fresh from netherlands

when i found myself on the main dance floor of about blank during berlins most beloved party, buttons, i was immersed by the sounds of shingo suwa. he has honed his skills as a resident dj and producer for many years. in this record, you will hear how his experiences have heavily influenced his productions. we are excited to release shingos debut album and the first album released by acid camp records. the album includes a bonus remix from mixmaster eric cloutier. catch shingo and i reunited for our tour of japan this august.

the all star team at acid camp has been touring around the world in search for inspiration. theyve created new and engaging tracks for you to share with your favorite dance floor or your private listening environment of choice. find part one and two of our new series at your favorite record shops. a limited run of colored vinyl will be available at acid camps bandcamp.

next up on the docket for acid camp records is a record created by duo john tejada and justin maxwell. the pair came together to make acr iii with two things in mind: creating sounds that put a smile on their face while possessing as much character as possible. the opening track, -i ve got acid (on my brain)- is a mind-bending wavetable freakout, the likes of which tejada and maxwell have been striving to do for years. using a vintage ems vocoder to create an original vocal sample, this track is bright, playful, & vivacious. -the name rolls in- is layered in an acid playground of sounds. a rhythmic track with a potent 303 bass line, prominent percussion, and that infamous vocoder back at it to create a distinctly groovy track. -field notes-, is a composition of celestial arrangements that is completely beatless. carried through by tiers of sounds, filters, and noisier elements, this track lulls the listener into an alluring sonic dreamscape.

this record definitely takes a bit more of a layered approach - natan h offers us yet another unique, immersive, and charismatic release for acid camp records. acid camp records is rolling through again, this time with an artist known for his atmospheric and cosmic-oriented tracks, natan h. conveying inspiration for this record, just a little nod to extrasensory experiences and perception, is undoubtedly fitting for acrs second release. the opening track, atmosphere, breaks away from 4/4 timing with o-kilter drums that traverse into a heavier beat, pushing the track forward just to bring it right back at the end. followed up with a remix from techno serialist, conforce. through his use of a low pass filter, polyrhythms, and fervor conforce delivers a track nothing short of the prototype for driving techno. remote view pt. i turns out an ambient break and taking the listener to a space of the ethereal and planetary. the ep closes with remote view pt. ii, which incorperates layers of hi-hats, delayed strings, and synths that alternate throughout the arrangement in syncopation.

deep dark blue presents an album filled with gentle surprises

black standard vinyl

limited gatefold turquoise vinyl 2xlp

three releases from the flatlife camp for one special price! (factory001rp / dmva01 / flat019rp) more stock incoming!

brooklyn based m parent pesents his acidic new album american dream

new project from art-aud camp (secret rave camp) with remixes from eod and ryan james ford!

hutsons first solo album since leaving the impressions bearing the influences of curtom records main man curtis mayfield. considered one of the best soul albums released in the summer of 1973 it features some of leroys most popular tracks love oh love, when you smile and so in love with you. part of acid jazzs campaign to reissue all of mr. hutsons classic albums which has so far seen impressive support at radio and press.

jasen lovelands prescriptions are strong and may not be suitable for all patients inquiring. these formulations were created in assistance from bmg, silent servant, and a new and improved mix by patrick russell, phd. a full dose of all four medications should not be administered without the help of a certified professional. for more information please feel free to call the acid camp hotline at 1-800-ami-high.

los angeles based acid camp records launches now with its debut release, simics: corot-7b. the seattle-based artists full-length ep, features four original tracks along with a remix of the records single corot-7b by john tejada.

ltd pressing , following the frankly huuuuuge norsk tripping release we get another xl rune portion, this time on his own drum island imprint... disko romeiko, as the title may suggest is a stomping, campfire lit and admittedly unlikely culture clash of greek and norwegian music. a vocoder laced, up-tempo workout of norse disco technique and traditional greek melodies that is a surefire dancefloor delight. remixes come from rune collaborator in chief, oyvind blikstad, who pitches the vocoder vox front and centre and strips back the groove while amping up the drama. finally baz reznik opts for a rumbling, acid laced house take... quite a package

timothy j. fairplay spielt regelmäßig live shows auf festivals wie dem digital tsunamis camp dt oder dem intergalactic fm festival in den haag. seine neue ep why are they here? ist der nachfolger von chariots in the sky auf archaic future sounds, der von lauer, jennifer cardini und curses supported wurde! kosmischer und kinematischer acid house, produziert nur mit synthesizern und drum machines.

intense acid trip from the planet rhythm camp, delivered on white vinyl.

second vinyl v/a from the total loss camp.

various artist acid adventures from the re303 camp.

a 1996 classic from the californian hardkiss camp.

deluxe reissue of leroy’s seventh and final album on curtom records. features amongst others ‘right or wrong’, ‘(you put the) funk in my life’ and ‘so nice’. the album comes with full colour inner sleeves complete with in-depth notes by award winning soul expert tony rounce. part of acid jazz’s campaign to reissue all of mr. hutson’s classic albums which has so far seen impressive support at radio and press.

2016 was a banner year for dirtybirds founder, claude vonstroke. he debuted his get real alias with green velvet in the winter, and followed up with another number one single in the spring with the rain break. he celebrated the 10th anniversary of whos afraid of detroit to kick off the summer, and finished in the fall by being crowned americas best dj by pioneer at a ceremony he shared with all the fans at the dirtybird campout. after a relentless touring schedule the first half of 2017, claude hit the studio with a couple ace producers, will clarke & sébastien v to collaborate on two giant singles for the works well with others ep. tiny tambourine is the product of will clarke & claude working together. its a bit of a misnomer, as tiny is the last word to describe the heavy bassline which starts to form immediately at the tracks outset. continuing to build over crisp and heavy beats and outbursts of drama before dropping back to the burly bassline, the result is monstrous. will clarke has been on a dirtybird hot streak having released 3 solo eps, 5 singles, an appearance on justin martins album, as well as a brand new collab with shiba san on the bbq compilation and a full takeover on the birdhouse radio show. on the flip side, claude teams up with one of dirtybirds freshest talents, sébastien v, for daylight dark room a light, melodic tone contrasts with a dark and funky acid resonance to create a truly unique masterpiece. the mysterious sébastien v was also featured on the dirtybird bbq compilation with his super-hot track funkulate, and there are rumors floating around that he is actually someone from the core dirtybird roster sporting a secret alias.

la vie en rose commences its 2016 campaign with a tight little package from the delirious ibiza dwelling duo, acid mondays. the british lads are well known for their ability to concoct deadly dance floor weaponary for labels such as rumors, illusion, one records and 2020vision among others and now they are back on the french label with two hot new tracks plus a remix from greek grafter john dimas.

a twenty year break away from making music is almost unheard of especially within electronic music circles, but that is where antenna happy finds himself with pinto. clocking in at 9.09 pinto draws from psychedelia and techno set straight for the sun. this kaleidoscopic sonic excursion has all the makings of a cult classic, and heads up the debut 12- release on newly founded imprint reinhardt records. taking lead on the b-side an entirely different affair in the shape of fallen. this is benchmark electronic music, as arpeggiators take flight mirrored against hypnotic acid bass, for a journey into the outer house territories. closing the ep, spark holds the reigns. conceived within the same stretch as pinto, however it wasn t until some months later that spark took on its full form. emotive modular synths lay the groundwork, connecting the dots between low-slung techno and house music, culminating in a track that sits in neither genre camp. spark will appear on the digital release only. the ep title track takes its name and inspiration from paintings by antenna happy s three-year-old daughter, whose birth inspired him to return to making music. close-ups of these paintings can be seen in the artwork for the release.

big support from sigha, luke slater, silent servant, marcel fengler & shifted etc.... shredding acid release from the avian camp courtesy of new secret artist mpia3, ltd black vinyl 2014 repress edition

new kanada welcomes londons bob bhamra into the chamber, with this two-track breaker from his west norwood cassette library (wncl) guise. >say what?< is a broken sub workout, with a strong nod to the hardcore continuum. distant alarms, aggressive drums, and deep bass drops make this a floor-killer for all sound camps. >flashlight< is an aqueous solution of damp funk that will resonate the head and drop the lights. gaseous and moody. on the flip is a slow burner remix of >flashlight< by adam marshall - sitting somewhere between tired breaks and acid reggae. 11 minutes of moog.

legendary series to be continued with 2 acts from the uk. first >cool cuts< releases have been much in demand, and peeps are still trying to get hold of them - if you are lucky! a side is a brilliant track by the b-siderz - in the vein of some more proper house sounding stuff with nice sublime guitars struggling their way thru 2 big breaks complemented with an pushing b line and sophisticated acid sounds in between. other side is our beloved ma saski from manchester with an already massive electro tinged primetime stomper. the guys from the >tribal gathering< camp play around with some b lines emphasising those little but most effectual breaks through a wicked male poetry. mind you, that tune goes on and on without getting lame - dj linus always starts his sets with that tune - big!

another hyperpop tune! the way you feel insidelooks set to be their biggest hit yet. the radio mixis another great example of their definition of pop music. charming vocals, bubbling moog-synthesizers and rattling guitars make it a catchy soundtrack of bittersweet summerdreams. the cracklin campfire mixis recorded live under a clear starry sky on the spanish costa daurada. that night, these two fellas fell into a state of trippinemotions, wired under the influence of nature and silence. the flip takes a turn into the clubs and starts with the schizo mix. this tune is made for uptempo breakdancing battles. a zigzagging uprockthrough the minefield of an 909 oldschool thunderstorm surrounded by acid blurps and distorted vocal cuts. finally the guest mix is from cay taylan, who became famous with his debut album su(2004, couch records). he surprises with a punchy 4-2 the floor burner and also with a good chance to be a club floorfiller

2 slammin 2005 style acid jack tracks from the shiver camp

reissue of the 1995 compilation of long deleted demos and early recordings from the cult band of the first wave of black metal - abruptum. red vinyl pressing.

limited reissue, half-speed mastered at abbey road studios, pressed on double vinyl, housed in a tri-fold sleeve.

four pounding floorfillers from the impacted chaos camp.

acid-ragga-techno-madness from jah scoop and benji303.

wire parasitism ep is inspired by the electronic music which was produced during the end of the 80s and beginning of the 90s by the likes of richard h. kirk, psychic tv, coil, dave campbell or lagowski (to name a few). walid el barbir uses his unique producing & sampling skills to create contemporary and industrial sounding compositions out of found footage like occult documentaries, rave stabs or emax sound-libraries. walid el barbir is a part of the collective les points based in zürich, switzerland. his art/music draws from 90s rave utopias, occultism, progressive & accessible frameworks as showcased at their offspace mikro - a physical room which has no doors and opening times during exhibitions and raves - making an institution available to all social layers.

in october 2017 honey dijon was commissioned to take part in the smirnoff were open campaign, aiming to promote inclusive night time culture and celebrate nightlifes ability to transcend gender boundaries and prejudice. as well as appearing in the were open tv commercial, honey was asked to record her take on the initiative’s ethos for creating positive change, making dance music culture a more open-minded and socially inclusive space. what resulted was a rework of ‘queen of disco’ sylvester’s ‘stars’ featuring vocals by singer-songwriter sam sparro, who she collaborated with previously on her album the best of both worlds. now being released on limited edition blue vinyl via classic music company, with breathtaking artwork from assume vivid astro focus who also supplied cover artwork for the album, the entire proceeds from the release will be donated to lgbt foundation. created with parts recorded especially for the were open advert,stars (disco version), produced with the help of classic head luke solomon and studio partner lance desardi, pops sylvester’s spangled party-starter directly into 2018. previously made available as a free download to coincide with the launch of the campaign, the cosmic energy dub, underlining honey’s acidic but sweet production, is followed by two mixes by one of her favourite producers of the moment and fellow chicagoan, cratebug. his nova remix references the classic disco elements of the original, while the supernova remix - exclusive to vinyl - goes fully intergalactic with a glorious squelching extended mix. paying lip service to the legacy of a truly gender-redefining figure whose music is nothing but inclusive and empowering, honey dijon and classic prove the power of music to inspire positive change in the dance music communities with this stars release.

yoruba records is proud to welcome back toto chiavetta for the release of his debut album, impermanence, split on vinyl format over two 12inches. hailing from catania, sicily, toto is known for his deep, techy, and often moody dancefloor-ready jams. on impermanence (part 2), dont give hope away revisits toto’s focus on the peak hour dancefloor, a warm and thick bass ushers in a smooth and spacey vocal that is definitely one to get people moving. the title track of this release, impermanence, keeps things chugging along with a classic deep house sound. the bassline commands you to move you your body as tshaka campbells spoken word vocal will have you lost in the moment. we couldnt be more proud to offer this debut album, one that highlights totos growth as an artist while maintaining a strict focus on the dancefloor. djs and listeners alike will find these tunes well suited for the late night hours, listen and enjoy!

fortuna co-founder kalbata takes the controls for this new, middle eastern techno banger! al-shark is a banging arab farfisa excursion played frantically on an analog techno rhythm section. it s the first release from the fortuna camp which is not a reissue, but worry not, this could easily be an ancient lebanese proto-house experiment unearthed from a dusty reel.for the b-side kalbata takes things even further with a tribal relick of the original, placing us in a voodoo ceremony where ghosts of sinners come to dance. already on heavy rotation by gilles peterson and acid arab, this anthemic 12- is not to be missed! limited vinyl!

lovers rock recordings celebrates its tenth release with another lush compilation featuring tracks by three core members of the lr family and newcomer gunnar haslam. opener “vacation” by ital sees the label boss crafting a supple dj weapon out of a lysergic sonic ecosystem. the rapidly-maturing dj wey returns to the fold under his dj python alias with “amazonia,” an ambient bomb that allows a deceptively simple hook to lilt across a thumping reggaeton rhythm. gunnar haslam makes his lr debut with “vector no campo,” blending modular acid and perfectly crunched electro drums. finally sleeper cell close out with the shimmering, haunting “v.” the first lr release of 2016, lr no.10 exemplifies the label’s ethos and sound while pointing to the future, with eps by ital & halal, yoshinori hayashi and others slated for later in the year.

repress! without special edition print of the cover artwork! infrastructure regularly works with up-and-coming artists on cover artwork. respected young swiss artist julian charriere provided the iconic greyscale cover for post scriptum s debut lp (inf-020), and london based photographer guy archard s work featured on campbell irvine s reunion of two bodies maxi-ep (inf-018). now the celebrated british fine-artist robert ncnally has been invited to submit original artwork for facticity. selected by jake and dinos chapman to show work at the prestigious flowers gallery in london, and commissioned by damien hurst to provide work for his private collection, robert s incredibly detailed large scale pencil drawings are attracting serious interest in the modern art world. mcnally s cover image was selected from a series of works based on adapted antique post cards. its anti-establishment, censorship-related overtones are clear to see, as is the stark use of contrast - thick layers obscure the fading original, re-appropriating it.

infrastructure regularly works with up-and-coming artists on cover artwork. respected young swiss artist julian charriere provided the iconic greyscale cover for post scriptum s debut lp (inf-020), and london based photographer guy archard s work featured on campbell irvine s reunion of two bodies maxi-ep (inf-018). now the celebrated british fine-artist robert ncnally has been invited to submit original artwork for facticity. selected by jake and dinos chapman to show work at the prestigious flowers gallery in london, and commissioned by damien hurst to provide work for his private collection, robert s incredibly detailed large scale pencil drawings are attracting serious interest in the modern art world. mcnally s cover image was selected from a series of works based on adapted antique post cards. its anti-establishment, censorship-related overtones are clear to see, as is the stark use of contrast - thick layers obscure the fading original, re-appropriating it. setting the tone for this carefully compiled collection of new music, rich in subtexts and sub-genres, a special edition print of the cover artwork will be included in the first 500 copies of facticity.

unblock music comes back again stronger with its reference 003 retro city ep, spicing up the electronic with three new cuts of one of its most self-wise producers: tomoki tamura label boss of the mighty holic trax.the title track to the ep retro city, with taste of acid house lines, analogue machine and mix of vinyl samples wrestling each other for control here tomoki builds an absolutely mental stuff.among the tracks is eee something rmx, this cut reflects the imprint from unblock label boss tuccillo, whose eclectic discography has earned him a well deserved international following in the last years old school house sound that allowed to breathe in a warm, enveloping sound, there s not a weak point on here.finally the 12inch to listen the eee something original and its secret weapon , the intriguing rmx of djebali that has its own distinctive flavor full of emotion and musical invention.in this latest offering of unblock music.tuccillo and the camp around him individually as well as their labels and frequent collaborators are continuously releasing solid electronic music and the result is simply brilliant.

the fourth instalment from the jens camp comes in the form of the herman the dog ep! the a-side contains two popping tracks full of pumped up house, chunky bass and floating synth lines, whilst the flip taps into techno territory, plunging the low end into darkness and sprinkling with squelchy acid rain!

12 inch coloured vinyl (hot pink) hand stamped & numbered sleeve. more vinyl only business from the bristol based just jack camp, this time from firm fave amir alexander under his richie ratchet moniker. 2 original acid cuts designed for late night sleazing, this is timeless dancefloor music that makes you want to take your shirt off. mastered to tape before being cut to wax for that extra bit of juice, this is a limited pressing with only 303 copies and no repress. don t snooze on it! vinyl only!

another various artists special from the mighty bokhari camp... two fresh tracks from the lord lucan-esque disappearing russian, kirill tipo, whom we ve been chasing since 2012! creta kano on the flip gives us a slice of electro that sounds like it could have been made in 1988, with a bassline that ll be in your head for days. still high from the scott grooves props of his last venture with bokhari, joe europe returns with another slice of deepness for those who like some musical content in their house

otis is a slightly camp and some might say agressive cat from chicago. he has always liked the old acid house. he has only just found the means to put down his musical ideas, and this is his first offering.

this one is a taste of things to come from the clekclekboom camp, a ready to use various cuts ep made by deejays for deejays. the label say -a solid piece of wax with different weapons including already known ccb producers and extended family. for this first volume, french fries teams up with nsdos on a hypnotic jam, bringing chicago s percussive legacy in a 90 s nyc ballroom. then we got aleqs notal going deep with a new batch of his lunar material where tripping synths meet spaced out hi-hats. on the flip jean nipon provides his drummer background to display some infectious rhythms colliding with a shuffling syncopated bass, while barbara ford takes us through a heavy mesmerizing acid jam tunnel… overall a deep and yet club-material experience representing perfectly what clekclekboom has to offer today.-

the prolific lord of the isles (aka scotlands neil mcdonald) has had a string of stunning 12 inches over the past few years on labels such as permanent vacation, unthank, shevchenko, mule and of course his four track > year of the city ep< on phonica, which was widely acclaimed upon its release in 2012. this time loti presents two long-form tracks, each a mini-masterpiece in itself. the 10 minute plus >greane< bursts into life after an intro of kicks and white noise hi-hats. it continues to slowly build, with pitch-bent synth lines and a pulsing bass-line making way for a melacholic shift in mood. truly original stuff! on the flip, a swirl of synthetic strings introduces ‘gigha’, in a manner that brings to mind rhythm is rhythm’s legendary ‘kao-tic harmony’, before the drums and infectious acid-line join in. over the 8 minutes they continue to interweave and play off each other to dazzling effect. artwork by jack featherstone, the designer of a number of sleeves for border community (including the highly praised campaign behind james holden’s ‘the inheritors’, its singles and live visuals), electric minds, warm and of course, phonica.

another mysterious release from the take the elevator camp. once again no info just mechanical rhythms, dry acidic synths and weird deathly vocals.. just the way we like it from this great designer label. highly recommended!