pleasure in mind records presents its first vinyl only release. this various artists includes four tracks by different producers and aims to showcase the variety and scope the label has built up sonically. from a housier track by argentinian prodot, going through a more tech and minimalistic groove by u z z v, passing by an experimental and ambiental cut by duky to an organic breakbeat from max tolmachev & dnlk, pimrv001 brings together a combination of sounds ideal for any situation or setting.

top-vinylsampler zum 45-jährigen jubiläum des legendären northern soul-clubs wigan casino. mit 18 northern soul-klassikern, die den sound dieses clubs geprägt haben, darunter das rare, tanzflächenfüllende instrumental -thunder- von lord thunder und der hypnotischer groover -get it baby- von stanley mitchell.

max is back for his third ep for sonic groove. titled the “art of rage” max returns this time with a heavier syncopated synthesized sound in comparison to his previous two rhythmic industrialized techno releases for sg. twisting and turning the sound of early 90’s ebm , classic rave techno and acid vibes into the perfect modern day sound track. what else can one expect from a 30+ year veteran of the techno scene!

max essa - lanterns is a brand-new artist album from the japanese based producer & dj and his first release on copenhagens music for dreams label. tranquility, alone in a taxi riding through empty streets, neon fades into sunrise. a refuge from the disorientating energy of the night. the sleeper train to izumo. an okinawan beach at dusk.

summer mode on. balearic 4, compiled by breese, is the soundtrack for summer, brim-full of beach-ready tunes that truly reflect ibizas chilled musical spirit. featuring two album exclusives: on-u sounds cosmic fla-menco dub of los twangueros and a breese remix of robot 84 that brings spanish guitars firmly to the fore. digital exclusives too, quinn lukes different aspirations offers i-know-this familiarity, emerson kitamura covers 70s classic rock your baby in lullaby style, while max manettis changuinola winks back towards the happy mondays circa 1989. other highlights include gallos faron - currently proving the sunset bomb with ibiza djs j-walks modern remake of mazes twilight fuga rontos rework of kay zees barny as a modern-day down-tempo beauty, plus joe morris skies reprise, which carries the mood dreamily off into the night. a dozen true pearlers, each one confident and ready to take their place amongst any quality collection.

after recently playing host to established names such as fabe, nima gorji and michael james, pathway traxx returns to its roots by introducing a new artist, but long time friend wiremu. this pure club record, and vocal infused ep is set to light up a dance floor near you very soon. wiremu brings his unique chugging sound by the bucket load while label boss niko keeps it smooth on the b-side.

zwei alltime-northern-soul-klassiker von melba moore und maxine brown aus den 1960ern!

atangana records’s back with its second release, once again a long-awaited reissue, once again digging into the caribbean music with a classic track from les maxel’s (from guadeloupe), “le retour de toto”. as usual, the remastered tune comes with a remix and a b2 “just” coming with the remixer’s add parts. originally out in 1976, “le retour de toto” on disques debs international is a brilliant dancefloor killer, magnifying the cross-world between zouk and latino music, biguine and calypso. you can hear from the prominent hi-hat all the energy of the dance moves you could improvise on that kind of joint. with a lot of break, wonderful horns and backing vocals, “le retour de toto” will enjoy all the summer dancefloor and airwaves for some time

einer der größten hits der italo disco Ära jetzt wieder als 12“ maxi single erhältlich. doctor’s cat “feel the drive“ war 1983 ein hit in ganz europa. produzent aldo martinelli, der auch mit martinelli und raggio di luna große erfolge feierte, ist auch für diesen megahit verantwortlich.

for its seventh offering, sol power sound taps into the pulse of the french antilles for tambours de martinique, a blistering ep of original and remixed versions of rare, drum-centric dance floor workouts. licensed directly from the legendary martiniquan label hibiscus records, the ep features cuts by eugène mona and max ransay, two of martinique s most storied musicians. with reworks by spanish dj and producer kiko navarro and the sol power all-stars, this one will be in the record bags of discerning djs all summer long.

max loderbauer, who has so far made consistently engaging contributions to the arjunamusic family, is back to lend his unique interpretive skills to the master recordings for the brightbird album by joão paulo esteves da silva, mário franco and samuel rohrer. loderbauer has set himself up for a challenge, since the original album’s completely improvised flow of small-ensemble, conversational jazz feels complete enough without outside intervention. however, loderbauer’s role as electronics operator in the similarly attuned ambiq trio has already shown that, through his mastery of tone color, he has a talent for teasing out the additional hidden details within an apparently ‘complete’ sonic environment. it’s a task he manages to accomplish without ever overriding or contradicting the cohesive message provided by his collaborators.

blinding album from air max 97, proper forward thinking club music for fans of errorsmith, peder mannerfelt, mesh etc

5 club-vinyls in einem pizzakarton! die 12” collector’s vinyl boy – club edition.

5 picture vinyls in einem pizzakarton! die 12” collector’s vinyl box – pop edition.

after putting out kito jempere s well received sea monsters album last year, hell yeah now serve up another selection of remixes of it. accomplished musician jimi tenor, plus miskotom and max essa all contribute before a 7inch, also taken from the album, lands later in summer. first up is jimi tenor, the legndary finnish musician who has released on warp, collaborated with tony allen and has his own band as well as occasionally playing sax with kito jempere band at live gigs. he flips puzzled into five minutes of stripped back and moody electronics with plenty of his own flute playing in the track. busted drum sounds, spooky sci-fi synths and scattered hits make it woozy and late night and utterly absorbing. miskotom—a newly emerging pair made up of mik and his wife andra, both based in vilnius, lithuania with credits on pleasure unit and balearic —then reimagine ampa as a beatdown but of deep house with trudging drums staying low and shimmering synths drift out in all directions. crunchy hits bring a subtle sense of funk and reverb drenched vocals bring a heavenly feel to the soul drenched grooves and summery keys. then comes max essa, the japan based brit who is a regular on this label as well as the likes of is it balearic?. his first remix is a huge one that is sure to soundtrack many a boat party this summer. it s a gorgeous rework of ampa that puts achingly blissful vocals front and centre as low slung bass and slowly turning drums sink you into a pan-pipe laced reverie. secondly, essa offers a dub reprise that removes the vocals and places all the focus on his churning drums and new age grooves. this is another perfect package of masterfully electronic horizontal sounds.

one of the biggest sampling innovators and the pioneer of electronic music in eastern europe max vincent initially played in belgrade s max & intro band whose first single: -we design the future- from 1985 remained one of the most wanted electronic records from this part of europe . . in 2015, discom has released -the future has designed us- a lifework compilation of previously unreleased songs from 1984 to 2002. the new archival release max vincent- beograd is a lost lp album which consists of 8 previously unreleased tracks made in period 1986-1999 which max wanted to use in a single concept album.

exclusive rsd blue vinyl edition of original album + bonus tracks + remixes. deluxe sleeve gatefold, matt varnish, hot foil (blue). the blue notebooks is one of max richters most successful albums to date and it was originally composed in the run-up to the 2003 invasion of iraq. richter has described it as a protest album about iraq, a mediation on violence both the violence that i had personally experienced around me as a child and the violence of war, at the utter futility of so much armed conflict. the album was recorded about a week after mass protests against the war. it features readings from franz kafka s the blue octavo notebooks and czes&#322,,,,,,,aw mi&#322,,,,,,,oszs hymn of the pearl and unattainable earth. both readings are by the british actress tilda swinton.

after a handful of singles that instantly became favourites for djs including bicep, scuba and laurent garnier, london-duo athlete whippet deliver their 12” debut. “hands only” is a balmy, nonchalant yet carefully crafted house gem incorporating striking live performance.
the record was welcomed with open arms by key tastemakers such as xlr8r (“shimmering and seductive”), resident advisor and complex (“heaven sent for djs”). taking on board fellow producers max graef and seb wildblood, “hands only” is a refreshing and effortless 5-tracker following their recent release on exploited records.

this 2cd package contains a handpicked selection of coopers favourite tracks from the balance 030 compilation. incl. nils frahm, donato dozzy, burnski and more

it’s remix time! we open our vaults to let our favourite producers from round the globe play around with our releases. this is the first of 3 remix eps, with fantastic reworks by the hanseatic hedonism force of rss disco, the australian psychedelic vibes of dreems, the austrian psychedelic vibes of tight pants and the mexican dreams of sainte vie. tune in, drop out!

while attempting and failing to apprehend the shadowy figure known as max abysmal during a frenzied chase through the underground amsterdam arts establishment het skatecafe, we recovered a boxed reel of quarter-inch tape. intelligent assets have confirmed that this contains musical recordings of the type used to pass on coded messages to the safe trip organisation. the first recording we have titled donna, dont stop. we include it with this message so you can perform your own anaylsis. note the use of a rising and falling electronic motif capable of inducing a trance-like state in those untrained in listening to electronic music this potent and emotive. sutekhs mirage, the second coded composition, is bolder and warmer in tone, making use of dazzlingly colourful melodic patterns and passages of percussion that reference polyrhythms. do not be fooled by the surface beauty of this recording: it is capable of inducing hallucinations and irregular heartbeats, and therefore could be very dangerous in the wrong hands.

a 1986 italo-disco classic from ocean wings back on vinyl.

deutsche grammophon veröffentlicht max richters soundtrack zu scott coopers neuem beeindruckendem western “hostiles”. der mehrfach für seine filmmusik ausgezeichnete komponist liefert damit erstmals einen soundtrack im western-genre. erscheint als 180 gramm doppel-vinyl im klappcover, downloadcode inklusive.

in the mid 90s, while playing in bands, max wŸrden started to record ideas on 4-track tapes. amongst other instruments the guitar was his favourite. since then the guitar is a steady constant during his sound production. predominantly he utilizes the intrument in experimental ways: he sticks screws and metal pieces between the strings or let s marbles run down the guitar neck, triggering a feedback, which becomes the foundation of a track. on his album momentum he went beyond the guitar, but he placed the intrument into focus of the production. max creates energyladen and experimental ambient music that always aims for what genre listeners looking for: the ultimate relaxation moment. the tracks are carried by slowly building string-generated sounds. live recordings and complex arrangements find a delicate symbiosis of ambient and strings.

golf channel return with a limited session straight from the sex dungeon. s&m never hurt so good.

black suitcase over bank transfer. music for the vodka booth. presented to you by max gee & funkycan.

max romeo has teamed up with uk based, grammy nominated producer daniel boyle, to create a stunning return to form, roots reggae album with accompanying dub versions. max is noted for his critically acclaimed work with lee scratch perry in the 1970 s, and for his timeless classic songs penned over the last 50 years - such as war ina babylon melt away one step forward and the worlds most sampled reggae song ever - chase the devil . picked up by artists such jay z, kanye west, the prodigy and blockbuster hit movies. max and daniel have teamed up with an all-star cast of musicians to create a true part 2, to max’s legendary, ‘’war ina babylon’’ album. using strictly studio equipment ranging from between the 1950’s – 1970’s, recorded and mixed in 100% analogue format, and presented with stunning artwork in physical format.

maxx rossi (polymeric label owner) is back with a big banger on suspected music. includes remixes by steve stoll, orlando voorn & subject one

black truffle is honored to present the first ever reissue of whirled music by max eastley, steve beresford, paul burwell and david toop, one of the key documents of the inventive and energetic scene around the london musicians collective in the late 1970s and early 1980s. originally released on toop’s own quartz label in 1980, the lp features a remarkable series of performances made entirely with whirled and swung instruments and objects. part of the second generations of british free improvising musicians, the prolific scene centered around the performers heard here chafed at the limitations present within the music and ideology of improvising legends such as derek bailey, evan parker, tony oxley and john stevens. where the first generations of british free improvisers often demonstrated a rigorous commitment to non-idiomatic free improvisation and instrumental virtuosity, musicians like beresford reconnected with the dada antics of figures like han bennink and surrendered to joyful musical promiscuity, gleefully disrupting expectations around ‘serious’ improvised music through quotations (of anything from betthoven to reggae) and deliberate amateurism.

excise is thrilled to host san francisco underground xture max gardner on the label’s 3rd vinyl release. max runs the legendary californian party crew direct to earth and he’s equally a hypnotic dj selector and highly skilled synthesist. as you’ll see on this release max’s tracks are not only excellent dj tools but also deeply interesting for close-listening: truly unique electronic music dif culty to pigeonhole into a genre. “mona loops” is an immersive experience on club speakers as an eerie high-pitched synth line twists in unexpected ways over powerful waves of bass. next max remixes label co-owner muon’s track “kmc” redefining its raw elements into a blitzing four and half minute romp held together by a jagged low-mid frequency lead line. “broken pinkies” is hard to de ne. all we can say is it embodies the feeling of the san francisco all night underground world more than any single song in recent memory. it begs for repeat listening. yan cook joins the excise family for a banging remix of “broken pinkies”almost shocking in its spin off the original. we’re huge fans of yan over here and this track embodies what we love most about his productions - groovy but with serious bite.

limitierte vinylauflage der -behind the counter- compilation von max richter, der hier einen faszinierenden einblick in seinen musikalischen kosmos gewährt, aus dem er seine einzigartige, künstlerische vision schöpft. feat. mogwai, boards of canada, let s eat grandma, kaitlyn aurelia smith, godspeed you! black emperor, philip glass, aphex twin, low, sowie klassische werke von rachmaninoff und bach. triple-lp auf grünem vinyl mit 36 tracks, plus einer zusätzlichen 7- mit 2 weiteren tracks, plus eines download-codes zu den beiden cd-mixsets.

ltd 2018 repress - max graef is a prime example of the new generation of young pure hearted producers emerging from berlin at the moment. at age 19, his output is surprisingly mature and well rounded juggling everything from house, hip-hop & garage to indefinable hybrids of in-between.

the latest in vladislav delay’s new label series finds the man himself & max loderbauer (nsi, sun electric) on top, uncompromising form. operating somewhere between wolfgang voigt s pounding waltzes and the tunnelling techno of rrose, the a-side s #2 tucks up militant triplets and chaotic, streaming synthlines to febrile effect. over on the flip #6 involves a hyper-accelerated production sounding something like dj stingray and villalobos having it out at breakneck momentum with a gush of stepping drum percolations and bouncing micro-melodies peaking for a delirious climax. it’s properly maladjusted business, and all... more

a collaboration fusing intelligent dance and hard bop jazz between electronic and techno producer max cooper, former belleruche singer kathrin deboer and jazz trumpet star quentin collins.
the tileyard studio complex in king’s cross is home to gearbox records and mark ronson’s zelig studios, where the tileyard improvisations was spontaneously performed and recorded live. the tracks highlight the extraordinary interplay between kathrin deboer’s sensational improvised vocal performance and the laser sharp lee morgan/freddie hubbard inspired hard bop trumpet of quentin collins, both perfectly set in the grooves and textures of max cooper’s remarkable mixes and soundscapes.
180gm 45rpm vinyl mini album includes free download code.

debut-album feinherb von max wuerden, thore pfeiffer

includes remixes from vessels, rival consoles, tom hodge, kimyan law, christian loffler and ash koosha.

is it balearic? started the uber sublabel up a few years ago, but 2017 has undoubtedly been the strongest year so far for the imprint. following excellent stints from serene, wawawiwas and bonnie & klein, max manetti makes a debut appearance with a self-titled ep loaded with just the kind of slick, instrument-led island grooves we ve come to expect from the uber stamp. from the dense tropical trip of -jungle prayer- to the laconic guitar licks of -dub macumba-, the cyclical mysticism of -changuinola- on to -garrison- with its considered piano chops and stiff breaks, this is an ep of proficient musicianship and eclectic funk for all manner of situations.

superb, expert neo-minimalism from the retiring berliner — veteran of collaborations like vilod (with ricardo villalobos), the moritz von oswald trio, nsi and sun electric — making a rare, treasurable solo foray. six tracks ranging from oscillatory steppers to eerie hauntings. beautifully sleeved, too.

music from the television drama taboo by max richter on 180 gram vinyl with download code included.

music from the film henry may long by max richter on 180 gram vinyl with download code included.

music from black mirror - nosedive (s03e01) by max richter on 180 gram vinyl with download code included.

max graef for the swz003. final release for this year. fully on rhythm power. chords included. best before swz004. thank you for everything in 2017. a.s.

180 gramm vinyl im klappcover.

as a contrasting follow-up to our first single from rooteo & mahura’s metta album, the second single on made in green records keeps the format intact with entirely different results. deadbeat’s remix on part one was both respectful and subtly transformative, on part two, new york’s upcoming max mcferren, whose busy 2015 included eps on ultimate hits, allergy season, and 1080p, brings us a startling reinterpretation of album closer harmal very much in keeping with the vein of raw, aggressive house coming from brooklyn since that scene’s resurgence. the original version of harmal finishes the album in fine style, blending tablas, celestial electronics, and short melodica phrases that gradually swell with layers of vocal samples and orchestal pads before reaching a climax and slowly dying away in gradually receding layers of ambient electronics. mcferren’s remix leads off with only a bare framework of techno percussion. the entry of a sampled section of melody from the original signals a rapid transition to more abrasive territory, with sheets of metallic noise slashing through the high end, short vocal syllables stuttering, and an insistent bass pulse building up and breaking down with at least one element constantly in motion.

pathway traxx strikes again with this vinyl only underground bomb featuring 2 of the hottest stars in the underground scene, jack wickham and michael james. this 4 track ep delivers punchy underground sounds all designed for the dancefloor. label boss niko maxen serves up both original tracks spanning rolling romanian tech, through to pumping house inspired minimal. jack wickhams rework of the original falls right into his signature sound that has seen his tracks become the staple diet of artists such as raresh and rhadoo. michael james steps up to remix duties on the track cobra and gives us a perfect example of why he is being chased down by some of the biggest underground labels around. this ep is nothing short of an all round banger!