limited & numbered orange & white opaque double vinyl in gatefold sleeve. no jump rope included! (info on hype-sticker is misleading)

modeselektor veröffentlichen eine dreiteilige, limitierte picture-disc-12inch serie mit den highlight-tracks ihres albums who else samt vinyl-exklusiven b-seiten

ska, rocksteady, reggae, roots and dancehall reissue

incl john lennon image ! ultimate flower power !

the 1999 mf doom debut back on double vinyl. limited edition in silver cover.

the 1999 mf doom debut back on double vinyl.

remastered 30th anniversary reissue.

limited reissue, half-speed mastered at abbey road studios, pressed on double vinyl, housed in a tri-fold sleeve.

the companion album to the band’s 1979 film of the same name on 180 gram double vinyl.

this is the new album by modeselektor.

the new album by modeselektor as black vinyl lp.

the new album by modeselektor as limited picture vinyl in gatefold sleeve with poster and download code included.

produced by tommy ‘tnt’ brenneck, love in the wind features a number of the players that have helped define the daptone sound including members of the dap-kings, charles bradley, and the menahan street band. and, at the heart of the record, there are the four schaldas: three talented brothers and the father who taught his boys group harmonies on the stoop of their staten island home growing up.
the vinyl lp comes with download code included.

tommy rawson releases are sporadic but always high quality. as a former member of the souled duo who ran the excellent fresh minute label hes been around the more tropical end of uk house and broken beat for many years and this, his first full release for bergerac ushers forth a new level in his sound. this whole record is a masterclass in post bruk, forward thinking, shining, bright uk dance music. unmatched in emotion and vibes. deep blue is quite simply the sound of the summer. sun drenched, euphoric and soaring. broken but not broken, 4/4 but not quite housey. jazzy, soulful yeah. it was the highlight of red rack ems olive grove closing set at love international last year when it provided the most halcyon of moments. live trumpet from vicky flint and a whole bag of vibes from tommy rawson. this is a classic. trust. past tense is a super tropical african tinged house stomper which shows tommys love of sunshine vibes once more with acres of space, insistent chants, dubby pianos and a tinge of jungle roller bass. the final track into the future takes us into almost blade runner-esque orchestral emotion but with a kind of balearic feel tucked in there too. beautiful, lilting, emotional memories. you can feel so much love in this track. such a special record. buy it. love it. treasure it.

fantastic voyages new series, soul city, explores the music being produced in key centres in the early 1960s, when r&b was evolving into the style that was soon widely referred to as soul. having kicked off the series in detroit, we now turn our attention to the big apple. special backstock

rogue beats 3rd strike comes once again from tommy gillard who meets us at the discotheque this time. and he has got a message for us: blessed are the cheese makers!

3 dope tracks with a bunch of samples from old movies and some kraftwerk style synths

at only 19 years of age tommy four seven has already created a buzz around himself on the london electro house scene. his first ever release gained radio 1 support and enabled tommy to secure three key london residencies playing alongside the likes of adam sky, fc kahuna, mark moore, bones & ramsey and king roc, this was all before he was legally allowed to buy a beer!

smooth vox and some florida style synth lines

limited edition yellow & black splatter vinyl.

classic black vinyl edition.

stomping grounds is excited to announce the upcoming release from tommy vicari jr, a talented english producer who has been making waves in the electronic music scene. known for his prolific output and attention to detail, vicari has already put out numerous eps, showcasing his diverse range of styles and his skill at crafting captivating tracks. his upcoming release on stomping grounds is sure to be another highlight in his impressive discography.

60s compilation on coloured double vinyl incl aretha franklin, cat stevens, santana & chuck berry !

repress - fallout ‘the morning after’, produced by lenny dee and tommy musto, was originally released in 1987 on the legendary fourth floor records. originally recorded as a 17 minute opus, the track was edited into different versions, the sunrise mix and the aftermath. the names fallout and the morning after were tommy and lenny’s personal references to a private after hours club called the rooftop on the 23rd floor of a building in new york where they played, named as a nod to the after effects of the late nights and early mornings of these parties. ‘the morning after’ crossed many genres of dance music, and was notoriously adopted by grooverider and fabio who championed it at rage, their legendary thursday night party in london. remastered for this re-issue, and also tastefully remix by nu disco producer of the moment, purple disco machine, a new lease of life awaits for this genuine classic which has truly stood the test of time.

the palm tree needs no introduction to anyone who has visited this part of town. diamond boozer and blitz survivor, it stands solitary on the regents canal between mile end and the roman road, quietly resisting the urge to move with the times. on weekend evenings you can enjoy the jazz standards of the great american songbook played by the musicians who feature on the album, no ticket required. tom oldham (@tommyophoto) is a london-based portrait photographer, shooting portraits of musicians, sports stars and talented folk all round the world. his work has been widely recognised by the taylor wessing photographic portrait prize, the open series in the aop awards and most recently the sony world photography awards 2018. andy gangadeen is a drummer of international renown, playing with bands as prominent and diverse as duran duran, massive attack, spice girls and chase & status. he a true pioneer of live dance music drumming and has been known to pick up the sticks at the palm tree from time to time

89:ghost is on fire at present, having thrown down killer releases from todd sines, logic system and tomoki tamura over the past year. tommy vicari jnr is a great addition to the roster, bringing a freaky, wobbly and distinctly hi tech approach on all that matters that will have party people freaking out in a whole new way. things at night takes a completely different approach with its focus on delicately chopped up piano hooks. tlk 2 me wt yr bdy flips the script yet again with a roughneck, ardcore sound palette and some filtered house elements riding atop a booming low end. likely story finishes this varied ep off with a cheeky garage house strut that will have just as many fans as the other killer jams on this well rounded record.

reissue of mf doom’s classic debut album from 1999. double vinyl housed in sleeve with original artwork. includes 18”x24” poster.

reissue of mf doom’s classic debut album from 1999. double vinyl housed in sleeve with new metal face artwork. includes 18”x24” poster.

lowwaxx open doors for a very special welcome to the well established uk scene producer tommy vicary jnr, signing label s 3rd release with 2 originals bangers as well as a remix by fuse london regular rich nxt. opening up matters is the sounds of the title track. a moody effort that s notable for its many haunting tones and a reluctance to follow a straight path, it s the sort of intricate bomb that gets under the listener s skin from the get go. difficult to pigeonhole but still full of dancefloor panache. an auspicious start to the release with a track that s sure to get you talking. the b-side then gets underway courtesy of -best way-. this time, the emphasis is more firmly placed on tidy rhythms and straight up baselines, though this one also demonstrates the producer s knack for the unexpected. a whole peaceful landscape trip decorated with overwhelming chords placed on tidy rhythms and straight up baselines. culminating the release is the sounds of rich nxt, who delivers a stunning remix of -best way-. indebted to deep tropes and imbued with a catchy-as-hell baseline.

following some ear-catching manoeuvres across releases like last year s self-released only and lagata , which gained her early fans like bjork and dev hynes (who she supported in the usa), tommy marks klein s deepest plunge yet into the “deep, dark ocean” of her musical imagination on her hyperdub debut. on tommy her vocals play with fifties-esque melodies before switching to familiar tones akin to brandy and rodney jerkins, her live voice and live piano playing filtered through hyper-glitchy and looped production with a loose, internal logic, cutting from angular atonality to pockets of skewered harmony. tommy also steps things up in conceptual terms. its eight tracks are broken down into acts that are rooted in themes of vulnerability, sisterhood and death, threading the chaotic sonics with modern operatic undertones and a shakespearean sense of tragedy. there s a lot of bluster about originality in contemporary uk music and what rises from the noise here is a creative voice who, by her very nature, plays with the construct of what pop is

tommy mccook to be leader of the skatalites in the early 1960s, he went on to become the chief exponent of rock steady as leader of the supersonics house band at treasure isle. mccook remained a key session player throughout the reggae era, and during the roots reggae heyday of the mid-1970s, his expressive melodies found particularly strong outlet, especially on the music he created for grassroots producer bunny ‘striker’ lee as a member of the aggrovators, the studio outfit lee hand-picked from the cream of jamaica’s musical crop. when enhanced by the adventurous mixing experiments of king tubby, the engineer that turned dub into an art form, instrumental aggrovators music became positively ethereal, yielding an exceptional listening experience. on king tubby meets the aggrovators at dub station, tommy mccook blows mean sax and flute over dubs of outstanding tracks by johnny clarke, cornell campbell, linval thompson, delroy wilson, and others greats. first issued on third world in 1976, this vinyl reissue comes complete with four thematic bonus tracks, and the whole disc makes for essential listening. reissued on lp and cd with bonus tracks!

tommy garofalo aka turbojazz returns to local talk after remixing corrado bucci back in 2015. a producer with great versatility that started djing and producing music during the 90 s, heavily inspiried by hip hop. something that would bring him to explore the whole black music culture, from dance floor jazz to rare funk and disco, passing through all things soulful and deep. take all of the above & stir it in a musical pot and you get the unbreakable ep , the debut 12- on local talk from turbojazz. the ep kicks of with please u which features david blank on vocals. a retro-futuristic track with warm chords draping themselves over snappy snares & melodies. on the flip, unicorn rising bounces along with the sort of finesse you d expect from a producer like recloose, it s flavoured with quirky breaks and warm fuzz bass & analogue-sounding keys. last but not least we ve got evm128 on remix duties, a feel-good slice of broken beat anyone ? it s a blinder ladies and gentlemen.

whilst its neighbour has always taken the plaudits on the party front the steely city of sheffield has its own house history, with much of it residing in the warm buzzing darkness of the studio. its here that we find our latest robsoul rookie. a fresh name for the label, but a producer who is far from new to the game. tommy vicari jnr’s first release was pressed to the black gold and released back in 2004. since then there have been sporadic outings, but the last two years have seen a reinvigorated tommy roll out over ten new releases and play a huge part in putting sheffield s house music firmly back on the map. threshold of eternity sees tommy drop the northern grit to replace it with shimmering warmth and sunshine vibes across all four tracks. fidgeting rhythms, chopped samples and groove-heavy beats and bass are spliced together to create an essential feel-good release.

die neue ausgabe der mixreihe *a little something radio* des manchesteraner dj diesler bringt einen schwungvollen mix aus modernem disco, elektronischem soul und wundervollen balearic-sounds. 14 superbe tunes aus dem modern soul underground. diesler ist mit seinem partner simon ham auch resident-dj der stets ausverkauften partyreihe *you dig?* im soup kitchen club in manchester.

emotive tracks by two super producers who impressed cartulis day with their memorable sets. the collective invites tommy vicari jnr and anton zap once again, this time to showcase their music for the labels third release. tommy vicari jnr brings us a deeply playful side a track, well suited for those special after hours. anton zap names his track after crucifix lane, cartulis home for more than 5 years before it was forced to close earlier this year. he recreates that stomping ground atmosphere with this b track, sure to keep a dance floor pulsating during the peak of the night.

known as pantaleon perez prado, was the younger brother of the famous king of mambo. pantaleon, who came to europe in the 1950s, recorded several albums with unifunk. a powerful big funk band sound featuring: tullio de piscopo, mario rusca, giancarlo barigozzi, pino prestipino and others. escandalo!, as perez prado states in the brief sleeve note, is named after a new rhythm created by himself. *a rhythm you can dance to in freedom, without specific steps*. in spite of this naive launching, the opening track chicago banana is a declaration of intent, with its sly stone-esque groove. 9 out of 12 tracks are originals credited to composers of the unifunk circle, but the track list is careful to preserve prados well-established latin appeal, by including three standards such as brazil, el manisero and tequila.
the deluxe vinyl edition comes in gatefold sleeve with a cd-copy of the album included.

1992 erschien ihr debütalbum house of pain auf tommy boy records. die single jump around erreichte platz 3 der us-charts und machte sie bekannt.

ekhowax is the second personal release of george apergis (owner of modular expansion records). available in a limited 12 inch vinyl, ekhowax expands the artists club vision of his early detroit releases into a dub techno territory, filled with dark atmopsheres and a crowd pleasing vocal. the release inludes 3 massive remixes, the first one being the remix from the dynamic spanish duo nx1, that go darker with their pumping futuristic revision. the second remix comes from the legendary truncate aka audio injection, who creates the perfect club tool with his unique us chicago style, an instant hit. the release is sealed with the deep minimal and melodic cover, from the upcoming paris artist birth of frequency (of construct re-form crew).
supported by: laurent garnier, richie hawtin, damon wild, ben sims, mikael jonasson, the advent, umek, dj hyperactive , dvs1, paul brtschitsch, tommy four seven, francois x, bas mooy, vidal, space djz, speedy j, slam, billy nasty, alan fitzpatrick, perc, pig & dan, raffaelle attanasio, lee holman, mirko, kabale & liebe, spartaque, anderson noise, michel de hey ...

little is known about mysterious producer tommy rawson. our first acquaintance was the aptly named shy track on red rackems smugglers inn 001 release. we tried to find out more but the trail got cold pretty quick. it was not until hearing gilles peterson playing a version of hugh masekelas dont go lose it baby on his show that word got around, tommy rawson was back. this particular anthemic track found its way to mats who then started playing it out and every time, in every club no matter where in the world the reaction was same, people completely lost it on the dance floor! we had but no choice to release the track and luckily enought tommy must have a sixth sense because at the same time mats blasted the track at the local talk office to convince tooli shouting: this is the next big release for local talk, i m telling you! another track made it into his mailbox, the soulful house jam brenda done died with no name. both tracks ended up on this 12 inch of course. mr rawson has delivered the goods here, warm, sunsplashed music all the way. a name to watch for this year and probably not mysterious for long.

ltd clear vinyl only at decks.de! s100 is a cluster of machines and individuals who found themselves to be the perfect techno live band. the individuals behind s100 have previously released a number of techno, dub, and electronica records on various labels. s100 is making music that is narrowing the gap between the past and the future, marrying the digital and the analogue, along with a strong emphasis on being performed live with machines. 2011 will definitely be the breaktrough year of s100, with their debut ep on stockholm ltd, their intern track on stockholm ltd 022 and their remix of par grindviks sinister track. their music has already been picked up by some of the techno scenes major players, like ben klock, samuel l session, pfirter, dustin zahn, audio injection, dimi angelis, tommy four seven and perc. on their self titled debut ep, we get to know s100s music a bit more. the music ranges from the powerful and raw discharge to the more deep driven krowork before diving into the ambient patterns/ soundscapes of repel. as the record rounds up, tom dicicco adds his very own stripped down dub formula in his rework of krowork. tom recently made his first appearance on the label with the track night erosion

s100 is a cluster of machines and individuals who found themselves to be the perfect techno live band. the individuals behind s100 have previously released a number of techno, dub, and electronica records on various labels. s100 is making music that is narrowing the gap between the past and the future, marrying the digital and the analogue, along with a strong emphasis on being performed live with machines. 2011 will definitely be the breaktrough year of s100, with their debut ep on stockholm ltd, their intern track on stockholm ltd 022 and their remix of par grindviks sinister track. their music has already been picked up by some of the techno scenes major players, like ben klock, samuel l session, pfirter, dustin zahn, audio injection, dimi angelis, tommy four seven and perc. on their self titled debut ep, we get to know s100s music a bit more. the music ranges from the powerful and raw discharge to the more deep driven krowork before diving into the ambient patterns/ soundscapes of repel. as the record rounds up, tom dicicco adds his very own stripped down dub formula in his rework of krowork. tom recently made his first appearance on the label with the track night erosion

played and supported by chris liebing, tommy four seven,speedy j, adam x, norman nodge, colin dale, dave ellesmere, brendon moeller, audio injection, forward strategy group, arnaud le texier, ness and more.
second release for the label created by darkcell. another step in the deep darkness of the modern techno, industrial, where the sounds come together to repetitiveness. sounds powerful but always hidden by a fog that makes the original track for a walk in our modern times. the remix of perc (perc trax, clr, etc.) makes the whole vision faster and stressful .. creating a set of rhythmic and repetitive sounds that destroy and alter any vision around ourselves. the version of bcr boys (nachtstrom schallplatten, darknet, etc.) has drawn much more syncopated, and industrial, the sound cut the atmosphere created by the syncopated rhythms ... a set of mysterious forces surrounding the whole track. power of darkness!

ground loops ampersand (i) is a release exploring contemporary techno by some of technos best contemporaries. the original fuses old school ideals with modern production techniques to create a floor friendly, groove oriented track that manages to maintain a sense of purpose and emotion. on remix duties are lucy (stroboscopic artefacts) who produces a seminal remix taking on the atmospherics of the original and building upon that to create a space and tension we have all come to know and love of his productions. samuli kemppi (ostgut ton, mote-evolver) who delivers a deep slice of dubby detroit influenced funk, perfect for that back room set and once again ignites the sound of that transatlantic relationship. the final remix comes from advanced human (aka. dj hi-shock), who instead focuses on the energy and emotion of the original and twists it into peak time material. already spun and fully supported by luke slater, james ruskin, donor/truss, damon wild, tommy four seven, audio injection, markus suckut, chris finke, go hiyama or raiz to name a few.

welcome to 8th edition of datablenders indoctrinated madness. a side hosted by duo hexor and tommy rockz from germany with carefully produced production that will shake any club or festival event.b-side: occupied by dj hammond who delivers best of hardtechno. 4 extreme tracks, no doubt tomorrows must have for all techno and industrial djs. did we mention all tracks are around 160bpm? furious!

chris finke (flux/atomic jam) delivers the dance floor goods with his fresh 12inch release on gynoid audio moofish. the original sees big room production fused with an acid like riff aimed at melting minds and moving feet. on remix duties are none other than mark broom, whos pulsing remix takes things deeper, dj hi-shock and his hypnotic re-interpretation and go hiyama moves away from the usual >4 on the floor< to deliver an atmospheric, broken beat, idm influenced mix. supported already by the likes of: luke slater, xhin, drumcell, tommy four seven, wehbba, audio injection, chris liebing, gary beck, gayle san, markus suckut, tom hades, and more!

generally based in london, soundspecies encompasses a collective of friends and different projects, with the momentum and focus coming from a family connection, four brothers raised with a jamboree of musical instruments for toys learnt a love for jamming and creating sounds from an early age... fast forward through developing years... henry gettin busy with beats and decks and sussing the london scene - olly playing lots of bass in bands & training in music recording, composing and acoustics at salford uni, manchester - nat working hard and playing hard on his guitar - barnaby composing and playing sax in various bands then travelling and suckling inspiration in brazil, morocco, borneo... expanding the family until the whole world is our friend... music is a universal language, a communication with like minds...fellow soundspecies worldwide. this is the first artist project to be born from the legendary cd-r sessions!

for the first time ever we have 6 previously unreleased boogie, disco and modern soul grooves recorded in the 70s - from the man who gave us the immortal bump & hustle music!