rough acidic and grainy techno from the details sound crew. strictly limited copies, vinyl only, no repress

second release of the wild division records signed by duster traum (white rose) on his second release and remixed by miki craven and spear. a1 is the original track straight to hell signed by duster traum with a nice simple and minimal bass line and some hypnotic detroit sounds the reminds some of the markus suckut productions. in a2 we find miki craven with a dark remix. powerful production with huge space reverbs effects, nice stereo image. banging!

liss c. presents the third release on his own label. liss shows two original tracks created for those who love a certain type of acid and heavy sound. for both tracks there is a remix, on one side the rhythmic without break of the plant worker, on the other side there is a devastating and unmistakable remix by sleeparchive.

when you hear the name wild culture, an image of a wild tribe living in the jungle may come to mind. although, when talking about these artists we are not talking about a bunch of wildlings, but of two young and talented guys who live deep in a forest in austria.

second basement jaxx title in as many weeks, this week we have the doublepack ft the last two singles. double 12 inch, full colour picture sleeve, heavy weight package, including mixes of tracks what a difference your love makes / back 2 the wild. limited to 450 copies.

mole city is not in the tradition or deviating from the tradition – it is the tradition. after two decades of launching drums, guitars and pianos through the shifting interzones between harmony and chaos (moonlighting along the way with the likes of sleater-kinney, wild flag, elliott smith, built to spill and a long list of others), quasi are a genre of their own - they write songs in the style of quasi, and mole city is the quasi song book: parlour sing-alongs for the last century.
now in their 20th year as a band, and a two-piece once again, sam coomes and janet weis hand-deliver the double album/liberation cookbook/encyclopedia of kicking ass, mole city, to those of us who still care about well-built, homemade objects crafted with integrity, spirit, fire, and skill.
pressing on double 180 gram heavyweight virgin vinyl, housed in gatefold sleeve with mp3 download code included.

the star eyed condition is chameleonic effort in the impossible to pin down trajectory of loden s career. the belgian-based producer and musician has already proven his facility for glassy disco and droning ambient on his 2005 debut valeen hope, and glitchy hip-hop via his work with sole and thirsty fish.
on his new album, koks goes even further beyond his already drawn boundaries. there is a touch of robo-electro to tracks like *optimist never cries* and *sanesserarian* (a play on the phrase *ça ne sert a rien* or *it is useless*). he brings the ghostly sounds of german electronic pop into the dirtiest of hip-hop beats. and on his collaboration with rhymer doseone, *future confetti*, he gets lost in a psychedelic wilderness worthy of dj danger mouse.

etg007 villains e.p. two fresh new fast paced, dance floor, dj friendly tracks from label cohorts gareth wild, dax j and chris stanford. remix work comes in the form of a big room, atmospheric version of moonraker by berghain and panorama bars ryan elliott as well as the vengeance remix of engineers revenge from mexicos luis flores. with this release our closest astral object, the moon takes centre stage with menacing effect.

slamming analog detroit madness

massive remixes of this timeless synewave classic!

reissue of this 1983 talking heads classic platinum album on heavyweight 180 gram vinyl.

here we are again, the third volume in a series set to outstrip my legendary deep funk comps.

wild oats is proud to present the kmfh debut album the boat party. after a year of collaborative releases, kyle hall, under the alias kmfh, has produced a debut album, a fusion of original work, sample tracks, and raw edits. the boat party album artwork pokes fun at european summer boat parties and juxtaposes the destitute state of detroit and its recent proneness to discarded luxury in financial crises. mainly, the inability to leave and the sometimes pleasant isolation of a boat party is what the album exudes. the listener has a certain commitment to the material which definitely has its place on the dance floor. you can find tracks that have soulful, funky, and organic feels, while others have a more abstract, mechanical, and robotic sentiments. the boat party was carefully constructed which makes the album a cohesive mix of soulful etherealness and roughly raw sounds, kmfhs cueing into the true aspects of detroit.

our first offering from survival and silent witness sets off the tone of what to expect from the full *in from the wild* package itself and album which seems to morph and twist from all out dance floor brutality to musical genius and back like these 2 artists seem to do so often and so effortlessly. *the feeding* is a powerful space age drum-shuffled crowd killer whilst *lights* presents a more musical journey from start to finish, in our eyes it is a very complete 12 inch pick from a very well pieced album. trust us, this talented duo are taking no prisoners in 2013.
support for the album so far from: friction (on bbc radio 1), laurent garnier (on his pbb worldwide radio show), london elektricity (on his hospital records xmas podcast). select tracks have also received wide support and praise from the likes of calyx & teebee, break, ant tc1, nymfo (as featured on his fabric mix), xtrah, youngsta, octane, dlr, skeptical, artificial intelligence, dbr uk, basher, mindscape, lynx, cern, hybris, ruckspin, june miller and gerra & stone.

killer cut by french newcomers club bizarre. comes with huge remixes by chloe (kill the dj), matt walsh (clouded vision) and label co-head catalepsia. expect electronic new wave, throbbing dark bass and hyphnotic pads. limited to 250 hand-stamped copies on 180 gram heavyweight vinyl.

transparent & smokey marbled vinyl 7 inches brought in to us by kyle hall on his own imprint - jay simon does an edit of the excellent >i remember< from faith evans.

there has been much speculation about the significance of the mayan system of timekeeping. many researchers on the subject have verified that the mayan long count calendar, which is only one of several advanced timekeeping tools devised by the mayan people, comes to an end on december 21, 2012, with no real clear explanation as to what exactly that signifies. this musical offering is not meant to speculate on the meaning of this date. instead, it serves as a tribute to one of the most astronomically, mathematically and architecturally advanced civilizations in the history of planet earth. each track is a tribute to one of the many mayan spiritual sites known to date.

disco bloodbath recordings continue their run of stellar releases with the debut on the label of the mysterious al gobi, accompanied by heavy remix pressure courtesy of crooked man and wild geese.

this autumn brings a rare treasure to all you music lovers as markus schatz finally throws in a unique piece of art. >smokin wild< not only stands as the lps title - the album itself is hot, smokin, sexy and wild. markus has worked on it for over two years and put in all his passion and the most dedication. he repeatedly had musicians at the studio recording voices, pianos, brass and other instruments to keep his masterpiece as authentic as possible. have a listen and you will find out why this album keeps you on the dancefloor. its deep house style surprises you every now and then with chicago and nu jazz influences. this idea leads you through the lp and bestows it the potential to make it one of your favourites.
cd-copy of the full album included.

re-issue of 1972 disco/funk/rock classics by barrabas on purple marbled vinyl.

the inspiration for this ep came from a trip the two producers took to zug island- a polluted toxic metal factory isle on the detroit river between detroit and windsor, canada. the sounds within this record are intended to sonically personify the environment of zug island and the harmful impact it currently has on the river, wild life,and humans residing there!

craig mcwhinney is a melbourne based dj, producer and live artist. beginning his techno explorations behind the decks in 2000, his transition to the studio has been swift and fruitful. a string of releases on his own label haul music which he co-founded in 2008 with friends mike callander and christian vance, are now being backed up with remixes and eps for speedy js electric deluxe, and brendon moellers steadfast records. drawing upon his wealth of djing experience, he crosses the boundaries of dub infused techno and house with precision and intent, blurring the line between dance floor dynamics, home listening, experimentation and sound design. he is also collaborating with mike callander as haul music live, fusing craigs rhythms with mikes soundscapes to create unique dance floor interpretations of their individual sound experimentations. wild coast is a low-slung filthy minimal romp that possesses as much primal energy as it does futuristic funk. bassbins and heads are likely to be blown by this demented puppy. echologist keeps things lofi, hypnotic and subby.

the funkinevil project is the collaboration between detroits kyle hall and london producer funkineven. raw funk recorded to reel to reel, featuring a keyboard solo from underground resistance player jon dixon.

dead capo is a quartet that fluctuates between the classic sounds of jazz, the attitude of rock and the trepidation of surf. all of this seasoned with the cinema sounds of rota or morricone.
it has been 10 years since their debut lp, díscolo (pueblo records, 2002), made waves with the national critics. their new album is once again surprising and the band sounds as fresh as when they started their journey at the end of the 90s. sale (lovemonk, 2012) combines an extraordinary energy with passages of meticulous precision and goes from wild to calm in a way that is both unexpected yet natural. thelonius monk, cartoons, cinematic landscapes, rocks past, africa, surf and the ballad come together in an album as great as it is as unpredictable.

next >this and that< masterpiece by davide squillace & philip bader. incl. carola pisaturo and enzo siragusa rmxs.

markus schatz offers a brillant three tracker to announce his upcoming first album on salon records. a release with tracks jazzy house like with live piano, fine acid layers, banging baseline and strong voices samples! a fidel introduction to the whole album which will be out after the summer 2012.

here we are again, another dose of unsung heroes from the past. all the tunes on here (bar possibly the opening tune) will be well known by the rockabilly world. however to those of you who have recently become, or are about to be infatuated with this music you are now holding a compilation of some of the rarest and desirable tunes known to the serious collectors

wild oats music proudly presents manuel gonzales mgun 01. manuel gonzales is a young producer from southwest detroit that has already toured europe with ur and has released with kyle hall as nsnt prjct. now, manuel offers his first solo release in the form of mgun01. this 12 inch is one that is full of raw texture, soul, and honest feeling.

breathing the air of late spring in rome, the climate is one of wonderful sunsets and open-air dance floors. this is the picture that attilio tucci and sergio picciaredda capture in their proverbial camera under the pseudonym camilla green, a continuing collaboration with wild cat, which started with altarboy of the album left below (wwr004.) the harmony between the line of 303 and the pad synth on lost love evokes intense emotions and opens up in a revolving way. the track >xo< emerges techno with the beauty of its essential components: the fast-paced beat, the hypnotic samples, the wise use of the acid sound that never sound noisy. the warm voice of wild cat in both the tracks will envelope you. let inhibitions go and dance. the higher powers say youll need to stock up on these beautiful pictures and memories of late spring to help you get through another cold winter.

this is part two of senseless records synesthesia series, celebrating their 5th birthday. limited edition vinyl with a hand printed sleeve and art poster insert.
mak & pastemans contribution is a high tech bass bomb built around a carefully chosen sample that devastates right from the start.
elsewhere you will find nkc, who matches up ballroom house attitude with a huge siren-like bassline and a stuttering 4×4 beat and jtrp, who build rattling percussion around their signature tech-atmosphere into a deadly drop that comes out of nowhere. artwork comes from brighton based katie scott.
artwork comes from brighton based katie scott who is arresting and varied work is intricate and detailed, balancing technical ability with a wild creative streak.

the byrds were one of the earliest groups who could combine the best of two worlds. they caught on to the energy of the british invasion and combined it with the lyricism & musical elements of the contemporary folk movement.
along the way they pioneered psychedelic and country rock, always keeping things recognizable with their vocal harmonies accompanied by their jangly guitars.
on their third album >fifth dimension< from 1966 they started showing a more lsd-tinged side of themselves with the psychedelic rock of songs such as >eight miles high< and >i see you< and a preference for the indian raga.
one of their most pioneering albums re-issued on 180 grams audiophile vinyl!

a crossover between pop, house/techno and new wave is the dress of the fourth wwr 004 chapter. we think is useless to say anything about the new release of the duo altarboy. fortunatelly in music matters what do you feel, not what we say. listen is the best way to tell if you like it. we like it very much!

the lyrics are again deeply personal and in many cases the songs speak of struggle, redemption and again, struggle. luke explains in his own words, the first record i made has a very homeless or wild-west feel to it and this new one is filled with addresses and luxuries.

limited edition of 500 handnumbered copies.

with two massive reissues from suns of arqa and jaki whitren under their belts, the fledging label emotional rescue have come up with the goods once again, with this remastered reissue of incredibly rare 70s psyche-funk from bob chance. two versions are included: the original 7 inch version, driven along by a razor-sharp guitar riff and sweetly lamenting lyrics, topped off with weird cosmic synths and galloping rhythm. however, the real gem is the edit entitled >wild its broken< which sharpens the focus of the guitar and adds some serious kick to the drums to create a beefy counterpart to the new age original.

jack underwood was born in norwich in 1984. he graduated from norwich school of art and design in 2005 and is currently studying towards a phd in creative writing at goldsmiths college, where he also teaches english literature. he is a librettist, musician and co-edits the anthology series stop sharpening your knives. he won an eric gregory award in 2007. he lives in hackney.

ah yes, the carter bros. the mysterious duo from down under who put out a 12 inch on rush hour recently. wild cats ep holds four cuts that represent the carter bros sound, which can only be described as an eclectic brew of dancefloor detonators. it starts out with >i didnt need you<, a devastating grower that gets into your brain and burrows a special little place for itself. forever. then, the title track, which is strictly deep, pumping and emotional vibes for the discotheque. on the flipside, >run< is skank-tastic business. already charted by the likes of radio slave and others. the ep ends with >no caller i.d.<, a track that shows the depth of talent these two brothers(?) really have. limited to 300 copies. vinyl only release

limited kanzleramt classic !!

nice price deal !!! three international artists offer brand new visions of guillaminos left in the wild, originally part of the whip gymnastix ep. montreals jacques greene from the luckyme crew has just re-drawn radioheads lotus flower. now he turns guillaminos left in the wild into a refined, sideral analogue sounding slow acid jam. icans esteban adame, linked to underground resistance, galaxy 2 galaxy, and to carl craigs planet e label, translates left in the wild into avid tech-house. certification mark: detroit to los angeles. and finally, from guadalajara, mexico, pepepe is the leader of los amparito and former classmate of guillamino at red bull music academy.

this cut by dobws co-funder jerome catalepsia bazzanella, is a straight and heavy on the floor slice of futuristic techno, constructed around a cyclic discoid baseline. as distressing sci-fi effects collides and crash into each other, a dehumanized vocoded voice enunciates random numbers. scary.

we have a limited number of exclusive white vinyl 7 inches brought in to us by kyle hall on his own imprint - jay simon does an edit of the excellent >i remember< from faith evans. very limited run!

in keb darges own words: i ve done many a compilation in my day, mostly based around the tunes i played at my long running deep funk nights in madame jo jos. that night is no longer on the go, possibly due to a growing lack of interest on my part, (sorry). in the last few years the lost & found: nights at the club have been my real passion, and indeed little ediths and andy smiths passion too. what a marvelous era this is for good music. we may still have pure stuff like dub step: pulling in large numbers of sheep, but an equal number of youngsters are being attracted to retro, or at least retro sounding music. people tell me it is because the youth are fed up with computerized music, or men with drug problems angrily shouting at them over a dull repetitive beat, but i know lots of teenagers who have bypassed this muck all together. must be the internet that is helping kill off the demand for empty music. you no longer need to go to a retro club night, or indeed search out rare records to be exposed to good music, the internet is full of the stuff. my fifteen year old daughter is a marc bolan fan who while researching the poor fellows influences discovered chuck berry, sun records, etc, etc. i dont really know or understand why so many are at last getting into the good stuff, but they are, and it is wonderful for the likes of me.

frijsfo beats come with the biggest yet in their series of vinyl eps, compiling new work from cardopusher, desto, geiom, and submerse, assembled with the labels distinctive ear, tuned to wilder mutations of garage, techno soul, footwork, and dubstep.

steve lorenz is the guy you will have to look for in the next months. he works around many musical influences. the first track >overclock< evolves into fat basses, bursted kicks & percussions. >overclock< remix, operated by damon wild international acclaimed and legendary synewave boss label (joe beltram/ jeff mills / adam beyer…,), results in an energic deeper techno, mental beats & dubby influences, a mind blast! the track >viraga< keeps the finest line. industrial noises & subliminal female voices are twisting in speakers & surely ll keep your head! close your eyes & start the journey. closing the race, >viraga< remix was realized by narrow friend kane roth (smallroom / lessismore), south french producer who recently moved to berlin. her production means well being quality, there is no coincidence if she has been remixed by maetrik & monoloc some months ago. keeping essential elements of the original viraga , she dropped a muscle main floor edit! hands up!
support from deetron, renato cohen, angel molina, claude monnet, loulou players, ashley beedle (x-press 2), hector romero, southmen (yoshitoshi), aga heller, corbin dooley, tim richards, esben b, mister no (motor), crystal method, aldrin ...

new one from kyle hall on his label wild oats. vocal house track on the a-side, and a jazzy disco drum cut on the flip.