alek lees second 12inch on antinote starts with an uptempo opening to a rather downtempo record. playing with some of the genre (namely, deep house) codes like the use of a politically-aware speech or vibes, alek lee cant resist to give time his special treatment nonetheless: using some of his dubby tools and bringing in a warm trumpet he takes the song onto a rather windy road. dont fall for it though: time is a red herring

nichts passt besser zu dieser aussage auf diese wundervoll zusammengestellte und verzaubernde musikselektion, die, wie auch jeder agnes obel-song, ruhe und frieden ausstrahlt. es ist die entschleunigte antithese zur rush hour, wie ein zugefrorener see an einem sonntagmorgen. agnes obel verbindet songs der enigmatischen jamaikanerin nora dean (eine duke reid produktion) mit dem kargen, bitterbösen -party girl- von michelle gurevich, das den gleichnamigen französischen film inspirierte. wehmütige stimmen von the bulgarian folklore choir, nina simone, ray davies und agnes selbst treffen auf mehr oder weniger elektronische tracks von yello, can und der griechischen kultkomponistin lena platonos. garniert wird die kollektion mit neuem agnes obel-material wie den dänischen song -glemmer du-, die vertonung von inger christensens -poem for death-, sowie den song -bee dance-. die doppel-lp erscheint als limitierte 180g pressung mit allen 19 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inkl. bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, im gatefold mit antistatischen innentaschen plus kunstdruck in 12- größe.

pressing on slug genital coloured vinyl (translucent grey-ish blue with a purple hue).

rsd 2018 title - 22 hits from bunny striker lee, made between 1967 - 1976, when reggae went international....to celebrate the 50th anniversary of top flight reggae producer and icon bunny striker lee’s involvement in the reggae business and producing one of its biggest catalogues, we are releasing his greatest hits package ‘reggae going international’ as a limited record store only release of 175 copies each on heavy weight red,green and gold vinyl in a deluxe gatefold sleeve.

not a man of many words, this bloke from canada who let the music do the talking. the mysterious producer rich p & lee will release his first ep on deeptrax records.

debütalbum von cindy lee, dem experimentellen no-wave/blues/trans-pop-projekt des ehemaligen women- und androgynous mind-sängers/gitarristen patrick flegel. die 12 düsteren songs kombinieren anmut, verzerrung und süße zu einem intensiven pop-klassizismus, der stark an eraserhead erinnert.

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lee scott teams up with jazz t on the production dropping two killer jazz laced boombap bangers ceiling and urn money. lee shows why he is one of the best lyricists out there killing the beats with intricate flows and raw hooks! on remix duty we have sleepwalker, aka king kashmere from strange u, flipping ceiling and pitch 92, the legendary mouse outfit producer, with his take on -urn money- the 12inch also come with instrumentals of all the versions. artwork is by stilts who completes this dope package.

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. lee moore unfortunately never got close to reach his goals of fame and fortune. past due have taken the welcome liberty of repressing this monster slice of disco-soul from moores catalogue for us all to enjoy and spin on today s dance-floors. do you feel like party? is a rare early 80s jam from the man and features all the hallmarks of his unique sound and style.this dlp features every (incredibly rare) single and 12inch that lee produced under his name and different monikers. essential boogie business!

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. lee moore unfortunately never got close to reach his goals of fame and fortune. for the first time, past due records is reissuing lees incredible free & easy lp which was only released as a handful of test pressings in 1981 because lee thought the record was too good to release on his score records label. it is a pure memphis modern soul / boogie funk masterpiece that features countless artists from the stax crew, al greens vocalists and even herbie hancocks keyboard player. the 1981 test pressing has commanded huge sums of money on the used vinyl market and is one for the real soul connoisseur

mitte der neunziger setzte sich terry lee brown jr. alias norman feller an eine symbiose aus techno und house, zwei damals sich eher gegeneinander ausspielende genres. heute ist tech-house dank deutscher labels wie pokerflat, perlon oder plastic city allgegenwärtig und hat selbst dem minimal-hype der letzten jahre standgehalten. mit letzterem label ist terry lee brown jr. eng verbunden. ein großer teil seiner langen diskografie wurde dort veröffentlicht. drei alben, unzählige dj-gigs, unzählige remixe, eine eigene dj-mix-cd-serie und immer wieder auch ausflüge in trance-, downbeat- oder breakbeat-gefilde – es ist eine erfolggeschichte. sein viertes album „karambolage“ ist das erste seit sechs jahren. gewohnt sicher und feingliedrig geht mr. brown ans werk. da sitzt jeder beat, da werden saubere melodien eingewoben und die balance zwischen musikalität und funktionalität ausgelotet. zum album erschien ebenfalls eine limitierte 7“ mit einem „karambolage-edit“, einem stück, das die fixpunkte des albums in einem ganzen verschmilzt. doch keine bange, es handelt sich nicht um einen liebloses medley. die edit-version ist ein ganzer track, der den status quo von terry lee brown jr. beleuchtet.

formed of laura lee on bass, mark speer on guitar, and donald “dj” johnson on drums, khruangbin’s sounds are rooted in the deepest waters of world music infused with classic soul, dub and psychedelia. their 2015 debut album ‘the universe smiles upon you’ was heavily influenced by 60’s and 70’s thai cassettes the band listened to on their long car journeys to rehearsal in the texan countryside. ‘con todo el mundo’ takes inspiration not just from south east asia but similarly underdiscovered funk and soul of the mediterranean and the middle east, particularly iran.

repress of the highly sought after transmat classic by k. alexi shelby

granny13 opens with nicola ratti’s “odd doubt”. with the use of a modular system and tape loops, a broken rhythm is obtained by parallelism between single sound signals as lfo one or processed tapes.
on the second side, giovanni lami’s “johnny leech” is made with a small bunch of equipment, just a chaotic hand-made synth (cacophonator) and a memoryman, working mainly on static electricity and leakage current in the synth used without any kind of power supply.

must have 12inch lee perry 12inch repressed. black vinyl press - as opposed to the 2017 bf red press. starting 2018, get on down brings you a beautiful package of roots reggae weirdness from the almighty upsetter: lee scratch perry. this 12inch single features the song disco devil, recorded by the legendary jamaican mad genius with the group the full experience, as a version of max romeos chase the devil. but dont jump to conclusions based on the song title musically this is as far as you can get from saturday night fever. thick, reverb-drenched dub/roots reggae laced with perrys dusted vocals and brilliant work behind the boards are on the menu throughout. this cut is undeniably underrated in perrys catalog and fans will eat this up, since it has always been hard to find on 7inch and 12inch for many years now

a tripped-out batch of hard jamming tracks from ex-mutante rita lee – recorded with assistance from all the members of the group at the time, but in a mode that’s quite different overall! lee is clearly the star of the show here – singing all lyrics with a much fiercer vocal approach than on her earlier solo album – pushing things hard to keep up with the jamming keyboards of arnaldo baptista and guitar of sergio dias – both of whom are working with the energy that would show up in the mutantes styles in the years after lee departed. one of the most compelling aspects of the record is the structure of the tunes – less conventionally rockish overall than the direction os mutantes were moving towards – and still with that strong dramatic flair that lee always provided when in the group. titles include -vamos tratar da saude-, -amor branco e preto-, -superficie do planeta-, -teimoisia-, -tapupukitipa-, -beija me amor-, and -frique como-.

debut single from leander van het groenewoud’s new band. rough-hewn folk melodies matched to rough blues-driven emotion, lee anderson’s sound is classic but perfectly fresh, easy on the ear but devastating for the heart.

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. in his quest for a unique sound, he constantly reinvented himself, creating projects with new aliases and concepts, scraping together studio time, and hustling. even today, moores music sounds ahead of its time.

freakin fabe easin the frizz again with these two swingin shots.

1971’s requiem for an almost lady is a personal statement and one of the heaviest break-up albums of all time. there are no lilting strings, sweeping choirs, or dancing trumpets. the arrangements are stripped down to the raw nerve, lee’s emotions are the orchestra here. the listener eavesdrops on a sonic journal of heartbreak. after losing his lady, his record label, and his country, lee etches his woes to wax

the cowboy moved slowly out of the booth and into the studio. you could tell by the look in his eyes, that the half-dozen shots of chivas regal had put his ego to rest, and he was ready to sing with the lady. they sang for three nights - the cowboy and the lady, and the gods were kind, and their album was finished on time. herein, lie the results…some good, some bad and some more. - lee hazlewood

the original six-track album from 1970, remastered and reissued on heavyweight 180 gram vinyl in a gatefold sleeve. cut at abbey road with half-speed mastering process.

brilliant acidic techno banger, incl cardopusher remixes

the sound of studio one can be identified by the great singers that it cultivated along the many great songs that these singers released. but as studio 1 s dominance was slowly pulled away by the up and coming new breed of producers many of the artists would inevitably end up working for these new camps and so the songs and singers found a new audience. the reggae sound of the studio 1 would make a great combination and the man to pull this was together bunny lee.

finally four guys from the deepest south of germany decided to share some of their shit on vinyl and hodenhouse is the result of this idea. as the name of the label suggests those four guys never takin things and themselves too seriously. it s a pure love thang. and love is limited. like our first ep, hodenhouse001, limited to 250 pcs, vinyl only. perhaps in the future there will be some more releases, perhaps not. we don t know jet and to us it isn t as much important at the moment. the ep includes tracks from mad lee, kaam and nly1p. be prepared. it will be released later this year. yo.

lee burton is the next artist on raum musik and this is his first single for our label. lee is hailing from greece and we were quite happy to receive some demo tracks of him, as he caught our attention already a while ago. his productions are more house related, but always with a nice, modern twist. his powerful sound and also his very well structured sound design could easily be described as his signature and it s definitely worth keeping an eye on him.

nice price deal !!! nice price deal !!! betörende bilder stellen sich beim hören von lorelei lees neuem album teddy toys ein. die sängerin sonja romei, der elektroniker/gitarrist palme und ihre mitmusiker julian preuschl, jakob schell und jakob kovacic haben eine cineastische art musik zu machen für sich gefunden, die einen sanft aber unwiderstehlich mitnimmt – auf die reise in eine faszinierende zwischenwelt aus vaudeville-verlockung, broadway-extravaganz, jazzclub-intimität, dancefloor und elektronik-klanglabor. die leidenschaftliche und noble diseuse sonja romei erzählt mit lasziver stimme geschichten aus einem verspielten, glitzernden mikrokosmos zwischen hinterzimmer und großer bühne.
12 inch vinyl lp im klappcover, inklusive cd-version ders albums.

social experiment regular jonathan lee is back with a standout fourth release for the imprint. here he delivers four driving club cuts aimed squarely at the dance floor and once again showcases his intimately production style to perfect effect. the raw grooves that are the trademark of jonathan s sound are on show once again, but there is a subtle evolution as this exciting producer’s sonic palette just gets better and better. don t sleep on this.

first release on the label rhythm control barcelona, which is also the name of the record store owned by dj bruce lee. the a side comes with a track by phran featuring ivy barkakati titled -impulse-, old school flavored vocal house with a strong personality. this side is completed by an acidic remix by john barera. the b side is a track by phran called -yuka-, which samples cuban voices over minimal analog rhythms and an acid bass line. the remix is by a well-known dj from madrid, tr, a newcomer producing incredible tracks.

cementing his reputation as the star toaster with the small but popular el paso sound system, based in the waltham park area, dennis alcapone was one of the first deejays to rise to prominence following u roy’s breakthrough in the late 1960s. born dennis smith in the rural district of culloden, he became immersed in sound system culture after settling in western kingston. once el paso became big on the sound system circuit, dental technician-turned-producer keith hudson brought him into the studio for his debut recordings, which led to a debut album for studio one and hit material for duke reid, some cut in concert with his deejay sparring partner, lizzy. alcapones longstanding links with bunny lee yielded the excellent guns don’t argue album, first issued in 1972, on which the toaster raps with style over some of lees all-time greatest rhythms, including delroy wilsons better must come, john holts left with a broken heart and slim smiths rendition of the temptations soul classic ain’t too proud to beg.

lee renacre presents coherence, the second release on dreamers recordings.

2017 repress , vinyl only! one-sided limited edition 12 inch!justin van der volgen s my rules label is back with its second release of 2016: the lee douglas edit of soulful dynamics, jungle people. given the nod and approved by the band, this is the version you ve heard and been looking for over the last few years. now finally seeing a proper release after many requests. called by resident advisor a mareh anthem referring to the new years eve festival in brazil and rinsed by djs like tim sweeney, psychemagick, and eddie c, this record is pure soul-disco heat. douglas takes the original, teases out the arrangement and turns the psychedelic knob to 100. simply stated, putting this record on is like pushing the button labeled -party time. vinyl only.

the days are longer and lighter already and that can only mean one thing. summer is on its way… lee burridge and lost desert return with sunshine days in mind on their ‘loopyness’ ep. an apt description indeed for the title track. its infectious groove rolls forward, making you want to get up and wiggle your hips, this track has funk. a live guitar lifts the track halfway through, as stuttered vocals and string-like synth lines take you away to other worlds. over on the other side of the vinyl (or track two for digital fans) is ‘botanic’. another summer daze, groovy, light and airy with a slinky fat bassline and a warm breakdown. music to close your eyes and drift away to, this track has been a firm favourite on all day i dream dance floors since last summer. the ep comes to a close with ‘12cc’ featuring junior. a dubbier groove underpins the whole affair while glass-like melodies and laid back synths sway back and forth. it’s a patient groover that rewards those who take the ride.

limited 2017 repress. amazing package! z.i.p.p.os collected works series got now remixed by par grindvik, ritzi lee, echoplex and jeroen search. any questions?

lee van dowski makes his debut on the mighty crosstown rebels with three delectably dark soundscapes in the tale of ordinary madness ep. the talented producer delivered a stunning ep for crosstown sub-label rebellion back in 2015 and this follow up exceeds all expectations. the title track is based on a text from charles bukowski’s my madness. opening with brooding intensity it evolves with haunting synths and subtle acid laced over a pitched down male vocal. on the flip the great escape and rapidplatz follow suit advancing with dark, hypnotic layers. french born, zurich based lee van dowski has toured the world many times over, as party of luciano’s vagabundos troupe and as an individual artist. his impressive discography covers labels including wagon repair, cocoon, suara, soma, rekids, bpitch control, ilian tape, and mobilee. this year shows no signs of slowing down with a release for nicole moudaber’s mood followed by this heavy-weight release for crosstown rebels.

for dudi003, we got back right back to the beginning of dub disco. those who remember the very first track on the dudi001, los wawis - no se in the aussteiger remix, will also remember the mind-bending and psychedelic synthesizer chords, dominating the tune. this fertile combination is now back, orchestrated by thorsten lee broda, the synth wizard of neukölln and aussteiger.

distinctive tenor singer linval thompson honed his singing craft in his formative years, growing in the west kingston ghetto of three mile, where he was associated with dennis brown, johnnie clarke and al campbell. a subsequent move to new york brought him into expatriate act hugh hendricks and the buccaneers, with his debut recording, ‘no other woman,’ being made circa early 1974 at patrick alley’s art craft studio. a series of other singles followed from his new york sojourn, but the return to jamaica in 1974 led to more noteworthy singles for stamma hobson, phil pratt and lee ‘scratch’ perry, with ‘jah jah redder than red’ and ‘girl you’ve got to run,’ both cut at the black ark for pratt, being the most successful. yet, it was all but a prelude to the breakthrough success he would finally achieve upon teaming up with bunny lee for ‘don’t cut off your dreadlocks,’ one of the most popular releases of 1975, a debut album of the same name, issued by third world in 1976, contained some of his most outstanding material, including the devotional ‘jah jah the conqueror’ and ‘long long dreadlocks,’ the romance thriller ‘black princess lady’ and the anti-rude boy opus, ‘cool down your temper.’

one of the very first artists to begin recording in jamaica, derrick morgan is beloved as a ska icon and a pioneer of the ‘skinhead reggae’ style. blessed with a rich, deep tenor, which with he belts out his clever and often humorous lyrics, morgan became known on the kingston music scene through vere johns’ regular talent contests, and enjoyed a lengthy run of hits during the 1960s for producers such as simeon smith, duke reid and clement ‘sir coxsone’ dodd (among others), cultivating a popular vinyl feud with prince buster after being brought into leslie kong’s camp by the young jimmy cliff. morgan moved to england during the late 1960s to capitalise on the skinhead reggae craze, but was back in jamaica from the early 1970s, and since bunny lee was his brother-in-law, the two have always maintained a close working relationship. people decision, voiced at king tubby’s studio for lee and released by third world in 1977, sees morgan in politicised roots reggae mode on songs like ‘let’s build a better jamaica,’ the symbolic racetrack drama ‘racing at ballistic park,’ and the title track, which all boosted the socialist policies of the ruling people’s national party, ‘natty dread forward out of babylon’ updates the ‘tougher than tough’ saga, and there’s a slew of rude tunes when you flip the disc, including ‘my dickie,’ ‘rough grinder’ and ‘ride manny fanny.’

tenor singer johnny clarke had many false starts in his youthful days. hanging around studio one as a schoolboy with jacob miller, clarke was supposed to record material written for him by bob andy, but somehow never made the grade. his 1973 debut recording for lesser-known producer glen stair was not released, and early work for clancy eccles failed to hit, though ‘everyday wondering’ for rupie edwards made an underground impact in britain and new york. subsequent singles for keith hudson and glen brown also did not get very far, but the breakthrough finally came when bunny lee asked him to sing ‘none shall escape the judgement,’ which was written by the singer earl zero, it became a massive hit that launched the ‘flying cymbal’ craze (based on an open-and-closed high-hat cymbal pattern, adapted from the soul train theme), and clarke became one of lee’s most reliable hit-makers, partly because lee stoked a rivalry between him and cornell campbell, whom lee had previously asked to voice ‘none shall escape.’ clarke’s satisfaction lp was recorded at harry j for lee, voiced at king tubby’s studio, and issued by third world in 1979. it is a set largely comprised of cover tunes, such as the strong opening update of the paragons’ ‘riding for a fall,’ the title track adapting their rock steady hit ‘my satisfaction’ in a post-rockers style. better still is the hard-hitting ‘reality’ tune, ‘play fool, get wise,’ which uses a proverb to relate a means of avoiding trouble on the dog-eat-dog mean streets of kingston.

gato preto’s debut album „tempo“ contains everything, what is exciting about the international club-culture: rockin favela-funk from rio, roaring township-grooves from south africa and angola’s technoid electro-hybrid kuduro. sound creator & gato preto producer lee bass creates the basis for femcee gato misteriosa and her portugese power-punchlines.

the antinote guys have always been keen on introducing new names to you and this addition to the labels catalogue makes no exception to the rule: they are pleased to present sfarot, the debut ep from alek lee, a musician currently living in tel-aviv.

vinyl only ep! no. 8 on tt comes from the talented athenian musician lee burton who joins the label with four classy cuts.