limited pressing on doublemint coloured vinyl.

first release in a new series from stag-o-lee, hand-packaged and numbered edition of 500 copies.

weird techno, idm and early gabber

tkay maidza drops the final part of her “last year was weird” trilogy. pressed on black vinyl, cut at 45rpm.

20th anniversary remastered reissue of the debut album from the shins. limited edition on light blue and white marbled vinyl.

20th anniversary remastered reissue of the debut album from the shins. black vinyl edition.

reissue & remastered

ltd copies, 1 per customer

ltd version in trasparent clear vinyl 2x12 inch + 10 inch + +mp3 + booklet

12inch incl. sticker in screen-printed sleeve

original video game soundtrack on black 180 gram vinyl, housed in a gatefold sleeve.

coloured vinyl with download code included.

another limited run of modern weird riddims from the mystery booms crew. this time by the one and only prince stoner

brilliant lp from double geography aka duncan thornley from weird weather who recently released a cracker on whip & lash.

limited edition of 300 copies on double vinyl, housed in a gatefold sleeve.

phat bassheavy collaboration

30 copies only. includes 10 never published before pseudoscience illustrations.

_asstnt & roll dann collaborate to deliver the inaugural release on their opera 2000 imprint entitled -back from the morgue-. -back from the morgue- kicks things off with blistering drums scattered around growling modulations and twisted vocals keeping the atmosphere weird yet wonderful before -the hill of hanged- continues with resonating kicks fused with undulating, grime-influenced strings and sinister elements throughout. on the flip, -coalescence- maintains the effervescent moods through storming grooves, dramatic soundscapes and powerful oscillations while -dirty mistress- features heavy, syncopated percussion peppered with distortion and dystopian leaning oscillations to bring this beautifully dramatic ep to a close.

a weird trip of electronic music in a genre transgressing way with the extraordinary thrilling voice of india de vere from london, produced by the salzburg-based musician gerald peklar. both single releases fly away and dont fall already on heavy rotation in austrian public radio fm4 (orf).

incl. greg wilson & che wilson remix

slamming groovin tech tracks

‘tribes 1.1’ by weird dust is the third release on brussels-based label crevette records

the entire tape was made using a cursed roland sp404 sx, filled with broken beats, warped vocal samples and playful synths and glitches. the sounds range between meditative ambient, lo-fi beats to study to and jungle. the composition is relaxing and zen, but in the meantime will give you enough quirky details to hold on to.

vinyl ep with download ciode included.

deep driving techno 4 tracker with weird voices

dos attack are two childhood friends come djs and producers from madrid who ve have managed to create their own little space in the electronic music landscape. the masterminds behind cult label riverette, with releases by such exciting and forward-thinking artists as legowelt, oskar offermann, kornel kovacs, and minor science, the two are insatiable diggers to a point that they opened their own record store in the center of their hometown, named after the label. both as djs and producers, their creations are a reflection of their collection and taste – sometimes trance-y, sometimes hyperactive, always weird and wonderful, mixing the energy of late 70s new york with the good vibes of 90s rom-coms – pure love.

soul dynamite pull no punches with the follow-up to their first release and go straight for the jugular with some vintage mr lif fire a 45 splitting mr lifs seven-and-a-half minute return of the b-boy into parts 1 and 2 one on each side. thats not quite as weird as it sounds for on lifs critically acclaimed debut full-length from 02, i, phantom, the el-p produced return of the b-boy features a fade and then a complete change of beat change for the epic third verse. the first half is dark, space-funky boom-bap while the second half is er even darker, and a bit faster, space-funky boom-bap. either side though, you’ll be able to revel in such a-grade lyrical excoriation of race relations in the states as, theyre defacing masterpieces, just to blast to pieces/ what’s dope and hope that wed accept a wacker thesis. jesus! black vinyl.

the fourth release of another earth, a small dutch vinyl only label with limited 300 pressings, has finally arrived. the a side is proper techno created by dave simon. a1 in acid we trust is a peak time acid techno track and a2 path of ability has a warm detroit feel. the b side by anders ilar together with john h is more obscure. deep weird acid techno that seems to come from another planet.

transmission incoming from mr. incognitos secret lab. rat life presents eight psycho acoustic models made by the low key east german producer. you probably never heard of him, but he is doing this thing since half an eternity. rather than playing a lot of shows he focuses on studying the craft of electronic sound manipulation and what else can be said that: he is on top of his game! he shows us that it is still possible to create sonic structures that are beyond the usual by just using classic devices such as the tr 808 rhythm composer and a tb 303 monophonic synthesizer

best balearicpsychedelicdubdisco...

emotional especial returns in 2018 after a supremely quiet 2017 as batteries were recharged and life happened. in mind is the introduction of new duo, weird weather and their debut ep, bamboo room. slotting perfectly in the label family with 4 cuts covering dark basement club music through to calmer, balmier moments.

memory disks. volume one. chevron. the blackpool born sorcerer is conjuring up spellbinding tracks that boil and bubble between supernatural rave, occult acid and inverted techno. dripping from speakers, a concoction of swirling chords simmer as a spiced shower of razor edged rhythms are poured into the pot. shadowy notes ghost like phantoms behind crunching beats, beastly bars growl as keys slide and slither between nine short, medium and long excursions into the glow-stick festooned musical mind of jonathan valentine. nestled amongst the bewitching synthesizer psychedelia, peering from behind the purple forests and white dwarf frogs, are less frenetic works, a soft balance to the frenzied chicanery and chrome plated magic. simply put, a weird and wonderful ep where the only stable point, the only spot of secured safety, is the needle on the record.

spazio disponibile hits release number 13 in style with a collaborative effort between label co-founder donato dozzy and longtime friends retina.it. it is a typically experimental release that features five weird and wonderful tracks, seeing the label taking yet another dip into the more leftfield areas of electronic music.

those wizards of digging psychemagik doing the business once again. hot on the heels of last year s monstrous gotta hold on me / wildman they re letting folks know that they were still out there searching in the darkest recesses of the last 40+ years of popular and unpopular music, and boy oh boy are they good at it! the trip lives up to it s name. the track kicks off with some ultra beefed up psychedelic shenanigans, swirling, cacophonous sounds whirl and sweep and gradually drag us into the holographic tunnel, gradually giving way to some heavyweight drums and percussions and unfurling into a muscular psych-discoid beast. this one will send the kids crazy and will undoubtedly cause some damage in the club, both sonically and mentally. but what is the original? we hear you say... answers on a postcard please. sisters of the moon on the flip-side is a very different animal - all laid back, laconic steel-guitars and thundering slo-mo drums and percussion. the dark side of a rural witchcraft dream exposed here, almost menacing... and then? those vocals spring out of the mix amidst the throbbing sexually charged atmosphere and drag us back into the realm of near reality with sultry moans and groans. this one s woozy alright, but in the best possible way. so wrong, it s right and possibly the natural soundtrack to too many of those strange shots that that guy in the weird hat gave us earlier when we entered that country pub. what guy? i hear you ask.... ultimate freak-disco and deepest druid funk for the discerning and psychedelically inclined record consumer.

there is no doubt that bobby moore is an absolute f***ing legend, and a true icon r.i.p. a hero who lifted the world cup for england at wembley. he is widely regarded as one of the greatest defenders of all time, and was cited by pele as the greatest defender that he had ever played against. a leader of the highest quality and a true inspiration to us all. we would love to say that neil diablo shares these traits and acomplishments but his bewuda ep is tribute enough to one of footballs gretaest ever captians. the ep itself is a remix record , the track is called bewuda, and what a track it is. a 6 min trancy club banger. 808 drums all over the place give it a 90s vibe but with mr diablos signiture italo feel. and what we can we say about his team mates. coyote, tiago & dawn again on the same record.yes please! the coyote boys dont mess around at all. straight into a ravey, sweeping banger.teasing balaerica but keepng it a fully loaded dance floor bomb.tiago does what tiago does. his signiture sunshine vibe oozing out of the track from start to finish. the drums are something to behold and the piano riff drop packs a real punch. and last but not least our mate from melbourne dawn again tears up the track and brings us a classic weird re-triangluation in true banging dawn again fashion. big record from team rothmans for their 15th release!

we had a little pause on our release schedule, but without further delay we present with pleasure the next bomb by our good friend, dj spider! thema 46 was hatched from someone so deeply ingrained in the underground that he barely needs an introduction. from his ra label of the month featured imprint plan b recordings, to his thoroughly played productions on labels such as rekids, killekill and the trilogy tapes, dj spider has been a mainstay on the murkiest, most disorderly dance floors for years. his sound is characterized by disjointed elements lurching around in a off-kilter yet magnetic way that forces you to move in ways you didn t know you could. from the hell scorched, pitch bent echoes of the final revolution to the lo-fi groove antics of distress signal, dj spider proves once again that no one can do it as perfectly weird as he can. text by: nathan levenson

zweites soloalbum der ladytron-frontfrau marnie nach dem vorgänger -crystal world- (2013). auf -strange words and weird wars- präsentiert die neu-londonerin 10 neue songs mit eingängigem electro-dream-pop, stilistisch irgendwo zwischen la roux, ellie goulding und kylie minogue. ps: die limitierte lp-auflage erscheint sowohl auf schwarzem, als auch auf weißem vinyl, beide varianten sind aber unsortiert miteinander per zufallsprinzip vermischt, so dass jederr kauf ein einmaliger glücksgriff wird.

get weird does love a tune that conjures up the feeling of or suits being played out in the desert. “falling” does just that. it was built to be played outdoors with it s spacious vibe and tight groove.
joseph’s a perfectionist and refined the production sound many times before finally giving us the pleasure of releasing it.
“dominika” is lighter. pretty and fun. it brings a smile to our faces every time.
enjoy joseph ashworth’s “falling ep” indoors or out. nighttime or by day.

i try to perform as honestly as possible — the soundbite borrowed from late dancer dudley williams for this record s second track could have been uttered by the mole himself. it s this candor that has allowed us to bear witness to a very marked and very audible transition from his days as a producer in montreal to becoming a part of the berlin scene. and what we have here is one result of that very explicit sonic metamorphosis. de la planet is our dyslexic subject s third studio album, one that stays true to his ethos of weird above all in the best possible sense. and yet it feels like something distinctly new. tapping his enormous reservoir of vinyl and sampling the odd film have acted as complement to the jaw-dropping arsenal of synthesizers at de la plante s disposal—a battery of machines he s been quietly improving his skills on during the past few years. or not so quietly, perhaps. the man himself would probably say -i m coming out of the woodshed-, and go off on a tangent about sonny rollins and his saint of a wife. but that s a story for another sheet.

georgex brings a poised balance and combination to his tracks of melancholic sounds over more aggressive beats. the titles reflecting a journey that took him to musical places unimagined in his studio beforehand. music is the pathway to his dreams while sunny days in greece also inspire certain feelings in his sound. emotionally charged the bridge features spacious zitar lines and emotive strings that send you upward while the rough and ready groove keeps your feet on the ground. in my dream sprinkles a lighter more airy atmosphere over the dance floor drawing the listener in to it s hypnotic spell.

cosmic bridge continues to move forward with a two-track release featuring the dynamic duo of munich s danny scrilla, an early member of the label s roster, and bristol s sam binga, a close friend and collaborator of the label s founder om unit. created during a weekend session at scrilla s home studio, the release sees this long overdue anglo-german meeting of the future minded go deep into unexpected sonic terrains and fully live up to its title of weird in munich. the trip begins on side a with frolic in brine , a brooding roller that sets up the mood: deep, hypnotic and sweaty. the track unfolds from pulsating synths with a percussive rhythm underpinning a gentle procession of elements including synth arpeggios, languid guitar licks, and echoing sound effects. ignoring dancefloor conventions, frolic in brine instead opts for a minimal approach that delivers a shot of pure body music.

lost desert and lee burridge return to get weird with an ep aimed squarely at the dance floor. k bug’ is a steam train slowly gathering pace as it moves forward. the chugging groove and fat bassline has been whipping the crowd in to a frenzy everywhere it s dropped. hinduma’ is a tracks that causes the mouth to contort while mouthing out the wonky synth line. and ‚reply to sender’ is a slow burner with a trippy ethnic melody and a drop that goes all mystical. three tracks for the clubs

solo album displayig a collection of foggy electronic dub meditations recorded between 2000 and 2005 by berliner ring member alexander christou under his al chem guise. he has previously released for tummy touch and was part of the elecdrones formation on the berlin katzensonne label. further output include theater and radioplay compositions. limited 1st pressing 500 numbered 180gram tip-on sleeve. check!

seth troxler’s agenda setting play it say it label is back with more summer heat, this time from detroit based duo ataxia. hailing from detroit, this pair has recently played the famous movement festival in their home city for the fifth time, work with top labels like nervous records and culprit la and have already impressed with a fine ep on leftroom this year. their sound is designed to get the party started, and after already releasing on this label in 2016 they are now back with three more essential tracks. up first, the terrific ‘time original’ is a fluid and wriggling tech cut with busy synth lines scurrying about over driving drums. it’s dark and freaky with poised chord stabs and the whole thing cannot fail to get floors moving. then comes ‘supertouch’, which is a superbly slick acid number. weird bleeps and clipped vocals add an unhinged edge to the urgent rubbery drums and the whole thing is a mind melting number that will take any set to the next level. last of all is the vital ‘villains’, seven inventive minutes of gurgling bass, alien sound design and wonky synth lines that all warp around each other and melt your mind as they do so. colourful and full of character thanks to a rapped vocal line, this one is a real party anthem in the making. across all three cuts here this talented duo really show off their wide range of studio skills in some style.