with a prime palindrome inigo kennedy, as always, provides an array of distinctive and original tracks that continue to stand out from the crowd.avoiding titles the music does the talking. bounded by an intro and outro here are four tracks that push the envelope further than most.kicking off with a brutal and driving digital assault a1 has been tearing up sound systems in many ways reminiscent of the seminal asy001.a2 builds on the intricate and mature edge of the asymmetric sound. a strong and evolving melody draws you in over a slow moving atmosphere. underpinned by a classic kennedy rhythm and characteristic of the unique way he layers sounds together.driven by a warmly distorted rolling rhythm b1 turns up the heat once again whilst over the top floats a trademark futuristic atmosphere.b2 dives straight back into the world of digital manipulation. an elastic loop is treated. its pitch slowly grows. the effect is almost imperceptible. the result is hypnotic.

maverick us producer gunjack aka brian gibbs delivers an absolute crossover bomb. with early support by rag and bone crew, scorn, surgeon, stormfield and many other heavyweights in both the techno and dubstep worlds. >murda< is a giant dubstep/ hardcore/ techno hybrid cut deep at 45 rpm for that chest rattling quality. the sample, taken from ini kamoze >world a reggae< (out in the street they call it murda), makes this hard, freaky ride into total mayhem. >bruckshut s revenge< mick harris aka scorn had the following to say about this tune , >hat s off to gunjack! solid! a killer. really ****ing punk and proper! the way it should be done.< this tune has a deep droning intro leading us to a new twist on the techno/dub hybrid sound. this is the sound of consume. >down the ox< continues this hard lesson in hybrid dynamics! more off beat techno than dubstep.

ever since carl falk got involved with electronic music due to the rich techno culture of sweden, he turned out to be an unstoppable pool of creativity. tough beats mixed with funky elements and basically any percussion from around the world, the mixture of elements creates firm tracks aimed at the dj and dance floor! all of this comes together in the banging a-side track called late night. on the flip we find the late night remix by no other than spilo label manager cave! he does his tricks, again, which turns his version into a late night prime time techno killer!

toolroom smash their way into 2009 with the awesome new double a side from f.l.g. (fedde le grand) >amplifier & pink bird<. after his first release on toolroom in 2007 with the massive >just trippin< feat mc gee fedde returns with two peak time club tracks to cement himself as not only a master at delivering chart number ones but also big underground main room shakers! lead track amplifier does exactly what it says on the tin, with influences from the early sound in chicago fused with pounding drums and an earthy synth ready to eat up any speaker system that it plays from, this will shake up any floor into a frenzy! second track pink bird has a more techy feel merging skippy beats, a rolling bassline and stabbing synths to have your head nodding more than churchills dog! building up to the breakdown it will have you hooked as it unleashes a whirlwind of groove guaranteed to get any club moving. an essential release setting the standard for 2009!

untill last year sound and stereo were just two words that popped up every once in a while in your hifi-installation s manual. in the beginning of 2008 those two words stopped being just random: sound of stereo saw the light of day. in only a few months time they conquered the hearts of music lovers all over the world. the belgian scene also responded really well to their presence and they were noticed rather fast by the famous lektroluv label. in november their first ep came out and had massive response in belgium and abroad. one of the singles on that ep – supah dupah – is said to be played over 100 times each weekend in belgium alone . a follow-up ep is nothing more than a logic continuation of this succes. the new single heads up! is already being tracklisted by the likes of crookers and bloody beetroots. bloody beetroots liked the track so much that they decided to make a remix of it, as well as dj manaia, a portuguese wonderboy from the kuduro-surroundings of buraka som sistema. at the end of february the new ep will be presented at culture club ghent, one of belgium s most legendery clubs, where international bigshots such as 2manydjs and the glimmers had a residency. in the beginning of march the heads up! ep will be available online and in the shops. so get your rocks off, your heads up and enjoy the sound of stereo!

welcome to the world & welcome sophisiticated - a new shining label-star on electronic music labels sky. influenced by not less than 15 years of screening the finest electronic dance and techno sounds and deejaying, inspired by good old 80ies synthie tunes, to detroit techno, over omen sounds to current sophisticated electrotechno, bait and switch aka tom elektro provides the clubbing scene with his fabulous debut ep >the world< - your feet wont stand still!

this hot new e.p. for dessous introduces two new artists to its roster, in the form of well known and highly respected producer & dj ripperton, who runs the successful perspectiv label, alongside co-owner and recording artist sam k. this mixed and exciting release is headed off by the deeply spaced and simply hypnotic ‚eze‘, a straight collaboration between ripperton and sam k. its bouncing, deep techno pump underpins the track and keeps the pressure constant, while a wonderful phasing synth motif is explored and unfurled as the journey continues. beautiful atmospheric modern dance music! next sam k takes the reigns alone as he introduces the slower, fantastic world of ‚desperate housetrack‘. the title might be a clue to where the melody takes its inspiration, but this tough little groover has more than one surprise up its sleeve, showing off sam‘s love for slow burning, thoroughly explored arrangements. ‚slipstream‘ is ripperton‘s own unique solo voyage through contemporary acid house. its a stripped, low-riding jam that harks back messages from days of old but still had that fresh 21st century sound going on. a great dj tool and indeed a bold statement about the merits of keeping it deep!

jay haze teams up with d:exter on his latest single, “can’t forget , an homage to mr. lee’s chicago house classic - with remixes from dj sneak, abe duque and fuckpony. jay haze has always been inspired by chicago house, but never more overtly than on his update of the 1987 trax records hit “can’t forget . taken from jay’s latest album love & beyond, the track became a favorite among djs, distinguished by the soulful paranoid from frequent vocal collaborator d:exter. on this new single, “can’t forget” appears in four new iterations, courtesy of “original house gangster” dj sneak, eponymous label owner and part-time gigolo abe duque, philly-based lil dirrty ghetto bastard, and jay himself under his fuckpony guise. several mutant strains of house music are present, from techy to piano-led to deranged acid.

baum005 are no other than marko fürstenberg of a.r.t.less/rotary- cocktail/ornaments and thinner fame. on the b side the artist sgi_s joins with a remix. what can you say, but espenhain on the a side is a dancefloor filler. a tight compressed, kick and marko s atmospheric touch of dubby techno. the espenhain remix on the b side, is shaped by swiss artist sgi_s. this track is more of a pure techno track with a old school feeling to it. appegiator groove with a break that builds up to a peak point, but still manages to be deep. ratsholz is the last track on the ep, a soundscape of hiss and noises that forms the hypnotic groove of the track. it starts slowly but it evolves into a sure late night track with a nice melody!

now his latest brainchild sees the daylight. spaceshuttle backpack is another pumping, techy and warm tune that will stir up many dance floors around the globe. the original track was given that special new york ish remix treat by no one less than gaby dershin, who as most of you know is half of world renowned producer duo bit crushers. the second remix comes from prinsjan and dennis ruyer, a producer duo with genuine radio roots, being radio dj?s on ducth radio station radio538. these blokes took their spaceshuttle backpack interpretation to the deeper side of house music. all in all this again resulted in a very versatile package that will have quite an impact over the next couple of months for sure. a fresh sound has arrived, and those seeking surprises on the dancefloor are advised to plug in to patch park.

fine arranged melodies from multiple sound sources, as stated in his biography, are the building blocks of which daniel mehlhart considers to be the essence of good music. putting what he preaches into practice has affirmed the 22-year-old swiss born, frankfurt am main resident, as one of the most exciting new talents in the underground tech-house movement. his most acclaimed release was the harp-tinged origami, released last summer on kindisch, which catapulted him into the record bags and charts of a slew of seasoned djs during the end of last summer. >scharade< is an example of young daniel sticking to what he does best, mixing and blending techno. atmospheres and sonic images while still animating an organic and natural vibe over the tracks. liberal amounts of percussion and a middle eastern or asian vocal dramatically pitched this tune beyond recognition watermark with a style and a vibe that he has helped to advance. the house roots of >distracted conscience< are present right from the onset. using a double pump kick to inject a pinch more of energy into the already flourishing habitat of off-kilter and spooky sound effects. so many in fact it is easy to see how he came up with the name, >distracted conscience<, as there are more effects floating around in this track than thoughts in the head of an 8-year-old who forgot his daily dose of ritalin. he turns to an ethnic vocal on >alura< again, but keeping the overall mood of this outing a bit deeper. he pulls out even more percussion instruments including extra shakers, toms and bongos all marching along harmoniously. this is a head down, hands-up, side-to-side bopper that just keeps quietly elevating as subtle elements are added and subtracted throughout the duration of the tune. a coherent composition and dj tool all in one. although this is his second release there are no signs of a sophomore slump anywhere in site, as daniel mehlharts talent lies in his unique, but subtle ability to gel different eleme

one of the biggest producers of 2008, funkagenda returns hotter than ever with his new single breakwater.

a track is a track, is a track is a track. but not every track is just a track. trackletons stands for much more than just tracks. on his debut ep you wont get to hear the substandard generic ordinary music that can be found everywhere. he has it all. disco, house, minimal, techno, you name it, he brings it. welcoming our latest act >trackleton< with his first appearance in form of his >jump ep< adds a variety of deep styles to this 3-tracker like we have not heard it a long while. the a side is a detroit influenced dance-floor sweeper with melodies so deep and beats so sharp that will leave no escape from making heads turning and get your feet dancing. b1 plays it cool all around the bass-line, laying things down in a old-school sounding manner - minimal to the bone, but done so cleverly to ensure that the basics simply sit right and will get you moving. the b-2 track then surprises you with more than just a hint of disco that will be standing out from the norm and creates a nice diversity. one does not often hear music so warm, on point, deep and yet fully dance-floor oriented

all these tracks are made for the floor, in other words, made purely fordancing. rather dry compressed but driving beats combined with sweatygrooves work like a charm and the whole mixture goes fluidly anddeliciously down like the very best vintage barolo harvested at the peaktime and offering altogether more testosterone than those blue littlepills. everlasting love! another quality production brought to you bysenator recordings.

after the first single of this adventure witch is the modern electrics 12inchs series we are more than proud to introduce a couple of guys from berlin who are the speak of the moment due to their extra cool remixes on labels such as om records or loudeast. we are talking about chubby dubz : a fresh, innovating & classical (at the same time) conception of house music that will delight those looking for advanced/old fashioned vibrations. after sometime speaking with oliver siebert (oliver $/made to play) and gene siewing, we decided to give the green light to this little project witch shows the longest and most solid musical expression from these two new comers until the date. a collection of four original tracks that combine past & future sounds that surely will be remembered as one of the early works of this german/ usa duo. as always in our constant effort to offer the highest standard in the market we have pressed again in transparent vinyl & sleeves powered with the superb mastering of sonic vista studios (om records,classic,etc..) always looking for that chicago >warmed tubes< sound that we love

antoine husson aka electric rescue is a long time collaborateur and friend of heckmann, promoter and organizer for the famous rex club in paris, labelowner of the more than successful skryptöm records and last but not least dj and musician. he here hits afulimited with his first release and thats already creating a big buzz! with a little help by heckmann himself to get the crazy ideas into shape, antoine finally delivered three very unusual and unheard tunes, that people are asking for strongly already. lazy dog with its building craziness and wicked sounds starts off like a hurricane. theres not much

djs classic mastercut is a brand new label focused on releasing original material from timeless artists. our releases will be only for djs / limited edition / color vinyl and no promos. for this 3rd release, we bring you the best of the best & obviously the rarest 12 inches around! a side comes up with the great >scrappy - freeze< originally released in 1988 and for the first time the legendary limelight extended mix available (more than 8 mn of pure acid madness), this is the mix that was heavily played by the original chicago masters back in those days & if you need a record to bang a party, this is the right one. a cornerstone for todays timeless djs, even rvng intl aka tim sweeney compiled it in 2005.on b1, we have the infamous >pleasure zone - fantasy<, all about drums, acid & insane vocals from 1988. b2, >hercules - lost in the groove< done in 1987 by the wonderfull marshall jefferson, all about drums, claps and some timeless vocals circa chicago in the late 80s. this is almost a gospel track!

in the 4th of their versus-series belgian label quatermass this time teams up with kitty-yo for some great collaborations that explore more of our sonic universe.

fergie piles on the pressure with another ser of fantastic remixes for excentric, this time courtesy of adam shaw and bigger then jesus, both doing fantastic reworks

perc trax is proud to present its 25th vinyl release. for a label initially set up as an outlet for percs own music, perc trax has somehow hit a quarter-century of vinyl releases featuring a host of a-list producers including james holden, district one, ripperton, nathan fake, go hiyama, norman nodge, avus, remute, matt tolfrey, gary beck and many more. from the very first release ali percs a&r philosophy has been to sign the kind of music that he would play in a club and would like to hear others play. so who better than to step up for this milestone release than misc. whose records for sender, resopal, kompakt, klang and lost souls have been a constant presence is alis well-travelled record box. they also currently record as the popular niederflur for richie hawtins minus imprint and are working on their debut album under this name.

flight patterns is arthur oskan s follow up to his matrix debut >flashback<. flight patterns opens with the epic track aerial, a slowly building dance floor scorcher that secretly recalls the works of kraftwerk, vapourspace, and tangerine dream. aerial is sure to be a mainstay in your dj set for months to come. the flip side contains the deep tech-house aril brikha styled production that oskan has become known for on the track entitled stopover and the indescribable, yet funky synthesizer workout entitled more than space. flight patterns is another top production by one of toronto s best producers.

piemonts album eskorte bietet vier tracks zum tanzvergnügen an. während sich zwei dem bereits bekannten piemont sound widmen gibt es zwei weitere tracks die die deepen fähigkeiten der hamburger aufzeigen

after almost two years of experience with labels suruba records and suruba digital, los suruba, alias below delmar and varo, dive into a new adventure: suruba x. a deeper, eclectic and more personal label than the previous, suruba x will be dedicated to minor styles, even considered as far from the dance floor . the 1st reference is starred by english artist alex grzybowski, who had his first appearance in the suruba family with the 8th release of suruba digital.this polar parts ep/suruba digital 008 has been his last release, but this english artist who started producing along wih his decks mate from sleaze club (leeds) simon baker has already released under aka the liptrick in labels such as 2020vision or infant records. this time, alex is presenting 4 tracks, two in the vinyl version and two extra tracks in the digital version of the release. all of them with an exquisite stylish house full of textures and layers, though in every track we can perceive how eclectic can this leeds artist be

rezkars fascination with music began with his parents record collection. listening to local radio stations as a child, he heard 80s tracks. as an adult he discovered the magic of 60s and 70s jazz and funk. one day, his cousin played a track that he immediately fell in love with. he later learned that this was house music. he discovered the fruity loops sequencer software and thought, why not try to make my own tracks, after all, it cant really be that hard? deep house can sound deceptively simple. its a bit like japanese anime, rezkar says. it looks so cute and easy to draw, but try to actually draw it, and you will discover its even harder than realistic drawings. the thing about house is that if you try too hard it can come across as being very cheesy, but then again, if you dont do enough it can sound incomplete. finding the balance is not easy, rezkar admits. after hearing his music, one finds that he is learning this lesson quite well.

hairy claw follow up the johnny d, akufen, funk d void, agnes, kiki (and many more!) supported release from dan drastic with this, calculus >loosey goosey<. mid-tempo, groove based house at its best, >loosey goosey< is a lurching, sinister cut of the highest order. the remix comes from none other than reboot. currently riding high with his amazing >letters /be tougher< on cadenza as well as amazing remixes for the likes of lemos and warieka on below and connaisseur respectively, reboot has delivered a peak time remix which combines jacking fm bass, loose percussion and the trademark reboot arrangement to brilliant effect.

lets remixer speak! >it was great to be asked to do this. originally, i wanted to do something really quirky and funky with the strange vocal in human bond, one of my favorite old tracks. i tried a few times but i couldnt really get a vibe going in the funk realm. so i listened to the original over and over again and then the lightbulb turned on. i realized that the original was a monster rave track, like what you would hear in a warehouse in detroit in the 90s. so i threw out my original idea and went crazy with a huge techno builder, something to hype a big rave just like the original. maybe this doesnt sound exactly like what i usually do but that was the fun of making it< claude vonstroke. aa: >bounce your body to the box was one of the first kms records that i owned and it was all about the mike >hitman< wilson mix and force field on the b side. the production on the original was huge. the 909 groove just pounded everything... when that came out there was nothing that came close to it. so it was an honor and a challenge to mix it myself. first came the futurist bounce mix... not released on vinyl, anmerkung, ... which is more of a cover version than a remix. i had a lot of fun with this one but it definitely has a signature that steps away from the original. so i had to take a run at it one more time to pay a proper homage to the original with the flashback mix< mike shannon...

after his huge >pepper exchange vol. 1<, anton zap is back with more spicey house music. moscows finest offers 4 warehouse esque deep house groovers and proves that without a shadow of a doubt hes one who you need to keep close tabs on. on quintessentials 05, anton keeps his >pepper exchange< style: stripped back, & raw! its pure, back to its roots simple groove quality which works so well with anton zaps new 12inch. but like a lot of antons music, deep atmospherics play a big part and this is why his music has that standout from the rest feel. its not often that you come across a ep where all the tracks are playable, but even less often where all the tracks make you step back and appreciate them much more than you normally would. essential house music for those looking for the simple soul filled stripped back house feel

isosceles ? is a vibrant subby track with some off key edits. this ep is for the jump up dub steppers than the chilled out crew. this is the main track of the ep i ve been told. been getting support from sub fm djs such as dj hagop and more.

electric arguments is the first fireman album in 10 years, and this song based album couldnt be more different than its predecessors. for those who dont know by now, the fireman is a collaborative project between music icon paul mccartney and revered producer youth. the pair first worked together in the 90s when they made two ambient dance albums. originally the firemans identity was anonymous and was eventually revealed by the press as being paul and youth. in september it was announced that the fireman would this year release their first brand new material in a decade and this time there was a big difference - the duo had found their voice. speculation began, one studio insider was reported as saying the new songs sounds like arcade fire meets led zeppelin. certainly so far, anyone who has already heard the album has commented on just how accessible electric arguments is, compared to the first two fireman albums. this album is an eclectic and diverse collection of songs that show paul is still interested in pure musical possibilities. each track was written and recorded in the space of one day. the fireman went into the studio with no plan or clear direction of how they wanted the album to sound. the project took a life of its own and the results will surprise anyone expecting to hear the previous sound of the band.

reissue of explorers super rare and hugely in demand self titled explorer lp. originally released in 1982 on the tiny german label x recordings, and never available in any format other than vinyl, this lp is packed with sought after gems such as megawar, no. 8 and the must have enjaw j which features highly on many a cosmic djs wants list. written and produced in germany by multi instrumentalist tony carey after he left stadium rockers rainbow and before his reincarnation as revered prog rock outfit planet p project, this obscure album has become a classic on the cosmic disco scene and an extremely sought after piece of vinyl.

get digital is off to a blazing start after the release of the mini hit >kaskazi< from simon baker and jamie jones and the well received travelling the world ep from the fresh and talented mac neumann. now we are proud to invite the veteran thomas schumacher who has produced with elektrochemie & dj t. and recorded for legendary labels such as bush, gigolo, get physical and his own spielzeug schallplatten. schumacher is a true producers producer and we are sure these two distinctive orchestrations are sure to love up the dance every time. >hot< is something that would come to mind if one heard the word >picanha<, in passing. and without a doubt the main track >picanha< is hotter than a stolen jalapeño in july. precisely layered percussion, meticulously situated effects and drums tuned with minutiae detail are the backbone of this track, but the groove comes courtesy of the schumacher brass orchestra.

>theres a rat in the kitchen what am i gonna do? theres a rat in the kitchen what am i gonna do?…im gonna teach that rat thats what im gonna do, im gonna teach that rat, thats what im gonna do<… sang ub40 back in the day but these days the best way to teach a rat to dance is to hit it with the latest made to play release from jan driver. the shadowy figure that is jan driver lurks in the depths of the berlin dance scene and only exposes himself to strangers in the park and via the medium of unleashing massive sonically charged dance floor bombs like >rat alert<. for more than twelve years he has been producing on labels as diverse as polydor, am:pm, virgin, southern fried and klang elecronik as well as his own imprint, grandpetrol. this release is causing a massive stir with the heads that matter including roland rat, ratty out of wind in the willows, stuart little, splinter and most importantly dean gaffney aka rat robby out of eastenders who uses it to ease the pain of being an unemployed actor. whether youre a cat, rat or straight up t*at you need to buy this, love it, play it and scare the sh*t out of the local vermin in a club near you.

groovebox ep is filled with some class a material for the raunchy dancefloor. first up there is into the club. this track is typical for channel x: it will blow off the roof in the club! as the title of the track already suggests, this is another one of channel xs lengthy journeys into nightlife extravaganzas. a wonderful fidgety bassline and a loop filled with loads of soulful vocal samples from strong male leads to sensitive female souls, this tune is both deep, touchful and destroying. the chainsaw effect session in the middle paves the way for more stomping tech-house business. no time to recover from this, because on the flip its straight onto the floor with wake up: a loop thats made of trillions of little cut-up effects, vocal bits and some straight four to the floor business. after a playful beginning the tune moves into an hypnotic piece of trippy techno only to be converted into a restless party anthem for the Überpeak-time. sick! perhaps there is some time to chill with the last of the three tracks that is against the wall. here it becomes clear what channel x are best at: to create dark, hard and moving electronic music with that special ingredient that is soul. this track is a perfect example: some frightening effects, lots of reverb on the creepy samples, but such a wonderfully harmonic sample that seems to shed light at the end of the never-ending afterhour. if there is a message to this music, it would be: you need to look hard, but there is always love. once again label boss oliver koletzki has picked up these two very talented producers very early upon their career and it has paid off: in one release being better than the one before

already the fourth release on the label bazz implant records. this time its an one sided killah! divato & troubleboy strike hard with this track, filled with pounding kicks, bass and a raw uplifting melodie and the vocals are done by no one less than da mouth of madness! the cool vocal edits combined with the phat kicks and bass will make ya rock! prepare for this massive floorfiller! already major support by: deepack, dana, noisecontrollers, vortex, dozer, b-front, the pitcher, dallucia, coyote...

this release does not need any intro else than big room stripped techno!!! played by: richie hawtin, sven vath, dubfire, adam beyer, 2000 and one, karotte, bart skils….studio wizzard anton pieete, secret behind barts skils district one, hits a solo release on shinedoes intacto imprint.anton pieete has had massive preview succeses with tunes like handsome, the shining and time for grace. played by all the big dj names in the scene such as sven vath, richie hawtin, dubfire, adam beyer, karotte, 2000 and one, loco dice

breaking the rules and beeing anything but mr. nice guy - with this massive new ep on karateklub blood & tears shows his straight, trippy, disturbed and mindthrilling way of getting a dancefloor boiled, slaughtered and painted blood-red. blood on the dancefloor is a hypnotising anthem, a bow to the sound of frankfurt of the mid ninetees, pounding more than nine minutes, combining the catchy grooves of todays- and the spirit of oldschool techno with rising pads and pushing sequences. this was made to be played on big floors on very high volume, so turn it up and see what happens when the drums return after a breathtaking break...because blood will follow blood - flip the disk and drop the needle. another advanced dj tool awakens the b-side - your truth was just another lie, something like the beautiful silence before the storm which is the heavy and absolutely non-compromising i wish you were dead. eight minutes of hate and destruction, of nothing but pure techno and a statement that needs no fucking explainings!

rmxs by clouded vision & noob ! i met brodi early last year, he had a track called >bad runner< that i had been playing incessantly. it leaked onto blog sites months before its release on mental groove in october 2007. it found its way into erols box among many others very early on and the hot fuss began. as a dj, despite hailing from france (reims, lille), unexpectedly brodis taste is broad. if your expecting banging gnarly electro bombs… unlucky. he can play anything from noisy techno, bass heavy house through to more melodic minimal. plus, if you think you spend more time searching the net for new tunes than anyone else, think again. this guy is committed and now his second, and even better ep is here and he has saved it just for turbo

after more than one year and a couple of releases on sistrum recordings and morphine records, ksoul is finally back with a new project called kindasoul to launch his new label kinda soul recordings. the first release will be a split alongside scott ferguson who kindly gave the chance to licence these tracks from ferrispark records. the aim of the label is to focus on the deep side of house music without any kind of compromise, trying to highlight some of the best producers around plus some promising newcomers. the concept is also based on reaching out all the people who helped me in the last years to make it real in order to create a sort of worldwide family around our faithfully loved house music. you know who you are... ksoul!

the next big thing to come out of denmark! exclaims trentemoller and he should know as he is the brains behind this album. beautiful music and vocals with a dark and eerie sound. pressed on 180 gram vinyl and comes in a full color gatefold sleeve.

the third installment in the catz n dogz vinyl series is a showcase for two standout songs off their album stars of zoo. >sf< is a throwback to classic house tracks, with a modern twist - a playground full of joyous children have invaded its sly, bongo-laden grooves. yet these precocious youngsters are only part of the story – the beats insistent and ever-changing swing never lets up for more than a couple of moments. >2< is more ominous but no less effective. its primary percussion enters like springs filling up an echo chamber, gradually morphing into several competing themes that weave together throughout the track. 2s bass is a serious force, creating a physical presence that must be heard on a large system to be believed!

to mark the third release from cosmo & gary lucas hugely acclaimed wild rumpus project, they ve bagged a collaboration with vocal entertainer extraordinaire beardyman – the result being the tripped out hoe down that is rock the joint. wild rumpus have been at the forefront of the cosmic tip since the reggae dub bliss out musical blaze up released in 2007 and the ensuing surf anthem purple somersault which sent psychedelic taste buds sizzling alongside other acts such as beyond the wizards sleeve, time & space machine, voice of the seven woods – and of course goldfrapp. this new single rock the joint takes the sound to another dimension. once again - originality at its most outstanding. featured artist beardyman is becoming more popular than kate moss phone number, from headlining stages at glastonbury, lovebox, rise, bestival and bloom rock the joint features a remix by reverso 68 and has already been given props by long term fans radio ones rob da bank and lemon jellys fred deaken.

a release from the advent on mbelektronics, that s fucking crazy! the man is nothing less than a living legend, after tons of releases on labels such as kombination research, tresor, gigolo and drumcode just to name a few. >my world< is hands-in-the-air mnml electro-techno, whereas >terra nosa< is an extremely catchy dancefloor groover that will find its way to the crates of everyone who is up to date with techno music. spot on!

a release from the advent on mbelektronics, that s fucking crazy! the man is nothing less than a living legend, after tons of releases on labels such as kombination research, tresor, gigolo and drumcode just to name a few. >my world< is hands-in-the-air mnml electro-techno, whereas >terra nosa< is an extremely catchy dancefloor groover that will find its way to the crates of everyone who is up to date with techno music. spot on!

transmissions florales is massis first vinyl release. the density of the 808 drums reminds us this is synthetic from the start. but as the the swirling, phasing 7th chords and the crystal-like lead tones build up and blend with the laid-back wah-wah guitars, this simple song take us to some sensual, forgotten place with swaying limbs and flashing lights. with a few changes in structure and the timbre of the bass, the acid mix proposes an alternate scenario - gliding to the edge of madness with a wink at raving in the late 80s. are we in the disco? or at the seashore? keep on moving, keep on flying. bionic gulls call to each other over the oceans arpeggios. >alpha base< uses a similar synth palette, but with quite different results. rather than waves, this piece seems to evoke dramatic weather over a jagged terrain. the funky, syncopated bass and percussion remind us of some ancient tribal ceremony on parched soil. odd sound effects imitate the heat and sudden shots of lightning, while the ascending pentatonic breaks suggest a primitive electronic geisha, draped in mylar foil, deflecting the suns rays as she dances for the gods. she performs an intricate sequence of steps, each with its own placement and hidden meaning… having spent the past 2 years entertaining crowds at underground clubs in berlin and around the eu, massi is already somewhat known to those who enjoy dancing to whatever is eclectic, energetic, and atmospheric. now, perhaps more people will hear his special groove. we hope you share our joy, our obsession… and the particular oscillations from this very personal >transmission florale<

so this is what hardcore sounds like: fierce as a sharp knife and melodic like a returning nightmare. the wishmaster makes his first appearance on the third movement with back forever. three outstanding tracks to do the job at hand, an italian hardcore experience to follow! included are get out of my way, no skinny bitches and the title track back forever. all produced to deliver maximum hysteria in the crowds. a down right audio attack by italian hardcore master the wishmaster, it doesnt get any better than this!!

aka dopplereffekt !! should be in the repress section... but this repress is such a limited and unexpected one that we had to consider it as a brand new release. 400 copies only limited repress for this highly collectable piece of wax from the master of electro arpanet (dopplereffekt, der ziklus...). unavailable for more than 6 years and never repressed before

the mighty dfa return with ths new release that feels like bjork fronting the slits in no-wave heaven. a limited release in japan, the dfa licensed it and have turned it even more sideways than the original, replaying the drums and guitar and boy does this sound like bjork !!

big with: andrea bertolli, elio riso, john acquaviva, deep dish, tom stephan, .. xavi beat returns! one of the biggest deejays & producers from fresco records presents his new production after a long time playing in clubs only. xavi beat is evolving to minimal sounds, without losing the fresco sound which characterized him. cyclic is the 19th release and has two tracks full of power that will delight the most demanding clubbers. inside the first track we can see original version. a sound that sorround you from the first minute. endless and constant rises, the presence of powerful bass joins with electronic sounds to form sequences that will drag you to an endless number of sensations. the second track is a remix created by dformation one of the most recognized deejay & producer in the international music scene. that remix is more progressive house than the other track with minimal touches full of strength and style. choose the track you want, but without doubt this single will not fail to surprise at any deejay set.

two key players of the scene join forces on figures sixteenth release. no one else than adam beyer and luke slater contribute tracks to this very special ep. mod by luke slaters planetary assault systems project takes off with a fast, breathless groove. its force drags the dancers along, and the mesmerizing bleeps put everybody in a deep trance. within seconds, the solid ground of the dancefloor is nothing but a remote memory. mod has a very special aura, it is hard to grasp its exceptional energy. it appears to be pretty elementary, and yet it is an verwhelming techno anthem which will accompany you for quite some time. adam beyers simulated usage surprises the crowd with its elegance and subtlety. forming an irresistible funk, the fabric of the track interweaves various tiny elements. this savageness obviously manifests in his musical approach which can be characterized by his open-mindedness in regard to diverse influences, currents and styles. simulated usage is strong and joyful, it is techno in its best sense. once again, adam beyer und luke slater manage to coin the face of contemporary club music.