black vinyl

written and produced by fred peterkin (publishing) lush culture recordings / recorded at new life studios berlin de

the fourth reference of onward recordings comes with 2 great artist, first martin prestige from hungary who created two amazing tracks for the a side. the b side of this reference it s for the milano duo infinite layers of reality, lusbek & bhonz who collaborate with two lovely tracks. you can also find a tool on this side! enjoy it.

a new vinyl reference from onward recordings. this will be the third release only vinyl, we can find tracks from bs as deep, joey kay and cotterell from usa, and franco cinelli, who made a remix. hi intensity house with powered bass lines show the way of a release with an artist supports like danny tenaglia

ltd coloured edition
from his early releases as lusine onward, jeff mcilwain’s electronic explorations make up one of the more diverse discographies of the past decade and a half. effortlessly blurring the lines between techno, electro-pop and experimental composition, the texas-raised/seattle-based producer’s arrangements are meticulously constructed, but also filled with emotion and soul. with an introspective turn that’s hinted at in the record title, lusine’s fourth album for ghostly sees mcilwain diffusing the pop-leanings of 2013’s the waiting room with opaque, brush-stroked melodies washing over these new buoyant productions.
the double vinyl release includes a download code.

ur next vinyl is by marcelo bertinetti, this time with a single and three remixes by marc cotterell, martin bellomo y guillermo de caminos. marc cotterell, owner of one of the most recognized record labels in the american and world wide scene of house music. with multiple releases in digital and vinyl, he got us accustomed to the sounds of garage house, chicago and classic detroit.

he first ep in vinyl only for onward by bs as deep. fresh sounds with detroit house and 90 s styles influences. included a great remix by mike sharon a.k.a chrom owner of ultra knites records.- additional credits for onward recordings mastering studios.

limited clear vinyl edition.

classic black vinyl edition.

repress

rock

metal

reissue on double vinyl, housed in a gatefold sleeve.

new album from gotan project mastermind philippe c. solal on limited vinyl.

warm hearted synth pop - think early new order, pet shop boys and fad gadget.

strictly limite triple vinyl box set with download code included. contains the complete daedelus album triliogy with “righteous fists of harmony”, “the light brigade” and “the bittereinders”.

classy detroit techno tracks!

with their 5th release ourselves remain true to the passion of house music containing 4 groovy tracks full of warm sounds, onward going drums, massive basslines and bright chords pressed on black gold that we love so much. there is no emulation of a trend or hype, time just does not matter. in a very detailed way the two producers siggatunez and sello show you what their musical roots and influences are without claiming an a-side titletrack but creating timeless clubmusic for every situation on the floor which also could be classics from tomorrow.

get on down presents an often overlooked crucial reggae release from the 1970s with johnny clarkes rockers time now. the record is a mix of covers and originals, including ethereal versions of the the abyssinians satta massagana and declaration of rights, smash hits on the island just the year before. rockers time now was first issued in 1976, clarke had just been named artist of the year in jamaica for the second year in a row. this is just one of three full lengths he released that year as this was a very prolific period for clarke, in particular from 1974 onward when his output was directed by legendary producer bunny lee. the pairing resulted in a creative energy that resonates to this day. the release was recorded at channel 1 with bunny lee producing, which of course means the band backing the popular jamaican vocalist was the aggrovators, which at the time included robbie shakespeare, earl -chinna- smith, augustus pablo, and aston family man barrett. the release was mixed at king tubbys by osbourne ruddock…aka king tubby. crucial all the way around. now is the time to rediscover a classic of the genre, rockers time now.

fleisch is thrilled to present the debut of stockholm’s dissoci&#333,,,, modus tr&#257,,,,ns, aka dmt, featuring four cuts of some of the purest, unadulterated acid ever to hit the streets since orange sunshine. in the words of terence mckenna himself, sampled in the opening title track, “dmt is the strongest hallucinogen there is…”, and dmt certainly hold true to their name as a pair of 303s weave a mind-altering journey through multiple dimensions of being. driven and dirty techno beats form the rhythmic foundation while esoteric vocal samples lead the proceedings through the tibetan book of the dead in “origin/destination” and “bardo th&#333,,,,dol”, and onward into the metaphysical mantra of “trans dimensional”.

the second release of secret swat manoeuvre s from the us of a ! after the instant sellout dj nature 12-, swat come through with a devastating & loving homage to the basement boys and amiri baraka s 2001 jam -an american poem- malik ameer is a veteran m.c. in the experimental rap/jazz scenes of california and nyc. ameer is also an internationally published poet with five books of poems to his name, he hosts and curates poets live in paris, france and is the editor for several literary journals based out of new york city. houston born, manhattan based leron thomas is a critically acclaimed writer, artist, and trumpeter who has worked with many household names from a variety of genres including michael stipe, lauryn hill, bobby watson, roy hargrove, bilal and mos def, to name but a few. from 2004 onward he has developed his genre-crossing music incorporating singer/songwriter, jazz, funk, electro-pop and rock, releasing nine solo artist records championed by the likes of gilles peterson etc. malik is a longtime friend and production collaborator of leron, as well as lending his emcee skills to both thatmanmonkz solo work, and their collaborative hip hop project madison washington . amerikkan poem was recorded in sheffield, paris, and new york.

2017 repress! after releases on creme organization and signals, myriadd returns on the dutch label pinkman with another four-track chicago inspired ep

r.a.p. is an argentine duo of producers based in buenos aires conformed by maxi raffone and juan manuel pinal. hypnotic and classic, are the characteristics of his music reason why national and international djs choose to play their songs. savor music, unlock recordings, rationalism, onward recordings, hermine records, are some labels that relied on their sound.

mr c is preparing to release a new album incidents later this year, and ahead of his return to the recording fray he s dropping this single on his evergreen label superfreq. -stand up- is a riotous, acid-laced call to arms directed at the challenges facing the clubbing community across the world. with a snappy electro backbone and a full-fat production, it s a track sure to stir the pot at a time when complacency could see even more clubs close under the onward march of gentrification. jay haze steps up to remix the track, turning in two versions that veer from dusty, cyclical drum workouts to peak time acid house sizzle.

dana ruh and anthea have defied the merciless winter in their studio and the track like a river is the result. clean beats, bathing synths, vocals with telepathic powers driving onward, onward, onward, unexpectedly changing direction.

following up on the success of amir alexanders idiot savant masterpieces, vanguard sound continues the struggle onward with snakes, heat and concrete by chris mitchell. raw, underground and forward continues to be the direction.

portable reworked by soul capsule, tofu productions and dimbiman. plus bonus mix of >find me< by mister abrahams himself.

brouqade welcomes vid! the rumanian producer makes withe the release of the exquisite nouinceput. with a heavy dose of shakers revolving around summer rhythms, nouinceput brims withe the energy and hope of a balmy summer evening and the catchy voice samples are msterfully cratfed to perfection. a fully charged energizer. a76 blazes the way. drives and propels, relentless , e-ver onward- a voice arows... you are like. whistling, vids musical self portrait sounters around the corner. estevid is an organic track of extraordinary sound and a nonchalont air!

mount wittenberg orca is a collaboration between dirty projectors and bjork recorded in the spring of 2010. for the first time it will be made available on deluxe lp.
the deluxe lp features:
- 180 gram heavyweight vinyl
- code for mp3 download
- 3d/lenticular cover
- 11 x 11 inch full color 12 page booklet
- each record is hand numbered and a limited run of 3000 will be pressed worldwide.

new album by portable. on the fifth longplayer, alan abrahams teams up with efdemin, johannes schön and >süd electronic< labelmate lakuti, to lead us into infinity. during the last 15 years, alan lived & composed in south africa / england / portugal and germany. he released records on background / context / karat / musik krause / scape / spectral / süd electronics and yore.

benoit & sergio dont make dance tracks—they tell stories. in the washington dc duos music, a sense of place and narrative infuse their rhythms and melodies, transcending having flexed their synth-pop muscles on releases for dfa (the acclaimed boy trouble ep) and visionquest (the lovelorn where the freaks have no name ep), dc duo benoit & sergio return to spectral sound for a victory lap around the dancefloor. and >let me count the ways< is just that, sounding every bit the perfect, hands-in-the-air final anthem of the evening. tireless hi-hats push the beat onward and dreamy synthesized strings saturate the stereo space as sergio intones, >let me count the ways / the ways that ive loved.< as the line repeats, its meaning bends to fit the songs tone of endless, time-suspended romance: its not the loves that matter in the end, but the ways. its not the destination, but the journey. the b-sides >let me count the ways (autumn version)<is a vastly different take on the original?s maximalist swell. stripping the beat back to its bare essentials and building them up again over nearly 12 minutes, the >autumn version< recalls arthur russell?s more minimal moments down to its wobbly bass filigree and mumbled vocal samples. by the end of the track, the claps are falling on the twos and fours like crinkly foliage, synths are sizzling like firewood, and benoit & sergio?s newest banger is revealed in its full glory once again.

tony ollivierra begins 2011 by getting down with the machine sound. bordering on acid-funk, this ep really gets it shakin. the title track jericho, reeks of the latter days of disco with a deep bass line that fades in and takes control of the party. a warm synth chord then kicks in along with some strings which build up to a peak time climax. nag champa captures a deep and surreal groove with a sweet aromatic feel that definitely is burning. the dark bass line entangles the listener in a sensual moment while a resonant synth riff tops it off. on the flip, midi aura begins with an uncompromising synth bass line that does not quit. the sequence bubbles onward and a thick chord sweeps through the arrangement opening up into a placid apex of harmony. the aura of this midi is feel good all the way. lastly jack box, another acid track that works the cutoff and resonance into a climax of delightful poly rhythm and melody. jericho will be a very limited vinyl press and will be the final project on the ibex music label. keep your ears open for his next label venture which will be introduced this summer.

as anyone will know, dub police is one of the dubstep scenes leading labels, having helped launch the careers of artists like caspa and rusko into the dance music stratosphere. the labels ethos has always been about giving the next generation a step up and the next wave of superstar producers has arrived as the dub police war machine continue to roll ever onward towards world domination. trolley snatcha is the latest artist to receive the dub police stamp of approval with his diverse four-tracker the >one trick pony< ep. proving that he is anything but, trolley turns out a selection of tunes that display a mature and open-minded approach to dubstep. from the ear-battering trolley trademarks that litter >pass me by< and >roccos revenge< to the smoothed out bliss of >always on my mind< and the light techno touches of >we go deep<, this ep will grab the attention of anyone with a keen ear for quality music.
dj support: caspa, rusko, skream, the others and benga.

following up his s soup plate with two slick dubby techno trax and a solid remix from eamonn doyle, captain baiyon is ready to kick your ass again, banzai! evening glow of a river brings a dreamlike quality to any clubspace. pushing the shuffle under a spectral vocal to conjour the mood of a haunted skyscraper. its a masterful synthesis of what could be called a traditional techno sound (the one d1 made a tradition of) and an undefinable lucid ambience. lupe carries on the mood onward in a deceptively gentle style, this one gets loud! a solid dub groove that keeps the pace until the intermittent breakdowns where it rips the sky open with a terrorising bubble synth growing like a raging blob monster to the size of a small moon. somehow eamonn doyle manages to tame the beast in his remix. it purrs along beautifully under his signature tamborines and jump strings and ends proceedings in a lush deep style. unmissable for anyone who enjoyed winter sun or come down on the music.

reaching back through time to lay hands in the forges of metal, nycs children riff out the present with their debut, hard times hanging at the end of the world. formed through jam sessions by guitarists skyler spohn, jonny rad ollsin (formerly of vancouvers s.t.r.e.e.t.s.), and drummer adam bennati (of early man), the group laid waste to clubs in and around the city beginning in late 2006, and have kept shredding onward. tradition meets stamina head on throughout hard times six massive tracks. with intricate, narrative dual guitar work and a frenzied, wired demeanor children bring it all together: thrash advancements, serious girth, familiar passages crosscut with relentless speed, a formidable edge, and self proclaimed spiritual conspiracy party riffs.

neues album des westcoast djs anthony valadez, bekannt fŸr seinen eklektischen geschmack.fade away- enthŠlt eine entspannte, atmosphŠrische mischung aus soul, hip hop und electronic sounds. featuring miles bonny, maylee todd, alex isley, adad, z a c und aaron bird.

new album by portable. on the fifth longplayer, alan abrahams teams up with efdemin, johannes schšn and >sŸd electronic< labelmate lakuti, to lead us into infinity. during the last 15 years, alan lived & composed in south africa / england / portugal and germany. he released records on background / context / karat / musik krause / scape / spectral / sŸd electronics and yore.