Releases from artist / Veröffentlichungen von : Curses

2lp including insert with liner notes. chapter 1 out of 3. including classic tracks with music from daf, throbbing gristle, nitzer ebb, mary moeoer..

2lp including insert with liner notes. chapter 2 out of 3. including 13 unreleased tracks! with music from boytronic, years of denial, patriarchy, the kvb

2lp including insert with liner notes. chapter 3 out of 3. including 14 unreleased tracks! with music from the hacker, boy harsher, nuovo testamento, buzz kull..

incl curses remix

ltd 300, black vinyl , hand numberered

just a masterpiece!

curses presents his album album >incarnadine< dischi autunno. 150x only - decks tip

curses presents his album album >incarnadine< dischi autunno. 150x only - decks tip

der in berlin lebende curses (l. venezia) hat sich dank seiner brillanten neuinterpretation und mischung aus italo-space-disco, synth-wave und cold-wave einen namen in der internationalen alternativ-szene gemacht.

vinyl 2 only.

compiled by luca venezia aka curses.

compiled by luca venezia aka curses.

next up on hoga nord is a mini-lp from curses aka luca venezia.

motordisc 1 features tracks from kasper bjørke, khidja, curses and zombies in miami

das neuste wrong era mitglied curses liefert uns knochenknarchende snares und b-movie-samples die perfekt zu einem retro-dancefloor passen.

dischi autunno present romantic fiction the long awaited debut album from curses featuring perel & jennifer cardini on vocals.

preceding the release of his debut album, curses presents gold & silber, a five track ep led by a hypnotic, post-punk leaning roller, as well as four additional remixes from antoni maiovvi, chinaski and fango. for the title track, berlin based artist perel provides cathartic vocals on top of a drowsy rhythmic framework drawing influence from early ebm, synth music and new wave. fango provides a more angular, computerised take on the original, whilst antoni maiovvi raises the heat to a peak time flow. across two interpretations, chinaski provides maximal 80s synth work on the painkiller bonus vmix and trippy dancefloor energy on the tech noir remix.

a new year means new musical horizons here at the bordello. curses formed his sound in the distortion and sweat of back alley dive bar bars amidst the crash of guitars and the audible gulp of beer. hints of disco and wave balance this rougher edge, smoothing down those creased lines for a style that adheres to no boundaries. -pedal to the metal and don t look back- is a perfect introduction to curses multifaceted sound. beats orbit burbling bass and brash strings in a work of dreamy hypnotics. -knife in teeth- comes from a similarly shadowy lair. dark bars are further inked by industrial percussion in a track born on the factory floor to strict ebm parents. terr takes on -pedal to the metal and don t look back- and does the original proud. bass rumbles to the tune of a guttering engine before lighter notes take hold. murky currents are cleared by bright synth blasts in this uplifting remake. the bird of paradise closes the ep with his psychedelic take on -knife in teeth.- drums take on a more sinister tone as tribal rhythms give rise to jungle imagery and the immediate threat of what might lurk behind those supposedly innocent sounds.

a new year means new musical horizons here at the bordello. curses formed his sound in the distortion and sweat of back alley dive bar bars amidst the crash of guitars and the audible gulp of beer. hints of disco and wave balance this rougher edge, smoothing down those creased lines for a style that adheres to no boundaries. -pedal to the metal and don t look back- is a perfect introduction to curses multifaceted sound. beats orbit burbling bass and brash strings in a work of dreamy hypnotics. -knife in teeth- comes from a similarly shadowy lair. dark bars are further inked by industrial percussion in a track born on the factory floor to strict ebm parents. terr takes on -pedal to the metal and don t look back- and does the original proud. bass rumbles to the tune of a guttering engine before lighter notes take hold. murky currents are cleared by bright synth blasts in this uplifting remake. the bird of paradise closes the ep with his psychedelic take on -knife in teeth.- drums take on a more sinister tone as tribal rhythms give rise to jungle imagery and the immediate threat of what might lurk behind those supposedly innocent sounds.

london based club night and newly formed label snap crackle & pop s third releases comes in the form of a dark take on new wave influenced techno from berlin based new yorker curses. side a kicks off with a hypnotic techno stomper another view which playfully tips its hat to early electro albeit through a visor of coldwave inspired guitars. together in the dark delves into even darker territores with ice cold organs reaching for the light through the grinding ambient yet groovy undertones. on the b-side inga mauer ramps up the dancefloor tension with her machine like acid rework pulsating and crashing urgently together in the dark, whilst the golden filter turn out a low slung trip of brooding synths and haunting vocals before cascading down the rabbit hole in a swell of industrial motorik beats and percussive explosions in their take on another view

safer at night returns late january 2017 with the vinyl only release of the deep end , featuring two original curses cuts and remixes from ian blevins and holy ghost! safer at night founder curses launched the label back in 2014 and it has since gone to play host to material from eli esobar, walker & royce, jagerverb and of course the label founder himself. here we see curses re-release his composition the deep end marking the ten-year anniversary of its former releases on institutes in 2007, while enlisting ian blevins and holy ghost! on remix duties and stirring in a new original of his own as well. the original mix of the deep end takes the lead and offers a chance to revisit the decade old curses cut fuelled by wandering bass and lead guitar licks, dropped-tempo crunchy rhythms and murky piano chords all instilled with a gritty new york electro feel. holy ghost! then rework the original with the funk-laden feel via bright chord sequences, elongated delay swells and an amalgamation of 80 s synth leads, hooky bass lines and sporadic vocal lines. on the flip ian blevins offers up his interpretation of in shadows employing stuttering vocal hits, choppy arpeggios and droning bass leads to create an emotive and hypnotic number before curses original mix of in shadows closes on a cinematic vibe with an 80 s sci-fi soundtrack feel to perfectly conclude this vinyl only 10 year celebration.

globetrotting dj and producer luca venezia, better known as curses, indulges in his nocturnal and romantic side, revealing a penchant for dark basslines. jetzt oder nie opens proceedings with a straightforward bass and infectious arpeggio line. sebastian voigt s reinterpretation keeps the focus in the deep techno territory, introducing a steady paced and anxious facet. stepping into an industrial influenced soundscape, power of darkness revolves around the hypnotic vocal hook, gradually transcending the listener into a late-night dancefloor trance. infinity maker plays on the mesmerising repetition of the initial coarse drum pads, resulting in a straight-up techno tool. the synth lead stays in the deep end, progressing to a beautifully dubby and atmospheric finale.

if youve been even the most casual participant in or observer of the nyc dance music and club scene over the past decade, youve most definitely encountered luca venezia, a.k.a. curses, who once was better known as drop the lime, a central figure in the trouble & bass crew. where dtl was all stripped and chewed dubstep and grime, curses is clearly of a house bent, albeit one thats been cut with plenty of heavy bass, breakbeat-leaning drums, and a frantic energy that one wouldnt find on classic chicago 12inches.

this year has been a time for throne of blood to stretch out a bit. following a string of well-received singles exploring the quirkier corners of the dancefloor (dj chloe, brioksi, pleasure planet, bohemian groove, pbr streetgang) as well as moon rock a long-percolating exploration of modern ambient music, we are dropping a springtime megabomb aimed squarely at the big room.

remixes come from two heavyweights of their respective scenes. in a once in a lifetime meeting of the super exclamatory dance heros, dfa stars holy ghost! fully actualize the disco potential of the song, turning it into an eight minute workout, with nancy whang (lcd soundsystem / juan maclean) providing additional vocals. bart b more needs no introduction, the man is electro house incarnate. all the requisite dancefloor shattering moves and for a funkier take on turning the world upside down, check out his dub mix.

hot old schooling electro stuff by brooklyns curses. incl drop the line remix

compiled by luca venezia aka curses.

incl curses remix

remixes by narciss, cinthie, curses, kid simius

80s influenced

als kreativer spross der musikalischen fantasien von tushen rai und cornelius doctor ist hard fist seit seiner gründung im jahr 2017 ein non-profit-projekt, das produzenten, grafikdesigner, djs und verträumte party-anbeter umfasst.

2lp-gatefold cover, 180 gramm vinyl, 24-seitiges magazin von jonathan castro alejo mit 10 fotostorys, 60 fotos und 10 gedichten

every week end im going to concrete to listen the artists who are playing there. i m talking about music with them , and do the same with people sharing the dancefloor with me.i collect all these inputs and ideas, all this energy, to define what concrete music dna is.because of this variety of people, tastes, and point of views, the label can t be reduced to one and only genre.to make the music more easy to apprehend, we are spliting the label in 3 parts, 3 differents moods, or more precisely, 3 times of the day... concrete music 7am contains the kind of music you could easily listen in our club at dawn, when the light is blue and the sun starts to filter through the mi-closed shutters. minimalistic, freaky or mellow, but always deep. concrete 3pm is definetly turned to house music. 3pm is the time when smiles are on every face, when the same vibe, the same energy, is going through every stomach in the room, and the crowd becomes one same entity. concrete music 4am aims for the more techno and black side of the music we love. at 4am, fists are pumping the air, or heads are down and eyes closed. slow or quick bpm, heavy kick or atmospheric this is what concrete music is all about...-

limited edition of 100 copies only.

trippin / psychedelic house from berlin , parma and paris

theus mago comes from mexico city, his light is a harness of levitation escalating beyond the galactic thin air. stars collid-ing, feeding off the dust of unknown ashes risen from the earth and sand in resolve. doog offers eerie and optimistic vocals to the disconcerting yet comfortably soothing waves of theus magos ella and smokey red lights. the french duo il est villaine journey ella to the obscure and swung out dimensions, while arthur johnson brings his guitar and synth-laden attitude from the shadows to the brightest dance floor on his mix. dreams can be so weird sometimes.

curses launches a new imprint under safer at night focusing on all things dark and slow. ombra international is a vinyl only series inviting artists from different cities from around the globe to contribute their rock & roll/post-punk influenced slo-mo disco and cold wave sonics. ombra intl 002 is a 4 tracker bringing together cannibal ink (madrid), dawn again (sydney), k-effect (toledo), and curses (berlin).

soon after label boss dj dis.co began working with the always human tapes label in late 2014 to license tracks for the last doubt vinyl release, a kinship was born. dj dis.co dug deep into the prolific always human tapes record label back catalog and curated a selection of tracks and songs that seemed appropriate for vinyl release. the various artist compilation is a balanced blend of ambient tools and left of center dancefloor gems. dj dis.co isnt the only one to take notice of the burgeoning tape label, a number of always human tapes tracks featured prominently on the june 2015 karen gwyer truancy mix.

with each successive volume of throne of bloods moon rock compilations, the new york label attains a deeper appreciation of electronic musics most chakra-massaging tendencies, participating in a communal dialogue devoted to a new dynamic beyond the confines of the dance floor.

with this long awaitede studio-album the german drum and bass producer roland bogdahn aka syncopix presents 13 fabulous tracks around 174bpm focusing the club-genre.

cd + digipack + download + sticker