lp (gatefold sleeve mit spot gloss cover, bedruckter innentasche, schwarzem 180g vinyl + download code)

re-release of beverly glenn-copeland’s rural canadian new age suite for dx7 and tr707 …keyboard fantasies… with new carefully reconstructed glasswork design by alan briand beverly glenn-copeland is already known amongst collectors and music heads for two sought-after albums of folky jazz in the key of joni. but it was this album, originally self-released on cassette in 1986 that really caught our attention. the album, entirely recorded on dx-7 and tr-707, lies somewhere between digital new-age and (accidentally) early detroit techno experiments. the inimitable style of bgc here is both peaceful and meditative while simultaneously rhythmic and bass heavy. the album was recorded in the northern canadian town of huntsville where bgc was living at the time and is a beautiful fusion of personal vision, technology and place.

repress
1-sided stamped white label 12 inch featuring glenns hot and hard to find remix now on vinyl. the man behind strictly jaz unit delivers a smooth proper mix of his signature keyboard work, dancefloor elements, and deep groovin beats. this is definitely one that will fill up any floor! essential.

repress
1-sided stamped white label 12 inch featuring glenns hot and hard to find remix now on vinyl. the man behind strictly jaz unit delivers a smooth proper mix of his signature keyboard work, dancefloor elements, and deep groovin beats. this is definitely one that will fill up any floor! essential.

limited repress on black 180 gram vinyl, housed in a gatefold sleeve.

black double vinyl edition.

2022 repress!

joona toivanen trio from finland

7th hilltown disco release with acidic electro / breaks from jlm werx.

recordings of bespoke and customised mechanical keyboards - a unique listening experience for the truly dedicated key clackers.

late 80s/early 90s acid

london-based producer keyboard masher has been flying out a no-nonsense brand of disco-infected grooves since 2010 on their own km editions label. devoid of hype and placing the emphasis on the music, the eighth installment in this crucial series of seductive late night jams packs in more boogie than you can shake a particularly funky stick at. -ferry home- strikes an irresistible 80s note with its live band undercurrent, while -i m still qualified- slinks down into a more sultry mood before -twin magjik- heads skywards on a bed of twinkling synth tones. sweet disco tones don t come fresher than this.

the keyboard mashers release their 7th edition as with the last 6 its a mixed bag taking in spacey disco,whacked out dubby chanson and a tripped out to tribute to the mysterious kendo nagaski don of the 70s and early 80s uk wrestlers.

the km editions series, admirably helmed by the mysterious keyboard masher, has always been one of the more interesting re-edit/rework labels. past installments have touched on krautrock, disco, balearica, funk, italo and what can only be described as electronic oddities. this sixth volume offers up three more impressively remixed, overdubbed and reedited gems. theres naturally much to admire, not least the omd style woozy synth-pop of stolen shapes (stealing rework), which should tickle the fancy of anyone of a balearic disposition. the same can be said about the immersive, sun-kissed pianos and shuffling grooves of -astral playground. there s also a chunk of silly but, perversely, rather good french cod-reggae in the shape of le cod-, arguably our pick of a strong bunch.

what we feel for max graef might just be our biggest man-crush ever. we came across his music through his own label box aus holz and were just as stoked as he is to have him as our second release.

nice price deal !!! keyboard kid is from seattle. following a string of critically acclaimed self-released beat tapes, remixes and insane amount of productions for lil b (keyboard kid is lil b s main producer) donky pitch are proud to present to you his first official solo release, the transition ep. five tracks of hyper-charged synth workouts, off-the-grid hip hop and computer techno.
alongside contemporaries clams casino and main attrakionz, keyboard kid operates at the fore-front of the based / cloud rap music scene that is pouring out of the us at the moment, consistently pushing the boundaries of instrumental and vocal hip hop. with no label backing his beat tapes have already gained him coverage on sites like urb, fader and fact magazine and magazines like the wire and dj.

famed for their self-released km editions series, keyboard masher join daphni & tom croose in the resista family with the roaring afro editions - two faultless edits that distil the spirit of mother africa. opener >juju< is an epic fifteen minute long journey filled with joyous, duelling guitars, syncopated percussion, shuffling rhythms and a myriad of unexpected passages and turns. captivating from the off, there is only one word to describe >juju< – magical. on the flip >tcham tcham< takes a more direct route to the dancefloor … riding on a more electronic 4/4 beat, it is unashamedly leftfield, with a thunderous chug, a great guitar riff and deadpan calls of >tcham tcham<, which all builds up to an anthemic climax. drop it and watch the dancefloor melt.

3rd km editions release by the mysterious keyboard masher.

clear keyboard cover for new macbook/macbook pro (alu)

keyboard masher have happily joined the all ears roster, debuting with their second stunning ep luckily for you, we also managed to secure a small box of their incredible debut km editions 1 ep from early last year this ep sold out immediately through the handful of uk outlets lucky enough to get a few, and thankfully the boys kept a few back for a rainy day ! really very special indeed

keyboard masher came to our attention with their incredible debut km editions 1 ep early last year, selling out immediately through the handful of uk outlets lucky enough to get a few. as a fairly under the radar operation from london town, enthusiasts and champions of the good stuff, km have kindly allowed us to help them move the sensibly titled and equally brilliant km editions 2 ! picking up plaudits from titans of balearia like phil mison, moonboots etc, km editions 2 is a heady mix of early 80s, synth drenched boogie (amor & satisfaction), arabic influenced folk-funk (discotheque arabe) and a beautiful alan parsons style mid-tempo jam in the shape of >tartari< really very special indeed...

after the well received debut ep on his own grey area ltd, tobia coffa is back with a 4 tracker focused on deepness and melody, ranging from shining summer vibes on the a-side to emotionally struggling melodies on the b-side. >dancing on the keyboard< combines a funky melody and a rolling groove on a big bassline, perfect for summer sets. >chords n brass<, as the name implies, develop its groove around those two main elements, filled with tight drums, making it a good choice for many context. >the strange family< is the moodier and more introspective track, with a dark bassline and a deep pressure. >margherita< is the most emotional track, filled with love and hope, characterised by blazing melodies which will leave the listener torn between smile and tears

keyboard cover for pro tools (macbook pro, all 12, 15, 17 inch models), european version

keyboard cover for protools (standart and wireless keyboards from apple)

transparetn keyboard cover for apple macintosh (all keyboards and wireless keyboards) - european qwerty design

keyboard cover for serato scratch live (only macbook)

keyboard cover for final cut pro (macbook pro and powerbook)

keyboard cover for final cut pro (standart and wireless keyboards from apple)

keyboard cover for serato scratch live (macbook pro and powerbook, deutsches tastaturlayout)

keyboard cover for pro tools for macbook pro

unglaublich dichter release der lan & mobilee artists & ein wahrlich intensives erlebnis. mit das aufregendste was berlin zur zeit zu bieten hat

funky grooves between electro,rnb and beyond - folk like electronic music makes you have your obligatory 80s moments

limited edition of 500 copies on milky white 180 gram double vinyl, housed in a gatefold sleeve.

wewantsounds is delighted to announce the release of touch, a selection of sought-after tracks produced by yuji ohno, one of the most revered producers and arrangers on the nippon music scene.

fluid detroit infused techno with pulsating rhythms, alluring keyboard stabs and sultry basslines. quince is back!

after three years of deep work, stas karpenkov s debut album is released on gost zvuk in the form of an abstract, free-form study.

vibraphone and keyboard player, master arranger and bandleader, mulatu astatke is one of the all time greats of ethiopian music and the creator of his own original music form, ethio jazz.

waan represents the musical marriage of seasoned saxophonist bart wirtz and keyboard wiz emiel van rijthoven.

keyboard player and pianist charlie stacey fuses jazz-piano virtuosity with dark synth textures and grooves on his first solo project - a direct-to-disc, one take recording for night dreamer records.

techno legend jeff mills and keyboard wizard jean-phi dary embark on an exciting, ground-breaking musical trip that takes techno and electronic dance music to a new level.

the new album from dutch pianist, keyboard player and composer joep beving on double vinyl, housed in a gatefold sleeve.

the most famous works of johann sebastian bach on 180 gram double vinyl.

experimental album

multicast dynamics returns to astral industries for ai-26, this time collaborating with sid hille, the german born, finland based instrumentalist and composer. ‘metamorphosis’ transmutes both artists’ unique styles into a synergistic blend of transportive storytelling, a delicate dance of light and dark.divided into two parts, ’metamorphosis’ originates from a live performance recorded at temppeliaukio church in helsinki on march 2nd, 2019. the material was then edited, where hille’s soothing keyboard work and haunting passages on the theremin, combine with processed textures and desolate sonic backdrops from dijk. in this voyage beyond space and time, the subtle dialogue reveals new and perhaps unexpected dimensions in their creative arsenal, finding fresh new boundaries and enriching the palette of both performers. encounters of sweet fleeting moments of lyricism emerge amidst the chilling outback, in which we re given some final consolation between the long lines of cavernous rifts and deep space tundra.

anne clark ist dichterin, songwriterin und sängerin in einer person. ihre anspruchsvollen texte vermittelt die musikerin ihrem publikum über eine art sprechgesang. diesen kleidet sie in ein primär durch elektronische instrumente geprägtes sound-kostüm, das ihren songs eine gewisse kühle verleiht. 1988 ist mit -r.s.v.p.- ihr erster konzertmitschnitt erschienen, aufgenommen im music centrum, utrecht im mai 1987. die keyboard-lastige band agiert routiniert und einfühlsam. ein highlight der scheibe ist das mystisch-geheimnisvoll klingende -cane hill-. und auch mit -wallies-, einem ihrer populäreren songs, kann anne clark punkten. ein sehr gelungenes album, stimmungsvoll, melodisch, gut produziert. man spürt förmlich die intime atmosphäre zwischen anne clark und dem anwesenden publikum. ebenfalls gelungen ist die interpretation der stücke, die live doch noch etwas anders intoniert werden als im studio, durchweg melodiöser

coloured vinyl - already a well-established presence on the outlandish fringes of experimental, alternative and dance music, celebrated israeli duo red axes make a surprise left-turn onto phantasy with a three-track 12inch, sipoor. unsurprisingly, the results are as pleasingly out-there as the occasion requires. following on from last year’s self-released lp, the beach goths, sipoor immediately announces the axes’ uncompromising return to the front and centre of the dancefloor with the raw, provocative bad time story. brazen, brash acid triggers this particular tale, as red axes briskly modulate their way through a ruff, tuff but never less than musical landscape of 303s and 808s. sipoor takes a more gradual approach to building offbeat rave tension, featuring an unknown male using his native tongue to request some kind of house, some kind of techno and some sort of release. his wish (and we hope, yours) is the axes command, as the music goes deep before seamlessly unfolds around a throbbing bassline and a playful, familiar keyboard sample, beckoning feet to the dancefloor and perhaps tongues ever so slightly to cheeks. concluding the 12inch, teroof takes each of red axes signature ingredients - deeply rhythmic ebm-inspired drums, spiralling electronics, unapologetically odd vocal distortions and reconstructs them amid what sounds like the monaco grand prix, as high-velocity motors speed past the soundscape, kicking up some serious dust.

2021 repress - after the brilliant first solo album >dig & edit<, kza returns with two fresh songs. a side, >le troublant acid< was already included in vol.4 of mule / endless flight compilation >im starting to feel ok> which kza mixed. this kza track was one of the hightlight song of the compilations and is already supported by a lot of our friends. the b side, >mechanique< is more uplifting stuff. its acidy, kraut rock disco house. our colleague kuniyuki played the keyboard. kza is working for the long awaited new album of force of nature at the moment. after the brilliant first solo album >dig & edit<, kza returned with two fresh songs..