satoshi tomiie präsentiert magic hour - disk #3 - wave dub, die dritte scheibe seines 2024 auf seinem eigenen abstract architecture imprint erschienenen albums magic hour.

hot repress of this great 7 inch

roots / dub

incl jamie paton remix. tip!

federsen inaugurates his new imprint alt dub this may with a split ep comprised of original cuts from himself and hidden sequence and a remix of each by the opposing artist. limited edition of 300 copies on blue marbled 180 gram vinyl.

a stellar collection of seven dubwise tracks over 4 sides with a techno and balearic influence.

leisure dub and armanious return to follow up their debut release weekend waiting (one of gilles petersons records of the year in 2021). its electronic late night soul on the a side with a heavy baseline mix made for sound systems on the b side. pressed on a dinked 7 inch.

reggae

hand-stamped white label

christmas song on red coloured 7 inch vinyl

ultra limited copies

back in stock

al kent returns to gamm. tip!

for the 004 release we teamed up with roots singer kojo neatness delivering that true kingston reggae vibe. vocals were recorded in the mythical caveman studio in jamaica with the help of the great late nazamba.

the birth of rock steady portrayed in a consummate collection from the vaults of federal records. most of them drawn directly from ken khouri’s master tapes this miscellany of cool rock steady includes marvellous music from the originator of the genre, the one and only lynn taitt, alongside an array of jamaica’s greatest singers and vocal harmony group.

wo classic sides from the federal vaults! mastered at d&m.

two classic rocksteady sides from derrick harriotts move & groove label.

two classic sides from the federal vaults! mastered at d&m.

phat reissue

mix cd

(clear 10 inch vinyl) the second release to be pressed into totems slabs of 10-inch vinyl is from techno impresario luke slaters l.b. dub corp moniker. slater has been operating as a pioneer, with a full deck of aliases, throughout the genres many corners since the days when techno was a newborn phenomenon. the stripped back sounds of l.b. dub corps last releases on the imprint have resounded naturally within the psychotropic space carved out by stroboscopic artefacts.

fresh off the new album we welcome the arrival of a limited l.b dub corp single. opening proceedings, see the light unveils a soulful and vocal driven side to the l.b.dub corp sound, whilst we are going home switches up the aesthetic and movesinto duskier, percussion driven territories. last up, slater punctuates the ep with the intricate, snaking sonics of calling the spirit, harnessing slick, skipping hats and a hypnotic, ever-evolving lead line.june welcomes the arrival of a limited l.b dub corp single. opening proceedings, see the light unveils a soulful and vocal driven side to the l.b.dub corp sound, whilst we are going home switches up the aesthetic and moves into duskier, percussion driven territories. last up, slater punctuates the ep with the intricate, snaking sonics of calling the spirit, harnessing slick, skipping hats and a hypnotic, ever-evolving lead line.

john talabot and axel boman teamed up in 2017 for their r&s debut the night land where they got to flex their creative muscles over eight tracks of rich synth jams. the two electronic artists have been independently successful in their respective careers, but as pitchfork expressed in their glowing review their collective output doesn’t sound much like eithers work, it doesnt even necessarily reflect the thin, convex sliver where their interests overlap. instead, theyve hit upon something new. this new sound also proved to be a hit with the likes of mojo, phonica, xlr8r, self titled and dj mag all including it their annual best of lists. the artists have now handpicked four artists to create their own vision of the talaboman sound. superpitcher, samo dj and luke slater under his l.b. dub corp alias have all seriously delivered the goods.

(180 g vinyl incl. dl card) following its launch in 2006, slaters l.b. dub corp moniker has been responsible for refreshing house music on labels like mote-evolver and ostgut ton, with the latter hosting the pseudonyms debut album in 2013. side effects is the projects first body of work since then. i wrote the tracks over the last year between being on the road as p.a.s. and playing a few l.b. dub corp house sets, which naturally evolved into side effects almost accidentally luke slater

ostgut ton presents >unknown origin<. the formidable debut album from luke slaters inimitable l.b. dub corp moniker

luke slaters l.b. dub corp alias makes a welcome return to ostgut ton.

mote-evolver continues to push on into uncharted territories of electronic music with the parallel series 1, the first in a new series where 2 artists are featured side by side - contrasting and complementing. a dedicated producer with over than a decade of experience, british born asc goes head to head with luke slaters rather rare l.b.dub corp guise over 4 tracks of vivid new techno.

mote-evolver continues to push on into uncharted territories of electronic music with the >parallel series 1<, the first in a new series where 2 artists are featured side by side - contrasting and complementing. a dedicated producer with over than a decade of experience, british born asc goes head to head with luke slaters rather rare l.b.dub corp guise over 4 tracks of vivid new techno.

after only a handful of productions and remixes under that illusive moniker, british techno pioneer luke slaters >l.b. dub corp< arrives on ostgut ton in its latest electronic mutation.

strictly limited edition!! ultracool dubby minimal tech cuts, for fans of maurizio, basic channel...

black vinyl 40th anniversary reissue of the debut creation rebel album.

incl rico puestel summer nostalgia dub

legendary 1977 dub album

ska, rocksteady, reggae, roots and dancehall reissue

repro of this sought after 1969 reggae lp. includes 10 classic tracks featuring top jamaican session players such val bennett, winston wright, and gladstone anderson.

reissue - miraculously rare and seriously obscure killer dubs. one of the very few hard core seventies dub albums mixed by errol brown. a selection of solid dubs originally recorded in 1978 by bb seaton at duke reid s legendary treasure isle studio and mixed in-house by the duke s nephew errol brown. a radical departure for all concerned this bold dub album was never officially released although a few clandestine copies reputedly did the new york rounds at the time. mojo by david katz - extremely rare 1978 dub album stands up against any from that era - -errol brown began engineering through family connections, producer duke reid was his uncle. trained by the highly-skilled byron smith, chief engineer at reid s treasure isle facility, brown cut his teeth mixing alton ellis, the paragons, peter tosh and marcia griffiths. -orthodox dub- dates from 1978 when bb seaton of the gaylads was working closely with brown at treasure isle, cutting tracks with ken boothe and mikey dread along with self-produced work, and although only ever issued in tiny numbers as pre-release lp in the bronx, these dubs pack a mighty punch, easily on par with any of the dub sets issued in the era by channel one or joe gibbs. outstanding tracks include -roots rockas-, a stripped down cut of boothe s -who really cares-, and -black forest rock-, a bass-heavy reading of seaton s -is life-.-

powerful deep and dubby techno on white vinyl. repress incoming!

black vinyl

chez damier presents makez. tip!

dupstep

comes on grey marbled vinyl.

7 inch yellow vinyl

limited black 7 inch vinyl edition

limited hand-stamped 10 inch vinyl with sticker insert.

wat ik dacht toen ik lag (zea the dub remix album) rmxs by andy moore-the ex,desmond denker,phanton