get ready for some true wonkiness, courtesy of neil landstrumm.
this is techno purely for those rock-solid psyches who lack that element of the deranged, the off-kilter and the strange - on the dancefloor and in their own mental constitution. if you’re even slightly in doubt of your sanity, stay well clear of this cut.
the fact that he’s been using elektron instruments probably means it’s even more important to have that straightjacket at the ready. even that won’t stop you from dancing, though. neil has been making wonky techno since antiquity, hell, he’s the progenitor of the genre, but what you probably didn’t know is that he’s also been doing graphics for rockstar games, the software house that brought you grand theft auto.
he’s been a skilled elektron user from the very beginning, from the high and far times of the sidstation.
detroit pressed, official re-master another juan atkins classic from the incredible metroplex catalogue. the chase presents frenetic synth stabs and an electro back beat, further defining the new musical form, detroit techno. reworkings by derrick may add to the dance floor appeal of this classic. as fresh today as its original 1989 release.
for june records sixth release, the vampire of sacramento returns with a live techno four track ep. a sequel to trenton chases full blown manic episode taking place inside the manor asylum.
auf der a seite: interessante techno mischung aus girgio moroder synth sounds & chicago house nation vocal samples... gnadenlos fetter treibender peak time techno, flipside verarbeitet tim deluxe kracher in alter bush recorde tradition... latin techno sagte man damals... just peak time alert
kommt >chase the robot< einer perkussiven huldigung an plastikman gleich, so geht es bei >worms< etwas deeper aber auch abgefahrener zur sache. florian bleibt spannend
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