following up his groovin ep, french house producer kool vibes releases his second ep, time & chances, for his own kv label. stepped rhythms, phased hats and soul-grunting vocals in *get u down* make for a lush and playful take on four-four french-tipped house, while *high up* features short sustained rhode stabs and 90s vocal shouts. *time & chances* is a little rougher in its musicality and drum processing, adding some jazz elements, whereas traditional house combos come to the fore in *something i m feelin*, as chords and crashing hats lock in and out of each other with electric flow.

rhythm plates re-emergence through their pressed for time label continues apace on this second release, a split 12 inch that pairs a new cut from matlocks finest with solo productions from ant plate as yse and yse saint laurent. hissy warehouse beats, simple chord vamps and rapturous oh-vocals characterise yses dryish yet muscular 99% invisible, whilst plates yse saint laurent contribution when you love me pairs some r&b vocal sampling with drawn out synths and wispy percussion placed on top of a grooving bassline similar to bernard badies 09 mojuba hit move to the beat. rhythm plates submission, i think i ve dreamed this before adds a warming calmness to the ep, allowing a spirited synth line to traverse its arrangement like a geisha float-walking through an japanese garden of snowy arpeggios and moss covered basslines.

new sheffield label shabby doll records makes its debut with nails donks ep. nail is nottingham-based neil tolliday, a producer who spent the last decade creating deep downtempo joy as one half of bent – their debut album *programmed to love* helped ease the worlds ills back in 2000. now, with love for nails solo manoeuvres truly reignited, sheffields shabby doll label is taking the next step with his first new solo material for years. called donks, nails new four-track ep showcases his flawless dancefloor instincts: there is something deliciously seductive about this early hours charmer. one to play when things are getting wonderfully weird… and finally, never4gedit brings back the sunshine with some sweet, melody-flecked disco. with nails vintage house output currently proving to have real staying power, lovers of real british house music eagerly await his new tracks. so if you have got a dark room and a feeling, let nail, shabby doll and donks add a little magic to the night.

emotional relish welcome in their second ep of 2013 with some solo work from scott fraser after a previous collaboration with headman and nitzer ebb vocalist douglas mccarthy. the light sleeper ep pairs two trademark fraser cuts with remixes from the aforementioned relish boss and fellow weatherall acolyte timothy j fairplay. a drab bassline wades *paraphase mine* into the murkier exclaves of synthy territory, allowing headman to lighten the mood by adding some tonal difference in his mix. fraser sets his arpeggios to flutter and bounce in *centreville lapse* with marching snares set to a severed heads styled reverb. fairplay does away with the tracks nosier components, demystifying frasers original for a warmer, eat petting remix.

the rothmans label combines an unlikely link between football statistics, some of the best (or worst) haircuts to grace the european version of the game, with jacking drums and acid-based rhythmics. the label dedicates its third ep to french striker dominique rochetea, with a various artists ep as strong as the back four of arsenals 98 fa cup winning side. the nigel winterburn of the release is coyotes without the e, a squelchy and balearic groove with psychedelic vocals not too far off from dj koze mrs bojangles. aimes and scott fraser provide the ep with the composure of tony adams and the brute force of martin keown with their respective synth-led productions the kontemplation of kosmic order and heat for dust, while on the right - a would be lee dixon - drvg cvltvre, supplies the master builder, an ebm and industrious dancefloor workout.

after successful releases on space breaks and shanti labels, petr serkin presents next one, on the new russian label! deep house tracks with warm groovy disco parts. the first side opens with very emotional breakdown treatment, next comes the dancefloor kicker freedom experience with solid low basement. on the other side you will find catch the flow, based on unstoppable guitar bass with some keys and licks. and the last one is ocean returns, a nice deep melodic disco-thing. supported by soulphiction / jackmate, franklin de costa, session victim, moodymanc...

first juke joints remix package of a scheduled three with some serious remixers in the pipeline. fort romeau, cassy and ryan elliott step up offering their own personal interpretations of parris mitchell.

in 2011, we begin to think about doing a record label. we had been following somaticae for some time and at this moment he was playing some art & punk gigs with a furious live of electronic improv, on the edge between hypnosis and noise. two of these sessions became our second release, *dressed like a bubblegum*, raising the interest of people like surgeon, perc, and peter van hoesen , his remix for mondkopfs *ease your pain* receiving praise from ancient methods as well as labels downwards and avian. but somaticae had already moved forward, and in a matter of a few weeks, he was sending us what quickly and easily took shape as *catharsis*, a ten track piece which is to be the first album release on in paradisum.

the london based ross evans is coming up again on numbers with a great 4 tracker. after releases on label such as cocoon, saved, break new soil, cr2 and get physical records, just named a few, we finally put 4 strong tracks on the 26th catalog number. the ep starts with someday acid influenced prime time monster. a2 abzorda shows some catchy deep vibes with a cool atmosphere. on the flip we got two more named deranged with the hypno vocals and the screwing bassline and last but not least stroke my ego with the classic deep house touch. hope you enjoy and play numbers

after more than a decade of silence no gigs, no music, no nothing, gramme return with their debut album fascination. the cult around the band and their lone release, the pre-release ep, continued to grow until in 2011 some mysterious 12inch bootlegs of like u began to appear, with edits by joe goddard of hot chip. a few months later self released white labels begin to circulate with new gramme material. those recent eps have gone on to form fascination, the first full studio album by gramme

having launched the n16 loving newington label with a split release from a range of bubbling uk house talents, waze & odyssey turn to a more familiar name for the second release with the cross flatts ep from pbr streetgang. formed of the wonderfully named bonar bradberry and tom thorpe, pbr streetgang have been quietly accruing a respectable discography since the project was founded oop north roughly five years back. elevated into wider consciousness last year thanks to some stellar 12 inches across hot creations, 20:20 vision and futureboogie, it makes perfect sense for bradberry and thorpe to add the similarly minded newington label to their cv with both cuts on this 12&#8243,,, fitting snugly into the current lexicon of vocally driven deep house.

belfast bass producer unknown who has built up a huge following with a steady stream of tunes on youtube and soundcloud, made his vinyl debut with last years #001-010 series on champion sound recordings, and now he returns to the label with his best and most diverse work yet, the i cry ep. the unknown trademarks – waves of sub-bass, expertly swung percussion and a dark, seductive and tense atmosphere – are all there, and he is pushing into new and fascinating territories too, with some brighter textures, house vibes and his first ever vocal collaboration on the stunning title track, *i cry*.

horror inc.s first full length album montreals marc leclair, a long time buddy of perlon and also known to some as akufen, delivers 10 tracks and takes us on a very personal trip through the depths of booh. dont miss horror inc.s fabulous live-set, as he is currently on tour

kicking in with analogue sounding toms a rather tense and high pitched string and some nightclub crowd samples, munichs henry gilles immediately brings the tension before dropping the beats and some serious funk.
pressing on translucent 10 inch vinyl.

beach mode (keep it simple) is the perfect snapshot of ikonikas new album aerotropolis. it is also her first vocal track, graced with the voice of *one to watch*, jessy lanza. beach mode combines sunny salsa-like chords and claves, inspired by latin freestyle dance music from the 80s, with jessys vocals cutting in over some soaring rough synths. it is a refreshingly straight forward and sensual piece of pop dance. side b starts with a dub mix for all the vocal haters, while the percapella version breaks it down into a syncopated drum track and a slightly dubbed take on the vocals, giving it a tracky and colder toughness reminiscent of early chicago house music. get into beach mode.

dark maneuvres is a track which lives up to its name, the original expressing pumping, dark and crunchy sounds interspersed with string arrangements and overdubs which move the track in various different directions. the 1996 original is a great example of some production techniques of the time and is of interest in identifying the direction of the techno sound in that era, as well as being eminently listenable. slam were very much involved in the progression of techno at the same time as envoy was creating tracks such as dark manoeuvres and as such they have a real handle on how things have evolved, enabling them to bring a classic release such as this bang up to date. the distinctive hook, attention-grabbing melody and strings which are distinctive elements of the original are all incorporated in a full and fresh dynamic which sees some of these elements regrouped in individual sections such as the strings or moulded with deeper, darker resonance into a new expression.

hailing from chicago, the latest entry from our new skudge white series sees innerspace halflife venture into some of house and technos eeriest realms. when ike release and hakim murphy joined forces sometime last year, we immediately thought that their very own cosmic take on jackin house would be a perfect fit for our label, and boy did they deliver!

nice price deal !!! emil berliner is by some right now considered one of the new most striking and noticeable newcomers of the new dance scene in vienna. his brand new unexpected ep expresses exactly this attitude and takes in before mentioned attributes such as deepness, joyfulness and tenderness. the opening track is called little miss sunshine and definitely has a velvet touch to it, and is very much determined but in a cautious and gentle way. the laid back style is gripping and it is these details which are like rare goods, hard to find goods which appear here just at the right time

at the edge of failure a door to greater understanding and discovery is sometimes opened. some of mankinds greatest discoveries and experiences took place by sheer coincidence or even by mistake. from the big bang, to penicillin, or the invisible light we call x-rays, chance and human error has played a big part of our history and evolution as a species - can we really afford to be perfect when we owe our mistakes and weaknesses so much?

will & ink, a new label and production duo for felix lenferink (aka frits wentink) and presk. showing their male side with some raw and pounding sounds that is brought to life through custom built hardware. will & ink step away from their solo productios and goes into techno realms! starting the action with this amazing three track fermat ep.

cardiff massive giovanni branciamore and bradley albertides heard nicoles amazing sultry folky tones on the flowers of flesh & blood album and just had to work up some nip and bop to sit with her voice. nicole loved it and this is it! we are not too sure what to label this music under but tags of future nip hop ambient folk bop seem to be close. sarah burgess is a secret forest folky vocalist from york with a super soft ambient tone to her voice which was crying out for a touch of flyypost nip. luv*jams ambient alter ego flyypost slides out some wobbled out bass lines, floaty synths and a 68bpm raw kick drum all gliding on a bed of waves with sarahs stunning memories vocal. what style of music do we label this as? neo italo nip folk acid whop?

new edit serie from two edits. some naughty edits here. the a side is classic disco re shape for the slo-mo crowd out there. on the b side we have a more trendy oldschool chicago house rework. some excellent edits on wax. vinyl only!

without trying to making it into a thing in its own right, there is a bit of a coincidence that is appearing for some of our houndstooth artists. following dylan richards chrysalis-like metamorphosis into house of black lanterns, alec storey is the latest artist to shift phase and re-christen his output after signing to our label, progressing from the al tourettes moniker in favour of the more becoming, second storey. whilst his new name might be in homage to the musical path set forth for him by his father, the four-track margosa heights ep sounds very little like anything you have heard from the bristol based producer before.

a quick listen to the radio suggests that disco is back, not that it ever went away here at retrospective and over the past few months we have been proud to work with some of the biggest names on the scene including heion, hardway bros and ajello. still there is certainly something in the air and so what better time to welcome back to the labels spanish king of the re-edits, rayko, with a stunning new 4 track ep.

breaking crowns with their smooth, synth-struck melodies since launching in 2012, jack fell down are making some serious waves on the deep house scene right now. with four tracks in total, this ep shows the duo at their most extensive and comprehensive. boasting the distinctive confident laziness of vocalist stee downes throughout, across the ep you will drift away to a whole new world on the deep, dubby title track, you will bump and grind to the 2 bears-style *no way* and you will lie back and receive a full mind massage from *just begun*. jack fell down ... and the vibes came tumbling after.

phantasy is proud to announce its next release by the legendary in flagranti. revered by many to be amongst the best producers and artists of underground club music, the swiss duos sounds have been staple in the sets of some of the worlds finest djs, from phantasy boss erol alkan to james murphy, tim sweeney, horsemeat disco and many more. their headrush ep features four cuts with only the dancefloor in mind, each track echoing the sexuality, style and darkness of the late night disco.

nice price deal !!! we have been following belgian producer ozka for quite some time whether it be techno, house, electronica or bass music: he has a unique take on it and it always sounds fresh.

i-robots is an alias of opilec music boss gianluca pandullo, a long time dj and producer with a penchant for classic techno and electro cosmic disco. for his next project in the esteemed i-robots reconstructions concept series the italian re-edits some classic material, all with the permission of the original artists. the tracks in question are derrick mays hugely influential *emanon* cut, recorded under his rhythim is rhythim alias and originally released in the 1990s on his own seminal transmat records label – one of the most important imprints in the early days of techno alongside kms and metroplex. the second track – which was first released on metroplex, the label juan atkins founded in 1985 and then re-released and reworked on sound vision - is *game one* produced by the legendary juan atkins and orlando voorn as infiniti. the latter of these pair has already released a number of times on the opilec music label.

following some very well received releases on international feel & rogue cat, dean meredith & ben shentons mind fair deliver their best work yet on the mighty golf channel. four superb tracks of loosely assembled and live workouts, ranging from psych-funk, to the superb pulsing, european jam of wrong wire to more avant-garde explorations. beautifully fusing vintage synths, live instrumentation and an expert ear for dynamic arrangements - this is another gc classic!

lil jabba isnt like the rest of them. while they are busy joining the dots between house and techno or whatever is safe right now, he is throwing paint all over the page. he is not american, but he is affiliated with chicagos teklife crew (dj spinn, dj rashad, etc.) and divides his time between baltimore and brooklyn, exhibiting his visual art, riding around with his bike gang and making some of the most hypnotic juke and footwork you will ever hear. local action have been figuring out a release with him for over a year - eventually an ep wasnt enough, and they persuaded him to make it a full-length album, scales. some of scales has already seen the light of day through youtube or limited cassette releases, some of it is unheard. some tracks sound cleaner than others, that is because they are newer. that is how these things work. what is consistent throughout scales is the quality: across 12 tracks, jabba flips, twists and inverts the footwork template with endless layers of samples, gurgled vocal tags, jazz licks and whatever else he feels like. these arent trax, they are tapestries.

nice price deal !!! the idea for the sundowner sessions came about when mike found an old tascam cassette 4-track recorder at a garage sale in maplewood new jersey a few months ago. he went home and recorded some songs over a few extended sessions in his living room with headphones while his daughter napped upstairs. taking influence from early belgian trance and the diy noise and power electronics records simonetti released on his old label troubleman- the idea was to capture a moment in time and document it, and never revisit it again. projects like this is why new jersey exists as a label.respect to come org, united dairies, steinklang, american tapes, transmat, hospital prod, and tesco.

after the success of realtime 006 and some strong support from djs such as rolando, derrick may and marcel dettman to name a few we are proud to continue with realtime 007.

the mysterious duo strangers in heaven strike back on souvenir! after their first highly acclaimed release last year and their remix of souvenir bosses, tiefschwarz, the boys return with a strong two tracker. first track, set me free, is a deep groover which features jonny cruzs incredibly melodic voice. the same track gets a decidedly deeper once over from none other than, eric volta (ellum, visionquest). on the flip, the future is a miami bass vs. techno tune with some real old school house feeling injected into it, featuring the unmistakable voice of the wondrous navid izadi(wolf+lamb, soulclap).

when a fresh breeze blows through your hair, the sun beginns to warm your skin slightly and the sounds of the breaking waves mix up with some easy to listen percussions - then youre surely doing one of the first beach walks for this year.

spring zero thirteen finally arrived here in vienna, and with it a busy luv shack schedule to shout about. this time the boys deliver a delicious double header coming in two parts. yes, luv10 comes in two vinyl slices spread out over a few weeks. and you will need all eight tracks too as the label gets really serious with some heavyweight dance music, including a first for them in inviting major guest appearances from the likes of rocco raimundo, mike burns, dj rocca, ben sun & tyson ballard as voyeurhythm, rotciv and radio diffusion. the label is spreading its wings and, it is the right time to invite others to come roost in the shack and spread the luv.

after our last ep by bristolian duo behling & simpson, we return in full effect with out latest offering g.m.s. by yet another duo, the wonderkids glenn astro & imyrmind. both hailing from germany, the duo have had a great 2013 so far by releasing some amazing solo bits on labels such as big bait records and wotnot music. for this ep however, they decided to join forces and bring us an amazing ep that will do justice to any dancefloor.

some more excellent modern house tracks from the north! boska with his second release on love od, and slowly gets a reputation for himself as a trustworthy provider of quality music on the post bass, nu-funky, what-is-the-new-name-for-house-music-this-week -circuit. did collaborations with studio barnhus, mental overdrive, asma maroof (nguzunguzu) attented the rbma, got picked by several cool festivals. boska is a name to watch for sure!

oskar offermann and his frequent collaborator and label mate edward are two of the brightest rising stars in contemporary deep house music. as head of the esteemed white imprint, offermann has an envious catalog spread across his own label, aim, and japans storied mule musiq, edward has mostly confined his releases to white apart from a single drop on the mysterious giegling, and some outstanding remixes on other powerhouse labels. since their appearance in 2007, the pair of berliners has only one collaboration record between them in spite of a close association, large individual discographies, and frequent pairings behind the decks. it is thus with great ceremony that thema announces their north american vinyl debut with the four-track ep, verses.

hot on the heels of the release of neville watsons songs to elevate pure hearts album, crme organization releases a three track ep of remixes from the longplayer. drawing on diverse names, each of the remixers transforms their given track into something quite different from the original. the first is by watsons frequent collaborator, bulgarian producer and live specialist kink. he tackles songs to elevate pure hearts and laces it up with some lazy old rave breakbeats and plenty of lucid synth and melody pattern before fast rising dixon avenue basement jams associate marquis hawkes takes on against the tide . he imbues it with what is fast become a trademark sonic weirdness, with wrought iron synth bars interlocking with molten synth lines and a slow, purposeful and predatory mood. finally, american moon b turns in a trippy outsider house version of son of house with off kilter claps, see-sawing synths and organic drums.

a dream team if ever there was one, kid fonque and rising star dj whisky have crafted a seductive, richly-textured composition which songbird zaki ibrahim has taken to sublime heights. be is a afro-tinged, drum-driven deep house number that is guaranteed to inspire some arm-raising, hip swaying dancefloor action. showcasing the enthralling vocals that only she is capable of - zakis intimate conversation draws you into a hypnotic realm of rhythm before expanding into a breathtaking ballad.

third lockertmatick with soe pure techno from dresden, germany. uncompromissing and effective, these guys deliver some solid tracks that sound timeless. limited to 250 copies.

fresh new uk label with two killer tracks that will turn some heads. amazing piece of house music that is working like madd without using the standard cliches. a accomplishment by this young producer neinzer in these days of looking back! opening with a funked up track that goes somewhere between things we know from shake and recloose but comparing it to others isnt doing the track any justice. flip side cranks the tempo up and gives a mad techno piece with some sample trickery. best start a label could wish!

4 rough techno cuts with a ferm low end and some good edgy sounds to it. adam jay and dj shiva bringing the heat on this one. a must have record for fans of the more kickdrum heavy productions.

vinyl only rlease, 180 gram copies.
two, proper long stories on each side with some beautiful atmospheric-deep-techno touch from romanian producer with amazing style.

james holden präsentiert den nachfolger seines 2006er debüts the idiots are winning, das vom guardian damals als das spektakulärste electronica-debütalbum seit boards of canadas music has the right to children bezeichnet wurde. auf the inheritors erforscht holden weiterhin die (un-)tiefen der elektronischen musik und liefert eine ausgewogene balance zwischen brachialen experimenten und transformativen trips.

cavaan is the alter ego of a rather well known berlin producer and his fellow from milan. the duo debuts with their very much loved project. they feature a studio-recorded wonderful vocal on this hypnotically modern percussive house affair titled black snow. the original track grooves on some free swinging retro percussions and beats from the 80s machinery and a softly moving house-beat making this a very subtle killer for any dancefloor. while the vocals carry the track as light as a feather it is after the breakdown that things get really musical - you will hear yourself while listening the melodies and sequences. for the remixes turdjr has aligned a high-quality and diverse array of a current top producer. one of heidelbergs coolest kids on the block, lopazz knows that every track gets better with a lot of handmade music-and he sure is right in his interpretation of black snow. last not least i is under on the flip which is one of these tracks that sucks the listener in so deep that there is simply no escape: repetitive yet constantly changing and constantly grooving while remaining very pure! this release is filled with tracks that will long echo on the dancefloor!

monitor 66s arrival onto the scene with last summers triscuits saw them pop up on a lot of top djs radars, such as the magician who opened his magic tape 22 mix with it. it also saw their first release on house of disco, their adopted home. since then the two boys from sweden have been honing their sound through a series of lauded remixes for tempogeist, kolombo & rythm operator. now after some painstaking studio time they are ready to release their next original work, their first solo ep, vitae on house of disco records.

after several go-to 12s on the always reliable lets get lost series, the mysterious marvin & guy drop their first on the prowl release! first up is estacy with driving percussion and a string driven groove that keeps building with subtle drops and hits. marcos cabral takes it into deeper territory with his heavy remix, definitely pushing the bottom end for the big room where it should be heard. on the flip we have moon import, a moody rhodes driven vocal track with panning synths to get you in a daze. then some upbeat disco house with shot me - a perfect track for your next loft party.

red axes packs quite some heat, with a weatherbeaten bassline & mixes by rebolledo and marc houle.