red/transparend marbled vinyl 40th anniversary deluxe edition !

80s disco

repress / • pete rock is widely recognized as one of the greatest hip-hop producers of all time. in addition to his seminal albums alongside cl smooth, pete has produced classic tracks for artists like nas, public enemy, run-d.m.c., wu-tang clan, jay-z & kanye west, heavy d, common, busta rhymes, talib kweli, black thought, az, big l, westside gunn, smoke dza, benny the butcher, and more. • ny’s finest features appearances by raekwon, jim jones, styles p, little brother, redman, masta killa, max b, lords of the underground, papoose, chip fu, royal flush, and more. • this repress includes the bonus track “it’s so g” featuring roc marciano, which wasn’t included on the original album.

incl moodymann!!

limited pressing on neon yellow vinyl.

regular pressing on black vinyl.

remaster

2lp (standard weight black vinyl, 3x sides audio + 1x side etched design, in a gatefold sleeve)

stunning new one from ny graffiti and ucc harlo big tip for lovers of urban tribes classic album the collapse of modern culture usa pressing

rob smith and denise morgan with a dynamic cover version of al green’s timeless classic.

limited edition of 1500 numbered copies on green 180 gram double vinyl, housed in a gatefold sleeve.

weißes vinyl, deluxe-hülle, beidseitig bedruckte innenhülle. incl mp3

luca mustos long awainted album >nice place bad intentions<

black vinyl

ltd green coloured vinyl

clear coloured vinyl

second output of thomas xu on steady flight circle

ltd 2021 rsd release, blue colour vinyl with printed sleeve

deep groovin house

new ep by electro mastermind cygnus. mastered by rude 66. tip!

new single from irish band supertonic sound club on limited 7 inch vinyl.

2020 remaster, original released in 1988

no filler , only killer

discult soundsystem present their new label lets discult.

originally released in 1989 - reissue

ambient lp

2020 re-issue, 140g vinyl

italo disco and slow house tunes!

byron jamez with some serious soul grooves for six nine records.

phunky 80s disco smasher

>party like its 96< celebrates 23 years of musical debauchery

first release from new imprint obscure unfound. heavy modular techno with driving beats.

three raw, tough, cutting originals from a brooklyn borough brother only known as trey. all tracky and dynamic, blunt and deliberate, and most definitely made for clubs that exist on the fringes, in the seedier, stranger corners of the world. to be played during the small hours of the night. comes packaged in a special graph paper-print inner sleeve.

aux88 bass magnetic re-issue 1993-2018. back by popular demand, the same unique spirits that brought forth the sound of detroit streets and turned it into the futuristic soundscape known as techno-bass , the original members have collaborated to re-issue their catalog 25+ years later. starting with their 1st double pack lp, bass magnetic (considered to be a mesh of influences between miami bass and detroit techno), aux88 established themselves in an effort to stay true to their roots in the streets and the clubs creating their own genre into a global dance culture. after the release and production of their own documentary ( aux88-portrait of an electronic band ), the group celebrates its now classic recordings. harkening back to its first days on cassette tape to revive a future generation of vinyl aficionados. aux88 s bass magnetic = classic detroit electro.

• second in a series
• bent bare bones dance trax from powell
• experiments with new, polyphonic hardware
• mastered and cut by matt colton
• riyl autechre, afx, din a testbild, all the best oddballs
• vinyl only, no digital, strictly limited!!!

happy bithday metro area. timeless tracks für die ewigkeit ... must have ... 2021 repress!

nigerian disco-funk from 1979 back on vinyl.

the aristocrats were originally from bridgeport, connecticut, but came to philadelphia in 1973 where they recorded five tracks with bobbi eli at sigma sound studios. only one single was released, the philly classic “let’s get together now” on warner brothers records. original pressings can fetch up to £150. the expansion pressing here is extra special as the ‘b’ side “loving you is mellow” has never previously been released on 7” or vinyl. it is in fact the original version of a song later made famous by major harris but in it’s own right an exceptional piece of philly magic.

2015 paisley park remaster overseen by prince. pressing on 180 gram vinyl, housed in original 1984 packaging with poster included.

diy - also „do-it-yourself“ - hat eine große bedeutung in joey agrestas leben. er stammt aus new jersey und lebt über einem ersatzteile-shop. „let’s not talk about music“ entstand in über drei jahren, in denen joey agresta die lieder in seinem schlafzimmer-studio einspielte. computer wurden für die aufnahmen bewusst vermieden, neben regulären instrumenten nutzt joey agresta selbstgebastelte gerätschaften und bannt die klänge auf mehrspur-kassettengeräte. lo-fi als bewusste ästhetische entscheidung. unter pseudonymen wie joey pizza slice, son of salami oder salami junior hat er diverse kassetten veröffentlicht und so die aufmerksamkeit von bands wie future islands und the parquet courts gewonnen, die erklärte fans sind.

we once again have the pleasure of introducing a new unit comprised of some old friends to the world! luces is felix bloxsom, otherwise known as plastic plates, and caleb cornett, a.k.a. amtrac, and its here on lph that they make their debut with habitual ritual, a big-room epic with an undercurrent of classic deep house and disco vibes running through it. the three originals included in the package are driven, pumping whompers that crescendo and dissolve into breakdowns sublimely. the remix, by autofac (shit robot, juan maclean) is a dubby, stretch-out take on the titular track. prime-time fodder for club floors and pump-up mixes alike

lehultsub is dedicated to dj-friendly flips, chops and spins, brought to you on a limited edition of hand-stamped white labels. the a-side introduces tony rainwater, who shows us his straight up approach to editing: find an obscure sample, speed it up, make it hit. the second track on this side, lets celebrate less hats loops the dance floor in a frenzy. tony will return for a full 12inch on lehult early 2017. the b-side, my love 4 u will neva die by lucky charms has been played by all of the lehult crew for a year already and has been requested over and over ever since. its rugged, curveball approach catches the crowd by surprise and makes for some unique dance floor moments.

the always wonderful begin returns after a very balearic absence ! and what a return ! let s talk eases us in with some trademark begin style mid-tempo mellowness, as undulating melodic elements are carried straight to the beach on gently lolloping beats aight adds a little more anticipation, with a syncopated backbone and some mesmerising carl craig style synth cycles... on the b, the cut the paste is a burly, new beat inspired chugger, which manages to sound exactly like an early morning, strobe-lit boccaccio moment, while simultaneously basking in the midday sun

for release number four octo champ brings his not quite here yet ep to the table and hits a house music home run and then some. two part summery club jams, two part dreamy morning after grooves, packed with deep synth swells, diva-esque vocal samples and sultry basslines. this one’s bringing the summer to winter 2017.

1xlp + dl card. raw and minimalist, mesmeric and catchy, pop and melancholic, they seized the hazes of shoegaze, krautrock and madchester to compose the soundtrack of an era lost in the night. the translucent vinyl lp includes a download code.

double 180 gram heavyweight vinyl in gatefold leeve

limitierte wiederveröffentlichung des 1995er albums als 180g schwere vinyl-edition. nach dem moby über nacht mit seinem track go die techno-szene mit einem der großen hits dieser phase versorgte und schnell zwei compilations mit frühwerken des künstlers auf den markt geworfen wurden, sollte everything is wrong sein erstes richtiges album werden. frisch bei dem label mute unter vertrag, zeigte sich moby musikalisch erstaunlich facettenreich. auf der einen seite stehen dancefloor-hymnen wie das überdrehte -feeling so real oder die single every time you touch me, auf der anderen seite überraschte moby mit ambient und filigranem pop. when its cold id like to die mit gast-sängerin mimi goese klingt ganz so als würde moby die frühwerke des labels 4ad (cocteau twins, dead can dance) außerordentlich schätzen. mit dieser varianz nimmt er seinen weiteren werdegang voraus, bei dem er noch häufiger überraschen sollte.