madteo travels through hip-hop, disco, house, new york city, psychedelia, sound exploration & exploitation – an exeptional contemporary and his symbiotic collaboration with sensational has resulted in a milestone album – special offer. dj sotofett compiled and edited material from 2005-2011, all from the outgoing-but-idiosyncratic world in jackson hts (queens nyc) – a world blissed by sensationals chronic heavy weight rap & madteo s psyched out disco, free-jazzed sonic stompers, smirky hip-hop bangers & out-of-the-ordinary leftfield. a sparse edition of quality white labels of this lp has circulated since 2013 – with cut-up introductories by dj sotofett, additional guitar by tapes, emminent vocals by sensational and high-level sonic attitude by madteo this history has already been written – it’s just up to you to listen.

saint petersburg summers are an open window for a never setting sun. -white nite- sees the untitled gear collective paying tribute to this season where they reside. the title track follows the sun s behaviour stubbornly locked in groove, while blinks of bright rhythms wax and wane. -just better- and -it s wonderful- bend between hooks and ambiguous tones, shining through as two reflective dance songs, yes, there is singing in both!

it’s 3am. the club is still open. you’re bathed in sweat, mid-set. it’s not time to go home. not just yet. now imagine the new release from germany’s oliver deutschmann kicking in on the sound system. this is the new release on swiss imprint, caduceus records. they’re back with yet another undiluted dancefloor bomb from the man himself - a release guaranteed to take you to that place and guide you further down the rabbit hole.

2016 repress - r&s welcome another newcomer to the family. with only one release behind him on hessle audio and a wicked remix for warp (the hundred in the hands) blawan finds his new tracks in demand from the likes of james blake, jackmaster, untold, ben ufo, ramadanman and pariah. the title track is already creating a bit of a stir from its inclusion in a few high profile dj sets, but all three tracks raise the game for this young producer. the whole ep is filled with an honest, infectious energy, just like his dj sets. you cant pigeonhole this as >post< anything, its pure, stripped down, club music. sometimes drums, bass and acid is all you need.

different worlds music group/fat beats are thrilled to announce the lp and cassette release of the latest album from skizz (dj skizz), “cruise control,” which is skizz’s 2nd official producer-album. over the last couple years, skizz has been working extensively with your old droog, both producing and mixing his music, helping to propel the career of the young mc from coney island. he has also been touring with droog, making beats for other noteworthy artists, and helping start a new label, different worlds music group. this will be the 2nd official release from dwmg, with the first being timeless truth’s critically acclaimed “cold wave” album released this past february. “cruise control is a progression for me sonically,” says skizz. “this album takes you from where b.q.e. left off- it’s still that raw boom-bap, but this album is a bit more laid-back and melodious. it just feels good, like you’re cruising with your lady and the cool breeze is blowing through your hair!” skizz recruited a mix of veteran og mcs (o.c., planet asia, roc marciano, evidence, etc) as well as up-and-comers (your old droog, conway, hus kingpin, da villins etc.) to provide a sonically cohesive album that is set to be the official hip-hop soundtrack for the summer of ’16.

just when everybody started to feel safe again in a world without terre des pommes, labelboss and hobbyphilosopher thomas sabrowsky strikes back and this time its meaner than ever. not only a new release, not only a collaboration with the super-dead brontosaurus records (most people referred to it as boring-saurus) just as if this wasnt enough already: this time part-time sympatikus sabrowsky is also responsible for the music! saap brontosaurus by night ! the missing 7th release. did he really dirty his hands again?

nice price deal !!! in times where objectivity of genre barriers is ceasing to exist, cueva records aims at the curatorship and exposure of their open-minded personal taste. a side of this first chapter presents two forward-thinking house tracks filled with latin american percussions. b side sets home for a long, smooth, textured remix. nothing else to say, just feel the groove...

mother recordings is back once again with more of the floor filling beats that has made it one of the top labels of recent times. this latest is from simion, a producer with ties to labels like suara and hedoismn and one who here serves up two top cuts just in time for summer.

intr0beatz from iceland is making some serious waves in the music industry at the moment and is next up on the something else 12- series. with these 3 original tracks all set , make my day & sour dough he perfectly combines the ethos of the labels sound, as he blends the right amount of old skool vibes to sit this perfectly on the right side of the 90 s bar. no gimmicks, just pure house vibes that jack and groove for days.

this new release on traumers imprint * gettraum* include thee tracks that we meant to be on a slightly different mood from the 2 first releases. this issue come with a full printed artwork just like the second one.

polka! cherie! voulez-vous coucher avec moi? bordel! baby-boom! a new special edition in the le pop series. perhaps the most offbeat yet. instead of focusing on the current chanson-scene as usual, this disc is a party compilation that is fun, is independent of release plans, and that shows just how danceable and versatile the modern chanson is. listen to le pop la boum, and it is guaranteed to put a satisfied smile on your face. this new le pop is clever, energetic, full of humour and extremely diverse.

a killer 10 inch back in stock !!
closing off the trilogy of 10 years of perc trax vinyl eps is the labels first ever 10 inch release. drawing together two of the deeper and more experimental tracks from * slowly exploding*, the ep pairs label founder perc with one of his longest influences, zhark recordings main man kareem. first up kareem brings a touch of deeper berlin-tinged techno to perc trax, built upon a rock solid kick and drenched in moody urban atmospherics, then perc closes the this vinyl series with a spiralling analogue noise exercise that builds and builds until live drums tear through the wall of bass tones...

madrid s analogical force reaches number five and are proud to present the v/a series called voiceless. x is the first chapter of x, y, z and features exclusive and unreleased tracks from the usual talents involved with af as reid dunn (dwaallicht / wisp) and reimer eising (kettel), next to new additions likes stian gjevik s stunning eod, london based james shinra and the young underground malta s producer microlith. the overall sound can be described as timeless uncompromising electronics, acid braindance at its finest, an exquisite piece of intrincate electronica...blah blah blah... we prefer to call it: the guiding light. no further words are needed. just enjoy as always, made with love from our brain to yours.

even if russian producer gradient logic is found here turning out the business on serbian label disco fruit, the sound on the far away ep comes on like a snappy fusion of garage-ready new york proto house and laid back west coast boogie of the highest order. it s the third vinyl release for tonbe s label, and once more marks the serious clout behind the eastern european operation and its closest artists. just try grooving to the slick bass pops on feel me without being transported to an early 80s dancefloor. there s a more organic funk to lock into on i want you slide, but as ever it s hard to tell where the sampling ends and the musicianship begins on this utterly natural sounding ep.

billing themselves as crew of beat junkies raised in the legendary sugar shack studio,difusion make their first appearance on their own label in style with some righteous edits that make some decisive cuts where it counts for pure dancefloor dynamite. losing me is more of a rolling breakbeat inflected house workout with a deadly delay treatment on the vocals that drops in at just the right time to surely set a club off at any hour. get up is a more sultry cut but it still hits heavy, and be truthful and change it both offer up differing soulful angles to make this a highly versatile record for all kinds of situations.

when psychemagik’s danny mclewin decided to launch spacetalk records, he didn’t just want to reissue rare material. from the start, one of his stated aims was to deliver fresh new versions of obscure cuts from his record collection. it’s perhaps fitting, then, that the label’s second 12” breathes new life into a suitably little-known gem: avant garde’s 1982 euro-boogie b-side, “everybody’s lover”.

in search of the perfect piece of veal to create yet another variation of the schnitzel, we ve sent out a team to new york and followed up on a lead regarding taking us all the way to the vibe alleys of kingston, jamaica. the results are just as confusing as they are satisfying, since it turns out that heat, tranquillity as well as endless traffic jams are all factors accountable for a nice and tender slice of deliciousness. the island s variation of up tempo deep tissue massages, as opposed to the confusingly more laidback style of the new york method both make for a great preparation, and are now served on both sides of this schnitzel before you. as always vinyl only and limited to a number that will most likely serve most of you, but probably not all of you.

freshly back in !! timeless, round, unmistakable, irresistible grooves from youandewan. no bad surprises, just good house music tracks!

roman flügel: i think the first 5 tracks of the album are simply fantastic

mono junk’s cult label dum records is back with a new five track various artists ep that again packs a vital punch. he appears himself along with some fellow legends of the scene. first up, morpholgy is a consistent performer who has continued to serve up quality electro since 2009 and here serves up a hot new piece. ‘vector plant’ is busy and industrial, slick and metallic as it unfolds and burrows deep into your veins. then comes the a2, irwin berg featuring freestyle man (aka finnish moodmusic boss sasse aka klas lindblad) with a track made in 1995 and never released before. this pair worked together and made a cult electro record for sähkö recordigs in 1998 and this one is just as impactful. it is frosty and frazzled, slow motion but high impact and full of distorted lines and heavy drums. next is mr velcro fastener who were the first kings of electro to come out of finland and between 1999 and 2006 were famous all over the world. their brand new cut ‘almost there’ is a deep one that is riddled with bleeping melodies and has smeared chords bringing a sci-fi feel. then it is mono junk’s turn to dive into the vaults with an unreleased track from 2005. ‘feeling or destroy’ is a physical number with crashing hits and snaking, gurgling bass that is dark and dystopian. last of all comes irwin berg with mono junk as new york city survivors. says the dum boss, “our unreleased track here was made after the new york city survivors – static light cd 2002” and it is a turbo charged track with screwed up grinding bass, icy hi hat rhythms and menace in its grooves.

former descent is the free spirited project by the mastermind behind neurobit and rioteer… with this project he blends in a very successful way minimalism and lo-fi electronics with tough rhythms… these rhythm based tracks take its cue from old school ebm and new beat… this while the melodic elements give the tracks just the right touches to draw you deeper into them… harsh and playful and light and dark never went so well together before… resulting in pure rave anthems!
limited 200 copies.

barnaby carter ist ein musiker, pianist und maler aus bristol, der mit while it still blooms nach drei eps sein debütalbum für das berliner project mooncircle veröffentlicht. barnabys sound verzichtet weitestgehend auf aggressive beats und frequenzen und vermischt organische instrumentierung mit ätherischen, elektronischen soundlandschaften. die limitierte vinyledition erscheint in farbigem vinyl mit mp3-download coupon. stimmen: what an incredible musician! love that! sam bonham (bbc introducing, uk) very calming sounds but also very open sounding and very live at the same time and just another great track from the excellent label project mooncircle. nick luscombe (bbc radio 3, uk) barnaby carter set about nailing down his own, totally distinct, universe. robin murray (clash, uk)

boot & tax are back. after two 12inches for optimo trax and an album on optimo music they return to optimo trax with their first new music of the year, just before it ends. four tracks of spangled, idiosyncratic, woozily spacious and slightly off kilter music that could only have been made by these two milanese maestros. as ever on optimo trax a quadruple a side where all tracks share equal billing.

aquatic techno-electro tracks on this new possblthings label produced by robyrt hecht, milium and xy0815 delivering funk driven electro funk tracks to this leipzig based record shop that is widen its activities with the start of this fresh new label!!

the unrelenting force that is hot creations often acts as a breeding ground for raw talent. this next release does just that with four ‘hot jams’ from upcoming artists lee walker, pete dorling, neil parkes and greeko. first up, young producer lee walker from middlesbrough makes his debut on hot creations delivering ‘that little ditty’, which takes hold with a deeply intoxicating bassline, prominent hi-hats and punchy stabs that build to a frenzied climax. shooting onto the scene in 2015 with his off-the-cuff edit of dj deeon’s ‘freak like me’, which played by the likes of marco carola, dixon and loco dice, soon gained over 1 million hits on youtube and was finally picked up by defected records. having featured on ‘hot summer jams’ on the label back in 2014, essex dj and producer pete dorling is back with another killer track. ‘manyana’ drives with a heavy bassline as tribal vocal cuts are played throughout. other releases can be seen on the likes of viva music, resonance productions and nofitstate. also appearing on the same ‘hot summer jams’, neil parkes is back on board the label with ‘peil narkes.’ a swinging bassline sets the groundwork as layers of moody synths roll out over punchy hats. since his first release on metroline limited, neil has spread his wings releasing on labels such as madtech, leftroom limited and underground audio.

for those of you wondering what adesse versions was doing at our heist boiler room this summer in london, the answer is here. the “push it along” ep for heist is adesse versions first appearance on our label and features 4 stunningly raw and warm originals, and an amazing remix by new york’s ambassador of funk: ge-ology, together with multi-instrumentalist marc de clive-lowe on keys. after having released numerous records for jackmaster’s numbers, local talk and toy tonics, we’re happy to welcome adesse versions to the heist family. when he sent us his demo’s we had the tough job to choose the right tracks, cause there were just too many. the selection on the “push it along ep” features what we feel are his purest work up to date. with only a small amount of elements, he manages to create such a big and warm sound, finding a great balance between gritty percussion, rich analog synths and funky sampling work.

having originally surfaced on creme organization back in 2002, luke eargoggle and ronnie johansson s monkeyshop project is an intermittent treat that offers the best of warm synth-led electronic disco. on their second outing for ali renault s vivod label (after the excellent escape from the mental zoo ep in 2014) the pair bring yet more of that addictive, utopian dance magic on this new record. -island of love- is indeed a romantic club burner with smatterings of vintage synth pop in its bones, while -heartbreak- takes a more overtly italo direction and sounds just as strong with it. obergman then takes -island of love- to task with a respectful remix that shines a few different synth lines and beat patterns through the same fuzzy prism.

african scream contest’ is the third release by the analog africa label. the project initially took off in august 2005 when label owner and vinyl collector samy ben redjeb arrived in cotonou, benin, “without any special expectations, just hoping to lay my hands on few good records - what i found in the process cannot really be described in words-. this first trip was followed by eight more to the region. thirty months and few thousand records later analog africa proudly presents this 14-track compilation. redjeb conducted 16 interviews in various cities in benin and togo with artists, producers and sound engineers to reconstruct the history of the 70s music scene for the 44 pages booklet which also features many rare photographs directly received from the artists. delve into the forgotten raw and psychedelic afro sounds from 70s benin and togo and experience the african scream contest. very, very limited copies in, and this might notcome in anymore.... tip!

Æ is the third part of bjarki triptych of lps to be released this year. Æ is a particularly icelandic form, pronounced “i” in english, bjarki thinks it just looks good. here it is a selection of music that is at its core quite simple, with restrained instrumentation, made on hardware and features a selection of older works and the most recent produced just weeks ago. bjarki is from iceland. born and raised. despite the fact that bjarki is known for making extremely powerful dance floor tracks he doesn’t seem to belong to any particular genre. something this triptych of lps demonstrates very well. his music is at times cinematic and there’s a story behind each track. bjarki’s music always has something to do with him personally, but he’d rather the listener lose themselves in the music than pay much attention to the man behind them. either on a record or to one of his ever evolving live sets.

for the first release on girasole records we introduce you to william caycedo from amsterdam. the first track dreamcatcher is a real deep but banging house track with a heavy bassline and it lets you fly away. return to free side has this slow vibes but there is always changing something untill the end. departure is all about that bassline and that sexy percussion. scapegoat is just a monster on the b-side.

dizzy whizzards brauen ihren boombap-trank aus synths, samples und einer prise rattengift. die nürnberger hiphop crew nimmt den zuhörer auf ihrem album mit auf eine reise durch verschiedene facetten ihrer musik, die aber immer die eindeutige handschrift des producers trägt. vermittelt wird eine düstere bis apokalyptische stimmung, der es aber nicht an galgenhumor mangelt, wenn beispielsweise ’darwins rache‘ verkündet wird. bevor die tiere allerdings die herrschaft über den geschundenen planeten erde wieder an sich reißen, verbreiten die zauberer ihre prophezeiung des untergangs auf unterhaltsame und mitreißende weise. live verwandeln sich fünf bühnenerfahrene mcs (big roo, jeph smart, professor ha, bobsen und molemann) vor den augen der zuschauer in die hohepriester düsterer raprituale. vervollständigt wird der hexerzirkel von dj just, der als turntablist schon auf der itf (international turntable federation) überzeugen konnte. während der sessions zur aufnahme des albums entwickelten die magier neben ihrem unverwechselbaren soundbild auch einen einzigartigen slang, der den zuhörer dazu herausfordert, selbst herauszufinden, was es mit ihrer zahlenmystik auf sich hat. tracks auf diesem album

rnt is going back to the roots of their reserve series with rose cutz 2, a pack of burners and heaters from rose records honchos luvless and m.ono. each producer takes a side, delivering a little something for any time of night, from the up tempo stomp of eins a legge to the slow analogue pulse of file save as. a rose by any other name is still a banging record!

wieder einmal gelingt es michael bublé, die perfekte mitte zwischen jazz und pop zu finden. »nobody but me« ist ein vielseitiges aber dennoch rundum stimmiges album.

ultra slamming raw and dirty pure underground sound , incl dj stingray remix
* just killer - no filler*

relax your eyelids focus on the darkness this is your time to relax you dont need to think about anything except being right here, right in this moment with me. dont think about tomorrow, or yesterday, just be here in your body. sportiv is a dexterous white label operation that brings you heavy-weight rhythmic performances from the world of techno athletics.

elocution, the third figure ep from portuguese producer lewis fautzi, again displays a high defree of versatility but still comes cleary cut for the club. employing a rich yet spacious sound design, fautzi creates cinematic scapes that are at once both brimming with the hums of colossal interstellar machinery yet at the same time leave enough room for a range of carefully sculpted elements to do their work. whether it be the twisted acid arpeggio on opener shizophrenia, the imposing drones underscoring the mighty mirror or the propulsive percussion of centerpiece 37b. testament to fautzis talent of engaging arrangement, never do the tracks here feel hurried nor do they become stagnant - but rather given just the right time to ripe into their full captivating potential. no matter if one is to approach this records as already an avid lover of lewis fautzis work or comes to it simply looking for fresh takes on the classic formula, this enthralling ep certainly will satisfy everyones needs.

yet again, labelowner gaze ill joins forces with the danish dubstep ambassador rdg, this time for a 4 track collaborative ep. on the aside the artists minds melt together in two pieces of dubstepscience. as the title suggests, rdg and gaze ill show what dubstep is made of with “keepin’ it real” that’s characterized by a pressuring hardness, and uplifting energy. “the zone” follows with its progressive universe that evolves in just the right way with perfect timing. the bside shows off the two artists individual skills with immense, paranoid vibrations on rdg’s “shapeshift”, and thrillingly deep basslines on gaze ill’s “combo”. the ep is a refreshing showcase of the genre’s finest offerings original sound with a wellbalanced diversity. rdg and gaze ill keep it real for this first vinyl release on cue line records.

vinyl only, 180g, hypnotic minimal dyno groove jackers chypre will enter the world lightly yet clearly, like a fascinating myth or a vague fairy tale. it is a heaviness, a brightness, an indescribable elusiveness, a reluctant to disclose secrets. ideal chypre will fill you with more than just pure delight, and, although we cannot locate its source, we are certain that it comes from within you

some things just get better with age. house grooves vol. 1 mark a part in history, where a young move d felt ignited by the classic house music sounds of the day. strict rhythms and nu grooves forged masterful networks with bleeps and clonks, pianos helped synthesizing dopamine and the phuture was wide open. house grooves vol.1 embodies that special time and place with a bunch of vintage tracks saved from the abyss. respectfully edited and dusted with gloves, it features move ds sought-after magic moment i gave my love, a collaboration with mannheims house hero see-base, the bass line swing of babyphonk and a breakbeat-led remix by shan & gerd janson that tries to sound like it could have happened back them. the bottom line is: the past can make the future feel at home.

ladies and gentlemen, welcome back to the shimmy sham sham sessions. when people talk about summertime vibes its most often associated with the obvious: good weather, sweet drinks, waterside locales, and a much-needed departure from the daily grinds of work, school, and off-season doldrums. one thing most tend to overlook however are the smells. it’s the smell of the summer season that really infects the spirit being attacked by the olfactory seducing aromas of suntan lotions, watermelon, ck one summer spray overuse, piña colada mixes, bbq grill emanations, and perhaps most importantly of all, sweat. dripping, oozing, sticky buckets of lovely sweat everywhere. whether that is happening poolside, in the bedroom, or, as the case clearly is with this ridiculous three-tracker of party bombs, on the dance floor. the whole wide world of disc jockeys now have access from everything to dont stop the music a slick power wash of classic french disco, to a rollicking jazz piano-led jam by an operator hereby known as professor twirl-hair. in the heat of the night, let those sweaty numbers melt your worries. no top hat and gator shoes required, just shake that ass!

newborn munich based label slam city jams comes around the corner with its first release from young gun gonima straight outta montreal, canada. his grids ep? an exciting mixture of swinging distorted drums, catchy melodies and hazy atmospheres. you can definitely spot gonima s passion for dx7 adventures, analog drums and tape hiss right here. opener -grids- starts off with lush synth blips, 707 drums and a bassline bootsy collins would give high-fives for. -subdivided- is one of these tracks that shows you that it doesn’t need more than a few elements to get you going: a rough kick drum, cowbells and a smooth pad that gets slapped by just one bass note. the last original on b2 is the ambient-like -organ tutorials-, which shifts your mind directly to outer space. and as if all this wasn t enough, someone really special did a great remix job – khotin from 1080p fame, who gave the a2 cut a treat with his unique trademark sound. four house and ambient tracks both for the floor and the couch. or as gonima puts it: -an ep that has the sound of visiting home in the winter and rediscovering environments frequented in the past, birthing previously obscured memories. the sounds within are a ritual dance to stay warm through the procession of the seasons-

‘seven years adrift’ marks the premiere of true rotary recordings as well as the comeback of joel alter’s jor-el alias. while joel alter is renowned for creating melancholic yet peculiar uplifting house and techno, the jor-el alias signals a rawer side of his production. ‘seven years adrift’ tells the story of a journey in two parts. the first part, seven years, is filled with the confidence and energy of a novel traveller just setting of on an adventure on the high seas. a bold track with gusts of hard claps ripping the sails. in the second part, adrift, the once wide-eyed traveller has just turned his now weather-beaten face to the ocean breeze, patiently waiting for the wind to shift. a more laid back and moody track, but still confident and vivacious. the energy of seven years and the soulfulness of adrift embody the jor-el signature and set the tone for releases to come. true rotary recordings is run by joel alter and ena cosovic. stemming from a longstanding mutual appreciation for the combination of raw techno with more seductive sounds, the label is a natural development of joel’s and ena’s musical and personal partnership. true rotary recorings represent their mutual musical vision and vibe that they love. keeping it raw and genuine.

the berlin-based collective slow life, their 8th release is from the label s jedi, s.moreira. including a remix by indi zone.

clouded house 3 is an an ode to the classic splice & dice - nostalgia in a freshly squeezed sleeve. bumping, grindin’ and other forms of expressive dancing are highly encouraged.

this one is for the dreamers - first up is ‘aa’ from newcomer t. margos, it’s your ultimate chance to cop that secret banger that s been blowing up dance-floors from london to budapest this year. it’s a tricky one - taking your mind into the stars with deep spacey pads, but yet working your body with the raw 303 bass and painfully heavy 909 treatment. next on the a-side, swiss wunderkind douala’s turn to fuel that spaceship of your dreams. ‘it’s all in your mind’ soothes your soul with dubby space echoes, tear jerking chord progressions and a dreamy acid bassline.
as we slip into the lucid state of the dream, over on the b-side ray kandinski’s ‘dirty sneakers’ pieces together the kind dimension shifting dream-state that disneyland could barely imagine. when those vocals and pads kick in, combined with the tricky beats everything becomes a wash of surrealism and logic – and it all happens just in time for you to awake into yet another dream, this time deep within your sub-conscious on ‘walk through’ by the mysterious dj lucy with mike l. a nostalgic trip to your most beautiful memories, with uplifting flutes and juno chords.

originally operating in the 80s industrial scene, plus instruments have recently found a new lease of life. (emotional) especial are just the kind of label to jump on such deviant club fare, and on this package -love is enough- gets a variety of remixes that all embrace the groups seedy ambience. richard sen brings a muscular thrust to the track, while khidja takes a more delicate approach. luke solomon meanwhile casts his years of experience in oddball house on his steady grooving version, and then jamie paton taps into the industrial vein to finish the package off in fine style.

sebastian maschat a.k.a. stoneage kid has been around in the house music scene for about 15 years now: cult stoner house with extra produktionen , drummer in erlend oye s whitest boy alive and numerous other projects. stoneage kid is an hardware / mpc based act, with own vocals and a very distinctive electro pop aesthetique. his first ep on smile for a while creally sounds like captain comatose meeting isolee in some purple haze panic room. you ll find melancholic drum machine jams, some serious synths, lotsa vocoder and a lot of bassline-bumping. phillip lauer delivers a refreshingly cheesy remix with god singing solo and the holy ghost on drums just as expected. hang on to a dream is quite a special tune, written and sung by german indie veteran otto von bismarck. this remix version is really something for intimate connoiseurs of both pop and house music.

classic 1989 live double lp. recorded live at the pasadena rose bowl june 18th 1988.

my cube is cube’s first vinyl lp and it is a multifaceted, kaleidoscopic listen, containing a multitude of moods and atmospheres. it sounds like the west coast’s answer to container, and will appeal to fans of aussie synth-punks total control just as much as it will to fans of regis, silent servant, and their seminal downwards record label.