves two soulful african jewels from extinction enyin aiming at the dancefloor and this ground telling us a story.

teddy douglas of the basement boys is long time creator and innovator of soulful house music since 1986 ­ based out of baltimore, maryland by the early 90 s teddy and team had created hits for many american dance appealing artists including michael jackson, paula abdul, crystal waters and their breakout uk hit for ultra nate. subsequently in 1994 the basement boys record label was launched. the basement boys have continued to dominate their sound, and teddy has now decided to branch out into more artist oriented projects ­ got all his friends together and created a musical masterpiece. retro soul features lead vocalist marcell russell the baltimore soul singer has been compared to such greats as luther vandross, donny hathaway but his own original distinct style shines through now teamed with super producer teddy douglas known as the voice of baltimore, marcell has 4 previous albums and in 2007 and his band the truth first teamed with teddy douglas to produce the debut cd hopes up too high now back together again this brand new collaboration delivers a wonderful uplifting journey inspired by the kenny gamble leon huff years of philadelphia international records aptly titled retro soul

nice price deal !!! the escape series proudly presents the next slice of wax featuring 4 brilliant artists and their stunning sounds. first up is a fresh cut from the americanborn veteran elbee bad, >supa kewl<. the track draws its energy from a bustling percussive atmosphere, pulling inspiration from the depths of tech, house, and a rich history of musical expertise. carrying the torch further, duererstuben drops another dancefloor-mover titled >tush & harsh<. the track plays just about as you’d expect from its titling, making for an extraordinary dance track full of deep groove and a thick atmosphere to bounce the night away. rising suns takes an afterhour atmosphere and throws is thick groove under it, giving a glorious euphoria as >flying in the wind< turns out to be the perfect title. and finally, freund der famillie crafts a breathtaking journey into dub-tech territory. >grand rue< holds back in its delivery, slowly dripping onto itself and its true, brooding form.

for the latest instalment in the apollonia story we look to argentina and the talented producer federico molinari. having been based in germany for the last couple of decades, federico has refined his sound, developing a strong signature through his dj sets and his studio productions, most of which he has released via his label oslo. federicos ability to craft effortless grooves and timeless rhythms is evident here on this killer new three-tracker. side a is the eight-minute long roller * congo toys*. the focus here is on a crisp 4x4 beat, which keeps things simple – under this lies a sturdy bassline. all the while, the low end is accompanied by a series of bleeps, which could almost be the chatter between two archaic computers, modulated and weaving in and out of the beats and bass. on the flip, we have two more dance floor-ready joints. like * congo toys*, * tres cuartos* is focused around a simple foundation, with layers of unusual effects – an overriding sense of playfulness comes through in molinaris production, perfect for the boogie down crew. last up, * joyfex* takes us further into leftfield, hypnotic, hazy atmospherics draw us into their web and we are tangled up in a mesh of vibrating whirrs and echoing, distorted voices. sublime business from an apollonia favorite…

following the great ep from doomwork, italy strike back with the duo reform! two guys who joined their mind together to create music, testing new electronic paths, playing with external machines to creates their own sounds, after only one release and one track on a compilation you can see that the duo have a lot to say into techno. reform bring here with “chaotic dimension“ a very complete release who take from techno madness with chaotic dimension to deep techno for extremis passing by a super funky vibe for dancewear with this vocal who drives you, to end with treasure who deliver a mind blowing experience.

after putting out a string of brilliant singles and ep s in the past few years, slavaki is up with his first artist album. it s hard to believe it s taken him 7 years since the first release, to come up with the idea of releasing a full-length. no wonder, tracks have gotten time-tested, and have been carefully selected out of over 10 continuous hours of material written in the period between the year 2011 and 2015. out on artist’s home label elusive at the beginning of 2016 on limited 2x12 inch vinyl. this album is another peek into slavakis ever-expanding chest of musical treasures that never seems to fail to surprise.

based in his hometown of chicago, sought after dj, producer and remixer dj iz has been a staple of the worldwide house music scene for well over two decades spinning regularly at prestigious clubs such as rex in paris, fabric in london and sub club in glasgow to name a few over his illustrious career. dj iz now makes his fatsouls records debut with heavy new remixes of the track mind the gap—originally released on the highly acclaimed and well charted treasures of twilight compilation (fatsouls records) compiled by label founder dj said. the new remixes take us beyond the funky afro electro beats of the original track and bring into the forefront dj izs deep soulful baseline driven house style into the mix. dj iz tweaks, polishes and refines the minimal afro electro effects layered throughout the entire track to keep the vibe in check. mind the gap takes you on a journey from detroit to nigeria channeling the soul of fela.

futureboogie roll into spring with a heavyweight release from dastardly duo, ron & neil, aka ron basejam, and neil diablo, who between them bring years of musical chops and (most importantly) the funk to the table, and dont disappoint here. in its original mix, pedre son Éclatis a breezy yet sturdy slice of atmospheric synth dance, resplendent with swirling riffs and stammering bass

paris-based label sounds benefit adds the second release to his catalogue, where label owner s tom joyce teams up with leaves, iron curtis, stojche and ben cohen, to offer what could be the soundtrack of a walk into the grey landscapes of the new iram, with reference to the mysterious city of a thousand pillars.

on a fishing trip two years ago, the two main guys behind africaine 808: d leyers and nomad - went to a tackle shop to buy some creepy crawlies (saltwater worms), not knowing that they were about to make a life changing discovery. in front of the shop a blind man was jammming on a little electronic organ, stomping his feet, singing, growling and basically making a scene. the boys were quite impressed with the fella, who introduced himself as blind double d . they offered to bring him home and record him. he turned the offer down, but offered instead that they could record him on the spot in front of the tackle shop - if they bought him a bottle of good bourbon. he explained that he would never set foot into a studio again in his life: he was sick of music production and the music industry in general, and that he just wanted this bottle of bourbon and to be left alone. the boys got him the bottle, and recorded blind d.d. on the spot with a tape recorder they borrowed from the tackle shop. unfortunately, the tape was stored in one of the tackle boxes over the trip, and some of the creepy crawlies crawled into the tape and stank it all up. this added some extra funk to the recording. with dirk and nomad s usual studio trickery and production skills, they created the two versions of this very very funky, creepy, stanky track. we hope you ll enjoy it as much as we do.

dave ajus, the freee lover ep has landed as the 1st new artist release on the newly re-launched mff and setting the benchmark for the label. with a huge worldwide fan base and instinctual passion for delivering fresh sounding quality material, the name dave aju has become synonymous with originality and diversity. the freee lover ep offers 3 original tracks from aju and an amazing remix from germanys soulphiction. find a lover & givin it dub are 2 signature aju cuts, deep and soulful tech house featuring original vocals and just the right amount of jack. freeeze takes route firmly in the leftfield. a discordant downtempo number, with muted jazzy chords and twisted grooves, a sure fire track for sunrise dance floors. to top off the package, soulphiction inject some peak time energy back into freeeze, offering a beautifully produced, perc lead tech roller.

an exploration into the dub techno territory of sensual grooves.

white vinyls with rorschach test black inks in order to stimulate your visual and sonorous consciousness. inkblots third installment represents the large scale press of the very first 50 copies edition featuring tracks by label head haiku and american veteran mike parker, plus a cover artwork drawn by parker. compared to the limited edition, inkblots #3 differentiates for letting parker’s creation appear on the b-side of the vinyl. the white records are still offered into white opaque pvc jacket.

after acclaimed debut ep by raw ambassador, milan-based un.t.o. records presents marcello napoletano’s destroyed ass ep: a limited edition, four tracker combo of different tunes.
the a side delivers a techno track and a funkier one, both of which will take you on a boat trip into an infected swamp lost somewhere in southern italy. at the same time on the b side marcello’s voodoo ritual will take possession of your body with two full-house tracks. café nanà is a crazed drive of broken percussions “and vibrant field-recordings of cups and glasses banging together in a smoke-filled, sun-drenched, cafe” while waiting for my bass is a warehouse melter reminiscent of gene hunt’s rawest works.

tresvibes soundsystem, the trio of satoshi otsuki, dj pi-ge, and kikiorix, is based in tokyo and their label, vis rev set is about to kick into gear. their first release will be pressed on wax introducing the unreleased tracks from their mix cd -playground-. a-side includes a track with its original groove made of complex yet excellent minimal sound by hello?repeat soundsystem, a unit of daze maxim and jan krueger. b-side offers a minimal house track with jazzy and soulful live sound by dewalta from meander and also dj pi-ge s deep tool-track full of analogue sounds. the contents of this ep are all prominent modern minimal house tracks. you should drop them in your house set but they can really be played during any kinds of sets! they come only on vinyl!

it is with pleasure that we welcome back heist into the headz camp. he has created the violent rain ep and every track across the project is special.

skam records are very proud to release an album of unheard tracks from one of our very first artists and it feels good to have him back home. jega has always provided his own slant on the genre, with warm standout melodies and his always edgy solid beats driving it all. its good to hear his machines working again after all these years. jega returns with a selection of the year before his seminal first release (ska006). a collection of unreleased tracks from 1995, recorded live to cassette tape and dat, and gathered 20 years later to form 1995. this album provides a glimpse into the fledgling electronic music scene of the 90s.

in our brand new 12” vinyl release axel karakasis has produced the mouth-watering hashtag ep, for all those vinyl and techno lovers out there to enjoy a wild time on the dancefloor.
on the main side, the title track opens up in a bass-heavy, thumping tempo mode that evolves into a magnificent mixture of insane synth samples. the result is so refreshing and upbeat that you cannot get enough of it! happy monday completes the sequence on the side: the track provides an ultra-rhythmic counterpart with layers of textured presets and a voice sample that strikes out!
on the remain side, spillover is a rolling monster, with a highly contagious, utter rhythmic grooviness that is simply irresistible. ample percussion and hats accommodate retro synths and reverberating keys that cut through the track to give way to a solid techno workout that is exquisite.

parallel fourth reference comes from the key artist dominant. into my blood, dominant focus his energies in a mental and twisty voyage. current and sincere techno, really solid. 1995 provides a moment of reflection, emotive techno with a floating progression full of rhythms and melancholic ambients the first remix is from spanish producer tadeo. hypnotic techno from the outer edges of our galaxy combined with an powerfull and lysergic bassline. the second remix is from david att (ex attemporal). he showing us a killer remix with his unmistakable dark style full of character.

anno stamm, now with a long player for all city. great previous form for all city and meakusma under this guise but the man behind the anstam output. hot! a structured double pack from anno stamm designed as both a collection of singular parts which work on the dancefloor and blurring together for a coherent full length home stereo listening.

back to jack a new label from a couple of old school jocks with a passion for the sound of a 303. the first release by phazon aka lee coombs, the new outlet for all things acid and underground. special attention is given to this early authentic sound and is produced using original hardware and production techniques. authentic house music with an old school vibe. freqbox mechanical 909 drums and juno chord stabs move into 303 riff s and back out again. lying somewhere between detroit and chicago this is the sound of phazon. d minor experiments acid mix a true tb-303 workout that builds and builds and then builds some more. an acid house experience inspired by all the originators of the sound. this ain t london jackin acid with funk. 707 drums and layers of tb-303s with chopped up this ain t london vocals make this sound like mid to late 80s all over again. d minor experiments drums mix, 707 drum track for those who like to mix it up.

rnt pushes the boundaries of their ever-expanding reserve imprint once again, bringing the tropical soul of fatnotronic into the fold. a sprawling 12 inch + bonus 7 inch pack, onde anda spans a range of equatorial flavor, showing the sao paulista duo s knack for bringing just the right touch of today to classic and obscure brasilian sounds of the past. and with beautifully illustrated packaging, this one s a treat for both the eyes and the ears! pressed on 12 inch with a bonus 7 inch both heavyweight vinyl both in a full picture sleeve.

2019 repressing. adding a percussive and experimental edge to the current class of post-dubstep pioneers, mount kimbie, the duo of dominic maker and kai campos - are set to release their highly anticipated debut album crooks & lovers on scubas hotflush label in july. mount kimbies first two eps - maybes and sketch on glass - seemed like explorations of spaces so private that all within earshot were instantly turned into voyeurs.