handle it right...

special edition gold pantone sleeves moon lovers is electronic journey through nuovo romantica much in the same vain as dreamtime 002 rev thorn airport west. 10 selected atists from all corners of the planet, swedens bobby bricks starts the lp off with the slow mo disco meloncolic love song no money, no vacation. venus express ii feel the wave is next delivaring a bouncy piano driven bop. song number 3 paul withey this is what we hold on to, is a funk guitar driven vocoded groover to likes of herbie hancock, daft punk later works. the lp concludes with peter pearsons spaced romantic piano interlude, come closer.

release number 045 sees the much anticipated return of the latest superduo ‘phil:osophy’ (comprising of philth + phil tangent). their recent debut, ‘heavy hearts ep’ made an instant impact on the scene, receiving support from all corners and gaining not only mixmag single of the month but also big ukf + radio 1 features. following on from their immense remix of label head honcho’s ‘justify’ featuring terri walker on metalheadz, we are excited to present another incredible output, introducing the “searching for meaning ep”.

deep house legends craig smith and andrew mcgroarty finally let their long running instrumental hip-hop project out into the world. inspired by their love of soul, atcq jay dilla, and vintage drum machines. the sense of funky detail woven by craig smith/signal sounds imagines the world of patchwork hip hop as made famous by no-id & dilla. incredibly soulful very warm with a bounce in the beat femi fem (young disciples) craig smith is a og. coming back to his roots of chopping samples and adding drums with an ear that has been trained and sensiblilized for the soulful boom bap 30 years in the making. classic golden era break ya neck shit. marcel vogel (lumberjacks in hell) dj support femi fem (young disciples), phil asher, lay-far, afronaut, thatmanmonks, marcel vogel (lumberjacks in hell)

the french in the 80s were not faint-hearted: as some threw themselves heart and soul into music or business, others wouldnt mind going bottomless to get themselves noticed. while bernard tapie soon realized his own fortune was rather to be found in business, many music-loving dreamers already imagined themselves in the sun, in an enchanting world made of funky rhythms and synthesizers.

2017 saw cesar merveille & ryan crosson deliver their second long player in the shape of cerulean, drawing on their modern classical, jazz, ambient and abstract influences to create yet another unique listen featuring collaborations with a classical pianist, trumpet, guitar and double bass players. here we see those original parts eschewed into something entirely fresh from friends and close associates of the duo. leading on the release is cadenza boss lucianos sous le sol interpretation of arp, which twists and turns through the hypnotic chimes and emotive piano chords of the original whilst stirring in luciens signature modulating and intricately evolving rhythmic style. following is a collaborative rework from new yorks phil moffa and seth troxler which employs ethereal synth drones and stuttering vocal cuts alongside a bumpy percussive drive and pulsating subs. perlons bruno pronsato steps up next to remix even tides, delivering his typically raw and emotive style via glitched out, mind-bending percussion, elongated bass drones and cleverly reshaped cuts of the originals cinematic elements. l.as clovis then closes the package with his remix of nordic bummers, employing shuffled hats, lumpy subs and crunchy claps at its core whilst horn swells and aiy atmospherics ebb and flow throughout.

arnheim presents rhode heavy fourth release on his own imprint, featuring london based musicians phil rose & johannes sahmland-bowling

raum musik 104 is a various artists compilation that features exclusive tracks from all the labels key artists. federico molinari, john dimas, franco cinelli, lee burton and phil evans have released on our label before, but we also have three new artists on board this time. jorge savoretti has released the last single on our label before the compilation plus the two newcomers enrico mantini from italy and andy kolwes from cologne. altogether it forms a nice package to celebrate 20 years of raum musik that shows as well the different sides of our label and we hope that you enjoy the tracks as much as we do.

timeless legend are a soul group from columbus, ohio. their “synchronised” album from 1980 is one of the rarest rare grooves and both original copies and the single “i was born to love you” currently sell for over £1.000 a copy. for rsd, love vinyl in conjunction with expansion bring you an earlier 1979 single “everybody disco” (itself worth over £200), a remix and “i was born to love you” on a 12” single limited to 750 copies. the remix of “everybody disco” is by the mighty zaf & phil asher who command major respect from the current disco scene and have transformed the song into what will become one of the most significant disco style dance releases of 2018. this is the first and only time for these tracks on 12” single.

we are kicking off the label’s 20th anniversary with two parts white vinyl edition of etui winter camp 4. part rwo focuses on techno.

for clandestino s fifth offering berlin s italiano in residence jose manuel drops his unique strain of exotic club music once again exploring deep, ritualistic and tribal influences to great dramatic effect. human behaviour is a woozy nine minute opus. rich in atmospherics, chanting and ethnic flutes. clandestino s remix refines the track for the dance-floor, retaining the atmosphere and injecting a driving 303 line and jamming afro keys. upping the tempo on bangalore a great ethnic guitar hook drives along the groove while disorienting chants and tribal percussion flutter underneath. mushrooms project turn out an essential blissful sundown version by extending out the pads and adding gentle warm keys dj support: tim sweeney, tensnake, chris coco, phil mison, severino horse meat disco, bawrut, forriner, in flagranti, sean johnston, phil cooper, tronik youth, marvin & guy, jdh (fixed / good room nyc), andy (soft rocks), justin strauss, chris (soft rocks), danielle moore/crazy p, ooft!, ian blevins, alvaro cabana / rotten city, peaking lights, eddie c, reza athar

new sampler on robsoul recordings with phil weeks, joss moog, aturo garces

mit mr dynamite erscheint über bella union das debütalbum von creep show. hinter dem namen verbirgt sich das düstere, analoge electronic-trio wrangler, bestehend aus ex-cabaret voltaire-frontmann stephen mallinder, phil winter und benge, sowie john grant, der die creep show als quartett komplettiert. aufgenommen wurde das experimental pop- und surreal funk-projekt in cornwall, uk unter der zuhilfenahme einer schier endlosen sammlung von synthesizer-modellen

played by mathias schaffhäuser, phil stumpf

few authentic electro producers from the uk can wear the badge legend with the same level of justification as phil klein aka bass junkie. active since the late 80s, phil has been peddling his own take on electro almost constantly, either as a solo artist or as part of numerous collabs with the likes of dynamix ii, keith tenniswood (radioactiveman) and si brown (dexorcist). dj, remixer, live act, and the man behind the killer battle trax label, there is nothing this junkie hasn’t done.
with essential releases on labels such dmx krew’s breakin records, andrea parker’s touchin bass, and billy nasty’s elektrix, the bass junkie sound spans the old school beats and vibes of the electro genre’s origins, to the borderline industrial. from funky to ferocious, bass junkie’s discography is a must have for anyone claiming passion for the genre - influential, individual, and infectious with every beat.
his low frequency fugitive ep is a welcome return for his bass junkie project, after several years working primarily on collabs. the ep brings four new tracks that maintain the bass junkie sound that brought him such success and notoriety in the first place, with a healthy dose of evolution too.
this is one fugitive everyone should try and track down...

artificial intelligence s second studio album, and first for metalheadz, was released just over 2 years ago, and we re now proud to present the remix package curated by the guys themselves. the ep features remixes from phil:osophy (phil tangent & philth), scar and zero t, with some of the best timeline cuts given a new leash of life for 2018.

official redition by phil weeks & didier allyne on bpm classic done by alton miller 1996. for deep house fan like prescription release.

music written and performed by jonas reinhardt with additional percussion by warren huegel, glissando bass by diego gonzalez, guitar by phil manley, and electronics by matthew patterson curry.
recorded and mixed by jonas reinhardt at the equinox, by matthew patterson curry at transmitter park studio, brooklyn, and by phil manley at el studio, san francisco.
album artwork by leo mayberry
mastered by rashad becker at dubplates & mastering, berlin
produced by jesse reiner

* 2017 year marks ten years of integral records and looking back upon the label’s incredible back catalogue, what a decade it has been for drum & bass music that we hold so close. * initially set up as a passion project and a platform for showcasing future talent, the label has been consistently releasing cutting edge drum and bass since 2007. the ethos of the label has always been about quality control and finding those special vibes that no question capture heart and soul. honing their unique musical language, selections are carefully handpicked by head honchos artificial intelligence and more recently in collaboration with label manager emma g that fit with the forward thinking, original spirit we know as integral. * now 40-odd releases deep and renowned for breaking some of the most exciting artists on the roster today, the label also boasts signature classics from some of the scenes most prolific residents. names include the likes of lenzman, lomax (one half of loadstar), alix perez, calibre, system, zero t, technicolour & komatic (technimatic), lsb, steo, dawn wall, mohican sun, phil tangent, satl and just recently, a.i. themselves. * celebrating the seminal journey thus far, a double album will mark this very special occasion. part one will showcase a selection of the finest from over the years in a chronological journey of the label’s sound (for digitial release.) a second curation will simultaneously launch across all formats of entirely new and most exclusive material to date, from residents a.i., lenzman, mohican sun, satl, phil:osophy, scar, zero t, drs and more.

eleased by butter sessions and noise in my head who are also known for their offshoot efficient space, sky girl is enriched with artwork from perks and mini mutant misha hollenbach and appropriately elegant sleeve notes courtesy of ivan smagghe. australian import 2lp, released by butter sessions and noise in my head who are also known for their offshoot efficient space (sky girl, etc) - all exclusive tracks! scratching the surface of australia’s independent electronic massive, butter sessions and noise in my head finally compile the second volume of domestic documents. featuring all exclusive tracks, perth godfather ewan jansen joins new wa blood phil stroud and senate, respectively making hectic percussion tracks and hell bent techno, as newcastle transplant roman nails emerges with his squelching one take tape experiments. meanwhile in melbourne, fia fiell’s ambient mind maze and butter sessions alumni booshank target the cerebral cortex, hotrod goes full turbo and live/dj wingmen miris and norachi share the same side of their vinyl debuts (alongside the freakishly underrated colours of infinity aka kloke). kangaroo skull and cale sexton fly the flag for temporal cast, the latter on a calming club collab with sleep d. liner notes from ivan smagghe and artwork from misha hollenbach (perks and mini) features many rarities reissued for the first time ever

brand new glastonbury production duo speakman sound team up with frankie forman for the palliative psychedelic dance stylings of latest single warm. warm follows the breakneck success of debut single in flight which became a top viral track on spotify while being touted by key tastemakers including 6music’s lauren laverne, radio x’s john kennedy, soho radio’s eddie temple morris and radio 1’s huw stephens, monki and phil taggart. the latter commendations led to the brothers being offered a slot on the bbc introducing stage at glastonbury for a ram-packed homecoming. brothers todd and guy, the duo behind speakman sound, spent their childhood in the glastonbury area immersed in music through their father, a guitarist in psych-rock scene including bands such as hawkwind. growing into adolescence against a backdrop of rave culture in somerset shaped the psychedelic tinged future bass sound they create in their studio in north london today. warm is a sonic embrace, a trip into the uterine comforts of music. a rolling kick drum structures it, ostensibly four-on-the-floor, but with syncopated fibrillations, the sound of a heart skipping a beat. with frankie forman’s brilliant, mantra-like vocal and tobie tripp’s sweeping strings, warm reminds us of the comfort we find in music. enveloping in its beauty, it’s the latest majestic entry into speakman sound’s unique and beatific body of work. that the speakman brothers are producers in their own right should come as no surprise. having received a start-up grant for a studio in cricklewood, they have built an artistic hub from scratch and are surrounded by a creative coterie of young musicians and talented artists practicing across film and music in north london where they hold regular late-night jams and parties.

the ken boothe masterpiece from 1978 gets the long overdue remastered re-issue. -got to get away- was produced by phil pratt, features additional deejay vocals by jah walton (aka joseph cotton) and has extensive sleeve notes. packaged in the original sleeve design by anthony nero it is now available for the first time on cd and the high collectable lp-vinyl is here in a great 180 gram edition with leaflet including credits and linernotes.

the new album of dj hell zukunftsmusik keeps bringing us good news. the latest single to drop from the album, car car car, arrives with remixes from some of the scenes most enigmatic producers. after the first vinyl with remixes from roman fluegel and phil, now is the turn of fango, metropolis and bentonkunst. fango turns the track into a proper techno banger. powerful instrumental with noises from outer space. dark and raw techno remix comes from the german producer metropolis. the third and rarest remix from betonkust, keeps the esence of the original track but adding his touch with those melancholic and powerful melodies characteristics of his sound.

special limited 7 inch (clear) collectors item only 300 units worldwide. the new album of dj hell zukunftsmusik keeps bringing us good news. the latest single to drop from the album,car car car, arrives with remixes from some of the scenes most enigmatic producers. after the first two 12inch vinyls with remixes from roman fluegel, phil kieran, thomas mayr & ken hayakawa, fango, metropolis and bentonkunst, gigolo now presents a limited collectors item. a special japanese and spanish version of car car car on a 7inch vinyl including a special gigolo sticker. a car is not just a car! it drives u near or far!

die reggae anthology-serie präsentiert zwölf ausgesuchte singles auf longplay-vinyl, die alle zwischen 1972 und 1985 veröffentlicht wurden. inklusive der beiden 12-inch maxi-single versionen -promised land- (extended mix), der in kooperation mit der renommierten uk-gruppe aswad entstand, und -children of israel- (special 12- mix), produziert von ossie hibbert. darüber hinaus gibt es seltene 7inch single a-seiten, die von jackie mittoo, niney the observer, phil pratt, herman chin-loy, joe gibbs & errol thompson, derrick harriott und dennis brown & castro brown produziert wurden. die aufnahmen wurden von den musikern der backing bands eingespielt: the taxi gang, the professionals, the now generation, crystalites. aggrovators, roots radics und soul syndicate. erstmalig erschien diese lp parallel zu dem 2cd+dvd set -crown prince of reggae- im jahre 2010 und ist jetzt wieder erhältlich!

strangelove music isdelighted to present its first project, two songs from lena d’Água, one of portugal’s great musical acts of the early 1980’s. combining a siren presence and soaringvocalsalong side songwriter luis fonseca and backing band atlântida, they released a series of records that wove through the avante-pop sensibilities of the time.collected here are two of their more leftfield moments, ‘jardim zoológico’ is a beguiling mix of new wave, post punk and dub into a short sharp pop format, impossible to properly categorize, the dynamic composition sounding as fresh now as it did 35years ago. on the flipside, the calmer ‘tao’ takes fonseca’s keyboards towards more eastern territory, conjuring up a dreamy synthesized new age vibe. lena’s beautiful fado hued notes hang poignantly across bothsongs. beautifully re-mastered by reissue specialist peter beckmann vital sales points: - debuted on tim sweeney’s beats in space radio show & tastemakers stamp the wax and dream chimney, test pressing distributed among the balearic mafia, moonboots/ phil mison, hunee etc -support from key tastemaker retailers including redlight records, growing bin, organic japan, piccadilly etc

the next vodkast release comes from mindstreaming, a very talented and very young multi instrumentalist from tbilisi. the is the first ep supported with remixes by house and disco dons from london, phil asher & the mighty zaf, and the hero of our own, nika j.

steve cobby, eine hälfte des legendären balearic-duos fila brazillia, legt sein zweites soloalbum vor. “everliving” ist eine wundervolle kollektion aus 14 gefühlvollen, entspannten, vollkommenen balearic-pop-songs und -melodien - verteilt auf doppel-cd und triple-lp -, die namhafte kollegen wie phil mison, peter kruder, dave harvey, harold budd oder richard norris bereits zu lobeshymnen animierte.

new teachers join the bass academy: uk droids gods of technology (phil klein & simon brown) featuring egyptian lover, and legendary us producer jamie jupitor. must have freak seeker (l.a. freax) feat. the unknown lover (you ll probably know who s behind) and future computer sign two authentic electro funk pieces in the great tradition of the west coast sound. phat bass, vocoderized lyrics, sharp 808 drums, and irresistible synth melodies characterize these instant classics guarantee to put you in a circle. come and take a lesson of music directly from the masters! ltd blue transparent vinyl.

12inch with transparent sleeve, 180g vinyl the press groups new issue is a tale of lost love and broken hearts. blaine mcconchie is a con-stantly evolving minimal-heyday-inspired trip through bleeping artifacts driven by an organ chord, while on the flipside dog park is a classic groover for lush summer evenings. on b2 frankfurts phil evans gives blaine mcconchie his treatment taking the central melody and building a sparse rhythm workout around it

initial listens to inre rymden (swedish for inner space) reveal it to be a curious combination of slow-motion house music and salubrious new age funk. in this case, first impressions are accurate, and they should intrigue you enough to dive deeper into the paradisiacal vistas tommy awards paint here. the opening track prometheus introduces that feeling of sundown deliquescence that very few musicians can summon, as it locks into a laid-back groove that induces utmost serenity, buoyed by sublimely mellow guitar vibes that should make fans of manuel gšttsching s ashra and phil manzanera s solo output spring to attention. draget conjures the sort of exquisite elegance and preternatural chill last heard on roxy musics 1982 lp avalon but somehow its even more blissed out than that boudoir classic. and so it goes for most of inre rymden: among the six tracks, only rexy hints at tension, courtesy of a bass line that sounds like it should score a prisoners walk to the electric chair. but thats tempered by guitar sighs of radiant melancholy, not unlike those lofted by popol vuh s daniel fichelscher. even when inre rymden gets relatively uptempo, as on hans logan, it still glides like gilded, glazed, balearic house jams, urged on by subliminal bongos and dappled with pastel guitar shimmers far off on the horizon. music is love and love is our music, runs tommy awards slogan (a sentiment beautifully echoed by david crosby on his revered 1971 album if i could only remember my name), but one could also argue that it is medicine a balmy ear massage that spreads healing frissons to all areas of your body and mind. tommy awards continue their miraculous act as scandinavians channeling the tropics with stunning audio verisimilitude.

following the success of the now sold out freundchen ep, true romance revisits the disco anthem with this hot hot hot trio of remixes, right in time for the summer. on the a side, red rack’em puts freundchen through his cut and paste wizardry delivering a heavily filtered, bass heavy, hypnotic disco version. on the flip, lauer cranks up the groove and unleashes the pianos for a classy house rendition that oozes sunshine and smiles. russian producer phil gerus’s gets gritty on his take, bringing the track on a mad chopped up italo road.

after the success of most excellent unlimited’s first dj tools collection, a new roster of dance floor masters has convened to open their bag of tricks. theres something for every mood on this eight- track ep, opening appropriately with the one-two disco punch of justin van der volgen’s energetic conga break high in nyc and legendary better days alum bruce forest’s anthemic “street break, with its instantly recognizable brass hook and percussion from brazilian maestro airto moreira. photays j train squeak break builds drama with a minimal afro texture while phil moffa goes the other way with a tribal four-on-the-floor stomper. the flip side continues the diverse directive, as devin dares opening segment demonstrates with a never-issued labelle live session. jex opolis crafts a clever sun palace-esque casio workout and downtown veterans whatever/whatever revisit a much- loved technopop beat before kza takes things out with fitness beats, a sweaty workout that runs through a dozen iconic disco breaks. once again, most excellent breaks, beats & loops lives up to its name with a high-quality collection that proudly extends the lineage of the classic new york city break compilation.

following the release of their previous single guess what (featuring smerz) today copenhagens code walk announce news of their debut ep‘doubler - out on friday 5th may on ex-local. code walk consists of friends søren gregersen and jesper nørbæk. after garnering praise from radio tastemakers such as benji b, phil taggart, nemone, julie adenuga & jamz supernova, code walk are well on their way to establishing themselves as a staple part of the burgeoning electronic scene that is rising in copenhagen. like recent collaborators smerz, the duo create evocative techno infused electronica, that swells with escalating emotion and energy.

viva music boss steve lawler serves up a brace of balearic-tinged groovers as he preps for another firecracker season in ibiza and brings his years of experience and production prowess to phil weeks’ robsoul recordings imprint for the very first time. adding a dash of breezy, feel good aesthetics - mixed with shuffling, shining rhythms - opening track feelin has a light and steady pace, retaining a focus on groove and space, with vocal chops dusted across the track while melodic atmospheres underpin and a deep, soulful and powerful soul vocal sample cements the hands in the air vibe. equally sun kissed is take me there, bringing a percussive rhythm, laced with bongo hits and skins, while more vocal chops and layered percussion find themselves dancing in perfect matrimony. another day, and another dancefloor weapon from birmingham s finest.

such was the warmth of reception granted nunorthern soul s debut ep of ryo kawasaki music, the label s phat phil cooper has decided upon a follow up. and having made over 25 albums in his almost five decade long career, there s plenty of ryo s music to choose from.

for his 5th birthday, p&d recordings (phil weeks & didier allyne) released another two classics from rick wade. black vinyl edition !! this release is the follow of night station... with night track which was out on elevate (daniel bell label) in 1995 & >cold fusion< was on the same album >dark ascencion – music is< from big daddy in 2002.! another piece of wax for your ears & one bonus on the wax when you will have it in your hands !

bas roos is a dj and producer from rotterdam, the netherlands. he started dj ing at the age of 16 after spending some time on making his own music. a year later he released his first ep and from that moment on he started to develop a unique and fresh sound which has seen releases on phil weeks’ robsoul label as well as shir khan’s black jukebox disco house series on exploited. the 18th edition of black jukebox sees the young producer deliver 4 new tracks which work magic on the dancefloor. do yourself a favor and pick it up before this limited collector’s item sells out.

four hypercurrent and gently melancholic cuts on this new vinyl only label linked to one of lisbon s best clubs for house and techno, ministerium. side a is all about the electro: markus sommer s trademark stinson-indebted grooves strike an optimistic note on empyrium, while happy-sad chords soften the sharper edges of klein/melchner s breaksy plata o plomo. house is the feeling on side b: phil evans syscresh sticks a tech house groove and bumping bassline under the mournful bleeps of a heartbroken computer, before ministerium regular jorge caiado takes us into a languorous, transitory mood on between flights, its dreamy cliffside opening taking a deep plunge into a reverb-laden acid finale.

in this day and age vinyl releases are getting rare in drum & bass but still we at demand cherish them. requisites our brand new 6 part 33 rpm series is an ode to the vinyl culture. every release symbolizes one particular requisite that you’d evidently need to rock the so called black gold. here served by, what else could it be, a butler we start of with the headphones...
musically that includes the ever magnificent phil tangent who contributes misgivings, a roller that effortlessly switches from euphoria to dark tones. the legend big bud in collaboration with austria’s finest roygreen, protone & dual on gospodi. a smooth liquid outing that we just fell in love. the ever surprising eastcolors with naked skin that brings in low slung tempo with the vocal wonder tiiu and last but not least demand’s own nurtured talent phase who rounds of the first part with abundance. as the name suggests it is absolutely rich in form of vibes!
the statement that is pressed on the vinyl label couldn’t be more clear... listen to it and we’re sure you’ll fall in love.

hailing from london, london modular alliance are a trio of modular enthusiasts, often performing live, completely on the fly using modular synths and live improvisation. members include koova. yes effect and pip williams, but on this new ep for hypercolour. pip williams aka phil venture strikes alone with four devastating cuts. with previous releases on uk techno label brokntoys and the kirk degiorgios applied rhythmic technology (art) label, lma continue a fine run of releases with the home grown ep. the production aesthetics across the four cuts are second to none civic society pairs up dark atmospherics and driving electro beats that furl into rolling breaks, whilst home grown is a pacey and bustling burner. more forward motion electro vibes are in evidence on lucid, and ep closer, saunton combines dense ambience, broken beats and acidic bass, all with a gloss and shimmer that makes the music of london modular alliance so engaging. selected dj reactions elephino - looking forward to playing this loud a made up sound - im digging lucid, thanks cosmin trg - heat ethyl - decent this!

claremont 56 has always had close links with japan’s vibrant music scene, with founder paul ‘mudd’ murphy making annual trips for djing and live performances. it’s perhaps unsurprising, then, that the label’s latest limited-edition vinyl release comes from japanese outfit okinawa delays, a project founded by producer, dj and long-time friend of the label takeo.
some of you may already be familiar with okinawa delays thanks to 2016’s hana, a cover of a popular 1995 j-pop hit featuring original vocalist satoko ishimine. the singer is a well-known performer in her native japan, having released a number of acclaimed records on toshiba emi throughout the 1990s.

brendon moeller finds himself entangled in the plan b matrix for his next release which includes remixes from spider & phil moffa! dont sleep on this!

repress 2017 !!
after over 10 years out of press, very limited vinyl re-pressing of the he extremely sought after dj assassin >a face in the crowd< 12 inch on cross section records. a total classic house track from 1998, that sounds even fresher today. the vocal is minimal, yet haunting and the bassline just revs like a an engine, proper house music at its finest.
supported for years by: craig richards, villalobos, mike huckaby, dj sneak, phil weeks, hector morales, monoman, dj mes, chris cutter, cedric maison, marco faraone, boris werner, to name a few.

nice price deal !!! he has produced on just about everyone of our favorite labels such as snork enterprises, ware, phil or treibstoff, is a great musician, a superb dj, a label honcho at team and first and foremost: an awesome producer. please meet philogresz.

nice price deal !!! though the vast, wide-open music made by fall on your sword is made to underlie the visual images that flicker across a film screen – to enrich and inform the storytelling and further the emotional depth of the sights before our eyes – the songs of foys often seem to have their own expressed narrative. the soundtracks made by will bates and phil mossman move through moods and traverse a range of emotional environs, and seemingly possess their very own story arcs, conveyed in musics notes and tones instead of the filmic language of images. -the first time i saw jupiter- and -rhodas theme-, both extended mixes of songs featured in the film another earth, are a good place to start to see the duos ability to create a feeling and place through song. both compositions lead the listener by the ears through expansive soundscapes and textured sonic landscapes

re-edits of two paradise garage classics since sampled as house anthems in the 90 s by powerhouse and spiller, these edits exploit the energy of the loops whilst retaining the grooves of the originals. support from the likes of natasha kitty kat probert (ghetto disco - suncebeat), phil asher (restless soul), seamus haji (big love), terry farley (faith/junior boys own)

jeanga & george are composers, producers and music enthusiasts with strange and indecipherable accents. their taste in music is as wide as the amazon and covers everything from georgian choirs to detroit techno, african folk and belgian new beat. the music they make themselves is based on electronic repetitions, melodic idiosyncrasies and their strong sense of being european. radio premiere sunscreen on radio 1 with phil taggart radio play from huw stephens, radio 1 support for sunscreen video from dj mag france, earmilk, last gas station, brain magazine and more