excellent re edit using george mccrae lifted funk break very sought after very limited one sided grab it while you can

special

repress !the classic 1993 debut album from souls of mischief back on double vinyl.

every odd number has an e in it. hand stamped white label 10inch

official mr bongo reissue of a 1993 hip-hop classic from souls of mischief.

official mr bongo reissue of a 1993 hip-hop classic from souls of mischief. uk import

limited edition christmas tree shaped white 10 inch vinyl.

bristolian label think deep do exactly that when they sign new tunes. this latest instalment is a breath of fresh air and paul sg and andy sim really go in on this remix of >infinite mischief< which in its original form is a well engineered slice of liquid solely designed for the dancefloor.

excellent groovin techhouse biggies !!

cool pumpin chicago ghetto styled techno burner by dj kamikaze !! hes in the same league like dj assault, dj funk or bay boy bill

ultraphat percussive hardgroove techno , plus 4 locked grooves !!

must have for harry potter fans / coloured beige vinyl

ltd edition violet 12- vinyl in printed inner sleeve in 3mm spine sleeve and download code

3x12inch lp, 180g vinyl, full printed sleeve incl downloadcard

long requested vinyl edition of the matawan collection.

3fach deluxe album zum 10.jubiläum. lp number 3 incl. unreleased demos !

big black vinyl box

repress of the 2012 album from tame impala. double vinyl in gatefold sleeve.

the fifth studio album from madness, originally released in 1984, back on 180 gram vinyl.

the city of prague philharmonic orchestra plays music from the harry potter movies. limited coloured 4x12 inch vinyl (blue / red / green / yellow) in a collectors box.

remastered reissue of the fourth and final album from steamhammer, originally released in 1972. cut at abbey road studios, pressed on 180 gram vinyl, housed in a gatefold sleeve.

a collection of early works from the hieroglyphics crew.

reissue from jazz longplayer from the joshua redman quartet (1994) on 2x12inch vinyl

istanbul-based live techno duo hiccup returns with a new 12’’ ep on their record label avosync. as the label s 15th release, outlandish is accompanied by two robust remixes from vsk and lag. made by the love for old fashioned techno music mixed with the soul of the current era, the ep also includes two digital-only giveaways, with one featuring a children’s poem by maya angelou (read by her) in addition to the five tracks on the vinyl, serving out a discourse on the outlander s matter.

must have for harry potter fans

incl. collaboration with max mischief

the dave brubeck quartet’s 1955 studio album back on vinyl.

daniel fisher, aka physical therapy, is an artist of many faces. bouncing from techno to jungle, idm to disco often under the moniker physical therapy, elsewhere as house duo fatherhood, and sometimes under a slew of untold aliases his catalogue can be a confounding proposition to decode.

we only light the beacons for dispatch dubplate on special occasions and this is no exception, dlr is back, with a first solo release since his 2016 album dreamland. bristol’s finest has kept these gems close for the past year, reserved mostly to his and ant tc1’s own sets - we are proud to finally reveal these locked away dubs. dlr returns to dispatch with his distinctive blend of mischief with mayhem, experimental and unexpected at every turn, but superbly suited to the dancefloor. limited copies, hand stamped 180 gram vinyl.

schatzi returns with its fourth chapter! as with those that preceded it, this one s a vinyl-only 12- of... indeterminate provenance. behind every schatzi ditty is a dash of homespun crate-digging mischief, a dollop of crunchy, swinging drum loops, and a determination to inject into the tropes of today the carefree heart and funky soul that made the dance music of decades past feel so alive. a royal flush of raw, untamed disco that desperately wants off this slab of wax and onto fogged-out dance floors and into strobe-lit basements. vinyl-only hand-stamped release. get it before it s gone

first he had us in denial. then he made us an offer we couldnt resist. now hes fixing our focus on the most crucial player in this whole house caper: the selecta. come again? selecta is yet another crystalline acid body workout from the ovum boss whos been dishing out single sinewy shell-outs in a seriously rich vein of form of late. galvanised by heavily swung drums, loaded and coded with a venom-like funk and characterised by a big soundsystem vocal that tears out of nowhere and disappears just as quickly, its yet another unique piece of 303 witchcraft, the likes of which only wink can conjure. deeply groovy, unabashed darkness and just a nuance of mischief with the vocal, its yet another precision piece from mr wink whos also kindly provided an instrumental for your added creative pleasure. selectors, this ones for you. you know what to do…

!! repress !! points new year, new concept: maceo plex locks down 2018 with a fabriclive mix and his new mutant series that sets out to explore the more mutated side of his signature cosmic techno further than ever before. similar to his conjure series in 2015, the new releases will reside across labels run by peers maceo respects and is inspired by, with some also featuring on his much loved ellum imprint. correspondant are proud to release the debut ep, mutant 1. three tracks deep, each version tells the same story from a different perspective, mutant disco tells it from the bassline’s point of view as a latent funk thumps with wry mischief, mutant dx shows things from melodic side with its rolling bulbous bass lead while mutant moog closes the ep by surging us even deeper into the stars with a crisp sinewy arpeggio that sucks us in and, like all card carrying mutants, refuses to let us go. time to mutate.

correspondant welcome berlin duo hinode having established themselves with a string of well received cuts on their own science fiction imprint, they were spotted by chance by label boss jennifer cardini on a recent record-shopping jaunt. with a raw, no-rules sense of machine funk running through everything they create, theyre the perfect match for correspondant and make their label debut with four numerical delights…i lights the analog fire with raw sleaze and off-beat mischief. unkempt and wily, it sets the tone for the entire ep: ii writhes snake-like with its slinky kicks and purring textures, iii slurs with bass groans and shakes with paranoid, alien melodies while iv closes with much more of a tunnelling, sense-blurring experience. total machine harmony, unbounded synthetic creativity, made to mix and wholly outer-planetary… hinode and correspondant are a match made in the stars.

nicholas returns to church with a six track mini lp. correspondant welcome berlin duo hinode having established themselves with a string of well received cuts on their own science fiction imprint, they were spotted by chance by label boss jennifer cardini on a recent record-shopping jaunt. with a raw, no-rules sense of machine funk running through everything they create, they’re the perfect match for correspondant and make their label debut with four numerical delights. i lights the analog fire with raw sleaze and off-beat mischief. unkempt and wily, it sets the tone for the entire ep: ii writhes snake-like with its slinky kicks and purring textures, iii slurs with bass groans and shakes with paranoid, alien melodies while iv closes with much more of a tunnelling, sense-blurring experience. total machine harmony, unbounded synthetic creativity, made to mix and wholly outer-planetary. hinode and correspondant are a match made in the stars.

the seventh ep on frits wentinks bobby donny label brings together some known and unknown producers. the original production is by low end activist, someone who has spent the last 15 years in berlin, bristol and brighton, no doubt picking up parts of the musical styles of those cities as he goes. it features london grime mc trim, an original member of roll deep and an artist signed to james blake s 1-800 label. the remixes comes from frits himself as well as cassius select, who has recently released on uttu and herbert s accidental. park end is a naughty tune with garage tinged drums slipping and sliding beneath menacing rhymes from trim. paranoid synth sounds and an oscillating low end speak of late night urban mischief and its the sort of characterful tune to stand out in any set. cassius select reconfigures the tune as a much more dark and experimental number with a heavy bottom end and huge sub bass that totally envelops you. frits then goes for a more mellow and melodic version, with lazy drums and wilting chords as rainy keys fall from above. it glows like street lights at night and closes out an ep with real attitude

for the third installment of the ftp series, the tracks twist into darker genre territories. the compilation opens with psygnosis, a nine minute acidic techno stormer beaming from the pineal gland of the reclusive new zealand artist matthew brown. the track starts out with a simple hook, building intensity towards a crescendo of raining acid lines and 808 hi hats which resemble unsheathing swords, twisting form into hypnotizing insanity. on the b side, draveng unleashes some comic mischief with isogamous skoliosapien, a frantic rave tune bursting out of the seams with jazzy drum hits and frantic chord stabs. it would be a good soundtrack for phantasms to dance to in a haunted place. closing out the ep is the propulsive electro missile nonstop, a track that whips into the air and spins like a jet powered boomerang. it is is the first release from the finnish cyber-phreek sansibar. expect more to come from him in the very near future

a riotous romp through imaginatively used samples, familiar piano riffs, customary beats and other rave tropes, the master of mischief luke vibert puts together a 10 track ode to the era of m25 convoys, mobile phone hotlines and raving amongst dogs on strings in british aerodrome fields. with a long and extensive history in the uks dance counterculture spanning three decades, vibert has released a barrage of inventive and animated music over the years that really doesn’t take itself too seriously, and is all the better for it. lps and singles for mo wax, warp, planet mu, ninja tune and rising high really speaks for itself, so its a honour to welcome vibert back onto hypercolour (after 2014s ridmik album and 2015’s return of his kerrier district moniker).
the double vinyl release includes a download code.

having first surfaced last year with their first various artists release featuring the dearly departed andreas gehm, the stealth mission label is back with another four-strong salvo of no-nonsense acid, electro and techno. naked eye people kicks off proceedings with the punishing jacker -short distance- before barrow boy whips up a perfect slice of malevolent 303 mischief on -btb (demo mix)-. on the b side there s space for a little more reflection with the spacious pings of bobby durst s -shape shifting- before mike storm turns the heat back up on the delightfully unhinged -dark sight (sims jff edit)-.

nice price deal !!!

shipwrec rolls out its new remix series with a serious slab of electro red meat. the main course is served by a machine music master, umwelt. and what else would the serving be but the rawest of electro, coarsened by surging acid and slicing snares. accompanying the original are a triumvirate of talent. ekman is first, ratcheting up those sticky 303 lines whilst adding his own mischief and menace for a mind-bending mix. comes in a printed sleeve with artwork by mehdi rouchiche. limited to 200 coloured copies.

matt edwards (radio slave) returns to his rekids label under the guise of b.a.d.s (berlin amateur dramatics society) - a new project cooked up with spencer parker and francesco de nittis aka mr ties, in order to release this track he made especially for an appearance at de nittis homopatik party at berlin s about blank last year. since debuting the track it has gone on to become not only an anthem for the part itself (the a capella has become a regular a favourite mr ties opener for homopatik sets), but a goto crowdpleaser for the handful djs such as nina kraviz who have drawn for its infections energy over the past year. imbued with the with all the infamous mischief of homopatik and the historical clubbing lineage the party is rooted within within, hous-o-matik hom-o-patik does everything you would expect it to: it gets the party started. b.a.d.s will return later in the year with spencer parker and mr ties own versions of the track

4x draruf und dran geremixed

das zweites soloalbum des zion i produzenten ist zugleich sein erstes für das plug research label (flying lotus, bilal, exile, etc.), welches nun in zusammenarbeit mit snow dog eine limitierte vinyledition veröffentlicht. amp live arbeitete bereits mit dilated peoples, planet asia, lyrics born (quannum), fashawn und remixte offiziell songs von goapele, underworld und linkin park. das album vereint einflüsse der aktuellen los-angeles-beat-szene, amp live ist ein leidenschaftlicher mpc handwerker, mit vocals von westcoast rappern wie mike g (odd future), opio (souls of mischief), grouch & eligh (living legends), planet asia als auch aufstrebenden gesangstalenten wie povi tamu, anya & prof und live instrumentierung von amp live selbst. das ergebniss ist ein lässiges, jazzbasiert groovendes werk, das zwischen electronca, indie, neo soul und hip hop mit den referenzen dilla, aloe blacc und outkast schwingt.

limited edition picture disc of the adrian younge and souls of mischief collaboration there is only now. the sixth album from legendary hip-hop group souls of mischief, there is only now, is a unique cinematic 90s crime tale of love, loss, and revenge. a conceptual collaboration with producer adrian younge and the first release on his freshly launched linear labs records label, there is only now gets its inspiration from a near fatal incident involving group members a-plus, opio, tajai, and phesto early in their careers. set in 1994, there is only now serves as a bookend to two decades of music since the release of their seminal debut album, 93 til infinity.

2014 live album from tame impala.

fold returns following a pair of impressive 2013 releases for electric minds and george fitzgeralds manmakemusic, with the london producer bringing his house/techno/uk bass hybrid sound to his second electric minds ep, the grasshopper lies heavy. a1, gully rattles along at a brisk 135 bpm, a raw yet versatile dj tool imbued with a sense of impending dance&#64258,,,,,,,oor mischief. the a2 dun kno then drops the pace down while pursuing a subtler, more melodic arc. on the &#64258,,,,,,,ip, b1 roy batty carries with it its namesakes sense of menace as its escalating synth stabs drive the track onwards. ep closer harlyns dub strips things down for the deepest track of the 12 inch, with folds love for dubbier elements of techno brought to the fore.