one of the defining releases on large music gets a special re-issue after a 16 year wait. considered by many to be one of the top 3 packages in the early large catalog, this ep set the trajectory for what would quickly become known as the west coast sound of american house. the main vocal on side a also became a venerable classic at the shelter in nyc and was played consistently by timmy regisford throughout his tenure there. the darker, more disco filtered tones on the flip side were also highly praised and played at the time by french djs such as daft punk, phil weeks, cassius and many others. rasoul is often overlooked as one of the chief architects of modern deep house, yet this release certainly secures his elite standing in the annals of house music history. essential!

ltd 2015 repress ...the mysterious new barefoot beats label drop a killer, extremely limited 10inch of rare brasilian disco grooves for their debut. nyc dj legend eric dunks duncan flips a classic brasilian groove on the a side that really gets the party started. on the b, sao paulo based disco fiends selvagem hook up with carrot green and build a seriously heavy latin bomb that pays tribute to their beloved bahia where the mareh festival is held each year.

cosmic club 16 in the house, and for this one skylax have delved deep into the mystic universe of the ever enigmatic violence fm with a four track ep quite simply out of this dimension… etoiles ep is an inconceivable work of art from violence fm that will leave listeners stargazing for more, not to mention an extraterrestrial remix of chez damier s el fin esta cerca on the flip.title track etoile does the damage on the a side, with a vocal (a1) & instrumental (a2). lofty kick drums and enchanting synths bring this classic track right up to date, with the heavenly vocal harmonised seamlessly on top for a truly otherworldly experience - this is a must for anyone looking to get celestial with their dj sets. we can already see early morning dance floors in the future raising their hands to these killer joints

special triple pack for all you f.t.w. lovers out there - contains 3 classic releases (ftw005, ftw007, ftw016).

special triple pack for all you remute lovers out there - contains 3 classic releases:
- remute001: mass hypnosis / mess hypnosis
- remute002: condenstaed
- remute009: the orgy

special triple pack for all you highway lovers out there - contains three classic releases (hwr006, hwr010, hwr017).

>flow motion< often is considered one of their more accessible releases - featuring the classic track >i want more< and the baleric title cut, cited by fsol, aphex twin, mars volta, and countless others as a major influence. 7 tracks, picture sleeve, 180g vinyl + mp3
-flow motion-, das achte studioalbum von can, wurde 1976 bei virgin veröffentlicht. das album ist stark von cans liebe zum reggae beeinflusst, der erste titel -i want moore-, fast ein disco-track, wurde als single ausgekoppelt und erreichte chart-platzierungen in deutschland und großbritannien.

- die lp erscheint als 180g vinyl inkl. mp3-download codes

credit
irmin schmidt - keyboards, vocals
jaki liebezeit - drums, vocals
holger czukay - bass, vocals
michael karoli - guitars, violins, vocals

a gentleman from the uk with roots in classic house and deep house. house for real.

two raw extended trips from the mind of stl in a rare foray beyond his self-run something imprint. stephan laubner applies his usual auteur principles to these groove experiments, whose sounds circle round each other cagily, rough meeting smooth, organic meeting synthetic, all combining in a propulsive form thats classic stl. shifty hats on * crank notion* provide an insistent shuffle through which nauseous pads plot a dissonant course. * neat buzzl* is a grimier excursion in the undergrowth, little creatures scurrying left and right while the kick maintains its forward stomp. join stl and assemble music in these off-map excursions and see where you emerge.

recorded at johns last night at the vagabond nightclub in downtown miami during this years miami music week, live in miami features 37 tracks and nearly 4 hours of the very best underground electronic music, spanning across more than two decades. showcasing a wide selection of new and classic records ranging from as far back as 1992 (secret knowledge - sugar daddy) and 1993 (nicole - a small entrance to a large spectrum and laurent garnier - acid eiffel) digweeds latest opus effortlessly takes us through a vast array of sounds, eras and genres from what was an incredibly special night back in march of this year.

ibiza based francisco allendes makes a welcome return to desolat for his next release, a fine ep that marks something of a new direction for the man across its four great tracks. first up, 2agility queen is a raw bit of jacking house with clipped vocals offered up by dance manias dj dmc, bulky drums and classic cow bell tinkles all making for a sweaty and heavy house kicker.

acid pa svenska is a remake of the legendary jazz pa svenska record from 1964, a classic jazz record, now re-worked with an acid twist, inspired by the iconic sound of a roland tb303.

toronto hustles kick their ep off with the classic house sound of in your mind . mr fingers style bassline over chunky chords and a well chosen rasta vocal sample builds an infectious house groove. just enough is perfect terrace material and will keep those early morning deep house heads happy. the raw cut brings a tougher groove to the ep, reminiscent of that roper mid 90 s us house sound from chicago.

on side a you will find two classic tech-house tunes but yet dark underground. the single track on side b is a long travell slowly changing it s acid theme, more experimental & minimal than we are used to hear from tilliander.

club trax, is an anonymous series of records created by djs and intended exclusively for djs. pressed in a limited amount, club trax is available on vinyl only. with strong roots and knowledge, club trax presents a fine mixture in upfront house, bringing together future classics with reworks of titles that have influenced the development of upfront house music through the last generation. for this fourth installment, we are dealing with two completely fresh club trax reworks of an all time 80s classic that has brought thousands together and forever.

to coincide with the full remix album’s unveiling on cd, the exquisite reworkings of all i think about is death and why you feel so low by techno heavyweights radio slave and function respectively, have been singled out for release on vinyl. the former bears all the hypnotic hallmarks of a radio slave classic: incrementally menacing percussive lines woven with the heart wrenching vocal chants of the original over an epic 12 minutes. at once understated and emphatic, the tenor is deepened in the extreme on an ambient atmos version. berghain resident, function, on the other hand treats claustrophobias flagship why you feel so low with a delicate touch: he retains the buoyant hook of the original, underlying it with a thunderous, reverberating bassline, handclaps for days, and a beat tailor-made for only the biggest and brightest sound systems.

a1. atmospheric dub is simply a kerri chandler classic. in this moment we task jerome sydenham with editing duties to refresh this rare groove. a2.tyree cooper, who needs no introduction, engages in a live jam session with jerome sydenham for this universal rhythm result. a testament to spontaneity, groove and soul. spin and flow. b1. entering the diabolical world of house disco not disco couldn’t be better exemplified in this searing piece with colluding talents eric d. clark and thomas schaben with additional vocals from anita davis and david boswell. devine underground dance music. b2. kerri chandlers remake of the pal joey classic dance infused with a jerome sydenham edit just make this classic complete and decadent for all sides of the house spectrum.

dark. loud. immersive. lÄrm, or >the black box< as hungarian clubbers started to call it is most definitely the hottest spot in budapests electronic music scene right now. the club now turned to local house-techno heads to create its first vinyl release with names such as imre kiss, route 8, andras toth or s.olbricht as a mission statement and the result is just like what they imagined: a compilation of 13 varied tracks from classic drum machinery through acidic house to toned-down thumpers which demonstrates the very attitude of lÄrm.

imyrmind debuts on tartelet with a four-tracker ranging from banging mpc techno to contagious latin house and laidback jazzy wonk. after finishing a degree in architecture and relocating to berlin earlier this year, imyrmind stepped up his game with the release of his solo debut on astro & graef s money $ex imprint. this november will see the release of the beatsmiths second solo venture on tartelet records. the opening track tong po is imyrmind s take on techno, inspired by the villain from jean claude van damme s 1989 cult classic kickboxer. a heavy pitched kick drum, fuzzy melodies with generous use of tape delay and a badass bass line dropping around the three-minute mark makes this a peak time candidate. wanja 9000 slows down the pace. dusty jazz samples and wonky beats with sloppy turntable cuts add a nice live feel to the track. on the b-side upturn sets the mood with classic salsa percussion infused with an epic brass and piano hook that could very well stem from the infamous palmieri brothers or one of their contemporaries. embrace your inner latino and follow your hips. the last track of the record number seven completes the circle with venturous drum programming, layered melodies and plenty of early morning ambiance. imyrmind is scheduled for a three week australia, nz and asia tour in november alongside long-time collaborator glenn astro.

‘we should shout’ features nicola duncan over a classic house vibe with a beautiful moody organ rolling over a hard house bass line.
‘babylon fall’ classic – beautiful – sweet stuff from the persian featuring vocal snippets from the talented sevi g.
the name of the next track is the same as the label: ‘existence is resistance’ this has electronic tinged synths with a hard electronic bass riff, it has glimpses of the authentic early electro sound of 83-84 complete with vocoder.
‘pot of gold’ : disco sounds of the roller skating era.

the miles davis classic album from 1970 back on 180 gram double vinyl in gatefold sleeve.

a miles david classic from 1969 back on 180 gram vinyl.

reissue of a miles davis classic from 1960 on 180 gram vinyl.

nice price deal !!! classic house groover by chesperito from kopenhagen included remixes by daniel nitsch & 20 ft. high. like a easy day with gentle billows on the larboard side.

so the much anticipated return of primate recordings darker sibling, primevil recordings, is finally with us. this, the first of 3 various artists eps, will hopefully have you all drooling with excitement, and waiting for the next instalments of this classic label with baited breath. as with the primate releases, the ep features friends both old & new, but with a more sinister or funky take on proceedings, and each track is sure to move any dancefloor that likes its funk dark and edgy. brand new & exclusive tracks from nicolas bacher, sascha zastiral, and michele pinna, with a fabulous remix from stanny franssen of the track *jump room from greencross & miss electric kick off proceeding.
dj support: cristian varela, mark eg, misstress barbara, john warwick, anderson noise, louk ...

parages 009 is ojpb (known as bowly) first ep on this label, a side project oriented house and disco. the a side starts with « pénétrante », a disco house track, with classic bassline and nice chords groove. on the second track, its simoncino’s remix. the italian with a strong taste for chicago house, signed on mathematics, lies and more… he turns the track into a wild west tune with deep sounds and melodic lines keeping the groove.b side starts with a deep percussive house track, super melodic and really catchy with a detroit influence…..you got to pay your dues man. last one is a super catchy disco edit that will stay in your head and bring some dance moves that you didnt know of.

re-issue of a 1974 afrobeat classic.

new dj rocca & fred ventura collaboration, including dj rocca + n.o.i.a. + italocconnection mixes ... hot!
here we go again! we are happy to announce a brand new release by disco modernism records, milan. -looking for love- is the work of long time collaborators dj rocca and fred ventura featuring a fresh sounding original version, a pumping remix by italo legends n.o.i.a. and a classic italo rework from in-house team italoconnection. the bonus track appearing on b2 is an old collaboration between dimitri from paris & dj rocca feat. fred ventura previously available only digitally on gomma records. the release is strictly limited to 300 12” vinyls, 150 green colored copies plus 150 classic black vinyls.

new dj rocca & fred ventura collaboration, including dj rocca + n.o.i.a. + italocconnection mixes ... hot!
here we go again! we are happy to announce a brand new release by disco modernism records, milan. -looking for love- is the work of long time collaborators dj rocca and fred ventura featuring a fresh sounding original version, a pumping remix by italo legends n.o.i.a. and a classic italo rework from in-house team italoconnection. the bonus track appearing on b2 is an old collaboration between dimitri from paris & dj rocca feat. fred ventura previously available only digitally on gomma records. the release is strictly limited to 300 12” vinyls, 150 green colored copies plus 150 classic black vinyls.

wonderful re issue of leroy burgess (collaborator with patrick adams amongst many others) single heartbreaker / stranger. this single originally released in 1983, his second ever production, showcases his wonderful production and vocal talents on this boogie classic. shep pettibone supplies both mixes on this extended 12inch from the salsoul vaults.

the second installment in faltydl’s edit series. vinyl only. follow up to umi says edit. 2 choice cuts, river girl flips a jets classic while do you box? is an original falty production that only existed on dubplate until now. never to be repressed, limited vinyl goodness. last one went quick!

marquis hawkes returns with a new ep for houndstooth, sweet. pairing up a sugary r&b sample with his signature swinging but slamming beats, opening cut when i get home is a return to the flavour of last year s summer smash cant find a reason, although this time around, it s more tracky and introspective. next up, a different facet of hawkes production talents is reprised with at the witness stand, a trippy take on classic ny freestyle. opening the b-side, title track sweet furthers hawkes trademark rough and ready house sound with distinctive vocal hooks and a hip-twitching rhythm, whilst bringing up the rear, what a relief is a raw but inescapably funky drum workout that would make the likes of traxmen & eric martin proud.

wilde calm records is honoured to present the final project with the late elodie lauten, a new version of the spiritual club classic in the light of the miracle. the original version was co-written by fellow downtown luminary arthur russell in the early 1980s and appeared on his posthumous 1994 album another thought. numerous club friendly remixes of in the light. were released as promotional white labels in the 1990s and helped bring this amazing proto-house song to the dance floor.

master c & j (carl bias & jesse jones) along with vocalist liz torres are counted among the most influencial artists to rise out of the mid/late eighties chicago house music scene. known for their singularly darkly sensuous and skeletal sound, their tracks captured and defined the late night, underground dancefloor experience rhythm, sweat, sex. originally released in 1987, face it is a deep moody chicago house all time classic. containing all 3 original mixes, face it has been re released and re mastered for 2015 on conjunction with trax records.

gdm (glaswegian dance music) pioneer - sparky (aka dave clark) is back on numbers. having spent the last year on lockdown in his luxurious garden studio we have finally managed to wrestle two tracks out of his ageing hands. signals is an all-new track, first heard on dave’s essential mix for bbc radio 1 (aired as part of jackmaster s made in glasgow), and now in the sets of ben ufo and jd twitch. signals is classic sparky, nailing that sweet spot between the proto-techno sounds of british synth pop and the dancefloor nous of the motor city. the flip is a snarling metal-bashing beast called tigress which comes direct from his archives. we ve been on at him to release this one for almost a decade and after playing a 192 mp3 at a pretty boisterous numbers x optimo party last summer, sparky finally relented. one day we ll convince sparky to let us release all the music sitting in his vaults but for now here are two gems from a man whose music has played a pivotal role in the history of numbers.

its a bold and brave producer who takes on the task of remixing a stone-cold classic cut from the annuals of house history, but thats just what joris voorn, kink, phil weeks and ambivalent have done with their fresh versions of dj dozias ovum debut ‘pop culture

transmitting from new york (via toronto), jex aka jex opolis has so far been known as the man behind and in front of the good timin label. infamous for its boogie burner bombs to quote discogs member kutter karlo jex, trades his label for running back and a shifts the gear. up with the tempo and down with the lights, there still is a variety of styles. studio e is named after an after hours spot in edmonton that the record s author partied at in the early 2000s, also sounds like something ivan smagghe would have enjoyed at that point in time. laxmi tool is referencing classic tribal house and a street in pune, where jex wifes grandma bought the drum used in this track. on the flip, harpa brags and boasts with its trampoline bass line, while la casa surfs some timpani waves.

die verboten are a space rock band formed by david and stephen dewaele of soulwax, fergus fergadelic purcell and henry riton. this is the first album from die verboten, written and recorded in 2007, rediscovered and mixed in 2015. this lp consists of five tracks, dafalganger, white island, e40, nacht winkel and aquarius. it is the sound of classic german kosmiche, live drums, synths, percussion and a loose funk you only find in these kind of stretched fluid grooves. the album was produced by die verboten and recorded and mixed at deewee. artwork is by ill studio / fergadelic. die verbotens debut ep live in eivissa was released in 2009 via londons vinyl factory (now selling for over £100 on discogs) and was recorded poolside in ibiza.

its a bold and brave producer who takes on the task of remixing a stone-cold classic cut from the annuals of house history, but thats just what joris voorn, kink, phil weeks and ambivalent have done with their fresh versions of dj dozias ovum debut pop culture.

for the 10th release of the label we have a solid ep by the label owner, rhythm&soul. after few strong releases on other labels it s time to put some warm vibes and juicy beats on his own label. slow town x has an old school taste but sounds very fresh at the same time. serious grooves ahead! -lost grooves- is a hypnotic track that keeps you dancing and flying from the beginning till the end. -cookies- is a classic sampling house track with fat 909 beats. a tribute to a big hip hop producer that passed away (for those who know!). and finally when he goes deep is a long oneside track that drives you through a deep trip while a female voice reminds you what it sounds like when he goes deep. a release full of rhythm and soul of course. repress

pete dafeet unleashes the third single from his critically acclaimed debut album the root, the soul, in what will be his labels final release. after a decade in business, baltimore is a fitting epitaph for lost my dog: a languid and lazy deep house cut that makes for a classic end-of-night jam. if that isnt enough, house legend charles webster drops by with a trio of deep and dubby remixes to help the label sign off with a real flourish.

toby tobias has been responsible for some fine quality music over the past 10 years with labels such as rekids, nang, let’s play house and quintessentials all dropping his unique brand of raw, analogue house and techno. a dj’s dj who always seems to pull out a lesser known gem and make it sound like a classic, toby knows his music as well as his studio, inside out.<br /the 2x12 inch lp includes a cd-copy of the full album.>

damian lazarus signs another classic from the enigmatic drumtalk, a revered producer who brings in the sublime singing talents of josa peit, signed to brandt brauer frick’s label for the invigorating and anthemic lose again. championed by gilles peterson, seth troxler, midland & huxley of late and attracting a large, loyal and diverse following from james holden and skream, wildcard shows drumtalks sinister sneer, a techno weapon shooting to kill. gamma makes playful experiments with sounds to great effect, a unique and eloquent record that sways with grace.

ltd warehouse found! chymera deliver the first anthem for the spring we all are waiting for - including a bouncy piano and uplifting vocal sample. now where is the sun?, flip side with marcel janovsky, rich in paradise is a superb remake of f.p.i. projects 1989 dance classic...

three classic micro.fon releases bundled up for a special price!
- mf02: holger nielson & nd - for the ladies
- mf03: marcus meinhardt - mi casa
- mf05: nd - verstehen sie bass?

the 1983s certify album re-issued as heavyweight 180 gram vinyl in its original cover, remastered and with linernotes! re-launch of the classic uk reggae label burning sounds.

the album from 1977 re-issued in a heavy weight 180gram vinyl edition in its original cover. the split lp *clash* is a classic in the deejay genre and features two of the most prominent artists of late 70ies reggae, dillinger (born lester bullock) and trinity (born wade barmmer). re-launch of the classic uk reggae label burning sounds.

re-issue of the album from 1979 in its original cover as a heavy weight 180gram edition, re-mastered and with extensive liner notes! produced, composed and arranged by pablo gad, recorded with the backing band zion steppers from the uk, the artwork was created by wayne massop. a release in the re-launch series of the classic uk reggae label burning sounds. (this album was also released with an alternative title of *blood suckers*.)

limited 2015 repress
excellent split ep with chez damier classic warfare unreleased studio edit & home & garden with chez damier + jt donaldson prescription kick back dub