the original track is an industrial and distortion experimental project of the owner label federico amoroso which contain a really metallic and dark sound. positive centre his remix it s a dark walk into industrial noise and distortion audio bites, with ambiental moment and powerfull distroy counter. the first track of b side it s remixed by italian producer plukkk which heavy dominating with relentless attitude and distortion driving kick - drum, with big impact for the dancefloor. the last remix is an collaboration with the japanese producer yuuki sakai which has an original idea to add a lyrical singer in the middle of distortion broken techno beat. the new label started well: arriving the big names of the genre and industrial noise skarn division label founder federico amoroso, a new label that will touch many different genres and musical nuances: techno, industrial, noise, drone, ambient and experimental, a melting pot of sounds joined together by a passion for harsh corners and futuristic electronics. artists who remix the first disc of the founder federico amoroso are positive centre (who played several times in places like berghain and tresor), plukkk and yuuki sakai: every producer knows that long in the field of industrial techno and noise music (just look, to name one, the presence of the same positive centre to the latest editions of the berlin atonal festival, or even yuuki sakai: remixed by oscar mulero .. and so on!)

for the fourth edition of slow motion’s soundtrack serie we welcome heinrich dressel, better known as one part of minimal rome. space shaft is three tracks of dreamy, sleazy space-funk delivered with a light touch across expansive musical horizons. backed up with a brace of marcoantonio spaventi versions – both ‘disco’ and ‘chill’ space shaft is a record for movie fans and dancers alike.

a subtly appealing tape in a pink cover with an imposing artwork of highly erotic nuances: this cassette, originally promoted as candy-coloured sex-shop electronics, is the absolute gem of internazionale s discography and is clearly destined to become a timeless modern classic. together with the track the charnel house, included on the compilation ny dansk romantik, the excellent craftsmanship of elegy for the victors quickly evoked the loyal admiration of listeners worldwide who were captivated by its charm. this earned the danish artist a cult status and established him as an accomplished composer. the ambient music with an industrial flair of his earlier releases becomes organic in elegy for the victors and acquires life: a life depicting gorgeously melodious passages which tell a story of happy sadness or of sad happiness. such narrative is constructed by means of a lo-fi but majestic and emotionally charged sensitivity, gentle waves of haunting loops, cinematic samples and sweet maritime sounds which will hypnotise you. this is the long-awaited remastered vinyl reissue with a new artwork which, beautifully and more appropriately, captures the melancholic essence of a masterpiece of rarefied elegance.

ndatl continues against this backdrop of club tracks with a smooth offering featuring new vocalist rico and seasoned trumpeter kafelé bandelé. produced by label head kai alcé and remixes by larry heard.
here you will find the original ndatl mix, larry’s reinterpretation and two other worldly mixes under his guise mr. fingers which takes this song into another realm that only fingers can reach. so sit back, listen, then dance.

richeart is a young cat from italy thats been doing his thing like he is from the d. he played these 3 joints to jerome derradji and after some finagling and editing, heres his first 12inch for still music. its dirty, raw and uncompromising. just like it should be on any dancefloor.

irish producer leonid is welcomed on board of the itdr spaceship for their second installment. after putting out impressive releases on sistrum and dolly (to name a few), paul smith comes up with a stellar 4 tracks ep cut for clubs dancefloors. landing deep in planet x analogic territories, you will find leonid distinctive acid grooves fused in heavy basslines with amazing percussion work for a mystic journey across nibiru s galaxy.

one records continue their quest for the most up-to-the-minute house and tech-house tones, this time calling on bobby o donnell to step up to the plate with his groovesome wares. -e211- is a huge track, using swooping pads and a classic diva vocal lick to devastating effect - it s hard to imagine anyone resisting the emotional draw of this melancholic jam. -e131- meanwhile is a more cheeky affair, ramping up the funky drum programming and using a more minimal palette of sounds for decoration. john dimas then steps up to remix -e211- and turns it into a hard-bopping workout powered by a mean-tempered snare.

rhythm&soul s just groove it label has been excelling in its first year of operations, serving as a vehicle for the paris-based producer to air his own productions while drawing good friends into the fold. following on from chris carrier s appearance on the previous 12-, this time around ben rau has been invited to join in, and the resulting two tracks are testament to the strength of the collaboration. -the long tomorrow- is funky as hell, keeping the swing levels high and using a crafty set of minimal sounds to create movement. -we can do it like that- takes a deeper route, using dubby production methods to create an immersive treat for the dancefloor.

it s been a quiet year for kai alce, but finally the atlanta house hero returns with a new pair of tracks that will surely satisfy any fans of his instinctive, expressive take on club-ready deep house. this latest drop comes on sounds of the city, which has also supported the likes of walt j and brian harden. -just wanna- is a sure and steady workout peppered with woozy chords and a nagging vocal lick, but -movin thru- is surely the record s stand-out moment. with just the right balance between the edgy chords and the rounded bassline, it s a simple cocktail that plays to alce s strengths perfectly.

mint condition - a brand new record label focussed on excavating the outer fringes of classic house and techno. unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. from chicago, detroit and new york to london and beyond, mint condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! dig in..

inspired by his love of &#8203,,,,brazilian beats, transatlantic hip hop and classic house music, dj/producer mele&#769,,,, debuts on edible with a single that perfectly encapsulates this young artists sound and energy. having built up an impressive production cv by remixing for the likes of tiga and disclosure, as well as releasing original tracks like the 2015 tribal house anthem, ambience, the boy from the wirral lets rip on eats everythings label with 2 killer club tracks. frenzied tribal rhythms are in full effect on scouse afrika, a track thats already picked up heat and featured in jackmasters recent radio 1 essential mix. functional and rolling beats come alive with chopped vocal refrains dipped in delay the rumbling low end supplying an irresistible groove thatll no doubt whip up some dance mania in the local discotheque. more high-octane sounds are packed into sleepless the percussive elements providing the hooks alongside choppy vocals and booming sub-bass, its perky arrangement never letting the energy drop for a minute. meles energetic and unique percussive sound has gained him prolific support and recognition from some of the biggest names across the scene, patrick topping, skream, jamie jones, annie mac and pete tong, and this single is sure to win over a whole new legion of fans. meles &#8203,,,,scouse afrika sleepless &#8203,,,,is available from 9t&#8203,,,,h&#8203,,,, december on edible.

the rolling stones release ‘blue & lonesome’, their first studio album in over a decade. ‘blue & lonesome’ takes the band back to their roots and the passion for blues music which has always been at the heart and soul of the rolling stones.
double heavyweight vinyl in a gatefold sleeve with album download card.

4th installment on linear movement by marco cassanelli. blue magic is the perfect balance between atmospherical dubby tracks and more powerful deep techno. the release comes with a full screen printed sleeve.

third wave of acid avengers, introducing this time umwelt and v_3.378.

the noisemaker is back on raw waxes with his typical sinister, analogue-only electronic and techno music excursions, after the first series of eps remixed by inigo kennedy, mike parker, blind observatory and more. all productions are meant and released to offer a -living the moment- musical concept. the artwork has been realized by benedikt rugar, german illustrator continuing the abstract porn visual imaginary since the label fifth release.

cw/a are producers thomas feriero and francesco leali, known for their releases and remixes on parachute, r&s, decca and vakant, their work as avatism, clockwork, opus 3000 and house ov leaves, crushing live shows around the globe and running parachute alongside dj tennis since 2013. with ringleader the duo return with their first original productions since their debut full length, last years critically acclaimed words unspoken, acts undone. inspired by global trends towards orwellian mass surveillance and cyber espionage, ringleader aims to be an audible interpretation of big data, ubiquitous connections and the acceptance of corporate and government spying. grim and mechanical by nature, the six tracks — named after leaked codenames of government tools used to watch on citizens — work as a soundtrack to the destruction of privacy: a cold reflection on this aspect of society and its implications.
the vinyl ep includes a downloadcode.

mamie s records is a record-label curated by la mamie s that represents electronic music artists since 2016. based in paris and founded in 2007, the mamie s crew is collecting vinyls since their young age. they met some musicians along the way and they would like to share with you their crushes. the first one is kodäma... kodäma is a music duo formed in 2014 by kiala ogawa (singer and composer originally from japan and congo) and by t-time (bassist and composer). the word --kodama--, meaning --echo-- in japanese, also refers to spirits conveyed by trees and forests. according to the legends, these spirits are responsible for the the phenomenon in which the mountains echo. kodäma’s universe is very linked to kiala’s cultural sphere with, as a major source of inspiration, her childhood’s memories from the japanese countryside. kodäma is a subtle combination of electronic and acoustic sounds with kiala’s captivating voice, blending english and japanese. from this mixture of sounds emerges a spiritual, experimental music marked by their own neo soul groove

new 2x12 inch vinyl reissue of the seminal 2001 album from telefon tel aviv with liner notes by laurent fintoni. comes in gatefold sleeve with download code (includes archive 99 material).

gareth dickson is ghost like. from the dark outskirts of glasgow he has sent three studio studio albums in to the world - collected recordings (2009), the dance (2010) and quite a way away (2012). these albums have bewitched a growing inner circle, including some of the most innovative musicians around today - juana molina and vashti bunyan to name just two. gareth has been the only constant member of vashtis touring outfit over the past ten years and latterly they have stripped down to a duet on their worldwide travels. vashti indeed makes a spectral apparition on the first track of gareth s new album orwell court.

for selfless machines, t.wiltshire has fashioned a collection of intricate cuts on an analogue setup, fusing warm layered atmospheres, meandering synth motifs and dusty drum patterns. nestled comfortably between the living room and the dance floor, selfless machines is an engaging and wily mechanical mistress, hellbent on your attentions. a selection of six original linocut prints will be available, each built around the idea of man’s interwoven relationship with machines. some will be inserts within the vinyl sampler, some will make their way onto the cover.

no one flips it like a-trak. his limited edition box set “in the loop: a decade of remixes” commemorates twelve of trizzy’s most notable remixes - from blog favorites to festival smashes - on six 7” colored vinyl singles (2x white, 2x blue, 2x black) in custom sleeves, all housed in a beautiful collectors box. the wax is accompanied by a 32 page booklet featuring original artwork and a-trak’s behind-the-scenes stories on each remix, making “in the loop” a must have for any fg fan, #realdjing enthusiast or forward-thinking music lover in your life.

super mysterious 12” release from dj kushboogie. 12” black vinyl in white matte sleeve with paper inner. cmyk newspaper/rose/hand and cascaded window centres.

presented to you in 12inch maxi single format: the unstoppable force that is mount liberation unlimited, smashing through the barnhusiverse with this all-encompassing anthem of dance and love. comes with a 15 minute disko dubb odyssey on the flipside yo! its that popular stockholm sound, as heard at your favourite night club or in the headphones of your latest crush - now in full colour and with more strössel on top than ever before!

vinyl only. no digital promotion. mr ks & friends is back with a taymor zadeh ep. already massively played by dyed soundorom, djebali and friends. 2 original tracks + 1 remix from leftroom boss matt tolfrey + a great dj tool!

- deleted - jamie 3:26 basement edits vol 2 featuring acid whump and bostitch time. limited edition red vinyl pressing!

rumore is a nomad, an artist who belongs to many places but inherently returns to his native venice through his sound. with each release, his tracks become progressively more energetic and subtle. del mare plunges us into his world, a dream submerged in the water flowing through the vast number of canals in the italian city.

fall of 2016 sees midnight magic ready to enchant us once more with the much-anticipated birth of their 2nd studio album, the wondrously eclectic free from your spell. going back to their roots in los angeles, morgan wiley, and tiffany roth, alongside the rest of the boogie nonet, have prepared a refined feast of genre-bending songs. the ever so diverse moods of free from your spell make it a seductive journey. with each song mixed seamlessly into the next, the record coalesces into one long disco odyssey, reminiscing giorgio moroder and donna summer s concept albums four seasons of love and a love trilogy. moods, genres, and styles intertwine like an aural kaleidoscope, the album electrifying with its striking harmony. whilst exuberantly borrowing from past decades, free from your spell more than holds its own as a self-assured, innovative body of work. midnight magics free from your spell is an offer one can t refuse. an attractive deal in the form of disco escapism, traveling through its various shades, emotions, and incarnations, a comprehensive revival of the genre for modern ears. it s studio 54, it s moroder,amanda lear, gino soccio, and grace jones. its a whole palette of 1980 s r n b and cosmic funk. despite all the music references of past eras free from your spell is very much a current album, a mature demonstration of genuine skills in songwriting, a multi-instrumental banquet of sounds, a coherent collection of ambitious dance tracks and a beautiful celebration of eclecticism. add to this some of tiffany roth s most memorable vocals to date and you arrive at one of the year s most exciting releases. there is a strong reason for both midnight and magic in the name of the band after all.

take a trawl through mushrooms projects’ ample back catalogue, and you’ll immediately be struck by their constant artistic progression. throughout their career, giorgio giri and marco lentano have refused to stand still, with each successive release offering a subtle signs of musical evolution.
they’re at it again on rivea corymbosa, a sophomore set that’s markedly different – albeit similarly minded – to their 2013 debut album, undergrass.

12inch with printed sleeve, collaboration with photographer carolina pimenta: limited edition photo prints available (tba). moody collective is proud to present the first release on their new imprint moody records. clemens k. is taking us on a journey from brazil-infused downtempo over heavy jungle rhythms to psychdelic disco and soul. dorado (downpitch) created a remarkable reinterpretation of the intro track estate that is opening up the clouds to 80s space. photographer carolina pimenta has created limited edition art prints for the ep, that will be available at the release party in lisbon as well as in selected partner stores

c powers was raised in atlanta, georgia, usa. he lives in savannah, georgia. he is resident dj for performance art drag collective house of gunt. he has also been resident dj at clubnights cape fear in savannah, hunger in atlanta and no pain in pop in london. he works in a library and is cat dad to peppers, bucchi, and baby d. his releases include the oysters ep for proper trax in 2015 and the up neck ep for cgi records in 2014. he produced the single crow for the group 18+ (from their album trust) as well as songs on their album collect. fitness check shows c powers s experience as a dj as well as his growth as a producer. from the drum programs to the arrangements, it s obvious that the ep was written and produced by someone who can work a dancefloor. on wysh, which he says is an exit reaction to morose and morbid- techno, subliminal speech and warped vocal stabs transition from centered to alert. on fresco he dices and scatters a song over loops of itself, a technique he calls -a grey area between sampling and editing,i break it up into bits, resequence that shit then stuff that shit back into the track.js may get even more service from the wysh key beats and fresco beatapella versions, which give jacking rhythm tracks and sub-bass extra room to do their thing. the heavily dubbed ask less kick beats, lighter on drums but with a booming bassline, may prove useful as a set-opener or closer. the ep has been mastered for club play by helmut erler at dubplates & mastering, berlin.

nostalgic, soulful and, of course, boogie-woogie. thats how belgian dj producer boogie belgique (aka oswald cromheecke) describes the enticing combination of styles and sources from different decades that make up his music. taking vintage inspirations, most notably from swing and jazz eras, and merging them with contemporary beats and textures is the young producers forte. this is pleasingly evident on volta, the latest boogie belgique album for the cold busted label. jungle law gives a glimpse into boogie belgiques sonic palette. tough hip hop beats and funky live guitar follow an intro of jungle ambience as a trumpet presents the melody. soon some swingy big band jazz enters the song in an almost ghostly manner, while the insistent beat keeps the dance floor moving. album opener go slow shows a different side to the coin giving the listener an uptempo broken beat rhythm, some bouncy bass guitar, snippets of string loops, and a lovely, forlorn vocal line that echoes the past. its a beautiful concoction, and boogie belgique delivers on many aspects of this style throughout his eleven track album. volta is a satisfying trip in an aural time machine.

part 2 of the legendary use your illusion album!! includes knockin on heavens door, you could be mine from the terminator soundtrack and the wonderful dont cry!! reissue

a six-track beast ep from the depths of the bangface rave in 98. lush jungle radio transmissions, mpc-pitched af techno workouts, industrial noise, percussive madness and absolute stomping technoid space invader bizz.

claudio prc and unc are back on tgp alongside newcomer blazej malinowski. two deep and spacey techno journeys out on 12”.

using his own record label as a framework to express his electronic visions without any constraints and boundaries, faster makes a long waited comeback on rueres 3rd release. on side a, the original version of m.o.d. is veiled in a texture of dreamy loops, leaving the subtle bassline to anchor our minds in these lush soundscapes. on the other side, rhadoos remix unleashes a whole new set of energies, gathered from moulding the main theme into minimalistic metallic frames, held together by an addictive punchy percussion. vinyl only and 180g! early support from ricardo villalobos, onur ozer, a:rpia:r, barac, cezar, etc.

12345 500 copies 180 gramm 3 artists 3 wizards in the vinylwoodland. on her way, roon meets and befriends the jeanneret, who wants a brain, the malin genie, who desires a heart, and the afriqua, who is in need of courage. roon invites each of them to accompany him. after the witch attempts to stop them several times, they finally reach the emerald city. inside, after being initially rejected, they are permitted to see the wizard. he agrees to grant their wishes when they bring him the witch of the vinylwoodland.

long awaited repress of this amazing masterpiece as very limited white vinyl edition. what happens when scales and patterns of contradicting emotional imprints combine? when light and darkness, bitter and sweet, frost and blaze collide? those are the questions that johannes heil chooses to address on his upcoming album, opening up a vast grey-scaled area for the listener to traverse with techno as a blindfold. ‘black light’ sees the german techno mainstay return to the album format for an intimate ten track odyssey of close-curtained introspection. heil chooses the words of fellow futurist nikola tesla to set the stage of the black light story >black is the true face of light, only we do not see this<. track names are dropped in favor of a chronology of scenes, better adapted to the seemingly polar opposition of the forces that the figure and cocoon regular conjures throughout the album. everything that we perceive is processed and set into relation with past memories, digested emotions and iron-branded impressions. battling the current, johannes heil chooses to challenge certitudes by forcing us out of our comfort zones into the absence of light. if the pictures painted on >black light< are dark, they are also far from monochromatic. the machine-driven sonic prism acts both as the heavy cloud and the burst of light that shoots through to guide us. its the aggressor and the victim, the clenched teeth and the jubilant, the paranoia and the sanity of the mind. its pure heads-down driving techno with volumes of grandiose. provoking our senses, extending his art onto our personal canvases, the exile boss gives the listener the freedom to interpret the emotional context of each piece, to write the scripts of the individual scenes. the impression that >black light< leaves upon first listen testifies that 20 years down the road, johannes heil shows no sign of slowing down.

tokyo hipster electronic band lo hype forges forward their new e.p simplex six. taking their unique sound to new contempo heights. jerome sydenham jumps on board with route 50 resulting in a robust techno enhancement. this 4 tracker exhibits a commanding sonic attitude and an original flavour that is sure to endure the test of time.

for our fourth release we carefully selected tracks by two talented newcomers from romania. you already know melodie from rora10, joined on this one by another promising artist from bucharests techno scene - teluric. this is not your average split ep, but rather more of a collaboration between these two guys. the a side features two tracks under their individual guises, while the b-side showcases their collaborative effort, glueped, the fruit of years of friendship and working together. >glues from the toolbox< is a complete package and its meant to guide you through different moods and states of mind. 180g vinyl only. blue white marbled.

limited repress due to high demand on requests. on its second release, the fresh label eating records, native of brussels, embarks us on its most unlikely underground journey yet .the new project includes two beautiful tracks from the deep flows of house music, from the unfamous talented producer from kiev, io (mulen). there s no point in trying to place io or his music in some larger social picture. no need to talk about his intensive production. his successful releases can be found on imprints such as rejected (joris voorn), propaganda (nastia), elarum and his own mulen records which he started in 2012 and that released his stunning debut album within 2013. on flutes/creeps ep, he thrives on fantastic impossibilities including flutes and deep melodic basses. it is obvious that mister io had a wonderful time making the two tracks. flutes comes up as victorious and gallant. it is an energizing shock full of curious noises, mesmerizing musical surprises, a real dancefloor track. creeps is discreet and dark, and remains beautifully deep. this track finds io wrenching as much sweetness out of it as he possibly can, in return giving us our first indication that he is in a generous spirit. when this ep comes to an end, it feels like getting back from a good vacation: the last thing you want to do is re-enter the real world.

italian label out-er celebrates its five years of existence with an incredibly diverse double 12” compilation involving new and old artists who perfectly represent the ample house and techno sounds the label has been spreading: juan atkins, orlando voorn, efdemin, terrence dixon, label owner simone gatto, civilian, the analogue cops, aubrey, haiku, irakli and regen.

after some killer releases on jelous god and blackest ever black, parisian producer tomas more aka december debuts on mannequin records with a 4 tracks ep for the death of the machines serie. slow industrial techno mixed with raw ebm-ish flavours.

it has been a year since we last heard something from him, but in the meanwhile things have been sweltering beneath the surface. last we saw him, he vanished into a sculpture that bended the rules of our three dimensional reality. finally, here we are. being stuck inside a rusty hypercube trying to find your way out, crawling around the different tunnels all leading to new spaces that puzzle the mind. tangible, tactile shapes forming a comprehensive physical world without containing a discernible contour. flat pictures that once inspected transform into multidimensional spaces. the room fades into infinity, and all that’s left is an overdose of sensory stimulation. but dont worry. quince is here to help you find your way out. after an album on delsin, releases on music man, kompakts speicher series and his track europe on our somewhere compilation, quince is back after a short hiatus on something happening somewhere with a four track killer no filler ep that oozes character out of every sweaty pore. making the kind of records you still remember after an intense club night slowly comes to an end, quince presents a diverse pallet of sounds to choose from. rif provides perfect sturdy dance floor material with quince’s compelling groove trusting alongside splintered melodies and detroit influenced synth sounds producing a sense of undeniable optimism. b1s coitus shares a similar punch, combining raspy synth stabs with a detuned bell pad giving the feeling that youre sucked into a wormhole propelling you towards an unknown location.

mculo, aka dan schey, is a producer and dj originally hailing from london but now residing in berlin. over the last 2 years he has been cultiviting his own roots by the oder imprint on which he released his bunzlau tape ep and his i caught a glance ep which was out this summer, as well as regular appearances on the likes of kmah radio and nts. he is also a frequent dj in berlin alongside the likes of close affiliates chaos in the cbd and youandewan. this is the follow up to his dreamy i caught a glance ep. its a far darker record than his previous releases, focussing much more on the dancefloor. it s been a regular feature in mia dora s dj sets for the last 12 months.

always human tapes are back for round two and this time it’s a fight to the death. label head ryan wurst assumes the identity of soul tangler once again and unleashes a brutal mix of raw electronics, knife edged percussion and jagged techno.

recorded in haiku-pauwela, maui between 3rd febraury and 14th february 2016 anthony child aka surgeon presents the second volume of recordings of buchla music easel recorded in the jungle of maui. again we find child s in a more ambient guise and setting as the calm breath of the jungle sets a real time back-drop for his electronic explorations. there is no additional layering and all environmental sounds simply occurred throughout the improvisations. the range on display veers from melodic drones to sparkling arpeggios all revolving around a thick bed of (buchla) electronic and (environmental) acoustic interplay. nine personality type map hovers on a bed of syncopated rhythms whilst the nearby sonic mist of the forest seeths in and out of the frame whilst nightfall of diamonds provides a sonic analogy for the darkness and light contradiction that occurs only in such rich natural environments. the simultaneous acts of improvising, listening and creating provide a rich setting for the curious listener. another gem in a catalogue filled with gold.

intergalactic lover is the first release on cpu s new 7inch vinyl series and is the debut single from daddy long legs aka tom parker, one half of city guys and all round fm synthesis maestro extraordinaire. side as intergalactic lover is new wave kraftwerkian electro funk, with added vocal not too dissimilar to the great edwyn collins circa orange juice. side bs the club could be mistaken for a 1980s breakdance anthem, poised with casio orchestral stabs, scribble scratches and electro bass designed for the dancefloor, more specifically poppin and lockin . please note, this is a limited white vinyl, white label 7inch single

forty six knobs machine by unbroken dub is the first release from nikita zabelins label, resonance moscow. based in the russian capital, the label focuses on electronic music from towns and regions nationwide. unbroken dub is the stage-name of denis safiullin, well known to domestic audiences as a member of the hot wax team. that project comes from the industrial city of tyumen, sometimes called the hydrocarbon heart of russia. winter temperatures in the area can fall below 45c. denis is a long-standing aficionado of analog synths and continues to experiment with all manner of samples. those two trajectories produce a high level of originality, especially when he enlists the support of leading club figures from around the world. denis release for resonance moscow is excellent proof of this bold experimentation. all three tracks on forty six knobs machine use the rokton, an antique soviet drum synth.

der soundtrack von »vinyl« vereint klassiker des souls mit melancholischen blues einflüssen, country und kraftvollem rock n roll. die künstler-liste besteht aus namenhaften musikern wie otis redding, ruth brown und dee dee warwick. auch ty taylor, der den theme-song der serie beiträgt, kaleo, eine indie rock band und viele andere künstler aus den 70ern wie mott the hoople und the jimmy castor bunch sind vertreten.
180 gramm doppel-vinyl im klappcover, cd-version des albums inklusive.