pop power with a funk feel, a disco tempo and catchy synths, the new and fourth ep from data is lovin it large.

pnuma welcomes uk electro master scape one for the second release on the label. following on from the deep and dubbed out techno of lee van dowski and quenums oce oce, kurt baggaley aka scape one delivers a blitzing ep of razor-sharp electro funk !!!

2024 reissue of the soul jazz compilation.

as with his previous offerings - that have found a home on the likes of red rack’ems smugglers inn, horn wax, ruff draft, plus his co-owned end of label boss imprint – cyclonix continues to explore the deeper and more leftfield spectrum of underground dance music with a futuristic vision. made up of two original tracks, ‘alien drug store’ ep draws on a host of electronic influences ranging from deep house to detroit beatdown, alongside subtle hints of acid house and dub techno, whilst both retain the producers trademark sci-fi aesthetic. the release is completed with a sterling remix of ‘you’d better not’ from a pioneering legend of the uk underground - 4hero’s marc mac, under his nu era guise. heading up the a side is ‘you’d better not’, a slow-grooving techno cut bolstered by punchy kicks and a rubbery bassline, where foreboding sci-fi vox samples are interspersed with dubbed out chords and crunchy offbeat snares, as the arrangement shifts from one mood to another. the sub-aquatic vibes of ‘two face’ follows, which is set to a hypnotic two chord pattern, 4/4 kicks and a lashing of moody synths that gradually entices you into deeper realms through the aid of rippling hi-hats and rhythmic percussion with a submersed quality. on the flip is marc mac’s nu era take on the 12”s lead cut ‘you’d better not’, who transforms the menacing original into a blast of uplifting broken techno, where the soulful musicality of sustained strings and piano chords complement snippets of the original’s vocal sample that drifts atop adept drum programming, bouncy synth bass and a flurry of glistening synth melodies.

there’s a new (or old?) family of funk in town and their history is kind of a mystery. rumor has it the le’trells came close, but never were able to secure a record deal in their time. curious and unable to locate any master tapes, it took a younger generation of le trell boys to breath life back into the grooves and deliver an modern update to that which never was. on the one is sure to be a modern funk anthem certified floor filler already making the rounds in chicago, nyc, detroit and la with a moody sax filled b side that hits just as hard in the club as it does in the whip! heres to hoping the le trell boys prayers are finally answered!

waxwork records is thrilled to announce the vinyl debut of shock waves. the 1977 film stars horror movie legend peter cushing and is directed by ken wiederhorn (return of the living dead 2). the 100% analog synth score composed by richard einhorn (the prowler, dont go in the house) marks one of the earliest electronic compositions created for film. waxwork is proud to finally release this landmark electronic horror score in vinyl format 40 years after the films initial public release.
pressing on coloured 180 gram vinyl, housed in a heavyweight old-style tip on gatefold jacket with printed insert.

a couple of years ago, the young italian producer known with the name of shinoby got in touch with parris mitchell and started collaborating with him. in a very short time one of the tracks they wrote together was released along the remaster of -all night long-on wicked bass, and another one he wrote on the juke joints vol. 2 ep on deepmoves. istheway is the name of the label he founded to release the music he has been producing in the shades of verona, focusing on the music itself and not wasting time and efforts on fancy, superfluous stuff. on the first release of the label, his lively and solid dancefloor oriented tracks has been remixed by the analogue cops (restoration records) and the detroiter mgun (underground resistance) who have further modeled an essential combination of late night cuts with their trademark basement edge. vinyl only!

hold on tight for one of the biggest nocid business recordings release to date featuring two tracks of immense weight that appropriately mark the first vinyl release from the belgian label.

finally we can unleash the hi-tech soca bomb 2-4-6. with layers of exotic percussion morphing and weaving around a strict snapping rhythm, sounds abound in colourful patterns, carnival whistles strengthen the latin flavour whilst terrible shock directs the dance with his booming intonements. a festival of funky futurism. on the flip desto relocates the track to the ghetto. booming 808 sub-bass lines with plenty of punch drive the inventive on the one broken electro beat and the space opened up here leaves room for percussion to punctuate hard. check the cowbells and whistles (again). the whole track bounces as if on hydraulics!

stomping and boiling techno smasher … this one is big! first pressing coming as special collectors edition on yellow & black marbled vinyl! played by chris liebing, luke slater, dave clarke, audio injection, alex bau and various others!

having both previously released on phuture shock musik, garage experimentalists roof light and lostlojic return to share the honours on a split single set for release on the bristol label. always one to maintain an eclectic approach in his work, surrey resident roof light returns to his forward-thinking best, offering up >pearl< - a sultry number, where jerky beats intertwine with fragmentations of female vox that saunter through swathes of synth pads, glitchy blips, and warm dubby bass. on the flip lostlojic continues the regular theme of passion in his music, bouncing back with >so much<, another r&b inflected dancefloor gem, incorporating a saccharine vocal hook over a bed of lush rhodes chords. soulful as ever, and riding a 4/4 rhythmn just beyond the familiar 140bpm region, this tune premieres a departure from the typically cold, brooding style that the ukraine based producer is known for, to something more suited for the warm summer nights.

keeping within the spirit of this years record store day, and the celebration of vinyl culture, phuture shock musik drop an exclusive vinyl-only remix package of mr mageekas >vintage malarkey<, featuring sensational reworks by none other than dego, best known as one half of the legendary 4hero - whom have long set the standard for true innovation in british electronic dance music, as well as being a veteran producer in his own right, under countless aliases and side projects such as tek 9, 2000black and nutmeg.
pressing on clear blue vinyl.

phuture shock musik present their 5th release, this time procuring the reliable talent of one of the most slept on producers in the world of bass music - that is simon/off. those in the know will be aware that the austrian native has been simmering in the underground for quite some time now, having laid the groundwork through early releases on haunted audio, a noteworthy ep for immerse records, and further contributions to several other smaller labels. this latest plate by the name of >planetary communication< ep finds simon/off leaning more towards his techno and broken beat side, which has of late began to flourish in his recent productions, and consists of three well crafted afro-tech riddims oozing weighty low-end frequencies, funky drum work and finely detailed percussion. widespread support on sub fm, and increasing support from several other major players in the underground bass scene.

mr. mageeka makes a welcome return in the wake of >different lekstrix<, the mutated funky banger that caused straight up mayhem on many dancefloors the world over, upon its release via numbers last year. the much-anticipated follow up, penned for release on phuture shock musik, comes in the shape of >vintage malarkey<, which sees the east-londoner offer further next level shenanigans. employing a similar formula as its predecessor, this one is stripped down and quintessentially hypnotic - instantly luring you in with a looped god made me funky - esque groove, over a brisk swinging rythm, whilst occasionally throwing you off-guard through the introduction of angular synths and offbeat claps, as well as an inspired collage of samples that maintains the quirky nature of the production throughout. the single comes backed with >de congo<, a funky conga-laden number, that is enhanced by an addictive fusion of west african guitar licks, kalimba stabs and frisky percussion, though the real icing on the cake being its meandering trumpet hook, altogether coming off like a live high-life jam. early support from the likes of rinse fms scratcha and marcus nasty.

a new wave of techno pressed on limited edition red vinyl.

nice price deal !!! the final 12 inch vinyl taken from the turn the page album. whilst other tunes have hinted at it, >metroplex< fully embraces their inherent love of techno with huge half-time 808s and synths that would make juan atkins chomp at the bit. one for those who know and a lovely surprise for those who are yet to know. on the flip >future shock< sticking with the vintage outboard gear sounds the guys then up it once more for one final drum & bass rollout that has killer written all over it. turn it up, close your eyes and get marching!

multi-platinum producer, prolific hit-maker, and sonic innovator timbaland will release his third solo album, entitled timbaland presents shock value ii, on vinyl lp, on december 8th, 2009, on mosley music group/blackground records/interscope records. the album is the follow-up to the super-producers multi-platinum 2007 album timbaland presents shock value, which spawned three no. 1 pop singles, the grammy-nominated >give it to me< (featuring nelly furtado and justin timberlake), >the way i are<, (featuring keri hilson and d.o.e.), and a remix of onerepublics multi-platinum blockbuster >apologize< (one of the best-selling singles of the decade).
on shock value ii, timbaland re-maps the pop/r&b landscape by batting away genre boundaries once again. his prodigious influence and ability to stay ahead of the curve have meant that a wide range of todays most popular artists are eager to participate in the shock value series. this second iteration features guest appearances from justin timberlake, katy perry, miley cyrus, the fray, chris daughtry, nickelbacks chad kroeger, brandy, drake, and keri hilson. in addition, timbaland asserts the wide-screen sonic adventurousness that has led the virginia beach native to dominate the pop charts for more than a decade.

long time activist on the french electronic scene, léonard de léonard is back after two critically acclaimed albums, successful collabs (his duo with maxx aka mcuhoh from the goats was a rated as one of 2006 best french live acts) and a departure to berlin. part of the ekler o shock roster (data, danger, terry poison), léo is a talented producer whose influences vary from classic techno and old school hip hop to all the modern forms of digital grooves & ghetto musics. now back with an ep dedicated to the dancefloors, in the form of a tribute to horror cult movies, léo asked his new berlin friends chris de luca (ex. funkstorung) and phon.o (shitkatapult), and paris rising kids donovan to remix his single. the result is here, catchy as a scream, hot as hell!

the a-side presents >shick<, a dark minimal pusher. permanent sticks hold the tempo, while a dark but dirty melody slowly rises up and starts to lead the track. after a short break, >shick< evloves its whole sable grandeur. take your time to enjoy this one.. on the b-side, you find another strong bit. >shock< is less dark but more funky. shuffling hihats, a jumping bassline and some short chords qualify shock s heavy demand on the dancefloor. a thin open hihat makes grooves on and on and a short ear candy melody wont leave your head for hours. do we need anything else? dont think so

brill uplifting one sided piano disco house anthem with duan harden vocals ('you don t know me' - vocalist)... limited

limited tickled pink glass coloured double vinyl.

classic black double vinyl.

regular triple vinyl edition.

limited transparent light green double vinyl.

limited deluxe triple vinyl plus bonus 7 inch.

endlec starts his label renegade methodz with one of his most powerful & personal eps.

2x12 inch collection of exclusive get physical tracks

audiophile reissue on black 180 gram double vinyl, housed in a gatefold sleeve.

musical masterpieces from the upsetter ak-ive - the definitive anthology of lee scratch perry. comes on double vinyl, housed in a gatefold sleeve.

repress - the previous 3 volume series is now compiled as a compact 2lp. the late, great j dilla is rightly celebrated as one of the greatest hip-hop producers of all time, in part because his ear for music was so diverse and expansive. as dilla’s mother ma dukes explains, “he didn’t come with a limited capacity, and real producers produce, produce, and produce. “there are no formats for genius workers ... just non-stop creations.” now, a fresh batch of those creations will be made available to the world for the first time, in the form of the latest official j dilla release, dillatronic. presented by ma dukes and compiled by djs alien villainz (fellow detroit natives who worked closely with dilla), dillatronic contains over 40 rare instrumentals that showcase dilla’s undeniable electronic influences. j dilla’s music was impacted by the diverse musical history of detroit - the birthplace of techno and one of the most important cities in the history of electronic music. “you can hear it in songs like ‘raise it up’ for slum village or ‘make it hurt’ for busta rhymes,” says young rj (dilla’s protégé and member of slum village). “the detroit influence is part of what gave him an edge in production.” with today’s music sounding more electronic than ever, dillatronic has a shockingly contemporary feel. “these tracks are still ahead of their time sonically,” explains rj. “the things producers are doing now, dilla did that 15 years ago.”

don davis’ score from the matrix trilogy on triple vinyl, expanded to 44 tracks. housed in a tri-fold sleeve with stunning new artwork.

16 track live album from liam gallagher on limited orange coloured double vinyl.

3x12inch lp

special edition expanded double vinyl release.

180 gramm 2lp im schwarzen vinyl und gatefoldsleeve mit bedruckten innenhuellen

dj support on this one from dax j, sunil sharpe, jerome hill, shdw & obscure shape, luca agnelli, stranger, remco beekwilder, stephanie sykes, gijensu, endlec, dez williams and many more!

flatltd002, flatltd003 & rat001 all bundled up for one special price!

the new album from liam gallagher on vinyl lp, housed in a gatefold sleeve.

** 2019 reissue ** lcd + pcp is a massive collaboration for this release: carl craigs label planet e is set and ready to rerelease one of the tunes produced as paperclip people, throw. the a-side on this 12 vinyl features a cover of the song by james murphy and his merry band of music makers, better known as lcd soundsystem. lcd soundsystem has been using its cover of throw in live sets for some time. guest of the 2005 lcd live performance at the el rey theater received a shocking surprise. while the band was closing out the night with an extended version of yeah. somewhere around the eight or nine minute mark, bassist tyler pope began jammin on the famous groove from throw. the crowd watched in shock and awe as the band slowly, one-by-one, joined in, morphing yeah into throw seamlessly. by the time james murphy grabbed the mic and declared in full falsetto i wanna see your haaaaaaaaaaand! everyone basically unloaded on themselves. truly a classic act for a classic track! this release will be the first time the lcd studio rendition has ever been made available on wax

giorgio moroder & raney shockne’s original soundtrack for the tv series “queen of the south” on silver double vinyl, housed in a gatefold sleeve.

repress with black sleeve , you remember that kung fu kid movie, where he had to wash the motorcycles for years and then…whatever, constant dripping wears away the stone. dublin-manchester-nycs finest krystal klear (cold tonic, all city, tooth pick) has been honing his skills as a dress man for years and also made a name for himself as an expert in all things (electronic) boogie. the division is his dapper debut ep for running back. custom-made club studies shifting between sound factories, hot haciendas, heavenly lagoons and chrome-plated dance floors: fast, slow, hard and soft. a love letter to dance music written with pink ink. oh, and there is neutron dance on it as well…yes, the euphoric fun one. once again: dance!

repress with blue standard sleeve ! you remember that kung fu kid movie, where he had to wash the motorcycles for years and then…whatever, constant dripping wears away the stone. dublin-manchester-nycs finest krystal klear (cold tonic, all city, tooth pick) has been honing his skills as a dress man for years and also made a name for himself as an expert in all things (electronic) boogie. the division is his dapper debut ep for running back. custom-made club studies shifting between sound factories, hot haciendas, heavenly lagoons and chrome-plated dance floors: fast, slow, hard and soft. a love letter to dance music written with pink ink. oh, and there is neutron dance on it as well…yes, the euphoric fun one. once again: dance!

k.o. ist die blaupause für einen futuristischen neuen dancehall-style, der miss red in ein gemeinsames outernationales beat-continuum mit seelenverwandten acts wie equiknoxx (jamaika) und seekersinternational (kanada) setzt. ihr debütalbum erscheint auf dem neuen label pressure ihres produzenten kevin martin aka the bug, der schon auf ihrem ersten mixtape -murder- (2015) neben mark pritchard, mumdance und andy stott zugegen war. die zwischen london und berlin pendelnde mc aus israel tourte als teil von the bugs line-up mit mc-kollegen wie flowdan, daddy freddy, warrior queen und riko dan und arbeitete erfolgreich mit dem warp-künstler gaika zusammen.

repress with red standard sleeve ! you remember that kung fu kid movie, where he had to wash the motorcycles for years and then…whatever, constant dripping wears away the stone. dublin-manchester-nycs finest krystal klear (cold tonic, all city, tooth pick) has been honing his skills as a dress man for years and also made a name for himself as an expert in all things (electronic) boogie. the division is his dapper debut ep for running back. custom-made club studies shifting between sound factories, hot haciendas, heavenly lagoons and chrome-plated dance floors: fast, slow, hard and soft. a love letter to dance music written with pink ink. oh, and there is neutron dance on it as well…yes, the euphoric fun one. once again: dance!

1st press full colour sleeve edition limited to initial print! you remember that kung fu kid movie, where he had to wash the motorcycles for years and then…whatever, constant dripping wears away the stone. dublin-manchester-nycs finest krystal klear (cold tonic, all city, tooth pick) has been honing his skills as a dress man for years and also made a name for himself as an expert in all things (electronic) boogie. the division is his dapper debut ep for running back. custom-made club studies shifting between sound factories, hot haciendas, heavenly lagoons and chrome-plated dance floors: fast, slow, hard and soft. a love letter to dance music written with pink ink. oh, and there is neutron dance on it as well…yes, the euphoric fun one. once again: dance!

so low is an occasional night in glasgow run by iona fortune, jd twitch, katie shambles and becky marshall. so low is strictly for creatures of the night and plays music that could perhaps be described by the words dark waves / cold waves / minimal synthesis / maximal industrial / lo-nrg / forgotten flemish goth bands, teutonic apocalyptic beats +++ it is now also a label, administered by optimo music. the third release on so low is a 5-track ep from ian hicks, formerly one half of soft metals. ian also appeared on our “now & then” compilation ep. here he commands his own release and sets the synths to stun with 5 tracks of analogue waves ranging from the xtc bliss out of “character collapse” and “depths of psyche” to the shockwave klang of “chemical environments” and “specter”, perhaps leaving the very best to last with the ultimate hypno, sex slug groove of “continuous”. subliminal vocals. wrecked drum boxes. synths spiralling. full colour picture sleeve designed by so low collective member and acclaimed glasgow artist katie shannon.

jungle/breakcore legends deformer are back with another horror infused release: “the living dead deformed”. deformer is known for putting the shock into electronic music and pushing the horror experience to another level. during their shows they cut off limbs and intestines are thrown into the audience while the extreme music turns the crowd into raging freaks. “the living dead deformed” pays hommage to one of the biggest horrorfilm classics of all time: “night of the living dead” (1968) and its creators.
the record was produced before the unfortunate passing of george a. romero. out of respect, deformer chose put out the record as a non-profit, limited edition, numbered by hand, green coloured vinyl release. the amazing cover art is created by legendary visual artist graham humphreys (a nightmare on elm street, the evil dead, poltergeist).
“the living dead deformed” is dark, menacing and will again turn parties into moshpits. they won’t stay deaf!