“inflatable gravestone” is the debut album by mun sing (aka giant swan’s harry wright). limited white vinyl release.

reciting from dante’s eponymous poem, sanna mun experiments with her vocals in the dub-influenced single “inferno”. the record features a driving remix from french favorite benales and an enigmatic reinterpretation by rising japanese artist toru katsuta.

following acclaimed debuts on Ø phase’s modwerks label and clone’s repetitive rhythm research imprint, sanna mun returns to her own katabasis label with three otherworldly techno trips.

sanna mun on modwerks, including remix from label head Ø phase.

sanna mun debuts on her imprint, katabasis, with a three techno cut ep.

limited edition one-off pressing on transparent orange triple vinyl.

ltd copies!!

eine robuste mischung aus electronica und einem sesshaften soundtrack.

rygby back on white peach with a wicked 4-tracker.

konduku returns for a series of club focused records on nousklaer audio. the k series will launch with the 3-tracker emerald island. music and photography by konduku.

last spotted tomfooling as tryck & ton with edvin edvinsson, and prior to that as tiedye on mike simonettis italians do it better imprint, subversive swede anton klint makes his debut on simonettis latest label 2mr with two more vitally trippy, heavily dub-informed originals. ‘mun chugs at a stately 107. rippling in places, squiggling in others, theres an unabashed fx weirdness bubbling and popping over the insistent shimmering dubwise groove. tweaking, freaking but running at such a smooth temper theres space between the chaos, anton is balancing some heavily hypnotic alchemy here. ‘strupe takes things even lower and slower. a dusty bluesy chugger, unhurried-yet-relentlessly building with a great sense of cosmic drama, listen and marvel as more elements are precision introduced throughout the seven minute trip. a masterclass in modern day honkytonk. remix-wise were thrusted into the later hours with a technoid twist from andre laos. maintaining antons originals trippy charm and measured pace but re-amping it with grittier foundation, teasing risers and an insurgent synth strike, its the perfect complement to one of 2mrs most singular releases to date. open wide.

the legendary skatalites, alongside the later studio one in-house bands - the soul vendors, sound dimension, soul defenders and brentford road all stars – were as much a part of the classic studio one sound as were the singers that they accompanied such as alton ellis, horace andy, marcia griffiths and bob marley and the wailers.

limited double vinyl longplayer from eomac for uae based bedouin records.

inter gritty fires of 3 new techno & acid bombs, vinyl only!

shrouded in mystery and rarety loops haunts musical outpourings are the stuff of urban folklore. a strange alchemy of rugged rzaesque drums lay a contrasting bed for his spectral outboard sound bombardment. in contradiction with prior experiments, zenith has a strong and muscular loop based drum aesthetic running throughout from the nyc leanings mun rhul to the straight up amen bothering hardcore of zenith itself loops haunt has never sounded more relevant on a soundsystem!
black acre finish off a strong 2012 in anarchic style!

at the end of 2006, erol alkan was at a crossroads. he’d been voted dj of the year by mixmag. he’dmade landmark, expectation-defying remixes for bands he loved: a crunching “glam racket” reworking of ‘do you want to’ for franz ferdinand, a wonderfully wistful reinterpretation of hop chip’s ‘boy from school’, a psychedelic take on scissor sisters’ ‘i don’t feel like dancing’ and a genre-defining reworking of justice’s ‘waters of nazereth’.