new kanada enters the fall 2012 season with some dark angular acidic house. black and medleys >roll the dice< - featuring the voice of rosina – is an old-school blend of disco, ny house and classic toronto warehouse vibes. slightly acidic, with its bubbling juno bassline – and slightly techno with the driving, repetitive beat – this house track should rock the deepest of dancefloors. file somewhere between henry street and early adonis. 5am - no earlier. for the flipside, adam marshall sits down at the controls for a clinical, tight, stripped-down scrubbing, turning the original into a late-night fear edit. broken, diffused drums and lots of black empty space in this one. the lights go out – blackout.

kampong pressure - cover artwork incl. 20 page booklet w/ exclusive photos by dimitar variysky

this is the 5th release in the now popular vinyl series personally compiled by detroit producer & dj terrence parker. this project features two very talented women from different parts of the world who have the love for soul music in common. the a side features the song finally with lyrics written, vocals arranged and performed by reno ka. reno ka is a soul singer originally from vienna/austria but now living in hamburg/germany. the b side features the song where do you want me with lyrics written, vocals arranged and performed by kelly gunn. kelly is a soul singer from detroit who currently tours as a background singer for the r&b artist kem. both tracks were produced & mixed by terrence parker to make another funky soulful classic tp release!

nach touren rund um den globus kehrten eleanore und jason zurück in ihr abgedunkeltes studio und arbeiteten an dem hypnotisierendem nachfolger zu ihrem beeindruckenden debüt. >red night< wirkt wie eine meditation über trennung und wiederfindung, über fast verloren gegangene liebe und die lang nacht zu ihr zurück. der thith sound vermählt furchtlos minimalismus und abstraktion mit grossartigen melodien. eindringliche stringarrangements werden von treibenden rhythmen und eleanores faszinierender stimme überrannt. >red night< ist ein trip durch die schwarze grossstadtnacht, in der zeit sich dehnt, geschwindigkeit bricht, und gitarren in donner und herzklopfen eintauchen, bei immer intensiver werdenden vocals, je länger die nacht dauert. nach jüngsten auftritten mit odd future und kid cudi, mit den yeah yeah yeahs, james murphy und squarepusher werden thith jetzt auch bei uns ihr neues album ausgiebig live präsentieren!

the prism is an aluminum cube, small enough to fit in your palm. it was designed by nicolas jaar as a new medium for releasing music. the first release - csa001 - features twelve (mostly) unreleased songs from jaar and other clown & sunset collaborators. the prism is a piece of art in and of itself, its contents beg to be shared. twin headphone outlets encourage connections to the object and between the two listeners. the prism tries to restore physicality to the listening experience. the medium and the method are as important as the music itself. the prism makes you consider how the music is being heard, the way the object feels in your hands, and its potential to foster intimacy between listeners. when the prism is unplugged, a beam of light passes through the empty center, revealing a void. someone is missing.

since the last studio album from pupkulies and rebecca three years have past in which things have gathered momentum and gained a life of their own.countless concerts in renownedclubs throughout europe were held resulting in an ever growing, snowballing fan basis a certain hype has arisen around the band occurring totally organically without being triggered by the press, self generating and in real time.the recent years have shown that pupkulies and rebecca have an appeal which covers all age groups, territories and scenes.

highly anticipated since their first ep, 51 ways to leave your lover, broke its way into the hearts of all who heard it, tristesse contemporaine has perfected this magic by taking it all the way to the parisian and french stages. crystalline arpeggios, dreamy loops and whispered vocals creating a world of destabilizing and refined emotions which carry a thrilling light to the darkened dancefloors. the trio of enigmatic donkey masked singer, maik, leo on guitars and narumi on synthesizers, trusted their minimalist melodies to the expert hands of dj / producer, pilooski. romantic and flamboyant, arrogant and haunting, this first album imagines a world in chiaroscuro, where the electrical illuminations of shoegazing merge with electronic beats, with a heightened new wave sensitivity. climb to the dark side of modern pop as you enter the fractured, hypnotic, dance of tristesse contemporaine.

the album was unanimously praised and confirmed krazy as a special planet in the ed rec galaxy. depending on his mood, his music can be somber and melancholy or experimental, and with no warning slide into a warm almost poppy funk. his comps can be either built on a classical or jazz base, with funky synths and organic electro sounds, mostly with powerful bass lines inspired by british bass-music. for his second album the noise in the sky, krazy baldhead delved into his 70s influences: while on tour for the b-suite, he traveled by day listening to 70s.

prinzhorn dance schools sophomore album, clay class, releases a quiet energy amongst a dark landscape, inarguably in tune with the downtrodden economic situations that have permeated modern life in the bands native britain, and conversely, along our shores. tobin prinz and suzi horn form a compelling duo whose shout-and-answer approach, paired with edgy and steady bass/drum patterns, achieves perfection in songs such as >seed, crop, harvest< and >your fire has gone out<. the album is constructed on the emblem of empty space, as songs such as >i want you< bridge the gap between musical minimalism and cold intimacy. the oscillation between starkness and warmth pays homage to the bands debut 2007 release, while also creating a modern, if not postmodern, musical snapshot of life across the pond, as well as in our own backyards.
includes full cd-version of this album.

zooloft records is approaching to the era of future tech-noir and this release is the result of an internal process of thoughts and ideas behind them. it tells the story of a sad wanderer who is trying to find the path to personal truth. outside, a desolate scenario of modern architectures of cold glass, standing to the edge of horizon. a wonderland of mirrors and empty landscapes: the triumph of solitude. the a side starts with a complex and claustrophobic dark-techno driver which sets a point of no-return. an obsessive pattern of sub-frequencies collides with breaths from the beyond. sound paranoia. the highest frequencies create phrenetic and compulsive rhythms to make the dynamics imploding. the heroes of modern-age industrial techno, orphx, make the path to truth harder. they trace an obscure reinterpretation of the a side with a percussive alarm that marks the time, while dense and anxious atmospheres are followed by syncopated beats and distorted high-frequencies. the breaths from the beyond are now closer than ever. the ep gets closed by an evocative, thoughtful and beatless composition. the perfect soundtrack for those who are wandering and wondering

freerange hit number 09 in their colour series compilation and bring with them a collection of four brand new and exclusive tracks from jimpster, milton jackson, arithmetics and himan, all featured here on this vinyl

off we go and leave the cannibals all empty. the skies are lowering into the sea. gently pushed by stones we wonder/wander on. somewhere behind a rainbow, apartment houses quietly suspire their berlin. the cheeky spirit is pinching the nose with zest. watch them trip and do the mashed morale. we dance with them, but not for long. spirits are holding the upper hand again. still we miss a beat with a heart still strong. noisy colors all blending in one blue. i sit with you where the citys down low. we know no wrong in the sound of a song. down tumble waters rise behind our backs. the pointy poets heads hat breaks in two unlike the jesters scepter whos mad with magics saving factor. we wander on, stroll to and fro things weigh us out, no con, no pro, unlike the jesters saving factor we stick around too long a-go. down tumble waters rise behind our backs. the meek musicians heads hat breaks in two unlike the jesters scepter whose magics not an urban factor. strike up the band, play on and on for sweet sage music always wins just like the jesters magic scepter beats up and down, forgives all sins. this is when you come stepping in. a row of tender houses smash your knees. the skies are lowering some more. existences twitching here and there. rain reflects berlins icy glow: a frisking spirit on the tip of your nose. we dance with him for quite some time. no stopping a hand that holds up in a work. no missing a beat for a heart goes on. flamboyant whispers strike a chord back home. you come to me, im not alone, in the sound of a song we know no wrong

following their remix of ludwig coenen for tlm022 and a string of celebrated releases for nachtstrom schallplatten and perc trax, toronto s frederik hatsav and jamie kidd rejoin the thoughtless fold under their metalogic guise. enlisting new york techno veteran dietrich schoenemann on the title track, the trio delivers a sleek combo of pure analog bass and metallic percussion, resulting in an unrelenting yet stripped-down futuristic club workout. overseeing remix duties is techno legend bryan zentz. his first of two solutions, the empty vessel dub dives deep into late-night territory, employing the irresistible bass line of the original and embellishing it with sparse synth work and echoing atmospheres to stunning effect. as a digital bonus, zentz offers up the kenosis shuffle mix, providing added bounce with a boosted low-end while taking a house-leaning approach in the drum department and adding detroit-style stabs for good measure. on the flip, dark shines is a heady ride, intoxicant atmospheres and dynamic yet subtle arrangements solving as a mystical techno prime. whether exploring the outer reaches of modern techno or twisting up their uniquely abstract take on tech-house, the result is pure quality..

nice price deal !!! milano based musician and producer joseph bacchilega teams up with piero russo (formerly known as esom, from emphasis recordings) to present you pulsewave music. while empty words and soulless records seems to drive modern underground music, with pulsewave we aim to bring back the spirit which gave life to quality vinyls (from the music, to the artworks) with a mixture of passion, skills, concepts and forms. while the intention is not to have an intention (if not making good music), engraved in the hearth of the record are the words >nothing will be the same<. while the meaning is not to search a meaning, there are things that words cannot express, but the ear can hear and the intuition can feel. nothing, if not a strong emotional content. on the b1, a powerful acid version from esom will be hitting the hardest-to-please underground specialists while, on the b2, a blistering techno track (the original mix) is meant to respond to the most demanding dancefloors. on the flip, uk-based producer and dj, kirk degiorgio (a.k.a. as one/future past), delivers his intense and floor-moving version in a 7 minutes trip which already passed in many djs turntables. dont miss this limited edition, hand stamped vinyl record.

juan macleans new side project, peach melba! the constant citation of >chicago house and detroit techno< as influences has very nearly reduced both to empty signifiers. such vague and vacuous overuse ignores the distinct aesthetic and conceptual ideals of the actual music. that tendency to play fast and loose with the defining traits of late 80s and early 90 house and techno is one juan maclean has studiously avoided in his new side project, peach melba. built on tracks he felt were too >house-y< to be included amongst the more song-oriented singles on a proper the juan maclean release, peach melba is macleans vehicle for releasing a stream of upcoming dj friendly 12 inchs. the projects output is decidedly faithful to the blueprint of those aforementioned early productions, emphasizing rolling melodies and big vocal hooks.

excellent marek hemmann bundle! >only our hearts to lose< double 12 inch lp by marian aka marek hemmann and fabian reichelt plus >left/right< ep + various fat stickers!

>only our hearts to lose< is a nice, shining character between the club and the balcon. tollen ablum der beiden zum immer wiedr hören und neu entdecken für club und wohnzimmer ... tolles album

summer 2010. neuland. here, we were met schieres and his machines. lovely. this ep is dedicated to neuland and zucker. we love you – we miss you – we will miss you. dont think about what you have lost. warm nights, between burning couches and nothingness. empty ideas were born. we are lost and people are sure to forget.

gua camole team up with absoulute and kick of their vinyl imprint with this limited edition of 300 handnumbered records, exploring the deeper side of techhouse.

over the last couple of years, christopher rau has built a reputation as the finest ear canal masseuse in the contemporary house music scene, catching the attention of fellow hamburger dj koze who has recruited him for this new three-track ep. raus debut full-length asper clouds, released in the fall, was noted for straddling the line between >club< and >headphone< music, earning 4 out of 5 stars from resident advisor along the way, and now, with the how are you ep, he follows up to further explore his sonic approach: an assault of subtlety. >pervading animal< is built upon a solid foundation of familiar rhythm box elements, but like vines and moss, the sedating sounds of strings and keys envelop the empty spaces, showing christopher raus ability to combine the artificial and the organic into something transcendent. then, on the flip side, he lets his weirdness factor shine. at first, >c f r< sounds like by-the-numbers muppet new age, but graduates with distinction as the meowing synth squiggles saunter over the basketball beat. the ep denouements with >how are you today<, marked by a toasty chord progression thats playfully trying to compose itself as the track moves forward, turning science fiction into science fact. you want to believe

das dritte country/roots/americana album der kanadischen band, hier gepresst auf wei?es 180 gramm vinyl. inklusive mp3-downloadcode.

the mysterious entity that is richard gateaux drops a new 7 track ep on fat fuk recordings. rumors are that its phoreski, for sure it is that richard gateaux delivers some serious versatile nu-school disco, cosmic disco, kraut rock.... give it a name...

the whole concept of bar27 existed in an empty basement in amsterdam. in spring 2006 a group of friends starts living together in wich soon seems to be one magic place. within a certain matter of time all ideas, styles, tastes and fantasies started melting together, having one thing left in common, passion for music. after a couple of infamous afterpartys in their very own intimate and very special basement, they decide to call their basement bar27.

going home late one foggy night in london, i turn the corner to see my bus waiting at the bus stop, lights on, doors open, completely empty. i get on the bus and wait, a few minutes later the driver gets on, he was hiding behind a tree. now i always call it the ghostbus. stopping and starting, traveling along are the landscapes of sound recordings, perfectly balanced between synthetic and abstract layers of sounds. ghostbus invites you to travel along an electronic road of pulses and distortion, a travel between vintage and modern atmospheres, shifting into automatic vintage synthesis gears, a journey into the dark and cold nights of london. samp gives this music his trademark ambience in confined spaces sound, helped along by nax_acid both in collaboration and with his own edit version

finally panic bridge, the label run by ben pest (keyboard player with ninja tune artists pest), releases its second assault on the normal record-buying public. this time around ben and pals (some also from the band pest) bring another 4 tracks that pillage from the dank basements of garage, breaks & techno and empty the resulting goodies onto a carboot table of epic proportions

1995 must have classic!!

the freaks are on the road again, ready to refuel your empty dancing-tanks! the 15th freakshow release should seriously be on the wantlist of everybody who is searching for timeless electronic dancemusic that is aiming at the peaktime moments of the night. it is grooving like hell by having a minimalsitic approach wrapped in carefully crafted high class arrangements, hypnotically pushing & uplifting all of your senses. on the a-side, fausto messina comes up with >bafile street<, a proper microphunk stormer slightly sounding like a tribute to baby fords alltime classic track >make a move<. bafile street, is a track that is more than predestinated for being found in the peaktime moments of one of ricardo villalobos dj-sets. the flipside track is a contribution coming from 2 real techno-wizards. on the one hand jackspot, whom we know from datapunk or highgrade releases alongside his mate diego. their track called >muchen< slightly reminds us a of evergreens in techno history from mathew herbert mixed with a bit of wishmountain. all in all one must quote that if-15 is crossing the borders of techno, techhouse and minimal techno, thus making it possible to satisfy the needs of a lot of deejays playing different and versatile styles of electronic music

support by karotte, 2000 and one, michel de hey, red robin, bart skils, gregor tresher and many others. the whole concept of bar27 existed in an empty basement in amsterdam. in spring 2006 a group of friends starts living together in wich soon seems to be one magic place. within a certain matter of time all ideas, styles, tastes and fantasies started melting together, having one thing left in common, passion for music. after a couple of infamous afterparty s in their very own intimate and very special basement, they decide to call their basement bar27.

supported by gildas (kitsune), les inrockupitbles (fr), discodust & more!! jupiter are based in paris. the boy/girl duo have recently moved there from london where they met on an empty dancefloor. it must have been fate (or their love for retro hits) that brought them together to write songs so deeply rooted in times when prince was still known and glitter wasnt a taboo. quarles and amÚlie are part french (the romance in their music!), part english (the lyrics!) but get along pretty well. their songwriting and production clearly takes the best of both worlds, earning them appraisal and appreciation of the valerie family. the song starlighter has been getting a lot of attention in the blogosphere and grew to become an underground hit since it was first leaked. its catchy, its dreamy, its sticky and its sweet. now, after official remixes for metronomy and chew lips, jupiter are preparing their first ep, which is to be released in september 2009, containing remixes by thai pop sensation cyndi seui and steve moore (the man behind lovelock and zombi). get ready for sheer bliss

>my pet gorilla< is jerome sydenhams interpretation of rolling techno thunder. energy, big kicks, fat bass lines and infectious piano chords. what you are left with, is purehands-in-the-air apotek techno. prime time business! >tonto< is a deep techno track with an immense grooveaccompanied by futuristic efx, rhythms, and chords that forcefully exhibit jerome sydenhams consistency and forward thinking yet again. this deeply satisfying modern remedy represents in appropriate doses the meaning of deep tech syndrome for the psyche and the floor. >museum of modern< is a tough and funky and minimal tech- house track. this edgy experience is filled with surprises. the groove gives way to an epic rise that collapses into an unforgettable breakdown. with no empty spaces jerome sydenham pushes the envelope to pumpout this cross genre gem.

big with richie hawtin, shinedoe, bart skils! comfortable records 10th release is no exception with its 4 powerful tracks. this is a truly unique record filled to the brim with deep techno & tech-house of the finest quality and mood. big tip!

what sharon van etten?s heart bleeds her songs soak in and offer up to those throats in need of slaking. this is what we expect from musicians who trade in the autobiographical. we hold forth empty vessels and expect them to be filled with the reflective elements of a songwriter?s soul, mirrors within which we search for some small recognizable part of the self. ?because i was in love? features sharon van etten on vocals, acoustic guitar and tambourine, and greg weeks on electric guitar, organ and wood blocks.

nice styled backpack. product specifications: 15.4 outer bag dimensions 13 (w) x 21 (h) - laptop compartment dimensions 12 (w) x 15 (h) x 2.5 (d) - main compartment dimensions 12 (w) x 19 (h) x 5 (d) - weight (empty) 3.45 lbs 17 outer bag dimensions 15 (w) x 22 (h) - laptop compartment dimensions 14 (w) x 16 (h) x 2.5 (d) - main compartment dimensions 14 (w) x 20 (h) x 5 (d)

high quality backpack for your laptop. product specifications: 15.4 outer bag dimensions 13 (w) x 21 (h) - laptop compartment dimensions 12 (w) x 15 (h) x 2.5 (d) - main compartment dimensions 12 (w) x 19 (h) x 5 (d) - weight (empty) 3.45 lbs 17 outer bag dimensions 15 (w) x 22 (h) - laptop compartment dimensions 14 (w) x 16 (h) x 2.5 (d) - main compartment dimensions 14 (w) x 20 (h) x 5 (d) - weight (empty) 4.5 lbs

nice styled laptop bagpack for 15.4 and 17inch laptops. product specifications: 15.4 outer bag dimensions 13 (w) x 21 (h) - laptop compartment dimensions 12 (w) x 15 (h) x 2.5 (d) - main compartment dimensions 12 (w) x 19 (h) x 5 (d) - weight (empty) 3.45 lbs 17 outer bag dimensions 15 (w) x 22 (h) - laptop compartment dimensions 14 (w) x 16 (h) x 2.5 (d) - main compartment dimensions 14 (w) x 20 (h) x 5 (d) - weight (empty) 4.5 lbs

big with luciano, 2000 and one, dubfire, djulz, karotte! hot on the heels of one of 2009s hottest tracks, pittos feelin, comes the next golden nugget .. this time the first part of an exciting new series from label head voorn.

repress: debut solo album from karin dreijer andersson (singer of the knife).

andy bowman brings us the 4th release of his gecko imprint. and the man knows, what djs want: new ammunition to fight empty dancefloors all over the world!

pport by paco osuna, danton eeprom, xpansul, joseph capriati, christian smith, someone else, technasia, luke solomon, rocha & lewinger……. luetzenkirchens label quickly became one of the hottest new imprints for cool underground clubtracks, mainly with artists from munich like his best mate gilbert martini, who also already had two tracks on #02 and #05. but on this ep its the first appearance of an artist from berlin: luetzenkirchens friend pierre deutschmann, well known for his releases on ostfunk, clubcity, audiobahn, farbenfroh and his classics on low spirit and electric kingdom and of course main man tobias luetzenkirchen with two hot new and very divers clubstompers >suck me empty< and >rolling on the six<

after the success of the beautiful and sultry ‚move with me‘ on poker flat 97, alongside patrick chardronnet‘s blissfully deep ‚days like these‘, david durango is back with three mesmerising tracks on dessous. like a dark, empty night made warm by the pure, reviving light of day, ‚striptease‘ is an epic tale of love and resolution. skipping, light percussion flourishes are joined by memorable chord phases that wash through and over the senses. a tender and sincere detroit style breakdown is then skillfully danced out with teasing, climactic moments of tension. ‚human‘ is by comparison a lighter journey, as durango trusts his rhythmic instincts and pulls out some fresh and airy hypnotising synth stutters and a rich palette of spacious percussion. neo-chicago stlye, ‚japanese revenge‘ is a faster paced deep-down groover that works chugging organ stabs and jacking beats along with glorious room-filling bending synth glides. it‘s a versatile track that sums up durango‘s unmistakable talent for creating an atmosphere and a celebratory, old-school vs new school vibe. durango‘s skilled, un-rushed style is the key here, and leads to three very unique dancefloor excursions, each with their own directions, moods and tingling electronic atmospheres.

big with someone else, falko brocksieper and morgan page

peaktime techno with some detroit influences

great deep and hi tech funk influenced minimal tunes !!

2001 classic release by mr minimise donacha costello!!

greatest spacin minimal tracks !! plays by angel molina, brocksieper, someone else

thank you have played with the likes of beach house, dan deacon, daniel higgs, celebration, wzt hearts and ponytail. thank you is an athletic rhythm/action unit, made up of jeffrey mcgrath, michael bouyoucas and elke wardlaw. michael was a member of the baltimore band more dogs who released an album on monitor records. the members of thank you are longtime friends and musical collaborators, working hard to bring to life their wholly original compositions. musical ideas are introduced and have conversations with one another, each track filled with new articulation and insight. the basics of drums, organ, and guitar build the foundation, but are augmented by whistles, cowbell, hobo harmonica, snappy loops, car horns, and whatever else might be at hand. the album terrible two was engineered by j. robbins (yeasayer, mary timony, jets to brazil) in baltimore and was produced and mixed by chris coady (tv on the radio, yeah yeah yeahs, celebration) in new york city.

kne deep is a&r ed by the one and only emperor of hard techno, dj rush. the next kd in line is by dj arcane, who did some braindamaging stuff on labels like lars klein s compressed, artificial beats etc.

full support from 2000 and one, karotte, sebo k, tobi neumann, adultnapper, jamie jones and more.. beautiful deep detroit tech music !!have you ever experienced the empty spaces of ghost city detroit? they inspired sten aka lawrence to this hypnotic 12inch- three versions of >squares<. the deep techtunes can be regarded as an hommage to early derrick may tracks, heath brunner and all detroit techno bunch from back to now. functional grooves from the roland machines on a melodic soundcarpet plus the mighty detroit string section- this one is made to dance, eyes closed, the heart open. peter m. kersten aka lawrence / sten launched the dial label in 2000 together with his flat mate and dj friend carsten jost

this year marc has released eps on leftroom under his full name marcashken and labels esperanza and archipel under his alias sozadams.have you seen my dancing shoes’ is marc’s debut album on leftroom. it is a collection of tracks and skits taken from a period of 6 months where his whole focus was on this project. there is a mix of house, breakbeat, techno, minimal and downtempo. this is the 4 track vinyl sampler set to tease you before the full album release.