resonances of a distant past or an apocalyptic industrial future, dark moods, gritty grim noises, violent mechanisms of rhythm pressed on vinyl.

the first chapter in a series of three eps to come from dutch label field records is from swedish producer staffan linzatti. hypnotic techno from the outer edges of our galaxy combined with richly melodic, angelic and heavenly electronics on the deep space affair. dedicated millsian productions which are riddled with spaceship communications and distant sonar pushes.

bleed follow up their inaugural release, by volte-face, which received plays and praise from the likes of dvs1, pangaea, luke slater, marcel fengler, blawan, erol alkan and anthony parasole. rote is a debutant artist, formed by volte-face and daniel avery, best known for his lp drone logic , widely considered to be one of the breakthrough dance albums of the last decade. rote is a project with no precise mission statement. the goal is to approach each studio session with a fresh impetus, to release club eps with minimal fanfare and fuss. the ep features two densely atmospheric, peak-time techno tracks as well as remixes from semantica head svreca, and arguably the most prominent contemporary techno artist in japan, dj nobu. a small pool of djs have received the tracks ahead of promo, with early support from nina kraviz, dvs1, silent servant, tripeo, ryan james ford, jp enfant, distant echoes and samuli kemppi

up first is gigolo, a spare and weird house cut with sine waves and random claps, hunched drums and trippy synth lines. it s a unique track made in a unique way and will lead to plenty of freaky dance floor moments, for sure. co. art is a whacked out techno cut with slap-funk claps, blistering and blistered synth lines and a rugged bit of bass underlining it all. the track is cavernous and metallic, empty and distant as if it somehow survived a nuclear blast. on the flip, alzheimer is a slow and gurgling, swampy techno number with broken drums and crawling synths that sound like their batteries have run down. icy, watery melodies eventually rain down, but the track remains resolutely eerie. last of all, fabric is another decaying track with subtle, heavily filtered synths and drums all making for a minimal groove that is barely there.

desert sky debuts for london s pal sl. having previously stepped up for assemble music and giegling he lays down two unique studies in unhurried rhythmatics, space and depth.be part of sets the mood with layers of living, seemingly breathing atmospherics eventually channeled into a bouncing kick with shuffling percussion and echoes of distant worlds. lets stay picks up the tempo with a sharper groove featuring persistent voices building tension and mystery as the track rolls on. long, playable cuts for adventurous djs not to be missed.

helsinkis lauri saine is the storyteller for this, the third chapter of fools & fables. pleasingly his irresistible releases dont come along all that often, but when they do, they justifiably make serious waves. small remedies, takes us on a journey to a side of saine we seldom see. first things first, blush cuts a breezy, cheerful path through a warm analogue space, with the mid-tempo throb of sampled rhythms to keep you from drifting too far off course. casual wears altogether looser pants as we just bob to and fro in a hammock while rum-soaked session players jam away in a distant speakeasy. the tropical breeze blows free through leisure song too, as we begin to get the impression finland might actually be a small pacific island.

uk funk connoisseur duke slammer takes the driving seat on the 303-fueled ‘bangkok skytrain’, with remixes from moscow based simple symmetry and returning artist tony g. inspired by tropical heat, bangkok skytrain utilises 303s, analogue drum machines and mixes in field recordings taken from an excursion to thailand. the result is a heady concoction of warm basslines and humid atmospheres, with a groove reminiscent of early 90’s melodic techno and a cheeky drum track that wouldn’t be out of place on a larry heard record. simple symmetry, the lipski brothers from moscow, slowly rebuild layers of the track like a locomotive building up momentum, and in typical style simple symmetry style finding the perfect vocal sample and pan pipes that help propels you into the foreign lands. before you know it the track is pumping at full chug! tony g’s take goes a bit further afield than the original. a dub rhythm sets the picture in outer-space. hihats stutters like cosmic dust rickashading off the nosecone of the space ship while longing strings take us deep into a distant nebular before the 303 bring the thousands of new galaxies into view. definitely music to listen to in the dark! look out for the secret dancefloor weapon ‘just drums’, an industrial drum machine workout for the freaks!

limited to 200 copies. spanish electronic music sculptor imp comes through with his second release to date, and its on the titans halo label, an imprint reserved strictly for the moodiest of electronica experimentations. -rain over orion- would be the perfect companion to an 80 s manga flick, where distant melodic sequences flutter among watery atmospherics and meditative pads the remix jobs come from boris divider, who chucks in a half-time beat and a flurry of machine-like noises, and brain machine who delivers the techno makeover in fine style.

high mobility weapons unit sets off from an unknown location on earth, making its maiden voyage beyond our solar system and towards a distant galaxy. the transverse velocity ep is the debut release on the self-titled imprint, serving up four original tracks that are heavily influenced by mechanical cycles and deep space concepts. the a-side kicks off with the eps title track transverse velocity, where an array of eroded satellite bleeps and waves loop together as the analogue low-end pulsates rhythmically below. in wave 102 the bleeps are detuned and erratically timed, with a glitchy tape delay unit modulating them throughout the track. the saturated 808 kick drum and processed percussion are given a functional structure, allowing the bleeps to take centre stage. on the b-side, both cycle 01 and astronomy tool serve as stripped-back percussive dj tools. cycle 01 rolls along with its hollow, muted polyrhythmic stab line, whilst astronomy tool drives forward with an effective, crystalline synth hit. mastered by black monolith studios.

one of the most all encompassing electro ep’s to come out of cpu. koova, aka gavin pykerman - one third of the critically acclaimed london modular alliance, steps up with 4 cuts of impeccable electro. side a takes you back to the multi-layered robotic funk of kraftwerk.

returning home after the acclaimed holding ep and the highly regarded clap clap remix, lurka continues with his journey into sonic bat country. partials kicks off with lurka’s typical intrigue, pads swell with distant spectres of percussion build into the most saturated kick of the year slapping you in the face like wet rag, while an architecture of syncopated hats and bit crunching snares lock the angles a shower of haunting bells falls. dancehall for witching hour. mach steps in with an equally holo-deck soundscape. drums swing in awkward alliance with dry wooden blocks and woozy binary language. both tracks united in their skewed viewpoint and distinctive awkward funk.

continuing on their stellar run of form sees villem & mcleod drop another release of top drawer drum & bass. aint no way is pure dance floor goodness. rolling drums, deep bassline stabs & vocal snippets all wrapped up perfectly. make tomorrow features the boys alongside friend totem delivering a blissful, summery roller to please anyone. twinkles of piano, female coos, distant horns shimmering along steppy drums. saved you is a digital exclusive & sees the men going more for a head down, minimal affair. something for everything on this one!

an ep done by ukrainian producer -myztical- accompanied by paul birken remix. experimenting in offbeat techno as well as delivering straightforward techno bangers, this ep should fit well in every techno heads vinyl collection. inspired by frank herbert’s “dune” universe and it’s derivatives, this is fantasy about space and interstellar travels, fame and power, love and treachery, yet another untold story - thousand years ahead in very distant future, but pretty much inspired by our own life itself.

unknot is the duo consisting of producer/dj sciahri and composer/audiohead emanuele porcinai. unknot01 is the first release on the duos self-titled label. the music is derived from recordings of jam sessions taken on a semi-modular set-up and later contextualized, through arrangement, within a dancefloor-oriented framework.
the core of unknots sound is strictly bound both to sciahris solid techno background and to the mutable character of emanuele’s electroacoustic productions. the dialogue between such distant practices and approaches, brought to an extremely restrained setup, is what defines unknots musical identity.
unknot01 is a stark, angular swarm of sounds, shaped within very structured yet experimental arrangements. each track delivers propulsive, cryptic and poignant melodies disguised in the harsh and outright aggressive rhythmical patterns.

london based label akute offer up their debut release with a diverse journey through techno from the elusive artist dempa. the title track scabulous employs a pounding, deep sensibility combined with jerking rhythms and distant chords welcoming the trippiest of dance floors. on the flip, alphecca digs deeper still into the depths of bubbling, bass heavy techno, spanking the listener into a kaleidoscope of polyrhythms. bricage starts on a somber note with lush tape driven modular sequencers and acid squelches, building up to a full frontal speaker assault.

introduction_ on vinyl by ben gibson, rodrigo garcia, sunil sharpe and myk derill.
support in the first round: truss aka mp1a3, jeroen search, roman lindau, phon.o, fanon flowers, joefarr, alex.do, drvg cvltvre, cassegrain, angel molina, josh wink, arnaud le texier, bas mooy, albert van abbe, imugem orihasam, marcel heese, paul mac, tomohiko sagae, dead sound, roberto, distant echoes, kwartz, dj t1000, ayarcana, wrong assessment, phone, eric cloutier, von grall, joton, mary velo, ryuji takeuchi, squaric, stef mendesidis, somatic responses, patrick siech, bleaching agent, south london ordnance, jesse jakob, anetha, maelstrom, hiroaki iizuka and many more ...

lunar disko is back once again. this time to present ldr_17, featuring another firm lunar favourite - john heckle. heckle debuts on lunar disko with 5 raw cuts from a distant dimension. encompassing much of the merseysiders signature sound, *blues for a red giant* shimmers throughout with distorted percussion, otherworldly melodies, and driving basslines to create another masterful ep from an artist who continues to push the boundaries of house and techno.

sheik ‘n’ beik are a nyc based cohort specialising in promotion, production and outletting left­of­centre slices of electronic music. with previous releases from family members derek marin, voiski and peter corvaia their 4th release comes courtesy of danny wolfers (a.k.a legowelt) working alongside rush hour regular xosar under their xamiga alias. with this being xamiga’s 3rd release, the pair draw for their trusted arsenal of analogue gear and offer up the ‘bohemian grove’ ep, a woozy brew of foggy textures, gently frazzled hats and detroit­indebted grooves. the title track kicks things off with glassy pads sat atop a long­tailed thud and a sandy shuffle. a distant bass groove wades in ahead of a passage of intricate, band­passed percussion and a circling synth line before ‘cumulus versie’ sets sheets of ethereal vocals and synth strings gently ducking under a taught analogue pulse. ‘midwest’ then sets hissing kicks and frayed hi­hats alongside a rasping bass tone. pitch­bent synth lines then bubble into focus before ‘blizzard’ sets a dystopian tone from the off. a stout kick drum thunders under minor­key chord shifts and a menacing sequence that works to round off another fine addition to the sheik ‘n’ beik series.

as the sun rises a little higher in the sky, above machine emerge from their winter hibernation with the first fruits of their impeccably assembled new release schedule. jonny nash takes on jose manuel s summer wind and, much like the superb melody as truth releases he s penned, sets out a widescreen canvas of tone and melody, as piano and vocal punctuate the sonic plain. twisted tongue take on maricopa s recently unveilied we could maybe feat. nicola kramer. and the result sounds like loose ends operating as in-house band at a speakeasy orbiting a distant nebula the b side has seconds another day beautifully reconfigured for sunrise moments by slo, while b2 has an original slo moment bombora which, much like it s namesake is a gentle balearic breaker washing over the sonic reef... bona fide bottled sunshine people - above machine are back !

lonely souls together under thunderous grey skies recorded this for you while the snow poured outside. frigid techno, sleep deprived angst and alien timbres from a distant place mark this as a memoir for babicka & mic mills far more than their debut single.

the mighty geena is back on antinote with a new ep filled with deepest psychedelic goodness and spaced surprises. comes housed in a glorious printed sleeve! tip! side a starts with -tone loc- a heavy geenafied future classic, complete with signature celestial pan pipes and a deeper than deep bassline, together building in intensity with muted distant vocals adding to the sweet heady confusion. the next track -minus jam- is on a similar path of ecstatic disorientation, with spinning delayed glass toms supervised by the darkest dictatorial bass line confirming geena is a master of light and dark. side 2 continues with -box of exotica- where we are sent to a dreamy post blade runner musical world of traditional and futuristic collision augmented with beautiful and equally dark japanese stick music vocals. the last track -green resident- also walks the cosmic path found throughout this gorgeous ep, softer at first than the others, but the silky darkness soon seeps in bringing cosmic order to geenaland.

33-10-3402, also known as serbian-born artist/producer nenad markovic, returns to the esp institute for the fourth and final release in his opium den and whorehouse inspired mecanica series. metamorfoze is a psychedelic melting pot which can best be described as a train commute to a distant planet—our senses confronted left, right and center by unfamiliarities. its counterpart on side b entitled t bov boasts a pseudo tribal rhythm, yet its post-apocalyptic soundscaping takes us anywhere but the expected. at this point nenad has managed to whirl our imagination into a state of confusion so deep that were simply at a loss for words. its in these moments where we at the esp institute are most proud, with the birth of something absolutely new. bravo nenad, bravo.

turn on, tune in and drop out - aficionado are back once again to fully adjust your frequencies. riding coastal breeze and gulf stream down from the north, swedish space cadets farbror resande mac made a positive connection with manchester s balearic chieftains and beamed aboard the ss nado for five boundless expeditions into distant sound space.

lux rec enters its fifth year of existence. a time of adventures in electronic sounds, exploring the margins and the darkest corners. to celebrate all victories and failures cosmo & faber compiled this release, the number 23, collecting material from old acquaintances and musicians that are new to the label.

recent output has seen dorisburg pushing into deeper realms. computer drumming are some further steps in these explorations of 4/4 rhythms and acoustic depth. with a wide range in tempo, the track titles offers aid for the venturous. a1 is a reduced jam of echoing percussion that never sees the entry of a kick drum. a2 compensates with bouncing bass and a playful array of drumming elements entering and dropping off in a bold tempo. exiting on a more well established pulse, the b side consists of the deepest and most mysterious offering from dorisburg to date. distant bells and chimes and a grand formation of percussion meets thundering bass in an encounter set on vast grounds.

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground. bei the future crayon handelt es sich um eine kollektion aus insgesamt achtzehn broadcast ep- und compilationtracks (2006).

here introduce 3rd release from label, and we proudly introduce new fantastic 3 track ep detroits fame rick wade! after releasing hustlers lullaby ep, detroits fame delivers new 3 track ep called the fields. starting with the track called *beautiful world* is rework of 90s heart full vocal classic with fender rhodes chords and mystic strings arrangement on black dance music groove. this must be big stuff! featuring electric piano chords and refrains, in the fileds delivers soulful jazzy deep house groove.there also features fantastic instrumental version on flip side. and secret distant memories deliver boogie disco feeling with strings and horns.

möd3rn is a global project from 3 wellknown artists who wanted to give a side project from their own solo career. it s a band, producing, playing live but it s also a label created only for the trio productions. each releases will propose 3 tracks from the 3 artists. for that first one the famous trio propose 3 huges bombs mö4, mö5 and mö6, 3 huge techno killer using rough skins with raw edit. speech less and listen to that we can call pure techno. while carefully handling their respective careers, postponing then their obvious collaboration, möd3rn trio s members have capitalized its desire and now deliver its mere substance, in the rightest moment, where, simply, all the distant forces converge. the six daring, expert hands merge now into a unique entity, unanimously moving within the same effort towards techno music. of the distinct identities merely remains the ethereal, synthetic essence devoted to the group, and the common musical passion that leads it. the formula is elaborated freely: each one s adjunctions -subtle keys, nervous chords, underground blows, rhythmical uproars- pour into a thick maelstrom, opaque, condensing detroit s grieving sensibilities as well as last decade s bewildering cacophonies. the potion obtained is irresistible, an ecstatic hybrid, prodigiously actual, that renders all the genre s diversity and dynamism. chance intertwined their paths and now the three companions celebrate both the friendship that resulted and the good fortune that has driven it, by improvising live together as one faceless, solid body agitated by the urge of dance and music, composing the material that shall be processed later on to form their eponym label s releases.

new year, new project. cleric launches the first release on his own c l e r g y

sometimes near - sometimes far, dead points arrive. something or other is given away, distant past usually stays. coming up here on leap. profile s hypnotizing debut solo 12 inch puts a melancholic grin on the face of the dubtechno devotee. thanks for purchasing a real copy!

madrids synth alien returns with a fresh ep out on cyber dance records entitled *stellar walker* that shows off his spaced-out and italofied influences in just the manner we have now come to expect from that label - slow-motion chugging synth workouts that are rich in atmosphere, confident in pace and arrangement and most importantly jam-packed with heavy riffing and piercing melodies from start to finish.

the act of shimmering is the act of leaving conscious thought behind. it s accepting what lies beyond the corporeal, transcending the physical, the soul is aware and the body, eyes, skin are distant empty casings. a clamorous, chaotic cacophony surrounds a beatific center. an endless assault of guitar, of noise that glistens, a poignant rigor. jannick schou, proprietor of tape loop drone, places himself within the tunnel of din to produce this profound work: an ethereal dream using nightmarish parts and images. black and grays generate vibrant innards. brightness is unearthed within the fetid mass and these six tracks immerse the listener into a raging sea to find a gentle undertow. furious outbursts emerge from simple, slow shivers. tremors of noise gather, reaching an elongated crescendo, becoming transformative, and shattering what form or structure was designed to contain such an outpouring of sound.

8 track compilation, a dystopian ending of the 2014 year!

exotic refreshment presents symmetry, the new ep from talented producer and vocalist eluize, the moody dreamscape, inspired by her fascination with the connection & pattern in all things, is a dark, beautiful journey of ethereal arpeggios, distant strings and vocals from eluize.

ali loves last seven releases, whether with hot natured, infinity ink or as solo artist, were all radio one essential new tunes. third solo album p.u.m.p was produced and co-written alongside steve dub (chemical brothers / primal scream) and mark ralph (hot natured / hot chip) and gained accolades across the board from tastemakers and media alike, a tour de force of sumptuous summer sounds and willfully weird and rarely less than entertaining . ali will be taking the album live on tour in the not too distant future.

resonances of a distant past or an apocalyptic industrial future, dark moods, gritty grim noises, violent mechanisms of rhythm pressed on vinyl.

first release on sun cat recordings / ancient sound from outer space is by italian obscure electronic producer named healing force project, that means freedom of the soul. inspired by space jazz and experimental techno, antonio marini reconnects distant horizons until the sky falls away, sonorizing the last ancient astronaut landing on earth in five hypnotic tracks. mastered by andrea merlini and illustrated by fernanda veron, *last journey to heliopolis ep* pictures early dawns and aching nights, combining different analog and digital elements. a cosmic trip without return only makes sense if has no stops or boundaries.

still sounding like something from the distant future (1988 to be exact), * we are phuture* continues to survive.
an all time acid house classic straight from chicago, phutures mission statement still packs a heavyweight punch today.
repressed, remastered and reissued in conjunction with trax records and with all original artwork retained, * we are phuture* is an essential addition to any record collection
often imitated, never bettered
*slam your body to the beat!*

atrophic society welcomes brendon moeller for it s second release, delivering 2 deeply textured and emotive technoscapes. wielding a warbled bassline and synthetic bleeps with a masters touch, the title track meanders within a natural landscape, fuzzing and washing around descending chirps and following the call of a distant foghorn, leading us through the passage to obscurity.

vakula returns with another bandura: 5 tracks of cosmic, meditative sounds from the expanses of konotop.

at its very first start, the new label founded by conrad van orton proposes a vinyl of his own with two original tracks on the a side, november and captivity archives. and two great remixers such as vsk and the mysterious annuled user on the other. just as the needle starts to mark the passage, the classic four quarters give life to a beat that between one step and another compresses catapulting reality in a classic industrial scenario of mid-autumn where the clear sky gets marked by black and deep plots. a background noise accompanies the whole programming part of the drumming that gives off a relentless pace. on the a side captivity archives reconfirms the industrial nature of cvo with a look towards distant galaxies ..... with the needle still hot we turn around the record to the b side. here we find the vsk remix with a more ambient and crystal clear sound. to the original drum, vsk, choose an equally technical percussion. all home made. last but not least the contribution given by annulled user. trademark? techno! .. and there is nothing here to mess about with. 4/4 dry, hard which feel anger and rebellion desire. the kick, fairly present, is ripped apart by some demonic filters. the 5.30 min of annulled user are a reminiscence of the 90s.

big with: andrew grant, brothers vibe, damian lazarus, maya jane coles, mr g, tensnake, huxley, terry farley

strictly ltd to 100 copies! introducing charmin records. a new vinyl only label out of east germany started by long time dj and producer florist. the vision of the label is to release quality, underground house and techno by friends and fellow music evangelists on vinyl. the first release teams up producers tilman and florist for their first collaboration together and the result is a well rounded collections of quality house music focussed on the dancefloor. the ep kicks off with >sunday roll< which is a deep, laid back excursion into >proper< house music. the track is underpinned by solid percussion with easy rhodes and piano chords weaving in and out of distant vocal samples. the emphasis here is on warmth and soul. >blind< is a more heads down affair, with energetic drum patterns and a lovely, well rounded bass that bumps its way through the track. >i cant stop< takes us into more stripped down territory, with a rough edge to it. finally >deep reflection< pairs up dreamy, reverb washed chords with a heavy, unrelenting rhythm section. with this ep charmin records look to lay out their stall and show the public what is to come from this exciting new label.

in the not so distant past, a certain chicago house sound found its way to clubs worldwide. a jacking house sound made up of anything producers could get there hands on. if you had a cool alarm sound, you could throw it under a 909 and watch dancers freak out. dj rafaels new ep for on the prowl is a nod to that era. while hes not using an alarm as his tool, youll notice the in your face style in which its based upon. some of you might know rafael from his earlier miracles club releases for cutters and mexican summer. this time around rafael fauria joins friend brian foote for some on the edge jack tracks which are both packed with acid and foot stomping percussion.

bristol music has always stood strongest as an alternative to the lowest common denominator, and so it is with brstl as the label continues to provide a platform to previously undiscovered talent in the underbelly of the citys flourishing house scene. following lauded debuts from shanti celeste and jay l, the sixth installment in the series turns to another unknown in the shape of samuel. as with other releases on brstl, 006 is made up of two distinct halves. on the a-side, >numberuma< delivers machine driven house of a rugged and charming nature. the drums switch up with playful intent but largely centre around a forward-charging 4/4 pulse with a faint hint of tropical flavour rubbed into the groove. meanwhile the limber lead keys speak of sunnier days through a cracked lens while the accompanying chord swells intone an equally uplifting and nostalgic message. while from the outset the track may be wrought from simple ingredients, the dynamic interplay between the different elements belies the producers years. on the flip, >groove therapy< opts for a more esoteric approach made up of long, dreamy lead-ins full of distant pads and delicate percussion and transitions as smooth as silk. indeed this track makes a smart foil to >numberuma<, choosing to snake its way into the subconscious through delicate melodic content and an undulating beat rather than rambunctious rhythm. slow-release filters draw that aforementioned pad in before sending it out to sea once more, and all the while the stripped back drums tick out a hypnotic chant. once again a pair of unique tracks loaded with character prove brstl to be an essential outpost for the most creative 4/4 music emanating from the west country.

to coincide with the release of matt tolfrey & ryan crossons forthcoming dont be leftout mix compilation, the leftroom imprint offers up a vinyl sampler of exclusive content produced for the comp. the four track package is set to drop in february ahead of the full release in march and brilliantly showcases the outstanding level of quality found throughout the compilation.

a few words by steffen bennemann: i was in loose contact with aggelos (dream weapons) for a few years, watching him from a distant with great interest. in 2012, he sent me his debut lp on inner ear under his fantastikoi hxoi moniker and it quickly became my favourite album of the year. when i told him our plans for holger he sent me some of his more electronic leaning music. i was instantly captured by the driving, trippy kraut techno songs which show homage to the psychedelic sounds of the 60s and 70s while holding their own in the here and now. exactly our cup of tea.

acclaimed for many of his compositions on labels such as aesthetic audio, art, ornate, alongside his blistering dj performances. aer boss miles drops the labels first and his debut album. deep is a word often used to describe a lot of music currently out there, but not many touch the depths of this superb lp on atmospheric existence. miles touches on many shades of sound with his trademark emotive warmth. melancholy but positive vibrations flow out alongside abstract grooves. hypnotic elements grace the journey, creating an otherworldy sense of space and distant unknown entities. feeling & mood leap out of this lp at every twist and unexpected turn, circumnavigating the deep spectrum. since his early releases, his imprint aer has become a highly respected imprint globally with a dedicated following. this lp was constructed to stand the test of time and stand it does, firmly rooted in the cosmos