jazz

rock

incl. tim reaper remix

limited 20th anniversary edition on smokey black vinyl.

gatefold heavyweight vinyl 3xlp

the official collection of disturbed b-sides & rarities. available for the first time on vinyl.

guttural, pained screams from beyond converge with mangled corrosive rhythms on the sophomore ep from dint for horo. ‘hooker’ convenes an impromptu post punk band out of undead skeletal pulses and spits a frustrated barb to anyone in earshot. ’shovel’ slams nails in relentlessly with an excruciating vocal refrain grinding over the band of zombies undulating bass riff, decaying as it loops. ’skewer’ drags the undead to the dance-floor with a primitive rhythm that rises and ducks, wringing out the intensity with macabre vocal commands reaching through a wall of distortion.

big riddim recordings was created in 2008 by ak1200, who had previously worked with well known uk drum and bass labels, suburban base and moving shadow. the label started out as a platform for ak to continue with his quest of discovering new talent and promoting the sounds of dnb to anyone within reach.

balans head honcho darko esser is on duty for his very first ep on balans records. remixes comes from peter van hoesen and regis & function a.k.a. sandwell district. the new year couldnt have started better.

slamming and groovin techhouse / techno... incl amir & butch remixes

4th release on the dutch hardcore / industrial label!!

incl franco cinelli remix !!

abgefahrene mischung, house mal anders, caffe del mare cords goes harder house stuff (test it)

now its time for the new bombsplit 03 on bombtrap records. were very happy to share this split ep which aims to blur the lines between ebm, industrial, electro and the harsher site of techno.

10th anniversary reissue on blue coloured double vinyl.

lander & adriaan is a belgian duo with drummer lander gyselinck (stuff., beraadgeslagen, labtrio) and adriaan van de velde (pomrad, mauro pawlowski, j. bernardt). their gently disturbed mashup of 90s dance music genres like chicago juke, detroit techno, uk-funky, classic rave, corny jazz fusion and mundane jazz improv brings you to a pleasantly disturbed realm of unguilty pleasures, sheer weirdness and pure excitement.

half-speed mastered reissue on black 180 gram double vinyl, code for hi-res download included.

two border crossing originals from g-prod, remixed by derek carr and john shima.

second of five eps in possession’s next v/a installment.

the second album from chicago based dj and producer jana rush on double vinyl.

drum n bass from uk

vinyl 1 from the 5 years of granulart compilation.

impressive electro split ep by silicon scally (aka carl a. finlow) and telephasycx.

neues album des britisch-nigerianischen avant-pop-sänger/produzenten tony njoku, der abstrakte elektronik, afro-jazz und art-pop zu einem subversivem kunstgebilde fusioniert und sich in eine reihe mit seelenverwandten künstlern wie yves tumor, thom yorke und young fathers einreiht. njoku tourte bereits mit anna von hausswolf, rival consoles, goat girl, gaika, jacques, ider und kokoko! zu seinen fans gehören u.a. die bbc-radio-djs gilles peterson, tom ravenscroft und huw stephens.

music from the motion picture “house of wax” for the first time on vinyl. limited rsd 2019 release on coke bottle clear double vinyl with etching on side 4.

the soundtrack from “transformers” available on vinyl for the first time. limited rsd 2019 release on purple vinyl.

a rhythmically pulsating quadrivium, the fragments of reference ep distils four disturbed takes on deeply unnatural sound in a 4/4 framework. cavorting around themes of self-actualization, denial, inevitability and fate, the ep goes to great lengths to reflect our modern predicament. techno clairvoyance.

master of snare disaster limewax strikes back hard again on this huge 4 track ep on prspct. delivering all things great this disturbed but brilliant producer has to offer. drum & bass for the freaks and outcasts that crave for more then just a rolling beat. 2 solo tracks + 2 collabs with the likes of l 33, switch technique, dieselboy and thrasher. did we mention this release is huge? hell yeah we did! well it s a good thing as its double huge anyway! all hail limewax and houjekkmuil!

limited edition 12&#8243, on translucent-bone vinyl ‘harnessed to flesh’ is the new release from berlin based industrial project operant (instruments of discipline’s founder and sub, respectively, luna vassarotti & august skipper). since 2016’s ‘zk-ii’ & 2017’s ‘zero knowledge’ operant have been consistently touring, enforcing their reputation as a live act, melding chaotic noise with a disturbed, euphoric techno.

as a polychrome composer, laurent perrier is developing his work through a large number of projects which, although they often share many common points, are all built on a strong identity. thus, zonk t has always been a way of exploring the most ambient fringes of dub, and the transition from the all-digital to compositions made entirely on modular synthesizers has overall not changed its approach in depth. yet, banburismus, whose unlikely title comes from the crypto-analytical process developed by alan turing during the second world war, begins by taking us by surprise with a long luminescent drone that seems to rise endlessly before dissolving little by little in a wall of echoes, glitches and distorted voices then make way to round and deep basses disturbed by metal peaks on which float distant blips, like farway echoes of the secret messages decoded by turing. real master stroke, this track occupying the first face of the lp is a trip in an ether much more populated than it seems. shorter, the three pieces of the b side participate in the same atmosphere, but still extend the sonic field. more stripped, more airy, more cosmic, banburismus achieves there new heights with ease. we could be tempted to play the game of references and try to put zonk t somewhere amongst the great experimenters of electronic dub. but who cares,, banburismus is well beyond categories, and laurent perrier, by cracking the code, opens for us the doors of a universe of disturbing and fascinating vastness.

alex ferrazzi and matteo keemani a.k.a. blue mondays, longtime laterra friends and collaborators (with releases on sonar kollektiv, rebirth, snatch!, memento, manocalda as well), strike again. they do it, as usual, their very own way: shades of balearic flavours in there, but with a very dark and malicious twist. marvin & guy add some disco nuances (keeping it raw and obscure, though), while nick anthony simoncino delivers a solid, strict, gloomy dancefloor affair. no frills, mad quality.

infinite density – the new album by the berlin based, cuban-american artist blush response – is a fantastical exploration into the depths of industrial and ebm techno in collaboration with techno frontman adam x’s infamous imprint, sonic groove. influenced by the progressive noise of autechre, front line assembly and skinny puppy the producer has previously released with aufnahme +wiedergabe and ant-zen, as well as getting his hands dirty with programming work for the industrial pioneers fear factory, rhys fulber as well as latin pop singer cristian castro. infinite destiny takes a firm grip on situationally influenced content, pulling every corner of berlin into its belly for a challenging and unique sound – a sound that’s able to maintain functionality whilst simultaneously exposing loose wires of wild flangers and disturbed sampling. these erratic waves are expressed through the productions infinite density, aum shinrikyo, survivor guilt and dead still air, showcasing the most alien meta-bodies of blush’s sound. as an appropriation on contemporary acidic sound, the sonic motions of serpentine and tryptamine delve into explorations within the acid genre. rhys fulber’s string contribution on painkiller initiates a whirlwind rhetoric of distortion. panic stricken, no solace and tessellate focus on strong industrial pads that carry the density of each track whilst infinite dread’s ebm back bone hits hard with heavy arpeggiation. crucial to its form, the album showcases new experimental sound that repurposes algorithms of today’s dancefloor dogma. blush response exposes these paradigms through mutated build-ups and drops. however, his innovative “modular synth heavy” sound design obscures the flow in a way that permeates the concrete arenas his productions are designed for – in true berlin style.

big riddim salespack incl. 021 / 020 / 014. 3x12” hard hitting drum n bass packed together in a new sleeve.

social decay expands on their intense approach to techno with nods to noise, industrial and drum & bass. the manchester duos second lp-a triple vinyl package-follows 2014s cosmic microwave background, which also came out on speedy js label. social decay is out september 22nd.

limited numbered reissue, 45rpm half-speed remastered. pressing on triple 180 gram vinyl with etching on side f, housed in a gatefold sleeve with download code included.

nice price deal !!! beaumont steps up for the next release on hotflush, with his >never love me ep<. the young scottish producer michael rintoul created a slice of hypnotic r&b dream pop on last years >blush reponse ep<. it was described by inimitable brighton-based blog 20jazzfunkgreats as having produced, >by a strike of genius and inspiration<, the authentic soundtrack to >a really cool z-series 80s thriller<. this time round, the vocal work on the title track is reduced to a barely intelligible processed warble, which provides the scaffolding that supports the sparse drums, synth washes and plucked melody. >uptown< begins with carpenter-esque keys of dread, but is quickly drenched in a warm shower of shimmering keys that tussles with the shuffling half-beat. the >rendez-vouz< could be on mars, cosmic winds billowing, until a snaking bassline throbs into sight, beaumonts impeccably programmed drums playing off against the tense synths. star crossd lovers indeed upon the eps closer, >verona beach<, the tidal back and forth grounding, the sound of the sun setting on a miami vice beach, but disturbed into syncopated sense.

twr72 is back with a full new story starring lucid as the lead. lucid dropped out of space on a world called planet earth. it’s luminous and vivid appearance were instantly clear. at first lucid was a bit reserved but during it’s first steps it opened up and showed some colorful emotions and hints of it’s personality. with detailed patterns of communication lucid tried to find a way through this new world. erudite, which was already for a more prolonged time on planet earth, picked up the incomprehensible code from lucid and reproduced it into a solid and clever message. erudite was keen enough to think of a way to communicate back with lucid as it noticed lucid needed help. but it needed someone else to bring the message to lucid. so erudite asked help from colloquial who could easily transcript the message back to lucid. colloquial used different types of frequencies to connect to lucid, but it wasn’t that easy. lucid already travelled further and was hard to reach. therefor colloquial tried to use heavier elements to make a more solid composition. unfortunately not only positive things arrived from space. aporia was a rather negative influence which disturbed the link between colloquial and lucid. aporia tried to force the communication by continuously changing the elements of the message. but it wasn’t all that bad, because at the end aporia brought the two important elements of the message together.