5th anniversay on smog coloured vinyl !

djedjotronic liefert vier stücke reinen elektro-futurismus ebm.

detroitish electro cuts

tipp!!

dualexercise_l is elaborated on the premise of collaboration and reinterpretation, it presents the original work of two artists along its respective recompositions. as a musical release produced by manchester s daniel ruane & oqko co-founder smog, dualexercise_l opens up with side a comprehended of two the original compositions which go through reinterpretation on the flip side. taking the concept of entropic degradation for focus, with harsh textural depth, twisted mechanistic noise and glimmers of breaks, bass and broken techno providing the sonic backdrop, ruane and smog serve out their singular visions of pandemonium across four slabs of high octane compositions.

nice price deal !!! the second installment on this los angeles based label brings the mighty 12th planet with 2 killer tracks set to smash dubstep dances world wide, with his original style that is distinctive to his sound, crispy drums and stinging hi hats

thomass jackson is a new entry in the gomma crew. and he fits perfect: his style? outsider house - or lets call it: sex house! this shit is soo damn funky and spartanic at the same time - you want to go straight to make babies! thomass is part of the new vibrant mexico city electronic scene.

split ep, vinyl only, limited copies. originals from g.verrina & g.ventura, thirdchild plus 2 excellent remixes by andrei zots and cally!!!

played and supported by toni rios, pascal feos, chris liebing, trentemöller, robert babicz, daniel stefanik, wighnomy brothers (robag wruhme). finally!! christian fischer & lars christian müller re-releaseing their classic track from the year 2001 incl. 3 brandnew and different remixes besides the original mix !! incl. alaska fuchs remix, mike koefer remix and schubert remix

after a few month’s holiday, dublin’s pear are back with sunday pledge, the debut release by their co-founder fio fa.
a side hosts the title track: a slinky, hypnotic mpc house jam fit with that bumpin’ bassline, rising organs and enough nrg to conclude the week on a high.
i’d like to see ya do it on the flip is a nod to uk soundsystem culture, built perfectly for smog filled dancefloors with it’s garage swing and heaving bass line.

die debüt-lp von de mond, -glow-, stellt sich vor. stijn wybouw (auch bekannt als kramp) und arno de bock (der unter anderem für hermann trommelte) stürzen sie in einen strudel aus kühnen sounds und rhythmen. von verschnörkelten synthesizer-ausbrüchen bis hin zu kaleidoskopischen loops verschieben sie die äußeren parameter der musikkunst des 21. jahrhunderts.

originally released in 1988, remastered version

comes with full cover

seven years of love is our second label compilation with nine original tracks by resident artists and friends from around the world. the versatile vibe spreads across two parts, each dedicated to a certain dancefloor mood: system 108 and radugadiscoclub. outstanding artwork has been created by uno moralez.

limited opaque red vinyl

limited transparent green vinyl lp

limited picture disc

limited double 10 inch vinyl.

ltd translucent vinyl

a collection of east german punk-rock from 1980-89 on limited triple vinyl, housed in a slipcase with 80-page book included.

bassheavy uk garage stuff

lp+cd edition with 140g black vinyl in printed cardboard sleeve. printed inner-sleeve. cd included. original packaging strictly reproduced.

including ozel ab remix (workshop artist).

after a liittle hiatus of 2 years the label which was formed back in 2013 by the founder of the ground breaking hedonistic undergound parties bohemian grove of the industrial city of manchester is back. the label will be bringing all kinds of electronic sounds mainly from the reaches of the cities industrial smog but some reaching further around the cosmos. this time we have debuting artist dane weaver with his first release on the label.

plugged into the mainframe of the power station, antonio returns to the label with a barrage of loner panzer funk and mechanised thrash metal from the shadows of frankfurt s industrial district. its a record fed and nurtured among copper coils, rusted voltage boxes, plasma and ionised sweat coming out to breathe among power surges and industrial smog. four tracks from the heat of the machine. a total submission to your new electrical system.

das 1985er album von udo lindenberg - remastert, auf 180 gramm vinyl gepresst, downloadcode inklusive.

following a live debut at berghain and standout shows at de school and institut fuer zukunft, daniel martin-mccormick returns as relaxer with the fourth installment in the projects eponymous ep series. jamie lee takes over the a-side harrowing screams are framed by strobing chords and a deadly groove. simultaneously euphoric, agonizing and cathartic, jamie lee was written as the climax of relaxers live set and is a prime example of the artists uniquely feral techno. drawing equally on punk confrontations and more haunting emotional explorations, jamie lee is a lacerating and visceral descent. on the b-side, unwind oozes from the speakers, a miasmic cut that builds on the white knuckle tension of jamie lee. a lone synth figure worms its way through pulsating 3d drones, shimmering dissonances and hiccuping drums, rocking out into a quasi catatonic infinity. finally regime change gently floats on the surface of a trash-filled sea, a fading, smog choked reverie.

following the first two elegiac notes to our dear lost cindy, palmbomen ii s third dedication arrives with the last 12inch available independently of the four piece set and a new episode of real talk. throughout memories of cindy pt. 3, voicings from the palmbomen ii paradigm are pared down to their vascular essentials. pumping iridescent, melodic acid house through club fog and californian smog on ultimate lovestory fantasy, teleac, and disappointment island, the nearly hymnal qualities of wilcos funeral and fat director counter the dance cuts and commemorate cindy with colors reminiscent of schmoelling-era tangerine dream as twisted by kai hugos melon

nice price deal !!! osakas koshiro hino steps up to the plate for the next journeys by nous disques with an oblique experiment in syncopated, gritty-textured, deep-hued techno with a heroic dash of industrial malevolence.

vekton classics is a series of releases which again brings out remastered digital tracks from the years 2010-2013 on vinyl. we pick out highlights of the back catalog.

proximas debut album, alpha, released through tempa, follows on from a string of blistering singles for the label, which found the dutch producer carving out a stark and synthetic vision of 140bpm club music. across its eleven tracks, alpha sharpens his already distinctive aesthetic while significantly broadening in scope. it is a manifesto of sorts, centred firmly around his characteristic, titanium-hard dubstep mutations, yet comfortable taking spaced out voyages through melody-soaked electronics, freaked-out sci-fi funk and vocal-led songs.

3rd release of downbeat black label, the sublabel of downbeat. the owners of the label, jose rico, urtzi and f-on present us two long slow motion tracks with field recordings, whirring melodies and voices from beyond the grave. two dense experiments which show us the less kind side of downbeat and continue along the path opened up by *solaris*. only 200 copies pressed.

more extra-terrestrial, technoid vibrations from the iii river nucleus. this latest transmission delivered by the one and only hakim murphy, and received through biosynthesized artefacts planted on earth by the higher civilizations during the great experiment. reports of strange noises in the sky have been circulating since 2010, posing many questions as to their origin. secretly, iii rivers have been communicating with the space beings, securing their place in the interstellar shangri-la when at last we finally transcend the cosmos.

passarella death squad are back with an new ep and once again open up a world of brooding, twisted emotion brought to life by their unique sound. giant ep commences its twisted journey with french vocalist emilie albisser s style beautifully on blue lips running in parallel across thundering basslines, and clipped layered synth sounds. title track giant leads with a vangelis style combination of fear inducing sounds that entwine in perfect time with emilies ethereal voice, from a future where hope is dwindling the stars and stripes is an enigmatic homage to the home of electronic beats - detroit. where drexciya channels drone in a fiercely uplifting mantra to the power of america. giant ep ends with untitled which aptly wraps off this musical journey using metallic sounds melded together taking you back to that beijing smog with huge led screens and too many people.

nite recordings third 12 inch brings a amazing production by deep mariano & yoshitaca together. this single gives us an original song called oh yeah! with a crazy voice sound and very fat bass line. in the other side of the vinyl we have a deep house song called smog, perfect for warming every dance-floor. also we have a remix from fer marino of oh yeah! which highlights the crazy voice with classic 909 drums. a must-have 12 inch that you can play a any time.

orbsessions volume three - an illustrated handbook with stereo sound.
the third and final installment of the orbsessions series is actually a new album, featuring music created specially for werner bootes film >plastic planet<.
>there is a very special atmosphere to this album: two men bouncing ideas and exploring in unique orb style to make a classic orb album, hitting the magic place alex always strives for, but this time with a lustful vengeance tempered with new gentleness and a movie in their heads.<

bliq are proud to present bliq05:nicuris paradigms fresh out of union city, ny. the paradigms of which nicuri speaks are darkness, deliverance and determination, modal expressions delivered on three cuts of resonant electronic music. on doldrums nicuri plays with paradox,combining staggered, dreamy synths with unnerving bass rumbles. to reinvigorate the doldrums, or as he puts it replenish the earth, the producer implements a menacing analog rumble in the style of new york greats dj qu and joey anderson. but to ensure that the ground is re-imbued with rational vitality, nicuri adds a layer of baroscopic viscosity: smog surrounds and engulfs, a suppressed vocal intermittently choking. on the flip, parrish adams – aka intrinsic of emphasis records in chicago – gives the earth an even harder, more insistent techno edge. he introduces melodic light flashes at the edges of urban darkness, and rumbles it like a train escaping grand central station. bliq05 is on the run.

a long overdue rude 66 retrospective, that compiles acid, techno, idm and ambient tracks from his legendary acidplanet and djax days, with several unreleased gems from the same period. this release reveals the missing link between rudes iconic early acid sewer sound and the evil dragster electro-trance he has become known for in recent years. all tracks have been remastered and re-edited to appear now as youve never heard them before! no more eastern european carboard pressings, but spacious and thrilling sounds that finally really you immerse in the death race! very limited edtion on clear vinyl double album with free download and postersleeve.

the second half of the great lengths remixes package offers 3 more vividly contrasting interpretations of album tracks. almost a year on from the release of his debut album >one< and with >saviour of techno< plaudits still bouncing off concrete walls, berghain lynchpin ben klock turns in a remix of is this insanity that distills everything inspirational about both the club and city he calls home. spaceapes cracked vocal is welded to a sort of cavernous piston driven groove while traces of the originals melody fractured into the briefest of shards fight their way to the surface only to sink back into the percussive smog. located well outside of the heavily scrutinised uk hype centres, manchesters rising star illum sphere continues to hone his already distinct sound on the flipsides brilliant orange reworking. a clanking off kilter groove rubs up against an extended mutation of the original melody that pushes the track towards a poignant climax, evoking all the ache of reaching for the stars and landing squarely on ones face.

dj amok once more pickes some ultrahard tracks for his crowbar imprint. hard industrial stuff for the big raves! andre frauenstein and tymon with one hard banging track and a devastating industrial mix. jason little (jasons mask) and dj hammond with two hardcore hardtechno bangers on the flip! hard hard hard!

bomb the bass is back! but put away that smiley face, this is no nostalgia trip. with >future chaos<, tim simenon revamps his long-running project to produce a record thats fresher than anyone might have expected from an outfit that got its start in the 80s.

>smack< tuddi krookli smock. smacky pepp sminky hugg krooken krack! stink snusa krud snocken, klonken stonken. lump örgh snask klo smörgårdsbord trampa. blås smooken krooken tryck. klonken stonken snusk i busken >krook<. smacky pepp stonken mit pepp >tiddeli< läpp. >smook< skoj party makare blobb kanske. Ärr ösk på snorre. smuggeli smog med hans krook big surprise! burk blåbär stock punkt. flukt pump stuga prick. skiva smokken asfet. banka banka kula stolpe ut, meh! uta öga kräk stampen stuk. bäbä nonsens polack, men nästa örk. Älska skattemyndigheten!

he is back! the inimitable rene breitbarth, master of thousand and one groove, expert for drilling out the funkster-norm and agent provocateur withing the smog of contemporary dullness. this is blissful like deep house, driving like empathic techno, timeless and tranchantly current, with always one fork in the others meal. supported by jeff samuel and mike monday