miami born turntablelist & producer, jesse perez, throws down a booty shaking killer house jam for edibles fourth release. what you say about my momma has been ripping up dancefloors for months since landing in eats everythings hands, so its a welcome release on the label, backed with a deadly remix from truncate. on the original mix, perez grinds out a funky and low-slung groove, its memorable vocal hook looping and chopping from side to side as the raw mpc beats and sub bass weave their magic. truncate brings his no nonsense and direct approach on the remix, carving out a dance mania style drum workout over the cut up vox (think robert armani meets armand van helden). truncate has been a hugely dependable producer for yonks via his trax on his own truncate label as well as mixes for jimmy edgar, shlomi aber and kink, and he does not disappoint here. perez wraps up the ep with boogie down brown, another slab of funk laden house goodness, blending high tension strings and rolling drums to great effect. perez has been firing out infectious house jams for labels like bpitch, dj sneaks im a house gangster and hot creations, for some time now, as well as working his own label mr. nice guy, so its a welcome addition to the edible roster for jesse perez

the jena based label solid rotation started with an versatile various artist ep. the following first whole artist extended player of mbeck is a hypnotic, minimalistic journey. the cover side is reserved for an 11 minutes, dizzy appregiator crocodile ride. on the flip side, you can expect two ravin afterhour sidekicks, which are a hot standby.

cora novoa unveils her darkest side with this new ep released under her very own sktv label, an ambitious multidisciplinary project based in barcelona. includes remixes from dreems, and maelstrom.

continuing a sublime run of form for the label, the fourth outing on the lopasura imprint, is yet another classy trio of heady, analogue machine laden masterpieces. opening up with �out of the fog�, the familiar acidic arpeggio and crisp hits we�ve grown to love from benedikt frey, dance unwittingly along before being opened up by long, cinematic pads drenching the track with an emotion and grandeur so synonymous with his music. complimenting the a side, the looming intent �wolves� adopts from the off evolves quickly into a driving, hypnotic and beautifully crafted piece that�s a true heads down, eyes-shut techno battle weapon. rounding off the ep on the b side is the exceptional �lights�. an unsettling, caliginous whir of industrial drones balances the tribal, percussive elements almost depicting a lost ship crashing over the swells of the ocean as it clings on to futile hope of finding the lighthouse. it meanders and threatens before an incredible synth hook ebbs in and takes over momentarily, before calmly simmering as the storm passes. never before has love pain sunshine and rain been more perfectly encompassed.

ygrok brings a long-awaited fourth release to its catalog. rene&#769,, audiard�s �sakhalin� takes things a step away from traditional club music.
the a side, �vox out� opens with the skeleton of a rhythm. scattered tom drums and barely detectable whirs, fading and reeling in the background. when the distorted voices begin their story behind a hissing, grinding off-shaker, you know this will not be your traditional club track. a story develops. the barest hint of a shuffling beat, a subtle reminder of soren�s previous work, pins down the journey into the darkest psychic territory. the title track sakhalin steps even further into darkness. crackling electrics and disjointed atmospheres change at a glacial pace over a submerged hydraulic beat. sakhalin audiard experimental territory.

this is the third record of the modern house quintet. this new one features one house/deep house track (a side) and a more �detroit-atmosphere� cut on the b-side. �belle-ile� opens with a filtered piano organ which responds to a massive bassline. the second part of the track introduces gradually a flute line, a trumpet sample and a layered pad.�fountain� starts with a pad which is progressively defiltered and quickly joined by a bassline. the break introduces an acid bassline, supported by a string chord. all these elements blend together to create a detroit atmospheric vibe.

with releases on rush hour, mister saturday night and delusions of grandeur, nebraska is a man who needs little introduction. here, he delivers and amazing ep for heist, showcasing his talent for finding those catchy, but hard to pin-down samples. the soften the wireless ep navigates nicely between disco and house with 4 originals and an amazing tom noble remix. khans bargain will be the go to track the more disco minded listeners out there, with a catchy-as-hell synth line that you wish youd made up yourself. the remix, courtesy of nycs finest disco selector tom noble, goes on a clubbier path, turning the silky smooth original into a distorted house jam full of delays and filtered drums. the b-side sees nebraska turning towards the housier side of things himself, with the blues as a perfect example of minimalistic house. here, he uses only a small amount of elements to create an intoxicating and intense groove. it wont be long breezes through with a lighthearted arpeggio and some lovely dreamy vocals to set a more emotional vibe. ep closing track (digi only) varkala is somewhat of a special track, being dug up from an old hard disc and remastered for your listening pleasure. sincerely yours, lars & maarten

no fancy business class air lounge mumbo jumbo this time, no.8 just got clearance for take off and this one is first and foremost for the pilots. the a side hits you loud and direct like a cessna centurion engine, accessible, reliable and just damn good in the air. now if b1 is some kind of an adventurous but gentle doppel-decker, manoeuvrable­ small craft, then low altitude b2 breaks the cloud cover to take you on that magic night-flight you might later be uncertain if it ever really happened. limited edition - vinyl only !

eine interkontinentale familienangelegenheit weitet sich zur kosmischen gemeinschaft aus. die vinyl-lp erscheint inklusive downloadcode.

we are back again with another special release, it s time for the italian producer courand with two special tracks: the first track called cote d azur rapide it s a techno groovy experience perfect for broke the dance floor.in the second cut we have anastrofe, this track it s a powerful dub house track. in the side b we find the anastrofe(mirror of my soul remix) from the master valentino kanzyani. you will do a big trip with this amazing remix of 9 minutes.

religio is glad to present the first va series of the label rigorosely on vinyl only. a side is from lillo and fulvio ruffert & gregorio serasin, both minimal and deep tunes, lillo s track is more big deep bass and bouncy instead the creature from fulvio and his mate is focused on the mesmering soundscapes and deep dub melodies.. b side is from fnr and kitkalt the fnr tune is very organic and sexy and from his kind of producing very analog stuff taste, kitkalt delivers a more techy track, dark and shiny at the same time, a tune for smashing the dance floor..

sean dixon returns after appearances on the clone store only series and his own final chapter. the a-side is filled with two versions of the sample heavy house tune i can t stand the rain. on the b-side stockholm based sean delivers his warm tribute to the classic my house. vinyl only.

nice price deal !!! a mind forever voyaging, due out spring 2016. featuring ten tracks of macho yet melodic, tender yet tense analogue house and techno, it is a continuation of the fine work the scenery records boss has done for labels like m>o>s and mistress in the last few years. something of a late starter, robinson has fomented his own mystical, nostalgic, inventive analogue sound that makes you jack, as well as conjuring real emotions with his great knack for melody. this album was recorded live then edited down.

it�s been a while since planet rhythm released an entire lp project. who else to thread into album territories than ukranian planet rhythm stalwart yan cook. after releasing various efforts through the rotterdam based imprint over the last few years, yan cook comes up with a double lp consisting of 2 discs with 2 tracks on each side. whilst shifting between various sides of the yan cook identity the xx lp proves to be an effective and bulding package over mechanic techno sounds with strong builds and exciting taints of fx.

london based axe on wax is back after a stand out ep with the likes of boo williams, dez andrès, jordan fields and steve murphy. this is a very special ep, the first from axe on wax for record store day. the a side is an original piece from anaxander, who has released on labels like love notes from brooklyn, poker flat and tasteful nudes, with the help of benjamin muller on the keys. the b side includes the remix from another chicago house legend which is glenn underground.

we started �the classic series� featuring tracks that we love, bought, played out and which we have the feeling more people should know about them. for this fourth release, it is a great honor for us to welcome such a living legend, a pioneer from the chicago house & techno scene: roy davis jr. this project includes three very rare cuts and timeless moments of deep chicago house.
on a side: �i�m tha d.j.�, released in 1995 on kumba records + �under tha sun�, released in 1995 on downtown 161.
on b side : modal (woody mcbride & david stevens) �lovers� remixed by roy davis jr. & dj skull. a massive, rare, and very demand track, previously released in 1996 on sounds (subdivision of communiqué). our favorite secret weapons, a real masterpiece of deep tech chicago sounds. enjoy !

early support from disclosure, seamus haji, treasure fingers, loz goddard, admin, ashley beedle, danny tenaglia, mark farina, riva starr, hector romero (def mix), severino (horse meat disco), nachtbraker, thatmanmonkz, nick catchdubs, ooft!, harri (sub club), chrissy (nite owl diner), sleazy mcqueen, martin hayes (rose records), ionik (kojak), phil asher, sabo, groove assasin, nathan g, kolour, onionz..
at long last, jkriv & free magic make their collaborative debut on rnt reserve with a very unique triptych of productions. the a side is bonafide party-starter, working a soul sample in classic stomping house style, while the b-side delivers two jazzy and darker moods. a beautiful listen or spin on the dancefloor all around!

�prÉvision #02� is the second compilation and third vinyl of forecast label, french record label originated in 2012. it gathers six house, electronica and techno tracks in varied styles for various artists. the original idea was to make artists exchanges ideas together to create tracks that would exactly define each one�s identity. while cheaper shepherd�s �weasels� show again their shiny and catchy vintage house, romain play explores several music genders through a train trip across jazz, psychedelic rock and house. the new comer roman s releases his first track ever, showing his talent for groove and minimal house. on the b-side, d°c, breilitz and sir squi explore three kinds of techno. first track of this side, �erebus� shows a kompakt-like new wave but club-oriented techno. �raw interference� could without any doubt be played at berghain. last track, �(crashed)� is on the psychedelic slope of techno. it uses a sitar, to ends the compilation on a shinier note.

as tanzverbort laws in some parts of the world still deprive people s basic need to dance, croatia s legalize lambada movement brings you it s very own second cry for freedom. side a features two slices from camp cosmic ambassador albion leading the way with an italo disco obscurity known to cause hip replacement called yetti, followed by a travel ticket to hazy cosmicville named into infinity. on the flip austria s main digger mikeburns saves two soulful african jewels from extinction enyin aiming at the dancefloor and this ground telling us a story.

original soundtrack composed by simon says for apollo thomas film. 100 copies numbered. mastering by krikor!

for the latest instalment in the apollonia story we look to argentina and the talented producer federico molinari. having been based in germany for the last couple of decades, federico has refined his sound, developing a strong signature through his dj sets and his studio productions, most of which he has released via his label oslo. federicos ability to craft effortless grooves and timeless rhythms is evident here on this killer new three-tracker. side a is the eight-minute long roller * congo toys*. the focus here is on a crisp 4x4 beat, which keeps things simple � under this lies a sturdy bassline. all the while, the low end is accompanied by a series of bleeps, which could almost be the chatter between two archaic computers, modulated and weaving in and out of the beats and bass. on the flip, we have two more dance floor-ready joints. like * congo toys*, * tres cuartos* is focused around a simple foundation, with layers of unusual effects � an overriding sense of playfulness comes through in molinaris production, perfect for the boogie down crew. last up, * joyfex* takes us further into leftfield, hypnotic, hazy atmospherics draw us into their web and we are tangled up in a mesh of vibrating whirrs and echoing, distorted voices. sublime business from an apollonia favorite�

society 3.0 recordings welcomes the 2016 spring with a solid vvaa ep. the first two tracks come from the skilled hands of the manchester based producer robot needs oil aka leao. these two tracks are oldschool flavoured and groovy house tunes. the next track is produced by talented producer minlab in a more deep tech indie dance style. the three tracks on the b side come by ugur project from istanbul and is pure classic house music at its best. a perfect combination of chicago, old skool, indie dance and deep house

nearly a year after his acclaimed debut ep, every inch of you, a musical project meant as an ode to the memory of a once great man, his grandfather, the enigmatic, rosas nievas, steps up to the plate with a sophomore outing for scissor and thread, going away soon on the a-side, the bombastic opener, wastes no time getting its feet moving with charged up percussion, guitar licks, and playful sampling with a clear ode to the likes of matthew herbert.

deadly groovin monster! slow tempo tracks for body & mind, featuring the swedish pairing of dorisburg and efraim kent, and esteemed japanese selector dj nobu, offering a rare original production, on the a-side. the flip have a beautiful cut from iori, called upon once again. completing the set is italian duo naturalelectronic.system. with an awaited classy production.

the second ep on unequal has two fearless tracks from cloak. a1 is a peaktime oriented banger with evolving staccato hats and rough machine sounds all over. a2 goes one step further and disturbes with noisy droning synths and a sick low bassline. flip side by anselm tells a raw story in downtempo with crooked melodies and dense hi-hat rhythms.

white vinyls with rorschach test black inks in order to stimulate your visual and sonorous consciousness. inkblots third installment represents the large scale press of the very first 50 copies edition featuring tracks by label head haiku and american veteran mike parker, plus a cover artwork drawn by parker. compared to the limited edition, inkblots #3 differentiates for letting parker�s creation appear on the b-side of the vinyl. the white records are still offered into white opaque pvc jacket.

after acclaimed debut ep by raw ambassador, milan-based un.t.o. records presents marcello napoletano�s destroyed ass ep: a limited edition, four tracker combo of different tunes.
the a side delivers a techno track and a funkier one, both of which will take you on a boat trip into an infected swamp lost somewhere in southern italy. at the same time on the b side marcello�s voodoo ritual will take possession of your body with two full-house tracks. café nanà is a crazed drive of broken percussions �and vibrant field-recordings of cups and glasses banging together in a smoke-filled, sun-drenched, cafe� while waiting for my bass is a warehouse melter reminiscent of gene hunt�s rawest works.

tresvibes soundsystem, the trio of satoshi otsuki, dj pi-ge, and kikiorix, is based in tokyo and their label, vis rev set is about to kick into gear. their first release will be pressed on wax introducing the unreleased tracks from their mix cd -playground-. a-side includes a track with its original groove made of complex yet excellent minimal sound by hello?repeat soundsystem, a unit of daze maxim and jan krueger. b-side offers a minimal house track with jazzy and soulful live sound by dewalta from meander and also dj pi-ge s deep tool-track full of analogue sounds. the contents of this ep are all prominent modern minimal house tracks. you should drop them in your house set but they can really be played during any kinds of sets! they come only on vinyl!

after a two year hiatus graded is back with label founder midland at the controls and its been worth the wait. graded003 picks up where midlands 2013 drumtrak left off, left of centre club music for warehouses and basements alike. the a-side blush first aired during a particularly warm boiler room recording in milan last summer. it turned heads on the night and has garnered endless id requests on the recording ever since. stuttering rolling percussion and a synth line as bold as it is unusual make this one a very strong club tool. on the b-side outpost and holdup take a deeper turn, rich in suspense and expertly programmed drums, theyre unmistakably midland productions drawn from the more obscure corners of his sound pallet.

the 3rd release from japanese label bitta owned by japanese charisma, future terror boss dj nobu . the release is by wata igarashi who was recently featured in ra breaking through . a side, haziest just before the down deep minimalistic techno which has acid, industrial and spacey running groove and the ritual , minimalistic rhythm with distinctive breaks, looping acid bass, spacey pads which take you another world. b side, haziest just before the down 2 version remixes by semantica s core artist sverca , deeper electric groove with more experimental approach.

on the a side scm provides the perfect blend of analog synths, heavy kick drums and a badass bass line ranging from fuzzy voices to contagious latin samples. on the flip the berlin based label delivers a very rare recordings of his guest chicago�s jordan fields. these experiments were recorded directly to tape and lost till now!

second release of dancing like quagmire, italian white label (vinyl only) born to make people dance shouting�giggity giggity go�!!! this second chapter is born to rock the house with three original tracks from bolognese jackie plus whistling and addictive remix from �the kaizer� kai alcé.the title track �natural� is ispired by �90s italian house with voyaging atmospheres on irresistible snares drums, a2 �honestly� represented a continous and goes more deep and straight to move the dancefloor, while on the bsideyou can find kai alcé�s distinctive touch on �natural� vibes where the unmistakable flote bring soul overan undying chicago house groove. �glimmer� on b2 side close the ep with positive and quite melodies.

handcrafted return with their second vinyl release by ukrainian born yaroslav lenzyak featuring his track �diatomeae� - that has given its name to the ep - and �serpantin�. including in the side b, two remixes by guy from downstairs and just_me. - vinyl only release.

ep01 will be released serves as an introduction to two respective personalities: murcof and vanessa wagner. each artist presents their own version of �gnossienne 3� (erik satie) and �what arms are these for you� (david moore) on each side of the 12� record. this fascinating ping-pong game immerses the listener in a timeless, endless world of sound.

in our brand new 12� vinyl release axel karakasis has produced the mouth-watering hashtag ep, for all those vinyl and techno lovers out there to enjoy a wild time on the dancefloor.
on the main side, the title track opens up in a bass-heavy, thumping tempo mode that evolves into a magnificent mixture of insane synth samples. the result is so refreshing and upbeat that you cannot get enough of it! happy monday completes the sequence on the side: the track provides an ultra-rhythmic counterpart with layers of textured presets and a voice sample that strikes out!
on the remain side, spillover is a rolling monster, with a highly contagious, utter rhythmic grooviness that is simply irresistible. ample percussion and hats accommodate retro synths and reverberating keys that cut through the track to give way to a solid techno workout that is exquisite.

the bubbling beanie wearing beat producer, kaytranada, pops up on xl. anderson .paak guests on glowed up and the combination is fire. limited edition 12� of album tracks glowed up with lite spots as the b-side. full album out early may 2016.

faze action return with a brand new 12 inch, teaming up with zimbabwean born zeke manyika to create * mangwana*. sung in zekes native shona, and taking influences from mory kante, south african kwaito to early house, faze action manage to create a record that harks back yet still has a modern and contemporary feel and is set to be the soundtrack to countless festivals and outdoor parties this summer.
the title track is followed by the stunning * chiiko*, featuring zekes vocals enriched by robs cellos with african rhythms floating you away to another tropical world. a vision of panorama turns up the dial with a stunning mix on the flip side. a new bass line adds to some quality keyboard work. finally the brothers deliver are more stripped out dub * paradise 89 mix* tailored for the peak time.

cray76, joakim�s dance project, is back with a 2-track ep.
on the a-side, this is what we would call a banger here at crowdspacer. simple, stupid, raw, funky. is it a tribute to new york? not sure but the b side certainly is. to be more precise it�s a tribute to merce cunningham, the legendary choreographer, close collaborator of john cage and genius thinker who inspired the name of the label. based on a recorded lecture by merce, the eponymous track is a slow, hypnotic and organic house groove, an ode to movement and ny avant garde, because �...dancing is a visible action of life.�

hand stamped vinyl only release with promo feedback form included... the a side, body action has been causing quite a stir since it was included in medlar s excellent solid steel mix last year. with it s recognisable vocal hook and piano line, it stood out amongst the high calibre of records included. on the flip aya chan is a brand new cut but channels medlar s love for classic 80 s labels such as west end & prelude.

we finished 2015 with a six-track jumbo ep from borrowed identity and thought we d repeat the same trick for 2016, though this time with originals from okayama-based producer keita sano. eye begins with keep an eye out, pt.2, a propulsive song that sounds like a lost contender for the knight rider theme. own signal keeps things dark, but with a spartan bleakness. the side finishes with smoker, another manic cut that ll give you chills. the flip finds keita exploring brighter sounds without losing that industrial, jagged edge. trmk is essentially a beat track that ll ignite any dance floor and fix is a herky-jerky ditty that ll get you stomping around the club like a possessed reveler. the 12inches cherry on top is think twice, a funky ass-shaker that centers around a crackly sample of crowd noise, a chopped-up disco vocal, and bouncy bass. a fiery finale for this hedonistic party.

goldenboy music releases its first ep. chapter one of a techno coloured vinyl series produced by blackwater exclusively for antonello teora�s productions. a two tracks single side ep plus devianza�s rework for a head banging set, two proper techno tracks, straight and rough. hate and violence are conveyed in a single artery, turning negative energy into positive trying to metabolise informations always consciously.
single sided pressing plus fold-out poster.

pressing on transparent, smokey marbled vinyl. contains 2 additional locked grooves at conclusion of each side.

for the 5th ( djebali ) reworks, remixes from cab drivers on the a side, and alci on the b side ! nothing but grooves

jäfar make a rapid return to the label and are back to grace the a side of fragil 019, while one half of the duo (elliot sindall) also pairs up with constantin nakov as seura on the flip. black mamba recalls certain aspects of jäfar s previous work on the label: the broken drum line, the subtle vocal samples and the global hypnotic aspect of the music. yet it is also radically different from marzsia. black mamba is a subtle but direct club track, aiming to get the dancers down through its heavy groove. the kick drum and low toms are strongly suggesting leg movement, joining forces with the snares and hats which call upon some serious head nodding.on the b side, white chapel is another broken beat club piece, but this time feels crafted for the afterhours. the groove is lighter and the heady feel is strong, closing the dancer s eyes and inviting them to drift through the music. once again, fragil comes up with original, well produced and highly danceable content, highlighting unsung talents for every versatile dj out there.

tensnake makes a welcome return on wax with his first release of 2016 desire via his own imprint. on the a side, tensnake brings us a slow and low 112bpm dancefloor burner. written during a travel to a very warm and sandy place, desire is a dreamy groove with hazy vocals, airy guitar and exotic synths that will stick to you like glue. the flipside, fantasma, is a trippy acid disco number infused with oriental influences. flirting with balearic and psychedelia, this record sees tensnake going off the beaten path and sets the tone for what should be a great year in music for him and his label true romance.

after his successful remix of orions gravity johannes volk returns to polytone with his debut ep. two excellent techno tracks are in place and a spaced out ambient piece called it could happen describes the mysterious view from a spacecraft cockpit into the wideness of the universe. on the a-side volk blows the whistle of the ep s title -asteroid riding- with funky chords accompanied by a wide deep bassline, short samples, classic percussions and a cropped stomping kick-drum, that let you ride through the orbit. on the b-side -earthbound- pounds with a broad hollow kick, arpeggiated synths, alerting sounds and a harmonically settled type of string-line that eases the elements diversity like the blue planets gravity. within the tracks that have been built to transport the feel of time and space, johannes volk again pushes himself on the cutting edge of electronic music.

mannequin records is proud to present the second volume of der zeltweg - italian tapes industrial music 1982-1984 , the legendary musumeci s tape label existed for some few years in the early 80 s. edition of 500 copies on 160 gram black vinyl. coloured vinyl. while the a-side is filling all the music produced by some of their side projects (errata-s-corrige, gasdehyde and herpes-z) that we already introduced in the first volume, plus an unreleased musumeci very early studio track apologia/musumeci , the b-side is presenting for the first time the full reissue of the psychophatic blossom - il fantasma della libertà tape (der zeltweg 002), an unexpected guitar-bass-noises experimental album, permeated by philosophical declamations in italian language and short pulsating rhythmic compositions.

side a: let it go featuring blake baxter - a mid 90 s ghetto house instrumental with moving bassline, that raw chicago beat track and a groove that will keep you dancing until the early morning hours. side b: new dub featuring kool rock steady, unreleased recording by tyree cooper with outtakes from his 1988 release turn up the bass with a rocking baseline groove, and those classic chicago house chords, sure to move any dance floor.

halogens latest release brings two seasoned craftsmen, ilk & etch together for a collaborative effort on my soul. the two combine their production skills for a soulful stepper with intricate drum patterns layered with classic breakbeats, soul samples, and heavy sub bass - taking the listener back to the classic 90 s jungle era with modern day influences.
the b-side features remix duties from danny scrilla. danny is a well seasoned producer with releases on such labels as cosmic bridge, civil music, rudimentary records, and most recent zam zam sounds. danny brings his integrity to my soul with a heavy 808 halftime intro, seductive piano work, and detailed horn stabs, leading the listener into a melodic dance floor jungle shuffle with a delicate vocal sample weaving in and out of the track sending chills down your spine.