limited repress of 500 copies on blue coloured 180 gram vinyl, sleeve with original 1985 artwork.

electric piano! the name is program.

deluxe mediabook, 28-seitiges booklet

early rap & electro funk from brazil 1984.

electric piano! the name is program.

limited coloured vinyl release full of electro

man of war is a significant sonic progression for the band. opening track gaia sets the tone for the release perfectly. heavy, brooding bass and glitchy, synth stabs create an imposing sonic backdrop for tom’s menacing vocal to hang on. lead and title track man of war is driven by its propulsive beats and more washes of bass and eerie electronic touches. fall crocus finds the band in contemplative mood. a heavy, regretful air hangs over the track and brings to mind the work of international superstar and mercury prize winner james blake, who the band has toured with, as well as mount kimbie and ghostpoet previously. final original cut cosmos pink is perhaps the album’s most touching effort. cloud boat have always been a band capable of inducing sincere emotion and this release is no different, taking the listener on a powerful, cathartic journey through life’s big issues. remix wise, the release features offerings from phaeleh and la – 4a. each act brings its own distinguishable flavour to man of war. phaeleh’s version features his trademark, cinematic, take on house electronics and is a typically atmospheric effort, while la – 4a takes cloud boat in a modern techno direction.

back available as a limited vinyl edition (500 only) for the first time since 1985. featuring key players like bernie worrell, bill laswell, mory kanté and herbie hancock ! manu dibango needs little introduction, born in cameroon in 1933, manu developed a musical style fusing jazz, funk, and traditional cameroonian music. he’s definitely among the best known african artists outside of africa. collaborations were numerous and include top acts like fela kuti, herbie hancock, bill laswell, sly & robbie, don cherry and bernie worrell. in addition to selling hundreds of thousands of copies of the albums he recorded, he played such huge venues as yankee stadium and madison square garden.

der mitschnitt aus der muppet show: limitierte single mit stevie-wonder-cover.

lp 180 g vinyl remastered by göttsching, long deleted vinyl reissue. remastered by manuel göttsching and released on his own label mg art. inventions for electric guitar is manuel göttschings first solo album, recorded: july-august 1974. the album was written and performed entirely by göttsching on electric guitar, hence the title. manuel played his guitar and used a 4 track teac a3340, revox a77 for echoes, wahwah pedal, volume pedal, schaller rotosound and hawaiian steel bar.

electric minds began as a london based promotion outfit in 2007 before subsequently launching their label under the same name which is designed to act as a platform for their guests to showcase their productions. over the years they have amassed a lauded back catalogue of releases which has featured the likes of move d, endian, radio slave and mark e. now, in the follow up to their latest release from last magpie which featured trevino on remix duties they ready their next release from hypercolour mainstay shenoda. originally hailing from cambridge, shenoda is an artist who has astutely touched on many basis across a multifaceted back catalogue. releases on fear of flying, manmakemusic and hypercolour offshoot losing suki have seen him meld garage, house and techno whilst all the while keeping his eye firmly on the needs of the dancefloor.

detroit chords and big analogue synths make this a peak time techno floor filler, with massive dj support from the likes of laurent garnier. this is leeds based duncan hatterman aka hairy hat man s debut single and what a debut it is! the original track >miyagis magic< (named after mr miyagi from the karate kid films) is a flat 4/4 journey into the land of big moog synth riffs that light up this tune. j alexanders remix strips some of the moog layers away and turns in a more minimal builder added a shuffling beat and hypnotic bass-line. a future detroit techno classic comes our way on the a side with the berlin duo that is tagträumer together with the co-production help of ronald christoph, big analogue synths take on the original tune while the pace is somewhat quicker than the other two mixes, turning miyagis magic into a peak-time techno floor filler!

finest spacin & darker detroit techno

the mysterious electric man with a 10min+ slab of driving freestyle analogue wobblyness underpinned with a fat 808 electro beat. a body hypnotic trip for those who like to groove

label owner glenn wilson kicks of his 2006 assault by teaming up with stockholm new breed manuel fuentes. a1 sees glenn lay down a slamming stripped down twisted fat cut, >make um clap< which rips through some analogue sequences and pitched voxs, while keeping some solid twisted funky edits this cuts never eases up from start to finnish, manuel pumps the b1 with unity a fierce slammer which breaks down into nice grooves while layered with funky drums and percussion. glenns >we got too< cut, completes the release with once again a tough voxed workout appealing to the harder funk mob

knallfetter spain electro house banger !! incl jesse garcia rmx

hailing from eindhoven, this 28 year old takes his cues straight from the book of maurizio & basic channel. his sound, a distinct fusion of detroit fuelled techno soul with cutting edge dub, steeped in deep atmospherics and rich ethereal melody..

achtung achtung !! we are maniax.. ferris mc and marc thiel comes with their debut release on huntemann's new label.. electrotech monster for pure peaktime action !!these boys simply know how to heat up a club...

new label elements electric. big tip!

cd jewel case remastered by manuel gšttsching and released on his own label mg art. inventions for electric guitar is manuel gšttschings first solo album, recorded: july-august 1974. the album was written and performed entirely by gšttsching on electric guitar, hence the title. manuel played his guitar and used a 4 track teac a3340, revox a77 for echoes, wahwah pedal, volume pedal, schaller rotosound and hawaiian steel bar.

reissue of the 1979 debut album by electric sun, the band from ex-scorpions guitarist uli roth.

repress - the tone always makes the music. but only those who actually make the sound? an ancient-house-avantgarde dream has always been there since the legendary warehouse days of ron hardy, to bring more sounds and tones constantly to an independent, repetitive development. and thus beyond the limits of an executive creative artist on the otherwise purely commercial sense what we call in common beyond imagination. raw footage, the latest album concoction of chicago house legend ron trent (prescription) on his new imprint electric blue works in the best sense of stanislav lem heroes trurl & klapauciusals, cruising like those two metal brains frantically invented by the universe of 4/4-sounds to get insane tracks out of the new material matter located there, and put them together to brand new ones. this trackwerk varies as well as of course between classical chi-town to the context of contemporary, epic house dubs and lives in a perfidious manner from the interaction of various computer modules that constantly spits out new and exciting interactions. in the end, the software sings only as digital output of great analog sounds, which may well be understood as a mocking voice to the majority of contemporary homeboy wackiness format

limited to 500, incl remixes from tobias and vata and monkey nenufar

incl hit hold on tight !

jamil rashad aka boulevards is back with his new album.

electric party is electric party

pressed on 140 g vinyl

clear is one of juan atkins first foray into producing from 1983 which laid the blueprint for electro and many others to come.

scion of the urals this devotee called gedevaan drops a notable classy non-moscow sound. the city where music can be fake, where anyone can lie to you, where anything can be sold and re-sold for a higher price. where constantly you suffer from major vanity and notorious capital speedy manner. moving to that town may change you with no warning. “class compliant” is more about authentic slow-burning undercurrents. smells like rest of russia the noise is out of massive roaring cities and their pre-harsh dummy lives. inclined to withdrawn and introspective synthesis gedevaan offers an original dim-light feel, warm-wet, woody swamps and mossy rocks. a velvet haze makes your vision blurry. just look! is it a baba yaga’s hut? track the music. to don’t forget about your roots. it’s pretty nice to accomplish with old stuff by perc and a brand new one of electric rescue - the pure primal perception with a high impact factor.

5 1 1 5 9 3 is the first full-length album release of vienna based artist electric indigo, who started djing in the late 1980s, worked at the legendary hard wax record store in the early 1990s, and effortlessly manages to entertain the dancing crowd at berghain as much as the contemporary music avant-garde at wien modern. 5 1 1 5 9 3 combines influences of both worlds into a consistent and coherent album. crystalline metallic objects collide, embedded into fractured endless spaces, sparse rhythmical syncopations shaping grids, holding sonic particles in place. rare vocal transformations inject a human touch. 5 1 1 5 9 3 offers a unique universe, full of color and light, partially flirting with current club music and at other times diving deep into sublime sonic areas.

very limited repress! techno mindtrip excursions. the second release of ilario alicantes virgo, is made by a stablished french talent... electric rescue. famous for his live sets with modular systems, he delivers a fantastic ep. including two amazing remixers from figures man setaoc mass and nima khak.

new cool collective s fifteenth album electric monkey sessions refers to the sound studio in amsterdam where the recordings were made. they have drawn inspiration from senegalese orchestra baobab, as well as psychedelic cumbia, cape town, italian cinema and many major jazz heroes. electric monkey sessions also features two unique tracks recorded at a beach-side studio in dakar with local musicians the band met on one of their many international adventures.
pressing on 180 gram audiophile vinyl with download code included.

the visionary talents of multi-instrumentalist zach witness have sprouted full life in this world, lending his sonic touch to the bulk of erykah badus latest album, but you caint use my phone (motown records). this project was brought to life with erykah badu at the badudio and world witness studios in zach witness hometown, dallas, texas. this project put him on a unique trajectory, harnessing his intricately designed fusion productions into the periphery of an entirely new audience around the world. his forthcoming debut ep, electric revival: rise of an outkast nation, is the first project to find the light of day after this expansion phase, initially created as a birthday gift to zach witness friend and collaborator, andre 3000. the catalyst behind the creation of electric revival has a very specific initiation point. during the recordings for but you caint use my phone, erykah badu called on andré 3000 for collaborative assistance. this would result in the albums last track, hello, created at the home studio zach witness has lived in his whole life. this moment in time compelled zach witness to create an offering for andré 3000, and this was in the form of an entire body of music. electric revival takes on the stories of the lives entangled around societys most crippling and hopeless of situations. the social and political intentions of the ep paints a very defined purpose in this context. experience the transformative sounds of zach witness and his debut manifesto.

social decay expands on their intense approach to techno with nods to noise, industrial and drum & bass. the manchester duos second lp-a triple vinyl package-follows 2014s cosmic microwave background, which also came out on speedy js label. social decay is out september 22nd.

electric rescue, one of the made-in-france masterpieces of the electronic music and also rex club resident with his -skryptom- label is making his debut on rex club music with this -melancholic enchantment- ep. with 3 albums and many ep s on labels like bedrock, cocoon harthouse, virgo etc to name the essential, electric rescue has proved since his debut, 25 years ago, his experience and skills as a confirmed artist in the techno scene.with this new release, -melancholic enchantment- electric rescue is bringing you to a mindtrip excursions. melancholic enchantment & pavdo, enchant you and carry away in a hypnotic furrow, full of moody and atmospheric sounds. -subway-, in a harder style than the previous ones, with his saturated dub chords mixed with chattered hihat, is an unstoppable hit for big rooms that smiled to make its effect.and what an honor to entrust to the excellent french producer, marcelus, to remix pavdo. this prominent producer has already appeared on labels like deeply rooted, tresor or singular records his label. also resident for the tresor in berlin, marcelus is a complete artist, excellent dj, he is also a genie producer with a unique paw , that you can find in this pavdo remix. it takes t he original in deeper and mental regions, with bell textures and jumbled perc sounding like a ghost train in action. it s definitely a peak time weapon designed for plenty of destruction.

paul hester created his cult moon music label in 1997 as a portal for his own productions and sounds. the label was short-lived, with only 3 releases in it s catalogue, all produced by hester himself. those few releases on moon are now highly sought after among house and techno aficionados who are forever seeking that deeper groove. the interesting part of this story, beyond the amazing music that was released, is that there are many other tracks that never saw the light of the day, thus leaving the full moon story untold. the electric wig ep was the first release on the label and is here in fully remastered reissue form, with all racks lovingly transferred from paul hester s private, personal dat stash. classic, deep uk techno sounds from the pre-millenium era, re-presented for the first time for 2017 s dancefloors. across these 2 tracks and 2 lock grooves we are treated to a sound that is timeless and will undoubtedly gain paul hester new fans while reminding those of us who were there in the late 90 s about his subtle and uniquely fresh production style.

the seven ep is coming from none other than electric indigo, who is pushing things forward in the electronic music scene since the early ninetees. she also hosts the network „female pressure“, which tries to make female artists more visible and therefore holds a data base with information about many of them.

4 track with full of disco, electro & chicago feel

we guess theres not much need to say anything about the two guys from mainz and their two big tracks ! mushroom man was and is butch’s biggest tune and is still selling very well, heckmann’s track silverscreen follows hot on the heels and is still a floorfiller worldwide wit sales also still continuing ! this 12inch starts the countdown for the upcoming afulimited cd compilation after summer that will include the best tracks and a bonus cd with remixes of afu artists remixing afu artists ! the complimenting series of three 12inches is called afuxtra and includes such diverse people as butch, gabriel ananda, kiko, andrey zots, jesper dahlbäck, electric rescue, ji-fi aso. ! so here is number one of afuxtra with a whirling remix of silverscreen by butch and a peaking remix of mushroom man by ji-fi ! loved by: 2000 and one, josh wink, brother’s vibe, tiga, xpansul, john acquaviva, piemont, mihalis safras, dave spoon, pär grindvik, tom wax

in the universe, there are things that are known, and things that are unknown. and, in between, there are doors.
having honed a clear and uncompromising sound, which has been flexed across all manner of tempos, and return to electric deluxe with their first full body of work: a sonic contemplation of the cosmos, woven with all their industrial tropes in tact.

defendergrooverecords (dgr) presents the >electric nightmare< ep 2014. the second dgr release based on classic electro back in 1984/85 and inimitable electrodefender style. original vocoder machines and analog synthesizers back from the 80ies and not any softsynths are the soundsources for this unique eight track ep. limited to 100 copies.

limitierte 12- -drop bear/ultramarine express- von uk-produzent pedestrian

fold returns following a pair of impressive 2013 releases for electric minds and george fitzgeralds manmakemusic, with the london producer bringing his house/techno/uk bass hybrid sound to his second electric minds ep, the grasshopper lies heavy. a1, gully rattles along at a brisk 135 bpm, a raw yet versatile dj tool imbued with a sense of impending dance&#64258,,,,,,,oor mischief. the a2 dun kno then drops the pace down while pursuing a subtler, more melodic arc. on the &#64258,,,,,,,ip, b1 roy batty carries with it its namesakes sense of menace as its escalating synth stabs drive the track onwards. ep closer harlyns dub strips things down for the deepest track of the 12 inch, with folds love for dubbier elements of techno brought to the fore.