berg jaar on planet rhythm.

limited white vinyl in gatefold sleeve.

classic black vinyl in gatefold sleeve.

3xlp incl queen, snow patrol, imagine dragon, duran duran and many more ! holland release radio 2

lp, artwork with obi tag, vinyl made of biovinyl

comes with standard cover. 2nd edition with 13 tracks instead of 14 (on the deleted first edition)

final nousklaer record of 2021, on a special blue/clear splattered 12 inch lp

repress on black vinyl, housed in planet rhythm label sleeve.

limited ten year edition - crystal clear vinyl - gatefold sleeve incl. download code, 1 per customer

gatefold sleeve incl. download code, 180 g vinyl !!

four new chapters from nicolás jaar in telas

nicolas jaar did it again.. one vinyl is black the order clear

berg jaär and breekbaär split the first room.

standard album

2lp is mastered for exceptional sound ltd edition includes : 2lp + book + ocard + clear pvc sleeve cenizas was written and produced by nicolas jaar between 2017-2019. mastering by rashad becker art by maziyar pahlevan mixing by nicolas jaar and patrick higgins

next planet rhythm v/a release with contributions from vinicius honorio, berg jaär, rorsch and linn elisabet.

hot triple vinyl release

limited 2018 repress on smoke blue vinyl.
on the heels of his critically acclaimed debut full-length >bad vibes<, shlohmo embarks deeper into darker realms on his latest venture self-described as night time backyard noises, >vacation< builds on the aesthetic shlohmo established with mixes for fact and fader, in which broken cassette tapes and warped found sounds melded into melodic beats packed with veiled emotion and latent mystery. from >the way u do< verges on r&b pop, to the enigmatic >wen uuu<, which simultaneously pulls at the heartstrings with a quavering vocal sample while churning forward in a passionate, indisputable groove, and the pastoral >rained the whole time<, which takes cues from the ubiquitous burial, this is a poignant set of originals. a stellar cast of remixers: nicholas jaar, teebs, airhead, salva and groundislava, contribute to take >vacation< to the next level.

a new ep from amsterdam based producer daniel jacques, titled last jaar, will follow up the exclusive ep from mysterious japanese producer shinichi atobe from 2016. last jaar will be released on jacques’ own jadac recordings record label and on this ep, he is bridging the gap between house, techno and r&b music.

berg jaär takes control of roöm to produce a powerful & creative techno. that new imprint and his rave spirit will put a spell on you.

> love you gotta lose again < is a special edition 10 inch all white vinyl and double standards fourth release in an outstanding run of body loosening musical creations on gadi mizrahis pioneering imprint. 2017 repress

limited edition vinyl features white scratch-off ink and a 25 cent piece cased in a plastic outer sleeve. each copy will be unique, as the quarter will move around the plastic sleeve in transit creating its own pattern. this is intentional, so any scratches that appear on the front cover when the vinyl arrives is a result of this. sirens is the highly anticipated second full-length lp from nicholas jaar, the chilean-born electronic music producer, mixing engineer and dj, which comes out on october 14, 2016 via other people/kobalt. a prolific artist with a wide palette of talents, jaar spent his teenage years in dance music circles in new york city, where he now resides. in 2011, he released his debut album, the critically-acclaimed space is only noise. in 2012, he was contributed to bbc radio 1’s prestigious ‘essential mix’ series, winning ‘essential mix of the year’. in 2013, matador released the debut album from darkside, jaar’s project with his friend dave harrington. the band toured the record with a giant, rotating circular mirror, with key performances at primavera sound and coachella. other notable projects by jaar include from scratch, a live concept first developed for moma ps1, pomegranates, an ambient record and alternate soundtrack to the armenian film the colour of pomegranates, and the original soundtrack for dheepan, a thriller by the french filmmaker jacque audiard about a family of sri lankan refugees living in the suburbs of paris. dheepan won the palme d’or at cannes in 2015. jaar is the founder of the new york based imprint other people, releasing music and spoken word by a diverse group of artists ranging from lydia lunch to ezekiel honig

berg jaär is the new add on the arts roster, hard hitting pounding music that hits you in the body/brain like nothing else, power.

planet rhythm latest vinyl contribution comes by rennes based producer berg jaär. berg comes as a true addition to the ever growing prruk reportoire. firm drums and sturdy fx serve as the backbone of his contribution. with little info to be found about the french producer this release serves as the perfect example of the adventurous mode that planet rhythm currently finds itself in. moody yet intrusive in many ways.

swim / mistress recorded in new york city between 2011 - 2015. pressing on heavyweight 180 gram vinyl.

the three sides of audrey and why she s all alone now/no one is looking at u recorded in new york city between 2011 - 2015

excellent deep / latin groovin tech house stuff, flipside with >mi mujer< is just a massive decks store tip !!!! repress 2015

nicolas jaar has shared a new track from chicago ghetto house/juke veteran dj slugo. its called ghetto, and it was produced by jaar. thats it above via other people. according to jaar, it was made in light of recent events.

2nd edition with 13 tracks instead of 14 (on the deleted first edition)

limited edition 10 inch release !! <br< in the dead of winter, i visited nico in his apartment in providence, rhode island. he had just finished composing >dont break my love<, the a-side of his new ep and his first song since space is only noise. he seemed solemn, but i didnt ask why. the next night, i witnessed a rare occurrence: nico dj-ed a small party. we danced all night in a brick-walled loft as snow fell outside...

nicolas jaar... yeahhh (black, 100% cotton)

nicolas jaar... yeahhh (black, 100% cotton)

after the roaring success of nicolas jaars space is only noise album the fine curatorial heads at circus company hq have enlisted 2 of their nearest, dearest and most talent co-conspirators for the first round of remix duties. having built a cult following and peerless reputation for his remixes of everyone from roy ayers to cassius, pépé bradock turns in no less than 3 versions of too many kids finding rain in the dust. the proceedings begin with his blind pig mix, an echoing tunnel of balkan strings and dusty samples connecting the lands of disco and hip hop to blinding effect. the train fantôme poke follows and is certain to find its way into many a discerning dj bag in the weeks and months to come, with its mathew herbert-esque syncopations and grinding industrial scrapes and psychedelic whispers. dave aju takes up the baton on the flip turning the albums title track into the kind of late 80s dance floor work out martin hannet would have been proud of, certain to appeal to fans of recent work by matias aguayo, rebolledo and the comeme camp.

remixes von nicolas jaar und ed bangers boogie-revivalist breakbot! matthew dears black city is an opus of bacchanalian futurism, then second single >you put a smell on me< is its presumptive climax—an unblinking industrial march to the center of the brains most neglected corners. its drums are militant, its pace is unswerving, and the squarewave synths that start falling like mortar shells are searing and wide-eyed. then theres the marbled voice of dear himself, pent-up and sexually charged, beckoning you for a ride in his big black car. its the sound of staring down the part of yourself that you are most afraid of. if that seems too daunting, theres always the dub version. when mirrored through the eyes of others specifically wolf + lamb prodigy nicolas jaar and ed bangers resident boogie revivalist, breakbot — >you put a smell on me< starts to feel less lobotomizing. jaars version is a sullen, scratchy, headphone-ready beat trip—atmospheric vibraphone samples here, stilted kicks and snares there, all of it amorphously affecting together. and breakbot has no problem hamming it all up into the sort of blithe electro-funk every prom night deserves.

>angles< stretches guitar strings like taffy through a forest of finger snaps and slow-motion electro shudder, with a cycling chorus teasing out medieval melodies. >materials< is quicker of spirit, with a rippling pulse played out on muted jazz drums, shuttling between blocked piano chords and silvery oscillators and weaving an irresistible groove. its beautiful, unexpected and absorbing music-and theres nothing else out there that sounds like it.