samtv unplugged auf doppel-vinyl im klappcover, downloadcode inklusive.

samy deluxe gang auf vinyl

all star release feat: midnight dicers (obas nenor (mahogani music / strictly rhythm), ariel klachkin and eliezer perez) , samy birnbach aka dj morpheus, plus remixes from smagghe & cross and head honcho prins thomas!

dirty electrofunker with this irresistible female vocal by avari. includes a massive stripped down to the point dan marciano & franck dona remix on the flip. not to be missed

samy k strikes again on new cnr with one more gem. this time teaming up with robbish, he delivers another floor burner and crowd pleaser on a more funky tip and with a tribute to danny tenaglia's 'elements'. on the flip, robbish goes for a slight tribal approach and a latin feel to that strong third club news records release. one more killer for the french label

nice price deal !!! original track is a bluesy country rocksong with this blues guitars and this cool harmonica to come back in the second mix while the flipside is an acid influenced old school mix >> special backstock !!

stunnin filtered electrp proggy big room house incl remix by deep touch's stephan m

to celebrate the 50th anniversary of the release of their last album, find the mythical songs of the doors reinterpreted by the jazz scene. a selection of the most beautiful covers of light my fire or riders on the storm with in particular lloyd price, samy thiébault, and larkin poe.

vinyl only – limited to 150 – handnumbered – 180g vinyl

180 gr vinyl with limited full cover

zum 30-jährigen jubiläum gibt’s ein neues album vom legendären münchner hip-hop-trio main concept.

ltd to 200

max raabe und das palast orchester mit gästen live bei mtv unplugged. das doppel-vinyl erscheint im klappcover.

crg012 welcomes back french artist kmyle. after a successful debut with bell departures crg008 samy returns with 4 originals and a hammering remix from reflec.

double vinyl in gatefold sleeve with 24 page lp-size booklet and download code for high quality wav / mp3 files.
a great compilation can open the gate to another world. who knew that some of the most exciting afro-funk records of all time were actually made in the small west african country of benin? once analog africa released the first african scream contest in 2008, the proof was there for all to hear, gut-busting yelps, lethally welldrilled horn sections and irresistibly insistent rhythms added up to a record that took you into its own space with the same electrifying sureness as any favourite blues or soul or funk or punk sampler you might care to mention.
ten years on, intrepid crate-digger samy ben redjeb unveils a new treasuretrove of vodoun-inspired afrobeat heavy funk crossover greatness. right from the laceratingly raw guitar fanfare which kicks off les sympathics’ pile-driving opener, it’s clear that african scream contest ii is going to be every bit as joyous a voyage of discovery as its predecessor. and just as you’re trying to get off the canvas after this one-punch knock out, an irresistible afro-ska romp with a more than subliminal echo of the batman theme puts you right back there. ignace de souza and the melody aces’ “asaw fofor- would’ve been a killer instrumental but once you’ve factored in the improbably-rich-to-the-point-of-being-nat-king-cole-influenced lead vocal, it’s a total revelation.

rap in reinform. richtig geil spitten. richtig was wegflowen, alle an die wand stylen. dass konnte olli banjo bekanntlich schon immer wie kaum ein anderer. das neue album bietet wieder straighten rap, aber mit subtext. brandaktuelle interpretation des zeitgeistes. gesellschaftskritische und politische songs von einem typen, der das maul aufmacht und trotz der thematiken nie die technik aus den augen verliert. wenn alles im chaos zu versinken droht, dann braucht es haltung. dann muss man etwas sagen, ja, sogar politisch werden. rapskills und inhalt schließen sich hier nicht aus, sondern werden in bester olli-banjo-tradition miteinander verbunden.

deutschlands producer-elite versammelt sich auf dieser neuen instrumentals-compilation von kabul fire records – und setzt pünktlich zum g20-gipfel ein mächtiges zeichen gegen nationalistische abschottungspolitik und globale ausbeutung. labelboss farhot hat ziemlich genau alles zusammengetrommelt, was rang und namen hat in der deutschen hip-hop-szene: bazzazian, the krauts, dexter, kitschkrieg, brenk sinatra, ghanaian stallion, suff daddy, samy deluxe, dj desue, und viele mehr. alles exklusiv, alles feuer! die erlöse aus dem projekt gehen an ein schulbbauprojekt des hamburger vereins visions for children e.v. in afghanistan. make beats not borders!

pop makossa - the invasive dance beat of cameroon 1976–1984 the pop makossa adventure started in 2009, when analog africa founder samy ben redjeb first travelled to cameroon to make an initial assessment of the countrys musical situation. he returned with enough tracks for an explosive compilation highlighting the period when funk and disco sounds began to infiltrate the makossa style popular throughout cameroon.
double vinyl in gatefold sleeve, includes download code, 20 pages lp size booklet and 30x30cm poster.

rückblende. der krieg herrscht in kabul. nach einem bombenanschlag steht fuchy vor dem, was einmal sein zuhause war: alles ist schutt und asche und lähmender schmerz. er sieht sich um. nichts ist ihm geblieben, außer seinem querkopf und seiner superkraft, die musik. damit bewaffnet, bricht er auf in die ferne, fremde, ungewisse welt des westens. dies ist der narrative rahmen für die abenteuer des kleinen, kauzigen kämpfers fuchy. die geschichte eines geflüchteten aus afghanistan, der versucht, sich seine neue umgebung nach seinen eigenen regeln zu erschließen - und dabei instinktiv beats von genuiner schönheit rausballert. fuchy ist gezeichnet, animiert, erfunden, eine art orientalische hip hop-variante von bart simpson. aber gleichzeitig könnte er realer nicht sein. weil er voller widersprüche ist. fuchy, das ist der protagonist von -420- und zugleich das alter ego des in hamburg lebenden musikproduzenten farhad -farhot- samadzada. farhot, vor 34 jahren im afghanischen kabul geboren, hat nicht nur mit deutschen top-künstlern wie max herre, haftbefehl, samy deluxe, chefket, karate andi und xatar gearbeitet. er hat ebenso erfolgreich mit internationalen künstlern wie der soul-sängerin nneka aus nigeria, selah sue, der grime-königin ms dynamite oder den us-amerikanischen hip hop-stars talib kweli und isaiah rashad zusammengearbeitet. seit einiger zeit betreibt farhot zudem sein eigenes label kabul fire.

african scream contest’ is the third release by the analog africa label. the project initially took off in august 2005 when label owner and vinyl collector samy ben redjeb arrived in cotonou, benin, “without any special expectations, just hoping to lay my hands on few good records - what i found in the process cannot really be described in words-. this first trip was followed by eight more to the region. thirty months and few thousand records later analog africa proudly presents this 14-track compilation. redjeb conducted 16 interviews in various cities in benin and togo with artists, producers and sound engineers to reconstruct the history of the 70s music scene for the 44 pages booklet which also features many rare photographs directly received from the artists. delve into the forgotten raw and psychedelic afro sounds from 70s benin and togo and experience the african scream contest. very, very limited copies in, and this might notcome in anymore.... tip!

the omnibus band was founded by jarda zajpt and petr dikan in 1979 in czechoslovakia. having met at the electronic high school, electronics was their field of expertise. over time, petr dikan constructed several sound devices such as the Šílený fridrich (Šf, crazy frederick) keyboard and the vsd (všude samý dráty/wires everywhere) generator which he operated during the recordings and also at concerts. at that time, heavily influenced by brian eno and robert fripp from the king crimson band, jarda zajpt played the guitars, using all kinds of effects, pre-recorded tapes, and one or more interconnected tape recorders. the first record, “israels”, was produced between 1980 and 1982. in 1985, jarda zajpt swapped a guitar for a keyboard and a new member arrived – pavel zvolenský – who programmed and played the automatic percussions. martin bauer, playing the bass guitar, completed the trio. they have produced a second album, “rhythmus”, in this assembly. remastered from unreleased tape recordings. this is the first release in the framework of the project jupiter 08 – archeology of the slavic electronic sound.

both children of the illustrious nightlife of trend capital zurich, adrian flavor and samy jackson - better know as animal trainer - made a name for themselves with their rakete parties, held mostly at their home base, the chic hive club. as dedicated music lovers and passionate entertainers, it was a natural progression for the duo to channel their constant appetite for music and endless parties into their own sounds.

fortyone records is ready to shout out to the edm world with their 3rd release! now its the turn of the young and talented samy, alias benotmane. this young artist with algerian roots delivers an impressive ep called >nothing for me< including remixes by emanuel satie and schlepp geist.

das neue album von max herre als 180 gramm doppelvinyl im klappcover. inklusive 2 bonus-songs und mp3 download-code für das ganze album.

the next coup by sirion records is from none other than one of the founding fathers, fedja haueter aka feodor and his fellows alex torriglia aka mo-tek and beni dossenbach aka balance. the trio, better known as vol-tek, has played a key role since the very beginnings of sirion s musical outpours and was represented in sr001 with a remix. numerous remixes and their own release sr005 - vol-tek - male & female are further to be mentioned. a part from sirion records the trio was represented at friends labels such as cristian paduraru or samy freshs augenringe records. but their next big thing is yet to come, as the threesome has been finishing tracks throughout the past year and surely need to be reckoned with in the future. the tracks after dark and conciliator are both rather deep, playful tech-house gimmicks, enriched with a bit of progressive.

the response to sven kacireks album the kenya sessions (pingipung 20) was overwhelming. the cooperation between the drummer-producer from hamburg and musicians from kenya links electroni- ca with african recordings in a unique, exciting fa- shion. it therefore has been and still is being praised in various scenes from techno to jazz to world mu- sic. the cd will receive the award preis der deut- schen schallplattenkritik in may 2011, category: nu and extreme. also friends of the label have been enthusiastic about e quality of this material. pingipung therefore re- leases a 10inch vinyl with reworks of the album in the end of may. lawrence, hamburgs most melancholy house artist, co-owner of the labels dial, smallville and laid dedicates himself to the track kayamba tuc tuc. he reduces the track to its essen- ce, without adding anything new, and edit full of wisdom with heartfelt warmth. taprikk sweezee is the best known moniker of the musician nikolai von sallwitz next to gizmog or fussel . taprikk sweezee builds his soul glitch beats with ease, and he is by the way the most convincing electronic performer we know these days. one single track was not enough for his mix. wed love to see him dance with all the kenyan musicians who play on his two originals of choice, kayamba tuc tuc and mariae. furthermore on this 10inch: a rework of paperflowers by sven kacirek himself, created in cooperation with samy de- luxe producer sebastian winkler. finally, less a bonus but maybe the secret highlight: the ex- clusive sven kacirek track takaye village!

organ-driven afro-beat, cosmic afro-funk and raw, psychedelic boogie... just some of the flavours to be found on this highly danceable compilation by samy ben redjeb, founder of analog africa. no effort has been spared!
to document these 15 irresistible tracks and the music scene from the 70s, samy crisscrossed the lengths of ghana and togo in search of the producers and artists - or their relatives. in the process he recorded a dozen interviews, scanned 90 pictures and transferred 120 master tapes. afro-beat airway showcases an amazing diversity of local rhythms spiced with afro-american funk, soul and jazz.

this ep is an exclusive collaboration between joakim and former minimal compact singer samy birnbach, an offshoot of dj morpheuss compilation >i cant live without my radio< in a punk-funk vein with raw analog synths and fierce guitars (featuring panicos guitarist, memo dumay). on the flip side, we have asked rub n tug, probably the best remixers in 2005, to put their hands on minimal compacts nil nil. gothic electro disco !!