northern soul

iarltd003 is the debut vinyl release of illegal alien records label head, ricardo garduno, a new ep called -the man is just confused- which includes two great remixes from vsk and ben gibson.

after a hectic weekend you awake dazed and confused deep in the urban jungle. as the sun starts to rise, in the distance a lush pad starts to drift closer. the sounds of your past... a time when everything in the world was right, perfect. tearing breakbeats release, kinetic energy moves your body and you start to reminisce about friends, love and music. days gone by, the vibe never ends. jem one kicks off 117 spring with 3 fresh cuts pressed on a limited edition red & white mixed vinyl.

limited pressing on gold coloured vinyl.

5 universos records, a vinyl store from chile founded in 2007, presents its first vinyl only release inviting some of their favorite producers worldwide!

dieses 9 track album grey theatre für confused machines ist ein tiefes eintauchen und eine spielerische Übung mit seinen synthesizern. ein emotionales und mysteriöses hörerlebnis. ein portal zu seiner seele. manchmal melancholisch, fließt es wie wasser und lauert in den schatten der realität.

das album wird als sammlerkassette und als bandcamp-download erscheinen. tauchen sie ein in diese geheimnisvolle reise! wir leben alle in einem grauen theater...

dj support from danny howard, annie mac, mistajam, pete tong, charlie hedges, kraak & smaak

strong remix package by juju & prz remix, mule driver and legowelt

swiss arrow ist die neueste musikalische inkarnation eines multiinstrumentalisten aus santa fe, new mexico, der als klassisch ausgebildeter musiker und sänger begann. er hat einige bemerkenswerte abzweigungen genommen, die mit seiner erkundung von free jazz und industrial-musik in den frühen 1980er jahren begannen und fortgesetzt wurden, als sein partner ihn in den 1990er jahren mit elektronischer ambient-musik und detroit techno bekannt machte. seit 2010 legt er als lstnr dj-sets auf, zunächst mit seiner intergalactic fm, dream machine show, speak no evil und aktuell als teil des seer-kollektivs.

electro / boogie / funk / house

hand stamped

limited pressing on translucent purple double vinyl, housed in a gatefold sleeve.

blood flowers ist ein heavy duty 4-tracker für die freaks. electro, dungeon techno, slinky acid und tribal exkursion - richtig beschädigte party-starter für lowlight-träume und albträume. in den letzten 10 jahren hat mule driver spezielle 808-day-releases gemacht. dieses neueste set ist sein bisher überzeugendstes werk, das von idee zu idee springt, aber eine solide leitlinie aus sci-fi-schrägheit und kollabierenden körperbewegungen beibehält.

ein kurzer besuch auf der indochinesischen halbinsel zur falschen zeit, als die weltweite pandemie ausbrach, führte ian richter zu einem mehr als eineinhalbjährigen aufenthalt in vietnam und zu einer tiefen liebesbeziehung mit der vietnamesischen volksreligion. ian war fasziniert von einem ort voller kultur und mystik, der hand in hand mit dem hyperkapitalismus existiert (obwohl er offiziell dem sozialismus verpflichtet ist).

im laufe der letzten 18 monate hat ian die klänge seiner begegnungen und erfahrungen geistig und körperlich aufgenommen. vom täglichen leben über industrie- und naturlandschaften bis hin zu altem und modernem tanz, wobei er das fremde mit dem vertrauten, die mystik mit der wissenschaft und die klaustrophobie mit der befreiung verband.

ursprünglich 1988 aufgenommen und veröffentlicht. offiziell wurden nur 30 exemplare hergestellt und diese waren schnell ausverkauft. dank illegaler heimaufnahmen erreichte es jedoch hunderte auf der ganzen welt und hinterließ einen wichtigen eindruck in der aufstrebenden industrial szene israels.

rave!

ishai adar veröffentlicht seit den 1990er jahren alben mit elektronischer musik. er lernte maurice sarfati im letzten jahrzehnt kennen, als er in einem der mythologischen plattenläden jerusalems, the record house arbeitete.

...hot ukg tracks on dansu discs

auf dieser neuen ep liefert mule driver vier post-apokalyptische tribal-tracks mit einem dystopischen gefühl, das obskuren techno mit dunklen spirituellen rhythmen verbindet, getrieben von knackigen beats mit einem hauch von disco.

massive techno tracks from rotterdam... good shot.

“shlom hatzibur” – “yanshuf al anaf gavoha” a repress of a long lost new wave single along with edits by “the models” and “mule driver”.

-confused machines- are excited to release an e.p by the composer and producer ishai adar (aka oosh). adar started his musical journey in the mid 80’s as the keyboard player of the legendary israeli post-punk band -nosei hamigbaat-, together with his high

not to be confused with the 80s heavy rock/funk band from the us, this living color track was written, produced and released by tony kalangis on his sophisticated funk label in 1974. kalangis, who sadly passed away in 2017, was a man of many talents who could not only write a great tune but also novels, poems, and film scripts.

decks full cover edition! 2 killer tunes by malta native dean demanuele

2 killer tunes by malta native dean demanuele

variations on memory is an ongoing project by max schreiber, who records memorial day songs intuitively, the way they were carved in his own memory. schreiber takes the national memory to the most personal place and creates his own interpretations of the classic songs. the songs are usually recorded in one session. the final outcome, with its off-keys and inaccuracies, gives a new meaning to these memorial songs, and formulates imaginative soundtracks to hebrew horror movies.

das album wurde von mike mccarthy produziert, der in der vergangenheit den alben von trail of dead oder spoon den letzten feinschliff verpasste. milk famous ist das dritte album-release der band und der nachfolger zu ihrem mute-debüt its frightening von 2009. die englische presse lobte es damals sehr, wie z.b. the fly (an album that deserves attention from start to finish) oder das mojo magazin (their knack for addictive melody and honed songcraft delivers a beguiling, coherent and memorable whole). das neue album ist ein mehr als würdiger nachfolger ihrer letzten platte. der opener heavy metal, geprägt von einem rückwärtslaufenden piano-loop, steht ab sofort zum download auf der bandwebsite bereit.

ltd 50% deal ...significant success for artists is based on two things: talent and timing. dave.i.d has talent by the spadeful but his timing may also be spot on. when dave.i.d released his debut single in march 09 he was probably too ahead of the game but now as we enter the last third of 2010 it feels right on the money. daves initial release went down very well though. paul lester in the guardians important new band of the day feature totally lost it, calling dave.i.d >totally brilliant< and dubbing him >aphex timbaland<. his single was voted single of the year in dazed & confused and made the end of year round-up in drowned in sound. now with the amazing zola jesus setting up so well around the world and the dark electronica coming more to the fore outside its nerd roots, dave.i.d sounds perfectly in tune with the unhappy, troubled sound of now.
bespoke packaging using industrial blue plastic cut in a rhombus shape. the same blue plastic forms the backdrop to the live stage show.

tel avivian producer spark o first e.p for the confused machines imprint – variations in intensity delivers 5 cuts + 2 remixes (by dutch producer klankman & long time musical partner mule driver) freeing house and techno from any convention by using live to tape hardware jams and placing them in an intuitive and -under produced- form of electronic dance music that keep the result as live and dirty as possible.

long time collaborators jason letkiewicz and nicholas dawson colab on the a side with their improvised confused house jam style. there off-the-cuff technique is subtle in its arrangement. ste-018 starts slow and expands with sublime patterns of melody and subtle drum fills. on the flip side, bookworms ste-101 changes the mood. a droning bass signal lies beneath driving percussion and surging noise. dissonant chords slowly creep there way into the track inducing hypnosis. zone out. file under stalker music

ltd to 200. stray melodies, filtered machines, and electromagnetic interference weave in, out and around one another in the seventh installment in the confused house series. four pieces configured thru soft interplay of randomized / repetitive systems. ambient warrior values. limited to 200

ltd repress ... so after 6 various artist ep s we are finally back with our first artist ep .. in the depth of this confused music cosmos we are really happy to have discovered this 21 year old talent from london called cody currie. it s his first release ever and it features 4 tracks from him and a remix from moony me - killah disc artwork for the record comes from reinhard schön

bound to forget by the models deliver three live cuts of raw analog acid house flavoured jams infused with minimalist machine based experiments aimed both for the dance floor and for your living room. on top of that the dutch duo syncom data added their own euphoric and hypnotic dub remix based on motifs from all three tracks.

the first release on confused machines pays respect for some of their homeland collaborators/heroes in a form of remixes. side a present two remixes by the models. the first one for the cult ex jerusalemite trio mouth and foot, a slow and mellow / romantic house tune (in hebrew), while the second remix is a dark shoegazy atmosphere with harsh 808 treat for singer songwriter bela taar. the flip side holds an essential edit for late 80 s post punk female duo mafatal, mule driver turned the original cut into a dance floor hit using tribal poly-rhythmic drumming with merciless driven bassline.

next minimal infected elarum. collaboration bewteen dimitri monev & gorbani incl. nima gorji rmx. vinyl only!

anyone familiar with the music of sinisa tamamovic knows the man is an expert in techno floor fillers.... the tracks here are no exception, valentina and confused reside in the world of bold, unrelenting grooves constructed with little more than bass and drums: and they get the job done. the bass lines are distinctly sinisa, simple, catchy, and mixed exquisitely, they take on a whole new attitude when played on club systems. valentina starts things strong, its driving rhythm gains energy as atmospheres develop and an worldly vocal enters, a latin american street rhyme that gives the track some international flare. confused is more raw, employing rough drums and ethereal sound effects. either one will do the trick for peak hours and late nights, and expect to hear these all over the place at wmc 2016

straight to tape action from yet another smokey production formation on confused house... messsages from behind the trees...another huge tip!

activated, going there! two long and cranium expanding adventures beyond.... excellent material. tip!

midgar is proud to introduce a newcomer for the third release. a great debut for the maltese cloned, delivering not less than 4 cuts with sapphire 1990 e.p. the record, way more straightforward and groove centered than the previous midgar outputs, opens with sapphire 1990, track that sounds like very nostalgic memories from a timeless rave. thanks to a genuine simplicity and the great arrangement of its elements, this first cut has the perfect characteristics to become a dancefloor anthem. on the same side, a live out-take from cloned’s repertory, the pendulum swinging synth-lines which dominate pretty direct rhythmics filled with hi-hats and claps over a costant background noise. belgassem as the first cut on the b side, is an absolutely heavy one for the label’s standards, made of deep kickin’ drums and haunting voices empowered by a really strong and obsessive acid-line. closing the vinyl, the slow (and again really acidic) submerging is like a lysergic vessel headed to more comfortable dimensions, where groovy drums are embraced by very bright heavenly pads. sudden death is instead a chilled-out broken beat interrupted by confused speeches and detroitish pads, resulting as a modern ritual of ascension towards higher spheres. corel drives the release to the end, recalling most of its main features: a restless run through misty soundscapes along a path studded of bells and overwhelming, sharp hi-hats.

nice price deal !!! - dont just think about jellphonic tonight, pick up the phone and call. if youre lonely, confused, or just need a friend. hes been waiting, waiting to hear from you. hot, private and live 24 hours a day for adults only. it seems like 12 years since jellphonic put out a 12, but this release proves that he is still the baddest man in the whole damn town. 5 low brow cuts that celebrate the finer things in life, analog synths, minimal production and mindless funk. all on his own imaginary label too, bon appetit!

confused transmissions , numbers flying out from the outer space. lucent is the end of a lightning bolt. shimmering clouds over a human landscape. just a rhythmic bounce, suddenly, seems to give a sense to it all. a symphony of time-warps filled of bass drums. gravite and attic music owners bruno sacco & fabrizio lapiana, together to interpret their vision of light in techno key. two different visions but converging in this superb collector release 12inch transparent vinyl. darkness from forged machines in the flames of hell from which emerge from the dub vibes sharped kicks, hovering, metallic noises, while short sounds, mind, thats the gravite universe. lucent series will be 12inch clear transparent vinyl inside a pvc deluxe bag