for a full underground effect, these remixes will not be available digitally, this is strictly vinyl-only business, one for the heads!! the 12inch features remixes by superstars 4hero and m&ms john morales – pioneer of the remix and original producer of jocelyn brown, galaxy, five star, shalamar and all things disco fabulous! recorded in brazil, far out monster disco orchestra is led by azymuths jose roberto bertrami, arranged by arthur verocai and rios finest musicians including and a massive, hugely talented string section – its supersized disco like youve never heard before

following on from last years impossibly good the love quadrant ep by space dimension controller, kinnego records return with two tracks from label owner boxcutter, his first new material since the arecibo message album on planet mu. >moon pupils< is a gentle, trippy bit of 2-step, full of tweaked analogue melodies and tape echoed flute. on the flip, boxcutter & kab driver take inspiration from vintage library music and dubbed out disco. >2time< is all handclaps and insistent synth chords, with two woozy string-led breakdowns. kab driver previously worked on kgo001 as part of kinnego flux.
available on 12 inch vinyl, mastered at the exchange. the first 300 vinyl copies are shipped in silk-screened sleeves.

after penning several of the classic cuts on manchesters cult pleasure label, martin played an instrumental role in the rise and rise of the citys famous fat city record store and stable of labels. later work as part of j walk led to yet more acclaimed releases, including 2002s superb a night on the rocks lp, beating zero 7 to the buzzer with their expertly executed lounge-funk. here martin returns to those raw fat city roots however, concocting a fierce bass led freak-out which sounds like a super charged lost classic from the golden age of funk ! manchesters fastest rising aussie star rüfdug gets to grips with the flipside, offering up a perfectly executed modern house jam, which lifts the dancefloor elements to a different level with a great deal more dirt and drive ! a killer release were sure youll agree

yes people, like dillinja once said, its time to get grimey! at the end of september, the man, the myth, the legend, mr terror danjah blesses rwina with the reinforced ep. a storming 3 tracker of top class grime for the connoisseurs, the ep is fully equipped with lazershifting bass-terrorism and high-end sonic manipulation.the lead track,reinforced,switches from sweet but dark r&b vibes to classic acid-esque rave touches, guaranteeing a proper reaction on the floor. peanut punch, a collaboration with regular sparring-partner d.o.k., sprinkles neon highlights over a minimal, bass-led beat, while the ep finishes up with stomp test - 4 to the floor club music designed to kill any dance. rwina & terror danjah - a perfect fit.

hailed as the rightful heirs to the likes of underworld, leftfield, the chemical brothers and orbital, decky, gary and galos debut album >we just are< attracted huge critical acclaim (eg >literally amazing<, >the most exciting new electronic act on the planet<, >f**king amazing<) and led to them performing their stunning live sets at glastonbury, ultra festival, fabric, rockness, fuji rock and planet love among many others. this summer’s festivals include bestival, creamfields, parklife, electric picnic and rockness.
new single >destroy< features vocals by jon spencer (of the blues explosion), the single paves the way for the bands second album.

four more explosive disco funk action gems to fill your dancefloor from a collaboration between texas finest exponents of funk and in flagranti with volume 4 of the series. >the insatiable tiger woods ep< as a nod to the sex addicted us golfer who allegedly likes a spot of disco dancing at the weekends. a brag mount is an infectious disco gem of such magnitude that girls will rush onto the dance floor with wild abandon. mishaps with chocolate is a cheeky and hooky bullet and theres no let up on the flipside as this value for money 4 tracker aims to prove with brass n bass led disco boogie. another essential vinyl item for your record box and another summer scorcher from the killer funk label stable !

awesome new revox 4 takes on a disco led groove with well known vocals dj!! already support from villalobos / marco carola & reboot

cessas third release on their missing link sounds imprint is another typical blend of styles that evades characterization. having recieved massivee support from the likes of mary anne hobbs, laurent garnier, sbtrkt, geiom, mr scruff, and top a & r man ross allen amongst others, cessa return with their strongest release to date. >recon< sounds like a blend of the best of good looking/ promised land-era d & b with more immediate 2 step/dubstep sensibilities that produces a great mix of rolling beats and a melodic soundscape. recon was given the sbtrkt treatment on an earlier mls release and returns here in its fine original form. >down & out< opens with an eerie acoustic double bass intro that descends into an upright synth-led floor filler, while still maintaining cessas love of restless arrangements and beat programming that strays away from the usual.

over the past twelve months, new york based manik has been residing at the top of many peoples one-to-watch-lists off the back of his >park to the slop< ep on josh winks ovum recordings (which also led to releases on four:twenty and fresh meat). the 24 year old is rapidly building a reputation with his work and it gives us immense pleasure to welcome him to komplex de deep. both the title track and flip >space & truth< take us on elegant and sensual, oldskool journeys.

siula grande is another needwant dancefloor friendly release with two great remixes from pete herbert and burnski to back two innovative originals. title track >siula grande< grips the floor with a hypnotic house groove and dark rave bassline, capturing the raw energy of early classics as well as the complexity of modern production skills and buoyancy of current house music. piano led melodies lead into enveloping breakdowns and result in a true dancefloor weapon. pete herbert is renowned for knowing what the dancefloor want. on his rework of >siula grande<, he highlights that groove that makes the original such a stand out track, and adds a nineties inspired piano and guitar lick - lifting the track to new heights. >for all time< is a 9-minute workout of deep slo mo funk inspired melody. lazy beats dance on a backdrop of embracing sounds producing an evolving journey into space and time. on the remix burnski, one of a new school of profilic house producers, injects the depth of house music and energy of modern techno, focusing purely on the groove in his >time to go dub<...

eddie c comes from canada and has been enjoying house music since 1987. his refreshingly old school approach has led to some mighty fine releases over the past few years on jisco music, 7 inches of love, flashback, wolf music, need want, sleazy beats, kolour and many other top imprints earning him a well deserved and growing reputation as a top producer and dj. for his debut release on home taping he kicks things off in trademark style with the sample driven, moody groover ætell meÆ. next up he flicks the switch and whips up a stompinÆ house workout on the get-down-and-sweaty warehouse grooves of æorganizedÆ. on the flip, rising aussie house maestro tornado wallace takes ætell meÆ one step deeper into basement territory and works it into an epic nu school refix. and finally, a cheeky vinyl only hidden track ædub up the editÆ provides an essential dj tool. 100% house music from two producers on top of their game.

this is a little beauty from claremont. the first side features la based fresh ro! (rong music), who presents us with a drifty synth/violin led summer gem that is reminiscent of loggins & messina. the flip side sees apiento & co (paul bryne from the testpressing blog) layering up guitars in a steve reich style which will sure get the goosebumps going. strictly limited to 300, limited clear vinyl 7 inch.

our search for real club music gems has led us to hamburg, where a young man and his nord modular has been attracting our attention for quite a while now: benjamin brunn.
at least since his workshop005 release, he has modulated his way straight in our hearts. unlike other artists, he knows how to let his synthesizers speak and tells us little stories, while always searching for new romanticfrequency ranges. so >my heart< tells us a story, from the in-ear adapter straight into the heart.

pelacha has been focused on her playground project in the past few years, with the support of her friends, she now decides to pursue a project that will round up her musical career: the launch of red sonja records, certainly a very personal way of understanding techno, which has been an obvious part of her career up to this date. this passion now results in two releases. and this is just the beginning... the first release contains pelachas cuts in their purest style, techno without additives, a drum and bass line that absorbs the spotlight, led by a line that sets the synth pace - simple and effective. heiko lauxs interpretation gives this track a german touch, tight bass and a touch of surround development sound pure and highly hypnotic.

another sureshot of edits with one side between slo house and balearic, while the flip is a bass-led, percussive disco monster. check!

the locke saints band was a high school band from watts califorinia led by reggie andrews. also known as the msingi workshop, the locke saints band created deep jazz/funk and modern soul. similar to kashmere stage band, there is an energy and mood to the music that is raw yet focused. everlasting love blends soul and funk nicely with an incredible vocal performance, originally recorded by rufus and chaka khan. this 7 inch is limited to 300 copies only!

sam sallon is a hugely talented singer songwriter, whos acoustic-led folk-pop brings to mind legendary uk artists such as nick drake & john martyn, as well as more contemporary artists such as devendra banhart, iron & wine, vetiver, etc. two of the uks finest producers have taken samÆs beautiful, delicate original song and taken it into new territory. leo elstob a.k.a. leo zero transforms samÆs acoustic original into a chugging, footstomping, sing-a-long balearic end-of-night-anthem. think the beatles baby you re a rich man meets the aliens robot man, with a subtle hint of (and donÆt let this put you off) wonderwall! begin is the new recording alias of back ii basics & bugged out resident, chemical brothers tour dj, apprentice fishmonger, and officially funniest man in europe without his own stand-up dvd to sell, james holroyd. james applies that subtle, euphoric begin sound to the mix, which is destined to be the soundtrack to all your sunsets this summer. this is sure to be one of the records of the year

nycs adultnapper hardly ever lets his foot off the gas… and this is no exception! straight back into the driving seat and ready to roll with his next ep for poker flat recordings, slowly is a typically spooked out 2 tracker from the east coasts master of the dark and funky arts…. lead track slowly is full of the type of crazy textural soundscapes that have become synonymous with adultnappers bass infected sound. winding, twirling cables and messed up electronic whir away in the background as a stoic kick-led percussion array works the funk. jazz influenced hooks, sultry vocals and horns-a-plenty, it all makes for an incredible workout! gold and forgetting is a touch more mysterious, with a floating chicago-esque synth theme at its tender heart. of course mr. napper still piles on the funk, and this amazing afterhours anthem to be wins us over hands down. emotional strings swathe by over a meandering 9 minutes of pure and precious metallic sheen

merkesdir are proud to present komaton. komaton are two young austrian sound artists living in vienna and linz. always focusing on their passion to touch and move the body and soul of their audience, they express their musical sentiments through the utter infinities of electronic sounds without compromise.

reggie blount is one cool fucker doing some great p-funk electro tracks as one would expect to hear from midnight star, morris day and the time, bootsy collins and the many unknown early 80s unknown electro funk boogie funkateers. heavily influenced by the underground electro-boogie style of the early 80s as well as more known artists such as one way, kashif, mtume, cameo, and parliament. reggie blount brings together the elements which led these styles to the forefront of the club scene at a time when drum machines and synthesizers were giving birth to the bedroom recording artist. mr blount offers up some heat for your funk bone on his long anticipated debut ep! as with all crown limited releases only two manufacturing runs... one is pre-orders only... two is when prices go crazy in the 2nd hand market. so make sure you will pre-order this in time!

q: who are q & a?
a: q & a are quinn luke & alexis georgopoulos.

q: how did quinn and alexis meet?
a: the two were introduced by chris veltri, owner of legendary record shop groove merchant in san francisco. veltri and luke had made a pair of plunderphonic dusted disco 12 inches under the name coppa. georgopoulos was a founder of the group tussle and asked if coppa would do a tussle remix. this led to luke acting as producer on the tussle album telescope mind.

another brutal speaker assault from the coinop camp! voted the worlds greatest label ever (repeatedly) by channel 4 viewers. nan-bangin says it all really - yet again the coinop massive (led by general mustard gunn) freak our minds and bootys with this, a very london affair....other than that theres not a lot to say for a label that has everyone hooked but our office highlight has to be the brilliant kanjis brand new vip remix of his own previously huge coinop track >drive you crazy<

tres gueros are three white brooklynites led by the amorphous producer sleazy mcqueen. this collaboration as a whole has been a few years in the making with two vocalists, two guitar players and if that wasnt enough, he brought in beef wellington for some additional synthesizing work.
this is a feel good indie-dance track that you will keep any crowd dancing. we have got some great remixers on board from nu-disco gurus anthony mansfield who runs hector works with partner and crime nick chacona. neighbour and his signature disco-house sound, along with newcomer dave allison who runs kinjo music. for good measure sleazy mcqueen has added a big room dub!

re-edit of a beautiful soul-drenched and piano led boogie obscurity!

the amazing situation return with two sides of love – gangster love and sutra love. the gangster side is an amazing clash of a skit from american gangster (heavily inspired by the eddy grant produced >funky like a train< by the equals) with donna summer. the resulting blend is as inspiring and surprising as it is unlikely. but with their usual disregard for boundaries and rules, situation seamlessly melt the two original cuts together into a perfect slice of discoid boogie that absolutely sets fire to the dancefloor. on the flip side, love of a deeper and groovier type oozes from sutra love. its a case of yet more top class, bass led disco action thats firmly focussed on maximum dancefloor reaction. this is without a doubt one of the best situations ever! and with heavy releases on disco deviance and their own imprint already under the belt that really is saying something.

ark has got an eclectic and organic sound, something in between. from his origins as guitarist in a number of 80s funk bands, most notably trankilou, where he hooked up with the legend that is pepe bradock and onto the great matthew herbert & losoul with their first collaboration, belle lurette in 99. the alleluyark ep series from 2003 reaffirmed as his status as chief protagonist of experimental, groove led house and techno. his 2005 long player on perlon, caliente won him critical acclaim, which is furthered by his more recent works together with shalom (as shalark), krikor (as krikark), cabanne (as copacabannark), mikael weill (as les cerveaux lents) and dolibox. his cannon of remixes is as long as the channel tunnel, reworking the likes of stephen beaupre, mr. oizo, archive, mossa, salif keita, slabb, fym, robag wruhme

the freaks are in town - led by migumatix! he grabs his influences from detroit to acidhouse and takes us on a ride from deep down in the valley all the way up to mountain high. once arrived we embrace sun and spread love across the land!

following up the dancefloor smasher that was i thought inside out, deadmau5 and chris lake join forces once again to bring you i said. the original mix is all about the killer, heads down groove, dirty tom led drums provide a perfect base for the jittery percussion, deep bass and bleeping synths, which all push into breakdown of epic proportions

played by karotte & sven vÄth at timewarp 2010!!! chris wood & meat return from their splash on kindische for another electric package, this time on murmur with backdown ep complete with sascha dive remix. backdown is a truly head-turning release – setting up three takes on one track touching on high-end percussion, brass instrument led melodies and the voiced enquiry – do you want it? this package comes with a dub version and sascha dive remix, each accentuating their own unique take on the original. the original melts with a sumptuous hook within a low end bassline before dropping into a restless trumpet fanfare. sascha dive puts a warm and driving house spin on the track, preparing it for those early moments on the dancefloor whilst the dub is the quirky and more looming take on the original one to keep the bodies moving.

re edit of a beautiful soul drenched and piano led boogie obscurity!

in 2010 desolat continues its one year old x series with m.in: >sing and blow at the same time<. m.in is an young artist from frankfurt area developing his individual music taste by being open-minded towards other genres. his interpretation of house / tech-house is spiced up with jazz, soul and afrobeat elements in order to present a varied and sophisticated blend to his audience and led to numerous well received solo releases and remixes for radio slave and italoboyz amongst others. m.ins house and his versatile beat programming caught our attention a long time ago - and the title track here simply seemed to be tailor-made for loco dice and his sets. >sing and blow at the same time< was probably one of the best kept secrets since last summer and now it’s time to reveal it. this new desolat x will be the first in the series to be available as a digital file as well. its coloured vinyl, with artwork by florian pohl and mastering by enrico mercaldi, will remain a collectors item - great sounding and good looking.

pavel pokhorovskyy a.k.a. pvl is a young artist from nürnberg, germany. inspired by different subgenres of house and techno music, he decided to try himself in producing his own musical visions, which led to his debut record on samuvar ltd. converting thoughts and feelings into modern electronic music, thats what pvl is all about!

well known for her electrifying panoramabar sessions, representing her love for all things deep, sensual and musical about house music steffis talent has blossomed out of her relationship with the musically entwined cities of amsterdam and berlin.
her touching, classic-jack inspired productions continue to gracefully bubble towards the international surface with this 12 inch. her debut cut for the label, >24 hours<, featured on tama sumos >panoramabar 02< compilation set out her production intentions quite eloquently. >kill me< continues the warm, traveling night-time vibes and opens steffis signature sound up into a full vocal-led celebration of house.
besides steffis killer chicago inspired throb and moody melodic structure, >kill me< features the sultry vocal talents of close friend elif bicer, also recording partner of label mates prosumer and murat tepeli. elifs tender and instinctive story of a love lost and found flows honestly and creatively throughout the vocal version. an instrumental dub is also included for the creative use of the dj.
steffi also shows off her skills with the >crushed soul< mix, allowing her intuitive, sentimental yet dancefloor tuned chord progressions to flow stronger. baassline led and focused on clean, precisely measured beats and synth lines to tell the story, this alternative version goes even further to suggest what treats are yet to come from this talented producer.

following up the dancefloor smasher that was i thought inside out, deadmau5 and chris lake join forces once again to bring you i said. the original mix is all about the killer, heads down groove, dirty tom led drums provide a perfect base for the jittery percussion, deep bass and bleeping synths, which all push into breakdown of epic proportions. michael woods returns to mau5trap after smashing his remix of the might strobe

multi-platinum producer, prolific hit-maker, and sonic innovator timbaland will release his third solo album, entitled timbaland presents shock value ii, on vinyl lp, on december 8th, 2009, on mosley music group/blackground records/interscope records. the album is the follow-up to the super-producers multi-platinum 2007 album timbaland presents shock value, which spawned three no. 1 pop singles, the grammy-nominated >give it to me< (featuring nelly furtado and justin timberlake), >the way i are<, (featuring keri hilson and d.o.e.), and a remix of onerepublics multi-platinum blockbuster >apologize< (one of the best-selling singles of the decade).
on shock value ii, timbaland re-maps the pop/r&b landscape by batting away genre boundaries once again. his prodigious influence and ability to stay ahead of the curve have meant that a wide range of todays most popular artists are eager to participate in the shock value series. this second iteration features guest appearances from justin timberlake, katy perry, miley cyrus, the fray, chris daughtry, nickelbacks chad kroeger, brandy, drake, and keri hilson. in addition, timbaland asserts the wide-screen sonic adventurousness that has led the virginia beach native to dominate the pop charts for more than a decade.

nr 9 in the series comes with the driving, bass led edit from cerrones >striptease< on the a side and the easier ralph mcdonald >play pen< track on the flip. tip!

another slick double artist 12 inch from the 2nd drop camp and for this, our 9th release, soushakerz head honcho and kent second finest achievement after the channel tunnel, j:kenzo, offers a blistering a side with conqueror. this moody, skittish and intense bongo led firecracker that descends into a thumping bass skank out on the drop, is pure dancefloor dynamite.
on the flip sees the return of ld, who continues to take the percussive elements deeper on derailment, adding in ravey synth line and switch up 2nd drop that compliments conqueror perfectly.

support from andre rozzo, alex jones, so inagawa, jamie jones, matthew styles-harris, laurent garnier, steve lawler, nic fanciulli. luna records is a new uk based label from respected club promoter/ dj/ producer paul bowen, the man behind middlesbroughs infamous >riff raff< events. the label is set to release music from some pretty well established artists with an emphasis on stripped back chunky house music and in that vein the debut single sees the much hailed german producer chris lattner step up get the imprint firing in the right direction. lattner has been djing for the best part of two decades, initially gracing the decks at hannover techno parties before word of his talent spread, seeing him strike out to play across germany. he has hosted a radioshow for australias pulse radio, worked as a booking agent for lessizmore and has had releases on labels such as einmaleins musik and wba. his passion for electronic music has shone through in everything he has done and led him to produce some great records, to which can now be added the luna debut >memory<. this single release kicks off with lattners original of >memory<, a solid tech driven slice of house with heavily effected vocal samples and a simple floor shaking groove. this is understated underground house music at its best, deep chunky and highly effective. first of the two remixes comes from ex-peace division man justin drake, who builds on the vibe of the original, thickening out the drums and layering some heavy filters over the sythn stabs to great effect. a straightforward and highly effective arrangement provides everything that is needed in this excellent reworking. finally we have a remix from bearweasel, who have been providing choice cuts in house music over the last year via labels such as tsuba, supernature, bloop and murmur. for their >lazy dub< they take things back to basics and turn in a slab of deep and dubby house with an emphasis on razor sharp percussion and earth moving bass. this is a superb debut from a label that is sure to become a major fixture in 2010.

yc‘s adultnapper has built a reputation for himself that not only commands respect for his highly evolved production skills, but also for his unique musical visions that steer him down his own unique path. not interested in following the current pop-trends, adultnapper turns in a freaky two tracker using a sharp, modular and timeless electronic sound palette. ‚almost nothing‘ is a complex and reduced spacer that features wonderfully processed drums and endless tweaked out studio trickery. haunting smatterings of melody, synth texture and paranoid-funky vocals drop in and out of the mix as this deep acidic groover charms you from the inside. poker flat regular patrick chardronnet provides a wicked remix that begins along the same reduced, textural tip as the original, yet builds into a breathtaking organ led harmonic climax. dramatic, uplifting and main-room friendly chardronnet‘s remix opens up the spectrum once again as audiomatique continues to surprise. ‚white fingers black hair‘ is the b side jam from adultnapper. a skipping, similarly complex and meandering groove is jacked up with some dirty hats and a playful synth theme that revolves around the track, amongst building strings and gated snares as its freaky climax is unveiled. super, off the wall stuff from nyc‘s chief mindwaper himself

circles is the brilliant third single from one of the uks best new bands detachments, the london based neo post punk electronic resistance force led by sebastien marshal.

under the stewardship of alan fitzpatrick (drumcode, figure, bedrock), 8 sided dice is considered one of the most exciting techno labels to emerge in recent times. 9 hours later, amsterdam, gas mask and continue led carl cox, adam beyer, dubfire, john digweed, nic fanciulli and len faki to champion the label, catapulting 8 sided dice on to playlists across the globe. ..

the first release on phonica white limited series is from tokyos iori. this young producers impressive work ranges from woozy ambient electronics to full-on club tracks. the common thread is a highly developed sense of texture and arrangement.a-side galaxy is simply lean, expertly crafted techno, led by a rolling bassline and crisp hi-hats, with hypnotic melody patterns skittering off the surface. its a trippy but accessible heads-down affair that has the depth and the bite to do damage at peak-time and in the after-hours alike. urge on the flipside is an even deeper, sub-heavy cut, an insistent, club-friendly groove swathed in burbling synth arpeggios and fx. despite being stripped-back, the sound design and sheer warmth of the production is incredible. the track really breathes.

peter kruder returns to the gigolo mega-church to present two new tracks from his recent arsenal of techno and house dance-floor bombs. needless to say 2009 has been a good year for gigolo and hell with the high times being shared by peter kruder. beginning back in march when we released peter kruders first 12 inch in 7 years as part of the cd eleven release. followed swiftly by the release of dj hells acclaimed >teufelswerk< album, recorded and produced largely in peter kruders vienna based studio. so as we approach the end of 2009 it gives us great pleasure to announce the latest ep >hard to find<.
on the a-side you find the title track, which takes in influences from detroit techno circa the age of ur to north african hooks. the filter sweep towards the end, which serves as the drop/break, is a master-class in restrained modulation that is bound to ignite any dance floor. on the b-side we find >25 west 38th st.< a slightly more reserved affair opening with the sound of the ocean air, then swiftly diving into a bass driven groove, which features lush strings and a piano-led top line creating a track that is as atmospheric as it is rhythmic. the ep itself takes influence from the b-side on two levels, the most immediate being the title of the track, which is the address of the old nu groove records offices. this is peter kruders homage to a time when dance music served as a momentary escape, an opportunity to make those around happy. it also brings peters relationship with gigolo records full circle, having begun in 2004 with his >nu groove< remix of hells >listen to the hiss<.
resident advisor recently alluded to the idea that peter kruders finest solo work is coming exclusively through gigolo records. it is certainly not beyond the realms of possibility as this latest record goes a long way to proving. with such a statement in mind we invite you to listen to the latest release from peter kruder.

highly anticipated release with this mixes of this charles webster produced vocal classic formerly released on boombastic. deep, delicious, ultra smooth, sexy, bass led, polished perfection. the vocal is flawless, light with her signature sound. funky guitar, dancing keys and breezy production will take you away!. b side mixes venture into straight up funky territories.

big with: norman nodge, surgeon, dave clarke, peter van hoesen, mike parker, ben klock, marcel fengler, laurent garnier, hell, vince watson, ben sims, cassy, slam, dan curtin, ...
with releases on labels like ostgut, time 2 express and prologue, the finnish producer is one of the leading lights in the new wave of european techno. samuli gets straight down to business on orbiter. based on chugging, insistent drums, the listener is led to a place where repetitive droning sounds, pitched up percussion and robotic bleeps dominate. if ever there was a soundtrack lose your mind to in a dark room, then >orbiter< is it. >metal space< is more considered, but its no less effective. berlin producer mike dehnert rounds off the ep with an excellent, deeply textured take on >metal space<.

smith & mudd follow their second album, le suivant with something that goes a bit darker. side a is a chuggy affair where the beats drive a bit harder than their usual tracks but the lushness and the bass groove are still there. a beautiful electric violin solo takes the second half to a different place. side b is a deep bass journey that sounds like jean luc ponty and terry callier combined with a but of led zep. fantastic stuff. check

it was only a short time ago when these 2 young up and comers made their respective debuts on our label and in the few months between then and now, they have gone on to skyrocket up through the ranks, conquering dancefloors, charts and dj crates-while becoming household names synonymous with quality and consistency.
florian kruse and nils nürnberg need very little introduction these days but for those that have been asleep or living under a rock, a good start would be to check their recent output on fine labels such as nrk, om, moodmusic, dessous and our very own dieb, to name a very select few. their first combined effort on the label has resulted in the >suerte ep<, a tight collection of deep as hell, tech infused house numbers heavily characterized by their attention to groove and addictive, seductive chord progressions that have become a hallmark of their production prowess.
to add some spice to an already sterling and stylized package, we have enlisted our good friend (and also mood music alumnus) alexander maier, to remix the titular >suerte< where he adds his considerable musical vocabulary to the proceedings, peppering a very tasty arrangement with piano chord stabs and throbbing basslines resulting in a gorgeous, summery house re-interpretation that has to be heard to be believed!
as if this werent enough, fresh from an impressive debut on nils and florians save room records we have been lucky enough to secure a percussion led, funk infused remix of >achieving balance< from bright new boys on the block io who round things off nicely and add another dimension to the >suerte ep<.

david keno is going for the trifecta with feast, his 3rd kindisch release of the year. following on from his excellent label debut discoteca, and his storming tout le temps collaboration with jaxson, keno is back with the 3-track smorgasbord that is feast. starting off his career with a number of releases for on corrado izos 1220 label, david keno has since cut his teeth with morris audio citysport edition and frankie rec, and has honed his sound into a fresh combination of masterfully constructed beats, perfectly pitched percussive elements and infectious melodies… all the right elements for dancefloor devestation! feast shows david keno taking a leaf out of the book of us westcoast house pioneers, and giving the sound a new perspective. >bonito< opens with a hint of cheeky latin swing and demi-percussion, before breaking into a tough jacking beat and boompty house bassline. a lone, melancholy string sample in the second half define the track by injecting a touch of unexpected quirkiness into the mix. keeping the momentum going is >808<, a slightly deeper affair based on a throbbing, undulating bassline and conga-led percussion

alexander robotniks futuristic take of the led zeppelin classic has been unearthed from dusty vaults circa 1983. the original may be an acquired taste with its off kilter vocal delivery, however, another version takes this cover to another level dubbing out the vocals and using snippets to devastating effect. a true diamond in the rough, with its synth melodies ropping in and out of the classic riff and running riot, this is prototype electronic disco at its finest