2x12 inch lp inklusive mp3-downloadcode im klappcover, limitiert auf 500 exemplare.
auf dem album vermengt berman gekonnt die schnittstellen von electro, postpunk, new wave und disco. so wie es seine vorbilder aus dem alles-geht-new york der späten 70er vorgemacht haben! special deal
from da east is a various, mixing micro and break sounds, to house music. pressed in 500 copies and available in digital. you will find: cles & filip szostak, cheise & trecut, ylyes & sichuan and oden & fatzo
reworking a big tune is never a simple task, especially if after 7 years the tune in question is still one of the highlights in shows of one of the worlds most beloved live act performers, kink. that s only half of the story though, as the tune got a lot of love from so many dj s all over the globe. however, for the 17th burek release, we wanted to do something really special and what could be better than giving new life to a piece of music which literally gave life to our label. and we gathered some very interesting people for the job.
roots underground continues its travel deep down in the vaults of quality dance music, releasing uno ep, the debut of hystorical tuscan dj, producer & mc, rico herrera. known for his hip hop production for italian and american artists since the early 90s, and for his participation with the turntables collective i maniaci dei dischi. on this release he gifts us an unexpected house record, along the best tradition of music made in chicago/detroit.
four years after his breakthrough, max graef returns to tartelet records with his second solo album, “lo siento mucho pero no hablo tu idioma”. a dungeon dub symphony in four parts, “lo siento mucho pero no hablo tu idioma” is an album’s album. brimming with new and old guests, interludes and bonus skits, it’s a consummate sketchbook of graef’s most unique music to date. “every bit of music or work represents the mood and skills of a certain period,” he says.
neovinyl recordings is once again servin up that -good good- with -where the wild beats are,- the third release in their limited edition sub-series. for this round they ve tapped the chicago maestro garrett david as a contributor alongside label regulars black loops, carlo, and baldo
if there s one thing wolf music know a thing or two about, it s house music. so its no surprise then that they ve decided to reissue a golden 2003 deep house nugget in the form of brs (british rhythm services) spring dom. reissued from the original dat tapes spring dom is one of those timeless records that even 15 years on sounds as soulful as it did when it first hit the racks. echoed sweeping stabs, chunky drum loops and powerful synth flurries alongside those mesmerising vocal refrains, all tied together with a driving bassline - this is deep, deep goodness of the highest degree. reworking spring dom for the present day, wolf mainstay medlar provides a rave tinged remix, chopping the vocals and reworking the synth lines to give it a peak time, dancefloor demeanour. the flip houses the other two tracks from the original 03 release - clubtronic with it s ukg flavoured beat, m1 pads and jazzy free flowing melodies and miss you combining a bumping groove, dynamic bass melody and stirring rhodes chords. a much-welcomed reissue package from the wolf camp and a chance to own this house treasure without feeding the sharks.
the arrival of fresh material from visions co-owner stephane attias is a nice welcome return . these two tracks from swiss based dj and producer are aimed to simply heat the dance floors . these two pure deep house tracks are full of musicality and rich deepness that will keep the dancers happy. on the a side « body fusion is a melodious number with deep drums , lush pads over deep synth and bass , rhodes chords, piano solo and organic percussions the b side is a soulful melodious and organic jazz house track with fender rhodes , sub bass and summer vibe to keep a smile on your face. a solid release not to be missed !
simbad teams up with south african vocalist brian temba, whose previous release together come join in dropped on hi:rise back in 2011. in it’s original form take my hand is a sublime, forward-looking deep and soulful house track based around a filtering symphonic string loop, low-slung groove and heart-felt vocal. simbad has created a very london-centric vibe but with a french touch and detroit sensibilities, drawing from house heroes such as parrish and bradock, joining the dots and creating a fresh masterpiece in the process. next up we have jimpster on the remix, picking up the bpm’s slightly and loading up on his trademark deep stabs, sub-bass and spacious fx adding just enough dance-floor bump whilst leaving the vocal placed firmly at the core. on the flip side we have two smbd zulu edits which replace the more spartan groove of the original with some driving afro percussion. the first version keeps the vocal intact, the second version goes balls deep into dub territory, closing out this amazing release with an instrumental pushing the strings and hypnotic groove front and centre
marc & oveous bring the classic bruk flavours to atjazz’s label with their new e.p. ‘on again’. the original harks back to the old co-op nights with a tough bass synth and oveous’ soul laden vocals, tied together behind a punchy, syncopated broken beat rhythm. dress to sweat, this one will make the bodies move. first up on the flip side the ‘4x4 dub’ switches the rhythm to a straight up 4x4 house beat, but that subby synth carries through the broken beat touch. the original mixes’ vocals are dropped in favour of one of oveous’ short spoken word monologues before he steps back to let the music do the magic. the ‘dubstramental’ gives you one final interpretation utilising the same dubbed out template as the b1, but reverting back to the original broken beat pattern to give you three different flavours to throw down with.
this single is very special for visions recordings as we see a fresh collaboration between alex attias and luman child, two swiss artists reunited for the first time.alex proposed luman child a collaboration after listening to his music. then they met and talked about music , visions, influences, method of work and decided straight away to work together without knowing each other well and pushing them outside their comfort zone. they are both very happy with the resultjalex attias has been in the music for many years producing, remixing many great artists and djing all over the world. at the moment alex is about to release a compilation on bbe records ( lillygood party !) , plus a couple of remixes are on the way and he s also preparing other singles for his label visions .luman child produced in 2017 a killer first album with german label solid ground still available on a neo soul hip hop tip. he reached number 11 in the uk soul charts. as a musician and bass player luman child had a few collaborations with ferry ultra, gogo music and marc mac 4 hero.the project they present here is very organic soulful and musical. this single hold two killer tunes for the listener and the dancers.the a side is a 125 bpm disco jazz funk killer jam with live bass, fender rhodes and vintage keyboards sounds driven by a very funky drum beat and live basseline aimed to the dancefloor and good time party people keeping a smile on your face. its simply groovy and goes on and on for 10 minutes of pure disco pleasure.the b side is a funky number boogie jazz funk inspired by mr ayers vibes and sounds . the rhythm is groovy at 120 bpm and the moog bassline is round and fat. accompanied both track by fender rhodes and dope keyboards sounds, this one will definitely find place in dj boxes for those who play and love soulful music with an open mind. groovy , warm and soulful at his best.
following the late night swing of javonntte’s hm002, hardmatter uncovers another detroit talent for their third offering: malik alston. in his first vinyl release in several years, the rebirth ep explores a spiritual jazz soundscape with all of the verve of the city’s trusted sound. beside the soulful ballad of “love changes” featuring evan on guitar, the record’s lead song, “i am”, focuses on malik’s signature instrumentation and live improvisation. the track is a seven minute collaboration between craig huckaby, howard wazeerud-din ii and hardmatterís own zapata, who complement malik’s gospel-inspired vocals, the first time he has sung on a track in four years.
maps is a project by a london-based lithuanian drummer and producer, marijus aleksa. this labour of love is the culmination of many hours spent touring and in-session with some of the greats of londons bubbling contemporary jazz scene, resulting in marijuss first solo project to date. the ep combines elements of jazz, afrobeat and electronic music through free-form jamming and remixing, with movement and the dance floor firmly in mind.
4th tilly jam with four deep disco / house slammer
folks, here is tilly jam number four, served by till von sein with a striking can’t stop, won’t stop attitude. as if the first three fourtrackers were just heating things up, he’s firing out another ensemble of four to bring serious exercise to the floor. “say say say”, the opening title track of this ep checks many trademarks its originator is known and praised for. an explicitly soulful affair, even flexing some g-funk muscles here and there. crackling vinyl noise in the background, warm and thick bass footing, a bassline doing the filterhouse-routine and a sample heavy arrangement that even gets a boost-up after half of its running time. then there is “shadrach”. go do some exegesis if interested where that name stems from. we can assure you, this jazz-infused build-up including nervous hi-hat patterns, a boldly bass groove, a frenzy drum-solo, inciting chants and a horn section scaling things up, stems directly from peaktime heaven. and on b1, “impala” is taking up the thread of this rather outgoing vibe, tvs is going for with this set of tunes. find an energetic beat providing the ground work for filtered adlibs that kinda nail what comes to mind when this track gets mixed in. “whoo-hoo-hoo” – that’s right. just add some subtle percussive lining and let a saxophone take over and you’ll have another trigger for floor-ecstasy at hand. cooling things off a little bit it’s “baden powell dr” as closing cut. tilly is winding up the melancholy-meter on this one, reversing elements and by adding pianochords and synth-pads, infusing an overall mood of wind-whistling summertime-sadness
jesse futerman and his ornate personality are most comfortable when collaborating and highlighting the best in people. waterzone is the sound of such experiences. the talent of stacey shopsowitz (bass), chris edmondson (saxophone) and beverly glenn-copeland (voice), are introduced in turn, as if by spotlight, on -vista-, while futerman takes back stage to lay out the foundation.
last spotted tomfooling as tryck & ton with edvin edvinsson, and prior to that as tiedye on mike simonettis italians do it better imprint, subversive swede anton klint makes his debut on simonettis latest label 2mr with two more vitally trippy, heavily dub-informed originals. ‘mun chugs at a stately 107. rippling in places, squiggling in others, theres an unabashed fx weirdness bubbling and popping over the insistent shimmering dubwise groove. tweaking, freaking but running at such a smooth temper theres space between the chaos, anton is balancing some heavily hypnotic alchemy here. ‘strupe takes things even lower and slower. a dusty bluesy chugger, unhurried-yet-relentlessly building with a great sense of cosmic drama, listen and marvel as more elements are precision introduced throughout the seven minute trip. a masterclass in modern day honkytonk. remix-wise were thrusted into the later hours with a technoid twist from andre laos. maintaining antons originals trippy charm and measured pace but re-amping it with grittier foundation, teasing risers and an insurgent synth strike, its the perfect complement to one of 2mrs most singular releases to date. open wide.
ron trent returns with his gemini jazz entity on his music & power imprint with 2 deep spiritual tracks the tantra & hard & soft. the tantra is a preview of the upcoming album gemini jazz. hard & soft is a hint of the future album whatthefckdoyouknowaboutdeephouse
this self titled creation from avop sets us in a mystical island of utopia. these eternal paradise grooves sends our imagination to levels of sophistication and next world fantasy. lucid drums, unknown atmospheric melody, jupiter dream pads, star light twinkles, exotic worldly strings, silky bass lines, vibratious reverb. the masterpiece we have all been waiting for.
infusing tropical vibes and electronic grooves to reflect the vivid ever evolving latin american soundscape is the fresh musical excursion “electropical” as synthesised by london based producers, juan laya and jorge montiel. “electropical” - one word, one sound that distils a melting pot of authentic latin anthems, jazzy grooves, disco infused songs and balearic sounds all processed in hd for an immersive experience which explores the colourful influences of the caribbean, vast amazonian dimensions and beyond. its heart-warming journey is a highly seductive experience that further enhances the mood with repeated play.
balance records is happy to release -paul cut- while no stranger to the french scene paul is one of the up and coming dj/producers out of paris. this release finds it roots in jazz (chicago /paris?). a1 starts with some heavy beats, which later combined with the other elements can bring the madness to any dance floor. side , a2 brings another kind of madness which shakes you from inside like heated particles with its jazzy vibes. b2 heats you in a subtly way, when you expecting it the least with background sounds inspired from jazz. and once they suck you in you start to be driven by them, like being stuck in the waves. b1 will draw anyone inner energy with its piano. it s a great track to lead to the end of the night or even closing. for the love birds and the loners on the dance floor. b2 heats you in a subtly way when you expecting it the least with background sounds borrowed from jazz. and once they suck you in you start to be driven by them, like being stuck in the waves.
we share with kaffe crème, a penchant for side roads, for mixing textures and visiting other territories. if house music is at the heart of our project and history, it is often just a medium to cross the path of genres and bringing into some of our other tastes like here jazz, broken beat or hip hop.after his remarkable debut ep in 2016 which was containing the staggering beauty kapo choc that still resonates every weekend in many clubs around the world, we are very happy to welcome, the lyon-based kaffe crème for our fourth release. you ll find there everything you loved about his debut ep, which means, a beautifully produced organic and dusty house music that make a leap into contemporary jazz (i <3 u) and dig into warm finely mpc-sliced syncopated beats. but you ll also find an astonishing broken beat song (umusa) that show all the former-percussionist s talent for making sophisticated and ambitious jazz-infused rhythm compositions.
limited edition white coloured double vinyl in gatefold sleeve with download code included.
jazzanova are proud to announce their next full length, the pool, is due for release via their own sonar kollektiv. it is their most mature and musical album yet and welcomes a host of talented collaborators including jamie cullum, ben westbeech, pete josef, rachel sermanni, olivier st louis, paul randolph and many more.
they might not have put out an album in the last decade, but by no means have jazzanova been out of the picture. instead members alex barck, claas brieler, axel reinemer, jürgen von knoblauch and stefan leisering have been focussing on a diverse range of projects, as well as becoming parents. from running their jrs studio to a&ring a wealth of new talent for their jazzanova label via for producing others and, of course, continuing to play their unique live shows around the world, they are as immersed in music as ever.
after last year’s acclaimed bb boogie album “standing on the wall”, darren benjamin aka daz-i-kue returns with this incredible slice of latin jazz futurism. between 2012 and 2016 daz travelled to puerto rico to record with an array of talented musicians, laying down the framework percussion, bass and horns to be worked on when he returned to his studio in atlanta. “crash boat party” is his collaboration with ex fania all stars percussionist hector “tempo” alomar and features atlanta-based trumpeter dashill smith, (who’s worked with roy ayers, janell monet, and miguel atwood-fergurson to name but three), and accomplished bassist mamaniji azanyah. already licensed to feature in bobbito’s forthcoming documentary “rockrubber 45s”, this is timeless latin-jazz fire. the single is backed with “esto es candela con ritmo nene”, also from those sessions, taking things firmly into bruk-jazz territory.
the second release is coming with 4 new-talented players: embezzlement society, daisuke kondo, lb aka labat and the game crew. following their various artist model, each producer delivers an organic crate based track, from blunted hip-hop to jackin’ house bangers with jazzy soulful grooves.
for their fourth release dreamers recordings welcomes the talented duo ex.society. after releasing on their own imprint, the rivabella ep is continued proof of the pair’s penchant for classic sounding, albeit forward-thinking, house music. full of warm, fuzzy vibes from the get-go, this is beautifully melodic fare that’s perfectly suited to those sunrise moments. smooth, jazzy and elegant.
it’s a mystic record with more than one vibe. beppe corazza is a multiple graduate master on sax and flute, he comes from the most important italian jazz circuit, and steve paradise is one of the first italian house music pioneers. they did 5 songs with different vibes - from funk to afro-house and also asian lounge.
gifted culture collective kicks off with zinnigheddas jam berlin, first 12” of a series of three releases recorded exclusively during improvised jam sessions. gifted culture wants artists to breath and to represent in music the contemporaneity that surrounds us. gifted culture catches that very moment on tape. this is an itinerant music project, to highlight the context as influence on the artistic process. during the first session two thou, autre, xinner and demo gather together during a sunday night in kreuzberg with an electric bass and a bunch of synthesizers. there they start to tell us how they feel the “now”.
osynlig fetma is the production duo arvid wretman (aka your planet is next, sexazoid) and dennis vera. the two stockholmers have created a diverse ep of analogue lopsided dance music. freaky vocals take place over freewheeling jazzy jamming synths and drum machines. house music for dancers with two left feet. comes complete with a mix mup remix. download code included.
next up on apollo is a stunning double header lp between crate-digger, dj and producer glenn astro and cologne dj and producer hodini aka hulk hodn. boasting out electronic explorations and jazz patterns, turquoise tortoise‘ is a masterful, unique concotion that infuses future soul experiments into detroit influenced house, broken beat and even technoid up tempo percussions rounded up with classic boom bap sounds.
deepartsound, perpetual rhythms, osunlade s -yoruba-, and many others – -about u- is trinidadian deep s first release for croatian label burek.
born and raised on the island of trinidad and tobago, today a place this producer calls -home- is found on various locations scattered all over the globe and a variety of influences is what is immediately evident by rich sounds and textures engraved onto this piece of vinyl.
a side, -i want- is the most laid-back moment, in lack of a better term. warm-sounding tribal percussions supporting the interaction of deep chords and wonderfully lush synths running thought the whole track only to get enriched with a beautiful piano line in the 2nd half. if there is track fitting to represent the sunset, that transition from day to night moment – -i would- is the one.
b1 -ghost- is the track on the record with the most forward-momentum. deep tribal rhythms and lush synth lines are a sort-of a leitmotif on this record and are present here as well, with an occasional vocal snippet that only deepens the magic.
b2 -abourisha- makes good use of those leitmotifs in a similarly effective but overall quite different manner. broken rhythm gives it a slightly different energy, making it an ideal track for those 5 am moments when a track like this marks the night.
2018 has a lot in store for london spiritual jazz outfit emanative, with a full double lp and several remixes forthcoming, as well as some full live band appearances and dj gigs. “planet b” is the band’s first release of the year and it takes them in a slightly different direction, on a completely different vibration entirely, with an epic nine minute, almost post punk, afrobeat, disco and jazz inspired piece aimed at the leftfield dancefloor.
what makes a house tune a unique house tune? secret crunch volume 5 focuses on the basics principles of making house: we are talking about an unique groove, we are talking about the original use of samples and we are talking about a soul thang. secret crunch volume 5 presents four cuts of fresh and undiluted house music. on side a felipe gordon from columbia opens with the cool jazz infused stepper -teusanquilo step-, while ashley stevenson contributes to crunch with his new project the last trip to gandahar. his track -planet music- captivates with earwig vocals and a catchy groove. on the b side vienna s finest jeremiah delivers an exciting acid experience building from the beginning to the end. newcomer gus nobel finishes the ep with -radical science- in style - and yes, it s a crunchy banger.
as part of the ten-year anniversary dekmantel presents the final record in a ten-part-ep series. split into two parts due to its immensity, the final instalment is a re-issue of tony allens asiko (in a silent mix) originally released in 1999 and remixes by motor city drum ensemble and ricardo villalobos. the first part features a grandiose 29-minute ricardo villalobos version of the afrobeat masters cut. a true collaboration of giants.having been a regular at the festival for several years now, villalobos delivers a remix, one of his longest to date, that only he can produce. allowing the percussion to breathe into a monumental rhythm, villalobos warps the vocals, restructuring the bass and drums into a rolling dub-fusion of techno that is characteristic of his remixes to date, yet still breathtaking in its execution. afrobeat-minimalism, with dub-infused fire, and near psychedelic ambience that perfectly synchs the worlds of tony allen, and ricardo villalobos, two legends who’ve helped re-shape the face of music. highlighting the diversity of sounds that have come to represent the dutch label and festival series, the eps to date have encompassed a range of artists and genres, featuring label favourites, as well as whole bunch of debuting artists. the ep series kicked off in march 2018, and over the course of a year featured the likes of gigi masin, lena willikens, burnt friedman, donato dozzy, the egyptian lover, palms trax, and more.
the first collaboration of kuniyuki and japanese legendary jazz pianist fumio itabashi, it’s originally released in 2009,recorded for kuniyuki’s third album “walking in the naked city”. kuniyuki and itabashi invited henrik schwarz as vocalist,maybe you remember henrik&kuniyuki’s house version. itabashi said river is one of the best song which i have produced.
finally available on vinyl!
long time friend of the label, neue grafik, steps forth with his most fully realised offering to date. this record has been a long time coming, born out of a encounter in paris back in 2016. this meeting of minds led to a blossoming friendship between fred ( neue grafik) and bradley ( rs intl) which has taken them across 3 continents, countless dance-floors and finally crystallised onto this 12-. the record itself takes cues from the broken-beat sound of london while paying homage to the parisian house dance scene. largely sample based, but also employing much more live instrumentation than ever before, neue grafik s music is informed by movement and in turn offers so much for dancers to respond to.
echovolt is thrilled to finally bring you the work of the first greek producer on their growing reissue catalog offering two ultra-rare recordings that lived on the shelf for exactly two decades. the then 16-year old starcount recorded those two stripped-down cuts straight to dat tape in his bedroom studio in athens during the late 90s between cutting classes and sailing in the aegean sea. despite his young age both calma and jeraldine showcase top notch production skills with solid arrangements featuring the typical vocal samples of the period underlined by hypnotic melodies, jazzy chords and a densely populated pallet of drum hits. it is most likely that the above mentioned tracks might be the earliest detroit influenced productions ever made in greece around that time! suitable for night cruising and any kind of rides with friends and family!
mood to move ep is a six-part musical retrospect into the work of veteran japanese house producer takecha, the little-known artist has been sporadically releasing analogue house on his own gwm imprint since the mid-90s, however trouble maker had only recently discovered his works and were dying to hear more. the music he sent was far too good to remain unheard, so we twisted the little-known maestro’s arm and managed to grab a selection of six unreleased and never before heard cuts for your audio pleasure. created between 1995-2000, these musical gems were left dormant on dat tapes in takechas basement - until now! with classic house being the flavour throughout, the high-quality production and deeply-resonant synth lines of each track leave an imprint that’s hard to forget. if this is your first time hearing takecha you certainly won’t be disappointed., released on 12 inch vinyl , shrinked wrapped
after a successful release with church recordings at the start of the year ben hauke returns to his label woop records for a five track ep , first takes. first takes ep combines the sounds of broken beat and house music with a strong nod to 90s hip hop throughout. ben is cementing his own sound and approach to music through his eclectic sampling of jazz records detailed drum sequencing and no nonsense attitude
fina records strides into 2018 with another fresh new house ep, this time from paso aka pascal pamme. over the last few years this french artist has released on the likes of d.ko records, increase, and the groove, and always showcases his knack for loose limbed, organic house grooves laden with jazzy keys and soul-infused synths. the four cuts he offers up here once again prove he is a producer with a truly authentic and musical style.
cosmic handshakes sees the pairing of 2 extremely talented detroit natives - blair french & todd modes - who take elements of disco, techno, jazz, house, afrobeat, latin music, dub and electronics and filter them through their own unique view of dance music. steeped in soul, live instrumentation, sampling and analogous alchemical studio processes, french & modes give us an exhilarating and fresh take on the deepest smoked out, after hours sounds of the city of detroit. in the mist is the duo s second release, following on from 2013 s the delicate details , released on the m1 sessions imprint. the last 2-3 years has seen the pair individually release music on a plethora of varied and esteemed global labels such as fit sounds, claremont 56, rocksteady discos and more. we at gghq are very excited to finally share with the world what we feel is hands down one of our favourite releases yet. a compelling body of work from front to back, the tracks on in the mist work perfectly as a self contained home listener, or as we ve found, just as well on a darkened dancefloor, leaving the choice up to you, the listener.
‘rekanan 1 / rekanan 2’ is the debut vinyl release of indonesian music producer rmp. the a side was originally released as ‘rekanan 1’ back in july 2016 as a digital-only version to launch divisi62 - a jakarta based sound and visual arts label initiated by a group of musicians and designers.
this vinyl version has ‘rekanan 2’ on the b side - a continued development of similar ideas and themes that highlights the perpetual exchange and crossover points of asian and african heritage. both the graphics and music were conceived by using samples and fragments from a wide range of sources.
another must have and sought after moodymann release available for the first time since its initial release in 2001. the telephone ep was the third in the limited forevernevermore 12” series following don’t you want my love and in my wagon. the a side is a remake of the title track from forevernevermore and in classic moodymann style the original is presented in a different context. combining all the essential elements of the initial groove and adding a variety of new sounds and effects, we are offered a totally fresh take on this stone cold moodymann classic. on the b side the telephone is a funked up slightly retro jazz inspired groove incorporating complex drum programming and chilled keys which hints at the direction moodymann was to take his productions in on his later albums silence in the secret garden and black mahogani ii
2017 reissue . beatfanatic turns out more of his broken beat remix work for soundscape. broken beats and a touch of latin jazz elements make this similar to some of his past work with the label and this one will certainly be another big one for broken beat and deep house heads alike
forgot 001 is the debut release from london based record label forgot. the compilation is comprised of four tracks by four different artists: harry orso, aka ratomagoson, was last year picked up by gilles peterson’s future bubblers project and has gone on to drop a succession of well received releases on labels such as twosixtysix, polyop and tru thoughts. forgot residents hoffy and joe s both come from beat-making backgrounds while phillip russel aka pila boasts an impressive catalog of material online. since its release campaign launched earlier this year, the forgot 001 compilation has received a wealth of positive feedback from a number of revered and respected djs such as dom servini, adam scrimshire and david hanke aka renegades of jazz. the release gained considerable airplay during the summer: dom servini on soho radio, risha on radar radio, selassie tbc & amy frenchum on worldwide fm, toshio maatsura on tokyo moon and adam scrimshire on balamii radio.
after moving from london to berlin cromby is back on tenderpark with his second ep for the vinyl label. the young man recreates our love for deep house with two sample-based tracks which showcase his ever advancing skills with the old school akai sampler mpc 2000 xl as well as his cool understanding of mixing haunting melodies with gripping groove patterns. the remix on the flip side comes from hip-hop super producer gone house lover hodini who has collaborated with the talented bass player chez kerim for this funky workout. the cover image shot by achim valbracht is the start of a new artwork series developed by tenderpark art director till sperrle which revolves around critique of investor-driven architechture that has been dominating berlin for several decades now. the speciously precious and glittering image displays a normalised and globally standardised kind of beauty but at the same time reveals a strong sense of loneliness. as always both the mastering and as well as the lacquer cut of this record have been carefully executed by vinyl sound mastermind helmut erler at dubplates & mastering.