another super cool release from this great new label.this time highlighting the skills of portuguese dj/producer joao teixeira who gives us a classy slice of a detroit house at its best. included is a silky smooth remix from james flavour (one half of dirt crew). a must for detroit deep house lovers! very limited pressing of 180 vinyls only,no re-press.bonus: free wav digital download for those who purchase the vinyl!

after a blistering debut on hot creations with the irrepressible >games<, released in november last year, infinity ink are back with >infinity< on crosstown rebels. a momentous slice of cosmic garage that is about to transform your summer forever!

180gr vinyl!! bjak and dubbyman team up to become twin beats on the latters deep explorer imprint. this is the pairs first collaborative release, but their studio chemistry is there for all to see as the first few bars of >do it properly< ease out through your speakers. its floaty, jazz-flecked house bathed in pools of gently rippling bass tones, and things are given a sophisticated edge by the adroit vocals of brian cullen. this shares the a-side with the slightly more upbeat >water walk with me<, with cullen matching marvin belton in the modern day soulful crooner stakes. flip over for a remix of the title track from - gulp - larry heard, with the chicagoan legend turning in a typically sumptuous slice of machine soul that naturally hogs the vast majority of the b-side, before an excellent ep is rounded off by a beatless outro

from valencia to detroit, from detroit to new york via bristol and from there to johannesburg – daniel kyo connects the dots on this gorgeous slice of disco-house meets urban beats. all that, on a very limited 12 inch with screen-printed artwork. young valencia based producer daniel kyo delivers his first single on lovemonk.
code for free mp3-download of this ep included.

this italian producer makes his mathematics debut with a truly stunning 3 track ep. les verres du bar is a 9+ minute tune that will quickly turn into an anthem for 2012 - a perfect blend of bangin, raw, & hypnotic vibes. less business is a dope slice of deep house & eternamente stays classy.

having hinted at upcoming collaborations on blkrtz over the last months in several interviews, deadbeat finally makes good on his promises offering an epic piece of heaviest dub business featuring the unmistakable vocoder stylings of canadian danuel tate of cobblestone jazz fame. title track lazy jane locks in a murderously tight 135 bpm steppers rhythm sure to appeal to fans of both the burial mix series and malas most head down exploits for dmz alike, with tates heaven streaking vocal elevating it to the realm of instant classic from the very first drop. the flipside s 909 dub meanwhile sends the originals synth and vocal lines deep into the echo chamber atop a reinforced version of the bass line and unrelenting 909 drum pattern to create the most classist, purified slice of big room dub techno you are likely to here all year.

excellent third release on the essential supafrico records featuring four absolutely stunning afro flavoured grooves dug deep from the vaults. first up we have a previously unreleased extended version of >hot black n sweet< by nigerian funkster kio amachree. taken from the über-rare 1981 >ivory< lp, this a slice of pure funk filled afro boogie led by a groovy phat bline, driving horn section and kios magnificent kid creole-esque vocals.

alignment ready the 5th instalment, this we offer up a slice of rugged tech dance floor goodness in the shape of noels >the world< and his collaboration with hungarys exit 9 >upsetting<. this is the first vinyl release for noel since his 2011 critical smash >cracker< with enei and eastcolours.

the next release on the shapeshifters nocturnal groove label sees b. slade team up production duo frankie knuckles and eric kupper (aka directors cut), creating a slice of euphoric, anthemic vocal house music guaranteed to light up 2012s dance floors.

analytic trail label boss markantonio teams up with rising star roberto capuano for a superb ep of driving techno featuring original tracks from both artists as well as two collaborative recordings and a pair of swapped remixes. markantonio has been at the forefront of italys techno scene since the late nineties, with his analytic trail imprint having been behind some outstanding music for the last decade. he is also no stranger to collaborations having worked up some classic cuts with the likes of davide squillace, rino cerrone & joseph capriati and its in this spirit of collaboration that markantonio embarks upon his next release, this time working alongside the hugely talents roberto capuano. capuano hails from naples in italy and has in the space of a few short years build an enviable reputation with a string of quality releases for the likes of minisketch, monique music and elegant bit records.this join release gives a real insight into the sound and style of both producers, featuring as it does two collaborative tracks, an original solo track from each and a swapped remix from both parties.the record kicks off with collaborative recording and title track melting process, a deep, dark and rolling slice of floorfilling techno that sets out to take no prisoners.this is closely followed by the second collaboration, the excellent t4 which journeys into twisted tech territory with rigid drum patterns and edgy stabs.next up with have markantonio the gap, a rolling monster of a track with pitch shifted riffs and an incessant bassline that keep things firing on all cyclinders. roberto capuano offers up his remix which picks up the intensity with some distorted drums and a menacing late night vibe. finally we have the original and markantonio remix of capuanos taken with the former taking things down a deep, hypnotic techno route and the latter picking up the toughness and delivering another winner.

analytic trail label boss markantonio teams up with rising star roberto capuano for a superb ep of driving techno featuring original tracks from both artists as well as two collaborative recordings and a pair of swapped remixes. markantonio has been at the forefront of italys techno scene since the late nineties, with his analytic trail imprint having been behind some outstanding music for the last decade. he is also no stranger to collaborations having worked up some classic cuts with the likes of davide squillace, rino cerrone & joseph capriati and its in this spirit of collaboration that markantonio embarks upon his next release, this time working alongside the hugely talents roberto capuano. capuano hails from naples in italy and has in the space of a few short years build an enviable reputation with a string of quality releases for the likes of minisketch, monique music and elegant bit records.this join release gives a real insight into the sound and style of both producers, featuring as it does two collaborative tracks, an original solo track from each and a swapped remix from both parties. the record kicks off with collaborative recording and title track melting process a deep, dark and rolling slice of floorfilling techno that sets out to take no prisoners. this is closely followed by the second collaboration, the excellent t4 which journeys into twisted tech territory with rigid drum patterns and edgy stabs.next up with have markantonio he gap, a rolling monster of a track with pitch shifted riffs and an incessant bassline that keep things firing on all cyclinders.roberto capuano offers up his remix which picks up the intensity with some distorted drums and a menacing late night vibe. finally we have the original and markantonio remix of capuanos taken with the former taking things down a deep, hypnotic techno route and the latter picking up the toughness and delivering another winner.

2 tracks from the mc that brought you >lidl< and was guest vocalist on mias paper planes remix that went into the us top 5. he has been around the world, finished his degree, guested on dj shadows >i m excited< and is getting ready to break out properly on his own. this is a taster for his mini album that is coming very soon, two tracks that take him in two very different directions. kunta kinte is a classic slice of funky, south african inspired house/ garage. with a strong lyrical message ab takes it back to the time when mcs had something to say other than how fly they were (not that he isnt and he will do some of those). produced by dan anderson from nu sound therapy. the tune is hot! eba eater is a quality slice of african hip hop produced by las twofifteens. it bounces!

disco mali! sofrito present a unique slice of afro-disco from the celebrated griot, niama makalou, recorded in the late 70s.
descended from a family of griots (traditional malian praise singers), niama makalou moved to france in the mid 70s where she cut this, her one and only vinyl release. at the time paris (like much the rest of the world) was swept up in disco fever, so along with a group of malian musicians the date was set to cut a piece of disco, griot style. the resulting mixture of off kilter hand claps, raw string arrangements, balafon flourishes and bambara vocals combine with a heavy disco groove to produce a one-off piece of cross-cultural dancefloor mayhem.
on the flip daphni (aka caribou) crafts an extended version that distills it into a stripped down and dubbed out groove.

south american label woods n bass unveils its new vinyl-only imprint, woods n bass limited, with wet feet by will azada and piltdown sound. the title track, wet feet, is a forward-looking slice of tribal minimalism that encapsulates the ethos of the label with its dubbed-out, winding hook, thoroughly drenched in dirt and brooding overtones. on the flip, piltdown sound goes solo with rbml, a detroit-esque piece that relentlessly works the floor with its twisted organ and chord stabs trading places for dominance. tying up the release, will azada amplifies the sleaze-factor with the driven bass and tweaked synths of slangin low. living up to its name, wet feet, is just the beginning for woods n bass and its new vinyl series, and promptly received enthusiastic support from influential global techno tastemakers raiz, seph, jeroen search, samuli kemppi, and detroit techno militia to name a few.

jonny white & nitins no.19 music turns up the heat with an incredible four t track sampler that is certain to set things alight at this years winter music conference in miami… no.19 music needs little introduction at this stage, having risen from obscurity in a few short years to become one of the most talked about labels on the globe, with some of the hottest producers in dance music. to coincide with this years conference the no.19 team has put together a stunning sampler featuring four tracks from the labels artists and friends. the sampler kicks off with the superb slo-mo house of la cueva, jonny white & nitins first musical collaboration la cueva. next up is the irreseresible clockwork. they deliver an outstanding slice of deep and ominous house heaven in the heady thing you have. on the flip and jonny partner in art department and all around good egg, kenny glasgow delivers a cool and deadly retro house feast that will leave them dead in their tracks…outstanding! finally, soul clap, tanner ross and sergio santos in the guise of sect are remixed courtesy of london house don jozif, with a shuffling super-jam perfect of the burgeoning spring madness… enjoy!!

next up is the highly anticipated second release on graphene.. enter into a future prophecy world, where the stark realization of armageddon is foretold in all its hell-fire glory. solenoid is the narrator and observer of a planet controlled and afflicted. the future of the humanoids is about to concede to a terrifying conclusion. prepare to be sucked into a repressive nightmare. first up colony is a carved slice of visionary purgatory. distorted pads swirl in whirlwinds of vortex like cylinders. its a piece of perfectly crafted technoid mayhem. on the flip feathermen begs the questions who are they what will they do what is their mission all remains unanswered, except to acknowledge that a vile plan is at work. it s an hypnotic trip that eerily changes with every play. the main riff attacks your cranium with subtle but deadly force, eating its way into your soul. shuffling rhythmic drum patterns are juxtaposed with curious bells and creeping washes. the feathermen are in control. last on the flip pandemic is the absolute realization of a contaminated world. the pathogen continues to take down more and more of the planet. steeped in urgency and despair, the spaceage break gives insight to how the world might be after the annihilation....a new beginning or a end of all ends you must decide. one thing to conclude is that however much they unleash their destruction, they can never defeat nature itself. solenoid delivers a distinctive, badass ep that additionally works sweet as a dj tool. to be continued... words livia terri played by dimi angelis (figure, smallville), obtane (synewave), ben sims (drumcode, hardgroove), perc (perc trax, clr), bcr boys (nachtstrom)..

second part of the >sliced behaviour< release by heiko laux and johannes heil aka item one.

the ever-consistent rekids imprint releases a superb new single from a new berlin based production team, liviu groza & kennedy smith. this rib-rattling, barnstorming slice of heavy house pie comes complete a sublime rework courtesy of chicagos amir alexander

its been a full 12 inch months since luca bacchettis remix of david alvarados >klugh”<blazed its trail here on ovum. so what better way for us to ramp up the temperature in these cold winter months than to welcome our great friend back with his latest double-header. now residing in barcelona, the tuscan has enjoyed yet another successful year. whilst luca turned his hand to a&r ing and enjoying great success with the signings for his own hideout label, he also impressed again with his own work for the likes of wagon repair, defected and crosstown rebels. having opened the year with a serious slice of techno, luca leads ovum back to house as he presents two beautifully warm sun-drenched numbers. the bongo-heavy >on the moon with you < has us dreaming of summer as it bathes us in spine-tingling synths, beautiful melodies and dreamy vocals. from the balearic sounds of the title track to the african rhythms and inspirations of >high life<. high life is a track laden with vocal samples, and powered by its potent piano riff

dean sunshine smith does it again with the first release of 2012. number 3 in the globally successful sunshine reworks series. this time he re-ignites the classic mid tempo soul shuffler oh honey by 70s british soul group delegation. pitching things up and reworking the vocals to create an infectious slice of soulful sunshine deep house sweetness!! track two and we keep the soul with an edge of funk as dean takes us on a love odyssey. reworking & re-interpreting the classic t-connection weekender anthem. this is a new version that intentionally pays homage to the original but also reconstructs the vocals to give the tune a new twist and creating a killer deep house floorfiller. as always this release has some big support from some of the scenes key players. another sure fire slice of sunshine magic from the soulshare records stable and this wonderful series.

f3 are three brothers from tel aviv, who sent >lonely land< in a bottle from israel that somehow found its way to us. are they triplets? we dont know. are they ancient balearic overlords, risen from their white sand graves? or are they cosmic kids, a new generation of vagabond disco trippers taking to the future by way of the past - we cant say. have they produced a sparkling slice of sunrise disco house? we would like to think so. >lonely land< is a filtering, chugging swing for the lovers, and f3s debut. the clubmod002 release includes remixes by john talabot and seahawks.

rino cerrone solution unrilis008 rino cerrone continues a superb run of form that has made 2011 one of the veteran producers vintage years in terms of production output.solution decreasing day on the italian producers unrilis imprint is a typically no-nonsense slice of contemporary techno with a focus on unrelenting groove and dancefloor impact.lead track solution pairs pulsing bottom end with delayed flourishes and uncompromising percussion to create a powerful yet subtle effect.arrangement,as always with cerrone,is key makes much of the tracks minimal elements.decreasing day is a more detailed and darker affair.heavily textured,its dense palette of sinister, bubbling sounds makes for an almost industrial referencing cut that takes no prisoners whatsoever with ever increasing builds and drops.

deviant behaviour ep lands gracefully into 2012, as remain records frontman, axel karakasis, brings you a bonafide vinyl edition of three solid bangers.on the main side, solstice opens up and unfolds a highly irresistible track with a playful intro that develops into full-blown insanity. dark nheavy basslines and powerful percussion with an awesome lick of ascending frequencies is the recipe for this super-textured gem. slamming blaster is another killer slice of techno with an immaculate script, full of evocative samples. from radio-like frequencies to the discreet bell backdrops, blaster is ultimately seductive!on the remain side, the title track impresses with its dubby beats and rolling groove. what makes, though, deviant behaviour stand out are the cheeky background samples and its spot-on build that amplify the relentless loopy character of the track throughout.

jean wells story is not an extraordinary one in the world of soul, although her voice certainly was. her biggest hit >have a little mercy< from 1967 was a glorious slice of deep soul, a plea to a lover, whom she is addicted to, but who doesn t seem to notice. her gospel-trained voice perfectly encapsulating those feelings, whilst a stark arrangement dominated by an ethereal organ and dramatic horn stabs heightens the unbearable effect this man is having on jeans life. yet at the time this record only reached number 25 in the r&b charts, just another bit of genius amongst many, thrown out by the black american music industry at one of its most creative and profligate periods.
jean left us with a fantastic recorded legacy, of which her recordings for clyde otis, which are gathered here, are the choicest cuts.

uprising recordings this a technolicious slice of drum and bass awesomeness from two of new zealands favourite bass music producers concord dawns first release this year, a collaboration ep with trei featuring tracks such as wipeout and hellbent which they produced together.

the legendary freakazoids return to the 808 to bring back their own slice of electro funk. the freakazoids is the brainchild of lee coombs, nick slater and lanx (later two both of shades of rhythm fame) who came together through their love of old skool electro funk and hip hop and released a string of underground records in the late nineties. after a ten year break and working on other projects the boys have decided to collaborate again and bring back the funk.
>freakazoid experiments< is a brand new track that delivers the old skool electro boogie with a modern twist.
>what is a dj 2012< is a new remake if one of their biggest tracks also aimed squarely at the dancefloor.
oh yeah, dont forget your kangol bucket...

photonz have taken no prisoners in 2011. following their dancefloor destroying third release on one eyed jacks alongside tiago they up the heat yet again with a first outing on dont be afraid. spectre is surely destined to please fans of oni ayhun, joy orbison, and other forward thinking house music producers alike with its jaded xylophone hooks and cold as ice groove. wall is a slice of trademark photonz portuguese acid, an infinite groove that builds and builds. dokos is a more downbeat, tracky number which will slot nicely into the sets of djs who favour the old school house sound of chicago and detroit. prometheus catches the pair at their most experimental, upping the tempo and unleashing an ambitious techno juke roller which is as much machinedrum as it is the sound of 1990s techno circa pacific records and plink plonk.

disco connoisseur and edit maestro ray mang is back with a killer release for the disco deviance imprint. lock & pop is a heavy slice of body popping, good times boogie that is guaranteed to get the party started. while on the flipside, viva las vegas is a hands-in-the-air style disco bomb that will drive the dance floor crazy. lovingly edited and re-mastered for 100% disco action. enjoy the music!

the tribute series unearths yet another slice of musical magic for those special dance floor moments. number 6 in the series, we love rose, captures familiar sounds, but then pushes them out to as yet unexplored territory. rumoured to be the work of an aussie based late nite tuff guy, he has certainly reworked this all time classic into something very special for your ears. cut loud on single-sided heavy vinyl, you can enjoy it on the beach, in the basement, or on any kind of dance floor.

following his successful >tears in vain 12inch< on perspectiv, promising new producer simon garcia continues his quest for the holy-grail of modern house and techno as we set forth into >cavern<. and indeed >cavern< is a breathtaking ride - a warm pulsating synth pattern is coaxed along by a dusty, filtered kick before we are greeted with rushing bright percussion and a thunderous lead kick. wild fx open up the floor with the first ecstatic break and from there on the track runs with a mind of its own, exploding with rapturous drama and tasteful restraint. bringing us back down to earth at least for a moment. ‚bass ii bass‘ treads more swinging, groovy territories in a classic ny styled house track, updated for 2012. freaky, pitching vocals swirl around a tight bass-led rhythm section, telling a futuristic story of hopeless hedonism. the emotive-piano house vibes of ‚options‘ will likely raise a few tingling hairs for those well acquainted with steve bug‘s recent dj sets. the perfect blinded-by-the-morning-sun moment, mr. garcia really shows of his classy production skills with this slinky, moody slice of classic house.

following a pair of fine releases on fine art and under the shade, james johnston delivers another superb ep for no matter what. >after everything< is a masterfully created slice of rolling deep house flirting with disco styles, punctuated with snippets of disco guitar licks and dubbed out vocal samples, all held together with a sumptuous chord sequence. the comparatively upbeat tempo rhythm and deep subs of >lost the house keys< which follows comes as something of a surprise, and the chopped up piano which causes the track to erupt into a flurry of jacking rhythms only add to the proto-chi house mood. the rest of the tracks continue with the same kind of upbeat pace, with >get back to the feeling< interlacing a variety of female vocal samples within its 909 rhythms, and >xtc< injecting some serotonin into the ep with its razor sharp synth stabs and snares, whose rhythms recall the deadly precision of marc kinchens early productions...

emerging from the crosstown rebels camp and into the limelight, iranian canadian producer amirali is heading for big things in 2012. launching the year with first single beautiful world, this captivating slice of nu-wave wonky electronic melancholic house has seismic dancefloor appeal.

bristolian label think deep do exactly that when they sign new tunes. this latest instalment is a breath of fresh air and paul sg and andy sim really go in on this remix of >infinite mischief< which in its original form is a well engineered slice of liquid solely designed for the dancefloor.

art department are back on the mothership crosstown to kick off 2012 in lurid style with a slice of slow burning, chugging disco-tech and pendulum beats in new single >touch you gently<. the b-side is taken care of with a powerful brenann green rework of >tell me why<, from the much lauded album >the drawing board<.

limited remastered reissue of the hugely in demand 12 inch release of pedestrians super phat slice of balearic grooviness >commuter fantasy<. massive on the cosmic scene after being championed by djs daniel baldelli and beppe loda, this record is extremely hard to get hold of in the original and commands super-high prices in internet auctions. despite being created by successful uk pop production duo swain and jolley, this only ever came out as a limited 12 inch in canada never getting a us or uk release but its italo-esque slow-building dreamily insistent sound has secured it a dedicated following amongst discerning disco and balearic lovers since.

since slice of life, his last ep release on moon harbour, dan drastic has been anything but idle.hes released on luna records and rrygular and contributed several tracks to the moon harbour compilations ten years of moonharbour and moon harbour joints vol. 2. since october 2011 he has been taking turns with luna city express at hosting the moon harbour radio show and is still an essential part of the moon harbour labelflights at the leipzig distillery. he is ringing in 2012 with an eclectic ep. the title track,noodle stories,as well as the track lospollos hermanos,are perfect for the time between warmup and peak in the club: they are deep but have more thanenough energy to get the dance floor moving. martin buttrich takes a more minimal approach in his remix ofnoodle stories,transforming the track into a subtle techhouse stomper.with fish fingers and custard, dandrastic shows his rave side. the groove of the track is dense and driving and reaches its climax through an utterlyeffective chord sequence. free download voucher for all vinyl tracks incl. in the first 500 copies!

*** first available via decks.de ***
with sa012 dadub carefully collate legacies of philosophical thought and transpose them into a brilliantly deep ep. the vinyl opens with >perseverance< a slick slice of bass that writhes and twists around a syncopated core. on a2 >temptation of maya< seizes at the act of perception and what is captured is perfect for the mellow confusion of a sunday morning. on the flip side the search for transcendence goes further with >beyond the veil< which crackles towards a sense of enlightenment. the ep closes with a golden moment of contentment, >moksha<. the track titles hint at the search for revelation, which is rendered in countless experimental layers and finely wrought details. sa012 is a peek into the conceptual framework that dadub engage with to create their vision. and just as their central image, maya, is intangible in the perceptible universe, the tracks seem to erupt from an equally mystical place: molten, dark and fathomlessly deep.

this ep represents a landmark on nice cats history as fiat 600 cuts a deep slice of musical history on chileans underground scene, since >the pinochet boys< , back in the 80s where miguel conejeros started his unique approach to groove making as the brains of this legendary art-punk band ( think glaxo babies meets los angeles negros) and throughout his oblique jungle-drums and bass excursion in the nineties this national treasure always knows how to deliver the unexpected and leave a sweet aftertaste. here are six offbeat dance gems , including his reworking of villalobos-los updatess >miss u so<. we at nice cat try to keep it cool but , if truth needs to be told , we are gleaming with pride. nice cat 05 . all tracks and music by miguel conejeros except a3 ( ricardo villalobos / jorge gonzález) and b2 ( carlos vergara-miguel conejeros). artwork by yvonne blanco

agora audio launches with massive support from luciano, seth troxler, nic fanciulli, leon, wally lopez, daniel sanchez, samuel dan, andrew grant, sasha, feygin, kabuto&koji, nuno dos santos, sasch bbc&caspar, p.toile, yokoo, d.diggler, darius syrossian, maher daniel and many more. agora audio is a brand new label from berlin dj/producer erich bogatzky. bogatzky has been a central part of the electronic music scene for a number of years, djing since the nineties and in more recent years running the minimood imprint and recording for labels such as plastic city, dieb audio, hertzlich etc. his new venture agora audio is set to be a beacon for quality electronic music featuring music from some of the best producers around.to kick start the label bogatzky has turned to electronic production duo lula circus, a pair of anonymous italian producers who have been making waves since 2008 with a string of singles for labels including ostwind, acker and resopal schallware. for their latest single lula circus offer up the excellent >irreversible< featuring two brand new tracks and a remix from doomwork. the single kicks off with the title track, a stripped yet organic sounding slice of tech fuelled house that uses retro synth sounds and warm bass to create a deep and entrancing atmosphere. synthesized strings join the mix in the final third and lift the tracks intensity whilst adding a haunting quality, quality stuff.

dean merediths the rhythm odyssey returns for his next single for lipservice this time he gets together with label mates ben and vocalist james from the main stem to produce a tasty slice of classic, haunting house music with devils tease.

people, are you ready for this? a slice of lost history unearthed for your enjoyment and delight. a first-ever reissue, on seven-inch vinyl, of choju gigaku (play on animals), an ultra-rare 33rpm seven-inch flexi-disc by esteemed sound designer matsuo ohno, the legend behind the soundtracks for anime classics >astro boy< (1963-66), >submarine cassiopeia< (1964) and >space battleship yamato< (1974-75).

nice price deal !!! exercise one return to their exone label for the end of 2011 with a low slung slice of electronic indie featuring zach van hoozer of the zulu pearls on the title track you ought to know. exercise one and van hoozer first met when the zulu pearls played with them in berlin and impressed with their melancholic pop melodies and minimal arrangements, coupled with zacs distinctive voice and swagger. peter van hoesen delivers a standout remix, working for the first time with a full vocal arrangement. peter is a long-term friend of the duo, first recording on their lan muzic label when he began producing techno again and having released previously on exone this year.

fantastic queen constance double a-sided special featuring two of the best tracks ever released on this cult disco label, an offshoot of nycs renowned p&p records. staying faithful to the translucent red vinyl of the 1979 original releases, this features on side a kim taylors amazing lost disco funk gem >stump your feet & dance<. produced by nyc disco legend peter brown, this track is a surefire floor filler and features all the wonderful hallmarks of a classic p&p production - funky rhythm section, phat driving bass, screaming moogy synths and that feel-good disco party atmosphere that just makes you wanna >stump your feet & dance<. on the flip is the equally awesome afro-disco stormer >licky<, another ultra-rare peter brown creation. with its rocking female vocals, hot sax solos and some wildly groovy synth action, this is a wonderful slice of afro-american fusion that rocks any discerning dancefloor. top quality release and with two top class tracks on one disc its top value for money too!

the veteran us producer continues the series he started in the 90s with a high-paced, pulsing slice of club techno.its not all high-octane thrills,either,and the offbeat electro of stained is also worth checking.

the debut release from your mamas friend has already been making waves and with the dance press lavishing praise, backed by an impressive weight of dj support, marcin czubala s fresh new imprint has already made the brightest of starts. having taken the lead on 001, marcin now passes the baton to a duo that are currently taking the world of house music by storm, polish duo viadrina. konrad slazyk and mateusz kazula are the fresh-faced pair hailing from the banks of the river odra. having made a crushing impact with their debut release, the >better ep< earlier this year on pets recordings, viadrina have been working away tirelessly in the studio refining and polishing their sounds and skills. an endearing innocence can be heard in their music and their versatile, warm and uplifting style is immediately attractive to the ear. matching that aural lure with an impressive and mature use of bass has seen them create some of the smoothest and dare we say it, sexiest tracks of the year to date. making them a perfect addition to the your mamas friend roster. with a splash of r&b, a good slice of garage, 4/4 kick and a sprinkling of lullaby, title track >shining< is the most perfect of winter warmers. the cosy vibes continue on >luna<, with its beautiful vocal wrapped in the protective warmth of its bulbous bassline.

beretta grey is proud to present the newest ep from toronto native arthur oskan. keeping with the same quality music crowds and djs have come to expect from beretta grey, arthur presents a strong and hypnotic release in which the true essence of his home town and love for detroit can be heard and felt in his music. arthur takes us on a dark and mysterious journey, channeling the emotions of deep dance floors across the globe and back. appropriately titled: >wants & needs<, this ep is a slice of classic techno constructed with a modern touch. rounding out this marvelous package on remix duty is the beretta fox himself, luke hess (deeplabs/fxhe/beretta). bringing that old school detroit warehouse vibe, luke hess serves up a deeper shade of arthurs original. perfect for a gig a in a dingy warehouse basement or your headphones, these sublime melodies are crying out for only the darkest dance floors.

pete herbert & dicky trisco return with two more crowd pleasing and floor filling disco reworks for the disco deviance imprint. >jump on the floor< will have disco dancers punching the air and begging for more. while on the flip, >do the night thang< is heavy slice of disco funk that will tease and work the dance floor to the max. lovingly edited and sonically enhanced for maximum dance floor pressure. enjoy the music!

akira kiteshi has carved a special place for himself in the hearts of many by skewing the instant gratification of dubstep bangers to preserve his roots in the wonky and broken. in the run up to his forthcoming album akira kiteshi throws yet another curve ball into the face of those who seek to label and limit the electronic music pioneer.
>transmission< is a slice of hands in the air euphoric anthemia in the key of joy o or jamie xx.
>give it up< in yet another massive turn left ak twists the beats into uk funkee mode to produce yet more dancefloor detonation.
support: huw stephens radio 1, mary anne hobbs xfm, jackmaster, fantastic mr fox ...

hot off the presses. we just got these in last nite from portland. this is our first real peak at body work, glass candys much anticipated third album. johnny & ida have been destroying clubs with both of these tracks for almost two years now. forever pushing forward into new ground from where b/e/a/t/b/o/x & 2010s feeling without touching left off, they candy coated this slice of analog glamour & sprinkled it with some stardust on top. lazer driven melodies bounce off electro primitive drums that would make moe tucker proud. idas crazy like a monkey & happy like a new year as she sings a call & response to the crowd. >warm in the winter< continues to unfold for seven plus minutes of shimmering percussive synth. the proto boogie b side >beautiful object< is so grimey it makes us think of bbbb s production on the first madonna album. the rhythms keep turning while future & past collide. johnny gives us the usual dosage of heavy bass & crisp handclaps. written & recorded in the icey montreal winter. mixed for all seasons.
entire first pressing on delicious rasperry colored vinyl !