metal

special anniversary release of the radiohead albums “kid a” and “amnesiac” plus bonus disc with b-sides, alternate versions and unreleased material. regular pressing on black 3x12 inch vinyl.

various artitsts house ep

small great tunes vol.1 is varied and offers a traveling dj multiple vibes to choose from. the energy on this new record takes off within the few first bars. the opening track >sport casino< by kid simius introduces a lighthearted mood and 80s synthesizers. peter lcs >sogni dinfanzia< is very likely to become the next lofi-house classic on disco dancefloors around the world. dreamy and melancholic but groovy nevertheless. the b1 track >kamal<, a collab between david silver & luca olivotto is a tasty house mood. the tune features a powerful and groovy bassline and sparkling synth leads all accompanied by rhythmic piano chords. b2 is similar to a2 in the way that its also a lofi-house track with nostalgic moods and careful sound design. with each side of the record featuring both a sunnier and a moodier track, the ep is a perfect fit for summer sets in a heated club or leisurely listening sessions on late afternoons enticing the listener to let go and bringing back memories that have yet to be created.

limited to 303 hand-numbered copies

incl feat. rory fresco

kid millions’ tireless rhythms meet jan st. werner’s boundless textural palette. limited pressing on purple and white marbled vinyl.

yellow vinyl incl picture sleeve

die erste ausstellung ist ein gemeinsames projekt von utopia cloak und the jaffa kid, das unbezahlbare artefakte aus ihren jeweiligen königreichen präsentiert, in denen melodische electronica die oberhand hat.

kid drama back on dispatch blueprints with a remix coming from commix.

a carefully compiled journey into the mind of the jaffa kid.

bangin rave techno

aes and armless kid, parisians based artists, share the wax together and give us a way to the raves. four breaks and electro tracks to dance till the dawn.

deep groovin spaced out house

the 4th album from mathieu hocine’s project kid francescoli.

kid loco is back with his 5th album “the rare birds”.

ltd to 300 , incl dl code - hand numbered

white label release of the 2nd ep from kid d.

the 1973 soundtrack from bob dylan back on vinyl

incl kalkbrenner remix from the flute song !! the new album from kid simius on limited coloured double vinyl (1x yellow, 1x light blue). housed in a gatefold sleeve with cd-copy of the album included.

hard times call for good music. this time around times are ruff (tar) dedicated their beat fabricating skills to a double ep for tomorrow is now, kid! the tink! project will put some raw, deep, soulful and garage tunes in your ears. as a dj collective, times are ruff is heavily influenced by the windy city, taking inspiration from the past, but never sounding outdated. focussing on long - preferably all night - dj sets in which times are ruff strives to set itself apart and tell a true musical story to the audience.

new 2 track 12inch release from lamont for swamp 81 sublabel, 81. mastered at teneightseven

2x12 inch radiohead classic longplayer!

played by chez damier , for his first solo record label founder antoine molkhou aka siler present us his -still a kid- ep.two orignial tracks and the a great collaboration on -spatial purim- with the popcorn family member flabaire.

limited reissue on orange coloured double vinyl of kid rock’s 1998 album “devil without a cause”.

limited reissue on turquoise coloured double vinyl of kid rock’s 2001 album “cocky”.

having sprung into action with the sol explorer ep on girasole, william caycedo is back with a new selection of jams on the ever-developing slapfunk. as the label s remit for minimal house and techno broadens, we re treated to low slung leftfield beats on -booty call- before the peppier broken beat groove of -ain t no joke-. -creepin - and -g groove- head into more familiar territory for slapfunk fans, but there s still space for the crisp, laid back funk of -tales from the west- and the off-kilter jazzy vibes of -yes we do- thrown in for good measure.

when words fail, music has the ability to depict the deepest of human emotions and once again kidnap kid uses his signature emotive and sophisticated production to do just that. he returns to birds that fly, the label he founded less than a year ago with brokenhearted an ep containing two original tracks. brokenhearted is a reaction to the immense sadness in the world. my way of processing endless tragedy and distant despair. mist, on the other hand, is a more hopeful response, a faraway light at the end of the tunnel - kidnap kid. musicians have been making music about love and heartbreak for hundreds of years and kidnap kid’s statement on the eternally relevant topic starts with brokenhearted ,a track that taps into the memory vaults. next up is mist whose simple melody is layered over intricate sounds to create an immensely absorbing track. the start of 2016 saw kidnap kid launch his birds that fly imprint as a platform for his own music as well as a means to support like minded producers, such as applebottom and amtrac, both releasing on the label with great success. the labels debut release was from kidnap kid himself and moments was met with such high acclaim it collectively reached 10 million streams, 1.3 million of those coming from spotify and subsequently made the spotify chart in over 10 countries. it was championed by several radio 1 djs and was the closing record for many, including maceo plex who closed his set at crssd festival with the track.

“music to draw to: satellite” ist die erste veröffentlichung von kid koala, die nicht auf samples basiert, sondern aus seinen eigenen arrangements, einer reihe von synthesizern, keyboards, gitarren, streichern, turntables, noisemakern und seinen originellen aufnahmetechniken besteht. auf der ersten auflage der “music to draw to”-kollaboration steuert kid koala sogar bei fünf der sieben gesangseinlagen von emilíana torrini die lyrics bei.
das doppelvinyl erscheint inklusive downloadcode.

limited deluxe edition vinyl release in gatefold sleeve with double cd included. cd1 included in the vinyl features the same tracks in the same order. cd2 features the same titles but demo version in the same order as the studio album.
the record cover shows a woman walking towards dusk - or is it dawn. two years after the success of night moves, a wander through a threatening nocturnal los angeles, h burns returns with a new record for twilight. kid we own the summer finds its identity between a few landmarks such as david lynch and angelo badalamentis california, the intimacy of bruce springsteens darkness on the edge of town, the relative calmness of suicides second album, and the elegant melancholy of the national.

standard vinyl release in gatefold sleeve with album cd included.
the record cover shows a woman walking towards dusk - or is it dawn. two years after the success of night moves, a wander through a threatening nocturnal los angeles, h burns returns with a new record for twilight. kid we own the summer finds its identity between a few landmarks such as david lynch and angelo badalamentis california, the intimacy of bruce springsteens darkness on the edge of town, the relative calmness of suicide’s second album, and the elegant melancholy of the national.

double 12 inch vinyl in gatefold sleeve with download code included.

all songs written by billy the kid (member of charles bradley’s extraordinaires), two soulful vocal features with influences ranging from timmy thomas to brian wilson, all songs mixed by max shrager of big crown records’the shacks

the man known for his playful grooves, crafts house music like it should be - full of energy with sprinkles of fun. after releasing two digital albums on bandcamp, we thought it is time to give his music the medium it deserves: vinyl. you’re very welcome by the way.

as always limited 180gm pressed vinyl
people must jam s ninth record is from one of our favourite djs and producers. a guy who has a ridiculously large back catalogue and in our opinion it is a crime that some of his records haven t received bigger recognition. a true master of house and hip hop music, kid sublime has been putting out amazing records since 2001. his own label dopeness galore literally does exactly what it says on the tin. even before we launched people must jam s label we wanted kid sublime to be a part of it. now finally we are stoked to present this ep... four serious cuts for four different vibed floors - look out! first up kid s homage to techno legend ben sims with bang like sims a driving deep techno groove. strong percussion, deep stabs and that unrelenting beat are going to ensure this one gets some love on the harder edged, heavier dance floors. we the people heads a little down the tribal route with some afro inspired percussion, haunting samples and that kalimba! dropping a really infectious riff before beautiful piano melodies drift in and out of the mix. wonderful stuff. the title track i like em dirty , we feel, is a lesson in proper deep house. classic sounding house beats, little guitar licks, deep stabs and the vocal sample combine for this perfect house cut. massive. the ep is rounded out with another cut in tribute to the legend that was kenny hawkes. another master of his craft - kenny sadly now passed on but his spirit is well and truly alive in this fitting tribute. one 4 kenny features strong percussion, low bass, deep stabs and slamming beats = cracking stuff

our fresh outing for kid caprice ep sees another new face join the dirt crew/ spiel family. our latest artist discovery is bal 5000 out of budapest, hungary. coming from a diverse genre background, his sound ranges from disco to techno, tastefully touched with indie and balearic. the title track, for kid caprice heralds a soulful bass line, easy house stabs, light hearted keys, gently swung percussion and sparkling disco licks, this ones a soundtrack for traversing the cosmos or blissfully swaying on a dance floor. dub version steps the energy up a notch. with its growling lead and steady lathered groove this one is wide and warm. on the b-side, farewell my lovely is melancholic yet uplifting, eerie synths sing over positive key hits and its lithe melodic lines playfully interact with the rolling bass giving this one a live synth-pop feel. wake up! its monday! is bouncing and joyous with a chunky bass at its core. a queasy lead wraps around the central ideas while rising arpeggios elevate the mood. finally, as digital only track, cop is a pumping italo influenced house jam brightened with classic disco elements. boasting a self assured bass and gritty rumbling analogue synths, this one is right at home under the lights.

back in 2001, austin s groove was released on subliminal records. it was made by a talented house music producer called kid creme. now in 2015, austin s groove is considered a true house anthem and kid creme a legend. on suara we ve decided to give it a facelift and adapt it to the times we are living. thats why we ve asked some of the hottest producers nowadays to give their personal re-interpretations to this masterpiece. here you can find remixes from huxley, gene farris and volkoder plus a 2015 edit from kid creme himself. suara links past and present with this special release!

melokolektiv and konvex & the shadow transform the original into an emotive electronica track, combining hypnotic pads and chords with a syncopated beat and cleverly chopped vocals.

dusty kid is back with a masterpiece that cannot be missed, a perfect soundtrack to the summer of 2015.

booty angel- feat. kid enigma ist die erste single aus till von seins zweitem solo-album -precious-. eine von ultimativer floor-enthemmung bis hin zu leichter schamesröte jede gefühlsregung triggernde nummer, die den vielleicht wichtigsten topos der r n b-geschichte aufgreift: das weibliche gesäß. johnjon kürzt aus dem original den funk heraus und nähert sich dafür aus der unterkühlten tech house-richtung. der discoide bounce und die bassline der tender games-adaption sind dem sexappeal des originals da sehr dicht auf den fersen. vervollständigt wird das remix-bundle durch eine jimpster-bearbeitung, die mit stehenden noten, percussion-geraschel und getunten vocals sämtliche deepness-potentiale des tracks herauskitzelt.

we are proud to have dug out these two bomb tracks from the 90&#8242,s by manchester legend kid simmons. for some weird reasons these tracks were never released, but here we go now: 2 funky house bombs that will make you bounce and jump like there was no tomorrow. expect more to come from the archives of this man!

kid creme, one of the most enigmatic figures in electronic music is back with a new track look for me a collaboration with nz producer jolyon petch. this is an official vinyl release on his own illegal beats label.

limited 1-sided white label 10 inch. he is back, in the run up to 2015’s longplayer dropping another slice of broken electronic pop this time teaming up with us isolationist and icey voiced songwriter kid a. here fmf delivers his trademarked frosted heartbreak chords with a grime lilt on the drums and low-end. we have enlisted the deft remix skills of visionist acknowledged leader of the new grime movement who adds his own low slung mood take on fmfs fractalised funk.

karma kid, aka sam knowles, is a self-taught, 19-year-old producer who will release his new single bird of prey on future classic. bird of prey is the title track from the forthcoming ep, bird of prey. karma kid is one of the freshest faces in the uk bass scene. the vinyl ep includes a download code.

tomorrow is now, kid! returns just in time for summer with a collection of tracks taken from a reel of tape. in my ghetto is the debut ep of anthony brooklyn, who has crafted four jams in spirit of the roughness of new york citys famous borough, brooklyn.
played by: slothboogie, ka§par, nathaniel jay, dj nav, david, fabio monesi (wilson records), alex alterskye, daniel curpen, leigh d oliver, djs: most charted - deep house, waze & odyssey, alex salvador, new jack city, kid mark, l atelier, borg ltd, marsupials

kidnap kid returns with a new single *stronger* which sees the award winning young london via sheffield, producer, real name matt relton, apply his singular touch to a six-and-half-minute dark and emotionally charged house epic. highlighted by expressive piano chords and a haunting vocal refrain. *stronger* displays the deft musical instincts and production flourishes that have singled him out as one of the uks hottest up and comers.

a fantastic, pushing and atmospheric remix of dusty kid himself and a very prickly mix of alva noto.