supported by: betoko, the climbers, theelement, lopazz,dirtcrew, sicania soul, whim-ee, joao teixeira, garnica, james flavour, the town, luca elle, sammy & alex, rise n fall and more. this very limited 180 vinyl ep from the cool chilli mint music label this time showcasing the very talented and super creative style of lee webster. already with over 140 tunes under his belt,lee delivers a classy 4track ep with a mix of two downtempo excellent funky nu disco tunes that sound like no other and 2 deep house twisted garage infused tunes that will make any dance floor groove.

2018 repress toll....musik for love

an absolutely stunning album. its like an electronic emotional version of people like fink or piers faccini. this album is simply superb. vitall laurent garnier, very smooth, lush and deep. excellent, really! michael mayer, after nicolas jaar and pantha du prince, lee burton has brought the romance back into electronic music. a powerful album. raveline: a wonderful album with sophisticated arrangements, which turns out to be a little gem of melancholy and attract not only fans of smart elektronikexkurse, but also connoisseurs of elegant, unique and timeless pop music.partysan.net “une pop avant-gardiste et douce a decouvrir” sciences et avenir.thats part of the reviews lee burton received within the last three months from the press around the globe for his latest album release busy days for fools on klik records. being really ingenious lee burton managed to create a unique output that combines the sound of the german electronica with the greek temperament and the south american laid back feeling.busy days for fools is the stoner side of electronica. on july the 16th klik records present on a limited edition vinyl, pt. 01 of the remix series on original lee burton tracks from the likes of skinnerbox, mr statik, scsi -9 and finally on vinyl, nhars firelfy remix that reached on youtube more than 1.000.000 views so far

the box series returns on theory with 3 peak time tough edged tracks that have been gaining plenty of attention at clubs and festivals over the past year. >bite this< sees ben sims drop an anthemic analogue fuelled jacker. >reverse processed< from hollands ritzi lee is an uncompromising old school techno banger. and >dry run< by paul mac is a drum heavy dj tool with a crowd pleasing vocal sample. 3 no nonsense cuts for your box, enjoy!
early dj support from ben sims, dave clarke, luke slater and dvs1.

ready to get weird this summer? matthew dekay and lee burridge certainly are with the launch of their second imprint in 6 months following the success of their first label all day i dream. while adid represents their love of all things emotional and melodic and embraces thier signature sound perfect for their outdoor parties of the same name get weird will see releases geared towards the music they play after dark. a place to showcase more dubby, techy, slinky and sultry rhythms to hypnotize dancefloors when the sun goes down.

our friends in nyc just keep on delivering the goods! lee douglas re-vamps another duo of lost curiosities, with the a side offering up striding, synth soaked euro-disco & the b taking us into teutonic punk-funk mantra territory.

freaky bitches is the latest 12inch from glasgow underground. available in a limited edition, 200 only, numbered & hand-stamped & spray-painted release.

vinyl 2 of 2 of bepu n gali >i travel to you< with tim >love< lee and rune lindbaek remixes. regular vinyl without artwork. ltd to 300 copies for the world

energy loaded raw techno anthems. kawl them bombs! next installment of the killer kawl series by lee holman brings four menacing tracks of dark edgytechno. kawl 4.0 opens the ep with a looping percussion piece which builds and builds with concussive intent. 4.1 continues with a solid groove, rasping synth stabs and a grotty industrial technoid bassline to devestating effect. kawl 4.2 takes a different route and rhythmically changes direction back and forth, intensifying with precision as the track meanders through to conclusion. the final track of the ep is 4.3, a deeper affair with bursts of white noise, a murky bassline and an emotive hypnotic lead line captivating its way to stunning completion.

faze action have never been comfortable with the nu disco tag, and in an age where its dominated by digitally designed and somewhat pedestrian in its tempo the lee brothers return with a dynamic live sound that sets them apart. freak for your love is the lead track from their forthcoming album information overload and straddles a sick dubbed out punk funk groove that brings to mind the sort of incessantly sweat inducing music dfa was releasing in the labels first few years. a pleasant new direction for faze action is explored further on the accompanying new wave disco dub mix that delves further into the realm of echo and delay over that strident groove. the mysterious st holds court on the flip with two rerubs that switch the emphasis up towards a throwback bumping 90s house flex without loosing the originals charm

will azada opens with a huge, meaty bleep-chunking stomper. jackson lee comes back on the flip with his glacial dub, looming kicks awash in sub-ambient chords, then shifts from a mood of menace to one of somber longing.

der gitarrist von sonic youth entdeckt das songwriting für sich.

after the first single release >baltimore< of the latest terry lee brown junior album >labyrinth< at the end of 2011 plastic city and terry lee brown junior present the new remix package of the album track >bohemian life<. beside a deep pulsating dub version of the track by terry himself we have remixes by jacob phono & siinus on the a and furthermore a milton jackson remix on the b side.

limited white vinyl !!

exklusive version von fritz kalkbrenners fantastischer coverversion des bill withers-soul-klassikers ruby lee! die 74 version auf dieser 7inch-single greift meisterhaft einen 70er-soul-vibe auf. streng limitiert!

another killer from tuff scout~this one featuring robert lee!

another classy re-issue from boogie times, pure dope for any soul/funk/boogie-lover!

6 track vinyl album with electronica styled productions...

big with: dixon, ame, joris voorn, kiki, nuno dos santos, ryan crosson, soul clap, ellen allien, jimpster, satoshi tomiie, karotte, makossa, kiki...

huge and dark techno bombs. next killer by lee holman.

nu sound and version is an 11-track album of re-workings, re-mixes and re-recordings of tracks originally recorded by lee perry and produced by adrian sherwood and the on-u sound crew.

whether on his own or with nick hoppner as my my lee jones has been djing and making music for more than a decade. in 2008 jones released his debut full-length lp “electronic frank” on aus music. his solo releases and remixes have appeared on labels such as aus music, ostgut ton, liebe*detail and cityfox and last year, he did his first ever mix cd for the world famous watergate club. next up from the talented producer is a futuristic 4-tracker on aus, incl 2 remixes from george fitzgerald and midland. for the lead track moment, jones offers up a bass driven house number that hints at his jazz roots whilst pushing forward into garage territory. for the remix, george fitzgerald delivers his most straight up, heads down house production to date. next up is duvel, a characteristically quirky jones production, bouncy and deep all at once but with a bass line that will hold its own at peak time. midland steps up for the remix, twisting it into a moody multi-genre convergence like only he can.

new rekids! with 2 new tracks from french electronic music artist lee van dowski, > on< and >1977<, very oriental influenced groovy hypnotizer

terry lee brown junior is back on plastic city with his new 3 track single >baltimore<. here we have two great remixes and one original dub version. on the a-side is the pumping bas amro remix. its a little bit techy and would rock every dancefloor at the maintime! the b1-track is the aki bergen remix and it sounds more minimal than the other ones. also we have here more elements from the original included! for the last is the b2-track. its the dub mix of the original with less vocals and a straighter beat programming. the productions are very accurate, the interplay of moods, sounds and emotions is functional and sexy, very concidered and perfectly restaged. terry lee brown junior make the next step right back into the clubs. perfect!

the brandnew label founded by matthew dekay & lee burridge !! support by: anthony collins, andy baxter, ali (tiefschwarz), marc romboy, marco resmann, terry francis, dave vega, soul clap, ryan crosson, kristian (ame), chaim, osunlade, marcin czuballa,…

after our trilogy of black-labeled records (bigbait005-007) featuring dark and rather technoid house tracks, i.a. by portable, s-max, elektroherde and peter clamat, we now start our white-labeled, hand printed 12 inch vinyl series with a raw and soulful house record featuring three stripped-down-to-the-bone tracks by lee webster and glenn astro.

strong techno release! big with surgeon, ed davenport, psycatron, ben sims, perc, james ruskin etc.

london based james what is a well known musician treading the more left-field and creative end of the tech house spectrum. his numerous eps alongside dan berkson have become poker flat classics in recent years and so we are happy to welcome him in his first solo effort for the label. lead cut >it feels wrong< fuses classic analog bass with lively synth work and satisfyingly complex question-answer passages that whisk us away into a sweaty, late night vibe immediately. berlin based lord of the witching hour lee curtiss adds his touch on the remix side with a killer acidic treatment of >it feels wrong<. tense, soulful and teasing, this warm and super playable version will no doubt find its way to freaky dancefloors everywhere. >in the dark< slowly builds edgy, spooky elements in a deep, dark and sexy trip. combining smooth chords and keys, with trippy synths and sinister vocal snippets, whats bright and clear production works wonders in this slow-burner.

the pioneer of tech house, terry lee brown junior is back on plastic city with his new album. he steps out his labyrinth with eyes wide open. searching for new ways to achieve his aims. the result is a very sensitive new album with all the love for music you can expect from terry lee brown junior.

1st ep from australian dubstep duo. kito provides the bass heavy pop-infused production skills, blending perfectly with reija lees lively crisp vocals. dubstep has been in search of that perfect pop cross-over & they do it with class & flair.

lee jarvis for chicago jackin tracks

argy & lee van dowski with a slamming 3 track ep from techhouse to techno

new lee an dowski with detroit chords and floating feeling

lee foss >starfruit ep< is a sonic love letter to 1994 sent from the future. fresh yet unmistakably foss, each chapter is a seamless fusion of 90s rnb and low slung house grooves, amounting to his most refined and expressive solo package to date.

its now hard to imagine a summer that wont be sound tracked by hot natureds sleazy intergalactic funk and distinct bassline brilliance so its lucky the boys are back with forward motion – their first release for own imprint hot creations and dancefloor gold in the purest sense. disco delinquent ali love provides lead vocals

after the brilliant work with tigerlily on the digitaline track >say so<, gregorythme teamed up again with the lovely singer and created another epic masterpiece. >no time no space< has the potencial to become one of this years big anthems, with tigerlilys great voice, the catchy melody and the unbelievable synthline staying in your head for a long time! kalabrese and lee jones both kept the epic feeling of the original. kalabrese added his unique funk and kind of a caribic touch to it. imagine a lonely beach with nothing else to do as watching the stars out there. lee reworked tigerlilys voice, combined it with a massive bass and takes it a step darker into the night, made for dancefloors and big soundsystems!

thirteen might be an unlucky number for some but for culprit it is quite the opposite. the labels thirteenth release >candy< from lee curtiss, is its biggest and most unashamedly dance floor oriented release to date. a watershed record for the young label, >candy< is the special type of track that reaches out and grabs you immediately upon hearing it. so it proved for culprit founder andrei osyka of droog, who, upon hearing matt tolfrey play it at visionquests famed old miami party at demf, knew it must be a culprit release, and promptly went out and signed it

beretta grey returns with another stellar release, keith kemps 2045 ep! keith kemp turns the clock to the afterhours, with two sizzling and intelligent minimal dance floor inventions. big lee curtiss remix!

club veteran & downright musical legend lee burridge is back with a fresh slice of groovy latin infused tech house for matt tolfreys leftroom records. deep and thrillingly exotic with a touch of the exotic the >heres johnny< ep is a feast for the senses exquisitely complimented by a duo of highly adept remixes from miamis groove-maker lazaro casanova.

limited available in a nice salespack, material 002 / 007 and 013 feat. mihalis safras, liberto, mark broom and lee van dowski. dont forget the massive crabsticks remix by bart skils & anton pieete and the glitz remix of go bowling!!!

miss kittins brand new ep for mobilee, >all you need<, brings her sultry yet punchy vocals back to the floor with a classic electro bassline. with a remix from lee van dowski its not for the fainthearted. enjoy!

finest detroit infected 4 track ep incl a more minimal franco cangelli remix and orlando voorn remix

heavy plays by marco carola, carlo lio , reboot , arado , laurent garnier , mendo , hugo , nick & danny chatelain , danny tenaglia !

the haunting is a production straight out of the highland beats studio. jan liefhebber goes back to his roots with this old-school techno acid track. the ep starts with three minutes of pure techno accompanied by a haunting undertone. a contagious tb303 bass line kicks in when you least expect it and brings the track to a pounding crescendo inspired by early horror films and the dark rave sounds of the 90s. ritzi lee is no stranger to the art of techno and has remixed the haunting with his favorite tool the tr909 leaving the original acidic skeleton intact. ritzis detroit-influenced techno mix completes the 12inch and makes it an essential piece of red transparent vinyl for all techno freaks. experiments have been carried out on unsuspecting crowds around the globe and the first results are extremely satisfactory. hb041 is supported by miss djax, aaron liberator, bart thissen, nimbuz and buzz goree (mixworks/underground resistance)