the fourth album from saxophonist and singer stephanie lottermoser on vinyl lp.

well, this is different� fourth kind the self titled mini album on omniverse records. it�s hard to pinpoint a genre with records like this, produced by marc mac of 4hero and similar to some of the 4hero output, it defies genre and fits somewhere in-between many. the production is heavily reliant on synthesisers and vintage drum machines in places but is full of real life and organic movements, this is partly down to the signature drums played by luke parkhouse. the only other guest spot is filled by nu jazz funker pascal strauss aka luman child who plays bass guitar on �take me to your sky� which along with �afterglows� are the closest we get to dance tracks, in most parts a 70s fusion feel is present. the short interlude type tracks are just as important and i would go as far as to say vital to telling the story. moogs, arps and solina strings weave patterns throughout, all in all, across the 10 tracks the album is a journey of mood and emotions. 180g pressing.

dubbed out holodeck soundtrack from disrupt.

following on from his percussion driven rhythm trainx vol 2 ep on the renowned running back ketiov returns with something special for the fourth outing on his own self-titled label.

duke ellington once said that there are 2 kinds of music: the good one and the bad one. with the compilation series shaolin soul we are always certain to be on the right side of the line since its 1st episode released in 1998 and which compiled two dozens of tracks sampled by rza and the wu-tang clan. following a second episode in 2001 and a third one in 2014, the famous curator uncle o is back to celebrate the 20th anniversary of the shaolin soul series with a fourth episode compiling 22 tracks among the rarest and finest treats of soul music, because everybodys talking about the good ol days!

tidy line-up including randomer, gilbr, voiski and tolouse low trax. tip! in terms of experimental, techno, very few come close to the impact that this uk producer has had on the scene. with a sound that is rarely classifiable, randomer�s dekmantel contribution is a staggered, minimally-twisted, dark, kind-of-two step, awesome thing. versatile records� gilb�r has found himself an integral part of the dutch scene since moving to amsterdam, and brings forth his organic, percussive grooves that have helped define his music, and label to date. salon des amateurs� tolouse low trax provides a seasoned session of amniotic, grizzled, hypnotic post-everything music, that is eerily discomforting and wonderfully pleasurable at the same time. and on the ep�s fourth track, parisian techno wizard, voiski adds layered organic, futuristic loops that work to stale the progress of time, and space.

m_steps roots go back to the heyday of viennas cheap records, and the echoes of that labels seminal style can still be heard on his trust debut: stone-cold electro funk meets the kind of low-slung basslines and laid-back jazz chords that the viennese producer, dj, and (double) bassist contributed to classic releases of 550 rondy, pulsinger & tunakan, sluts n strings & 909, and even kruder & dorfmeister remixing madonna. fourth release in the covert systems series

poker flat owner and visionary dj & producer steve bug recently celebrated the 10th anniversary and 100th release for the label. continuing this buzz, and as always, confirming his rightful place at the top, steve is now gearing up to release his fourth full artist album. the >two of a kind< ep is a teaser of things to come as the long player drops in a few months time, and what a teaser it is�! once again joining forces with long-time compadre clé, of märtini brös fame, the pair whip up a deep storm, resulting in the solemn midnight swagger of month of sip. cool, metallic pads and trademark tight drums lay the groundwork for a momentous twisted synth line to wrap its way around the senses. full of tension, drama and stone-cold style, its a track that will define the nights - or indeed the mornings - dancefloor adventures. working solo on the b-side, and in-all-outclassic bug mode, steve builds perhaps his most drifting, euphoric vision of modern house music to date. beautiful, phasing synth stabs open this epic-vibed slow burner whose refined elements stay pure and true throughout. if youre searching for dynamic, addictive underground house music, full of history and yet remarkably modern, look no further

dave lee and will fox compile a personal selection of west london breakbeat sounds.

dave lee and will fox compile a personal selection of west london breakbeat sounds.

fourth in a five part series, documenting the birth and evolution of soul music. comes on double vinyl, housed in a gatefold sleeve.

life is complex and since the only way out is through, complexity demands to be embraced. as a label dedicated to bringing two unique minds together for each record, inkblots has always aimed at uniting kindred spirits by making their differences audible. with two contributions each by berlin�s irakli and stanislav tolkachev, the fourth instalment of haiku�s imprint makes no exception. instead, it might be its most exceptional offering yet. just like the principle of the rorschach test at the conceptual core of the label, the musical perspectives offered on inkblots 004 are minimalistic at their base but open up a pathway into two complex musical minds.

ground is an osaka native, but his soul is truly that of a nomad, traversing the planet, befriending the kindred spirits found in humans, animals and plants. he is exceptionally receptive to the beauty in all that surrounds him�the incidental music of a busy city street, the orchestrated chaos of a scrambling radio, the syncopated grace of a migrating flock of birds, the simplicity of an isolated hand clap�and as his map continuously unfolds, he accumulates a vast catalogue of visceral tools to complex musically recount his experiences. sunizm is a cross section of the artist�s process�an array of complex microcosms overlapping to comprise a thematic whole�gathering field recordings, found instrumentation, jagged electronics, and synthesized chanting, to be woven into a dense narrative that appears both obsessively constructed and divinely improvised. with each consecutive track, the artist gradually constructs hypnotic patterns that 1-up the mind as it struggles to break free from a seduction of loops, steadily intensifying until reaching an apex of sound collage so cerebral that the listener might consider a post-album shower. but alas, the fourth quarter releases a bit of pressure, our gobs still lay smacked but there is a warm confidence as the psychedelic trial delivers us home to nod out. dear humans, animals and plants, ground and the esp institute present, sunizm.

parallels is the fourth full album released under jason chung�s distinctive moniker, nosaj thing. masterfully dimensional, parallels represents the acclaimed los angeles-based electronic producer/composer/performer�s most diverse, vital work yet. as such, chung sees parallels represents a kind of redemptive rebirth. the album�s compellingly elusive, uncategorizable sonics developed out of what he terms a personal & musical �identity crisis.� according to chung, working with a group of collaborators on parallels that combined both longtime friends and new creative partners added �new energy which pushed me not to limit myself. everything felt fresh and alive.� chung is known specifically for his innovative, unexpected musical pairings: kid cudi hit up on nosaj thing via his myspace page in 2006, resulting in chung producing cudi�s autobiographical classic �the man on the moon.� kendrick lamar flowed over nosaj�s ethereal boom bap to create the youtube gem �cloud 10�, chance the rapper, meanwhile, freaked a nosaj beat for his 2013 breakout masterpiece �paranoia� and appeared on nosaj thing�s previous lp, 2015�s fated. chung and blonde redhead vocalist kazu makino are also longtime creative partners on each other�s work, her voice appears on parallels as an otherworldly spirit animating the icily �80s-synthetic �how we do.�

a very expected release is finally unveiled, cold colors new ep �leave this world behind�. this one-man project is without any kind of doubt one of the leading synthwave acts of france, frédérick barbe proved himself as a truly master into create hypnotic soundscapes on his fully analog recordings. �leave this world behind� represents his fourth ep and again shows us what �minimal melodic synth� music should be, perfect bass sequences, clear drum stems and that catchy cold colors pads. all tracks mastered and remastered specially for vinyl by eric van wonterghem at prodam studio (berlin).

a very expected release is finally unveiled, cold colors new ep �leave this world behind�. this one-man project is without any kind of doubt one of the leading synthwave acts of france, frédérick barbe proved himself as a truly master into create hypnotic soundscapes on his fully analog recordings. �leave this world behind� represents his fourth ep and again shows us what �minimal melodic synth� music should be, perfect bass sequences, clear drum stems and that catchy cold colors pads. all tracks mastered and remastered specially for vinyl by eric van wonterghem at prodam studio (berlin).

the fourth release on spazio records is indeed a very special one. it�s the first release from behrang mohammadi - who also is one of the label bosses. coming from the punk/noise scene playing in various bands, he found his true calling in the underground electronic community of southern sweden.
the ep consists of two minimalistic club weapons, each one of it�s own kind. it�s a groovey affair with the typical elements of behrangs own djing: it�s not too much, not too little - always full of passion.

this is the fourth ep the paris legends dan ghenacia and chris carrier have made together over the last year, and it�s just as fresh as their previous efforts with plenty of bounce, depth and funk. first up on the a-side is �the blue grass�, a deeply sensual cut with a potent low end. therein lies the groove, which is utterly captivating � made to get you writhing with glee, this one is aimed straight at the hips. alongside that sleazy bassline we have jazzy notes, swinging percussion and otherworldly bleeps and chirps. all of which makes it a great intro to this sterling ep. on the flip side, we have �blue stick�, another ridiculously groovy riddim with warped voices floating above a set of crispy beats and a raw undercurrent of emotion. minimal in composition, and the effect is deadly. lastly, to close out the three-tracker, it�s �kind of blues� (can you spot the theme here?!). when it starts off, this one is a stomper with a moody expression. the beats are hefty, the bass morose and the analogue effects strangely cosmic. more twisted vocals are filtered in the background, giving this one its weird hook. the vocal reveals itself in the breakdown midway through before the track bounds on to its finale. dan ghenacia and chris carrier deliver three firebombs, perfect dance floor material with tight grooves and killer production. would you expect anything less?! go get em�

ftwr presents its fourth ep. we are very proud to produce two artists who are part of our collective. louz and arno kamaz, these two artist are part of a band called normal m and have followed the musical flow that has been evolving in france. a1 is the main theme of this ep and it s a mesmerising track thats has guts. normal m have made an embellished track that expresses their good vision of electronic music. a2 there is in this groovy track a soft winter melody , that is great for easy listening in the morning , being a bonus track it is kind of an ode to sensuality. from paris with love. b1 vadim svoboda remix shows his vision of the track -a1 name-. as usual, he offers us a perfect remix with patterns that are what you would expect from him. b2 david k &#8203,&#8203,aerodeep remix is without hesitation, the most

after last autumn�s �knowledge ep�, héctor oaks returns to key vinyl with four more solid dancefloor fillers of the kind we�re starting to expect from the berlin-based upstart. now several records deep and with his fourth berghain set firmly behind him, these days his sound is about as honed and gratifying as skills from the booth. and �kepler 186f� is the proof.
on the a-side �dissolve� sets its sinews to march on this taut, tough and punchy number. �radial clicles� then reins in the muscle a bit in favour of a more skulking, spectral slow-build. meanwhile on the b-side, �stone storage� sends cool cymbals and crunchy hats on a sinuous, calculated romp. leaving �avoid reality� to close in noisy, bombastic fashion. but watch out�this one�s a bit of a tease.

san francisco/paris-based label spring theory is back with its fourth release. called sweet bitter love, it s a four track ep of manic sample-driven house from keita sano, a japanese producer who s been on a roll lately with releases for like-minded imprints discos capablanca, mister saturday night, and strictly groove recordings. sweet bitter love kicks off with the tripped-out flair of -once i found a diamond.- it s an uplifiting bongo-led cut with dubby melodics that sound like the kind of thing sleeping bag records would have put out in the early 80s. jacques renault provides a leaner peak-time version � complete with hard-hitting snares and growling bass � via his -once i found a diamond (jacques renault trouble funk remix).- things take a turn for the delightfully weird on the ep s namesake -sweet bitter love.- starting like a straightforward house cut, it explodes into a psychedelic collage of spaghetti western guitars, tribal calls, displaced jazz fills, and other forms of cleverly sampled soundtrack exotica. the release wraps up with yet another curveball on -bouzouk.- here sano lays out a subwoofer-knocking ny garage house rhythm that takes a left turn with frenzied bouzouki playing charting arpeggios through a haze of echoing foreign voices. taken as a whole, sweet bitter love is that rare idiosyncratic bomb of an ep that will keep your dancers moving and your trainspotters guessing � in other words, it s spring theory through and through.

mathias schaffhäusers fourth collection of remixes will be released in march and april 2015 in an exceptionally lavish way. two vinyl eps, each with an additional cd, will be released 4 weeks apart. the vinyls will feature the clubbiest tracks, which also will be on the cds (some of them in uncut original versions), flanked by a handful of more subtle and experimental tunes, making 17 tracks in all.

nice price deal !!! sister label to vanguard sound anunnaki cartel plays host to the fourth installment of the vanguard sound series featuring 4 tracks from crew members dakini9 (lola), chris mitchell, dj. spider, and founder amir alexander. during the time since vanguard sound vol. 3 launched the vanguard sound label, the series has reached a kind of cult classic status among the most dedicated u.s. underground vinyl collectors. as more and more people discover alexander and his crew of ultra talented dj/producers, their releases on discogs disappear and then reappear for three to five times their original price.

san soda only needed one very limited ep and one >full< release to get attention from all over the place. deep house music that is both rooted in the past and firmly aimed towards the future. for this fourth release on we play house recordings san gives us three more killer tracks from his vaults. the a-side brings us >doorsnee<, a track that already had people requesting a release when it was but in its infant days on his myspace. describing it is quite the task, because it kinda leaves the 4/4 path and still stays on it, it kinda floats but it still gets you screaming on the dance floor.

dont you ever get is the fourth collaboration between kenny and gregory this year and this one is one of a kind. the club mix has strong live instruments, killer chorus and meaningful lyrics. also, kings of deep provide us with a killer soulful remix which is gonna heat up some serious dancelfoors!!! and, for the first time dj tekin collaborates with label boss on a deeeeep dub which will surely hang on for long!!! sounds like another hit song for gregory del piero and kenny bobien...

the original mix of tape replay is nearly nine minutes long and can only be described as a journey. its the perfect transition track, able to turn minimal sets into future disco, a house set into electro-funk, a techno set into a live jam-a-thon or a rigid set of any kind (like too many these days) into something with emotional depth. for remix duties we have enlisted our favorite producers will saul & tam cooper from simple records. much like their tech-house revision of phoniques bang, recently released on dessous, here on fresh meat they have put together a subtle yet bassy response to the wow & flutter original. the track builds and builds and at about three fourths through it explodes with lush keys, rich pads and a breakdown thats executed perfectly. these gents are on point and we are more than excited to have them along for the trip.

duke ellington once said that there are 2 kinds of music: the good one and the bad one. with the compilation series shaolin soul we are always certain to be on the right side of the line since its 1st episode released in 1998 and which compiled two dozens of tracks sampled by rza and the wu-tang clan. following a second episode in 2001 and a third one in 2014, the famous curator uncle o is back to celebrate the 20th anniversary of the shaolin soul series with a fourth episode compiling 22 tracks among the rarest and finest treats of soul music, because everybodys talking about the good ol days!

-love has no recession-, is the fourth album from husband and wife duo fatin dantzler and aja graydon and the follow up to 2008s arrival. it continues on a similar vein to their previous 3 albums with another album aimed squarely at the adult contemporary