jazz trumpeter nils wülker with the münchner rundfunkorchester, conducted by patrick hahn.

beyond the realms of space and time lies a force majeure that emanates pure energy, sustaining all cosmic life forms.

albion got his first bookings in high school on his friends parties and played his first gig in a club in the early nineties. ten years later he rediscovered the sound of his childhood, disco. since then he has been throwing parties and playing in clubs, digging deep for records and obsessing about long forgotten music. in 2006 albion started making the astronomix and mixtura mixes for c-b-s which made him gain his reputation as a mixer of the most far out disco this side of the moon. hes now part of the heavy outfit which is ambassadors reception

redshape stars in another deep tripping, sci-fi odyssey on his imprint for present 16. opening the gate reveals a slow but surely building burner that is classic redshape, ripping the space-time continuum fabric apart at it s spoken word climax narrating of solar winds, cosmic ray particles and the speed of light. heed the track s unmistakable call and take flight on an interplanetary elevator with parched, bone-dry percussion, twisting lines with propulsive bass and growls that rumble underneath, enveloping you in an air cabin of jedi-level sound design prowess. the ride truly begins next with voyager. it s all aboard a throbbing deep low end countered by floating, melancholic sustained chords with twinkling bleeps and fading bloops that light up like the star-studded milky way. frantic hi hats and modulated percussion work keep riders on the edge of their seat through this fantasy space-age joyride at warp speed.

colours of infinity is a new alias for melbourne based producer andy donnelly. his debut album follows a recent sold out split 12- on brokntoys offshoot, discos del quebranto, as well as a string of releases as kloke on labels including styles upon styles and sub squared. under his latest moniker, donnelly has axed the dense, sample-heavy hardcore continuum he is best known for and developed a more back to basics approach, using old, cheap hardware and primitive recording techniques to capture performances in the spirit of 70s bands such as cluster, early tangerine dream and latter day artists like ekoplekz and pye corner audio. one time pressing, strictly limited to 300 copies. mastered by simon davey @ the exchange vinyl in his converted bank vault. riyl: cluster, harmonia, tangerine dream ekoplekz, pye corner audio, john carpenter, carl craig

unknown timeline drops out their second release

no nonsense, no faking, no timewasters: the raw classic techno energy of nuno dos santos and cosmic forces ultrastation project continues to tear holes in the space time continuum with their latest ep - red skies

login access to the galaxies has been lost and some encrypted sonic relics managed to escape in time before the tragedy. shining yet obscure bits from another space-time continuum

zeitgeist freedom energy exchange is a collective that brings together uk jazz funk vibes with the energy of berlin s electronic dj music. -sci-fi jazz directions- epitomises the zeitgeist of the time, the crucial meeting point of our organic selves with our technology.

as weekend circuit approach their 20th release, argentinian duo yyyy return for their second full length ep on the label to celebrate this benchmark. the yyyy modus operandi is already familiar to the initiated - expressive, raw techno experimentalism from the outer reaches. carry this blood is a collection of 4 moods and sounds, carved out with emotion soaked ambience, synapse flaring distortion and machine fracturing rhythms. repent , as the title suggests, takes no prisoners, leaving no survivors in it s wake, it is a glimpse into a tear in the time-space continuum where chaos rules. hands towards the giver is epic, glacial, spacial widescreen techno. dramatic and urgent, the soundtrack to a doomed planet collapsing from within. carry this blood bestows an eerie, cold feeling. an atmosphere of regret and loss hangs over it like a thick fog on a hillside, punctuated only by a heartbeat mimicking kick drum offering a human touch. of thrones and comfort snaps us out of the haze, the fog clears and we are faced with the frenzied electronics and thundering kick drum of this most sinister of tracks.

baltimores pj dorsey has traversed a lifelong journey delving into psychoactive music which can alter ones cognitive and conscious state. he harnesses his experiences to create music as tarotplane. using guitar, effects and processing he produces time suspending soundscapes - immersive music for merging the mind and body. . 358 oblique is the follow up to first which was released on aguirre records in 2015. find yourself adrift in the lapping waters of a slow unraveling sea of sound, a spectral vortex of shimmering tones and discrete samples guide the listener into an aural abyss, while plangent six-string melodies offer glimpses into a sanctifying sensory space. the two exploration provide an evocative journey through a psychedelic continuum and beyond.

2023 repress , without holo sticker and without poster

re-press comes in black vinyl

very limited first vinyl pressing

this unmixed collection of 24 tracks and 4 digital bonus features new, original music from spacetime continuum, move d., fred p. from soul people music, i:cube from paris based versatile records, detroit heroes claude young and patrice scott, a beautiful piano distortion piece in collaboration from terre thaemlitz, deepblak boss aybee, sandwell district founder rrose, dekmantels juju & jordash, anto, future times founder and beautiful swimmersÕ max d, donato dozzy, and a stunning new bookend from gigi masin.

fabio fabor is a mysterious composer and musician who wrote mostly operas, symphonies and chamber music, but also experimental and electronic library music, the latter being the case of this release: short tracks aiming to accompany radio and tv shows, orchestral pop à la bacharach, space age pop, hints of bossa and beat from the previous decade. originally published by the legendary seri e usignolo, a sub-label of fonit, this hard-to-find title is finally available again thanks to schema records.

prolific dutch artist conforce is back with another lp on delsin records. this one marks something of a subtle evolution in his sound in that it returns to a more organic and immersive aesthetic. made using various bits of outboard gear, it fuses dub rhythm with ambient detail and propulsive 4/4 kick drums to make for absorbing listening. once again, then, this album proves no one does deep electronic music as well as conforce.

this is a 12inch single by shoebox, a previously unheralded blip on the electronic music continuum. they sometimes make music, but only when the moon is rising. mostly, they bide their time, inhabiting the shadowy space at the back of the cupboard alongside out-of-date tins of food, unloved christmas presents, forgotten records and misguided charity shop purchases

first pressing in dark red vinyl! in remarkably short time, van bonn has developed a well-deserved reputation as a forward-thinking dub music producer. he is tying up electronic listening music with dance music structures for the german label telrae and trapez since 2011, but his newest invention van bonn01 is another step forward. van bonn records now for the first time provides him with a platform, that is his own. it is a sound laboratory pushing his ideas as well as giving him the possibility to feature like minded people. the first edition on vinyl, comes in dark red with a nice artwork. gradient (cph dub) shows a new side with van bonn, expressing a certain form of industrial & romantic privacy in a very radical way. his epic 12 minute track explores the time and space continuum in ways of symmetry. this is a perfect extension of what we know from various dub techno productions of the past. rich filtered delays balanced with a monotony of a mighty & distant beat, makes it an hypnotic piece of music. gradient in its original version is the more hardish and forceful..companion of the a-side, being more raw an direct. van bonn uses here a lot of fx sounds to build a bubble which perfectly embeds the stomping machine liked beat. the >do not resist the beat< owner milton bradley and artist on prologue (and more) has delivered a remix of >gradient< in his genuine style avoiding commercialism and creating his own atmospheric, claustrophobic, cinematic style of techno. listen here to his remix for van bonn.

dusty baron aka latecomer may be a recent arrival on the scene, but he plays like a true veteran. a mysterious export from the around same eastern latitudes as label boss vakula, his music, much like vs, sounds just as rooted in the post soviet russian landscape as it is in the post industrial north america which gave rise to all the soul and machine funk that is the driving inspiration for so many of todays roots conscious electronic artists. vakula takes the controls on side a with dubwise and exotic production skills whilst side b showcases the barons heavy heavy chops, with drum programming as deft as his keys work, and a sound which is equal parts earthly and heavenly. sides c & d (on bonus 7inch) see v step up to offer two takes on >follow shot<, continuing the theme of techno tinged jazz cosmism. a noble introduction, by way of collaboration, to the dusty baron and his sound, and yet another installment in lelekas continuing contribution to the musical space time continuum.

if you were to cut neville watson he would bleed acid house, he would also quite likely knock you flat on your arse for having the temerity to wave a knife at him, but thats a whole other story. for his first wu contribution he ventures down the ethereal proto-house boulevard. jacking 707 patterns, a bouncing juno bassline and outer-space synth lines take you into the upper atmosphere for a glorious airborne joyride. as ever, neville manages to evoke those 85-89 feelings without ever sounding merely retro or like some kind of pastiche, something that many attempt but very few manage to pull off. over on side u apiento, the force behind the magisterially brilliant testpressing website, chips in with a heartfelt homage to the new beat sound. another testimony to the fact that a lower tempo doesnt have to mean diminished energy levels, the orange place simply oozes class from top to bottom. like some lost ancienne belgique classic it pounds and pumps along, building up the tension all the while until the quasi- eastern refrain lets loose half way thru and all of a sudden a mystic portal opens up in the space-time continuum that leads all the way to southwark street in late 87.

anton price is a jazz drummer turned electronic producer and back again. he has his own space-time continuum in which age-old african rhythms co-exist more or less peacefully with signals from the future. where kid baltan plays chess with tom jenkinson, watching logan s run and drinking battery acid. the 12 inch contains 4 new tracks, while the 15 track cd album gives a retrospective on his works. great idea from this nice belgium label to release a 12 together with a full length cd for a super friendly price! limited availability - only 300 of these packages will be sold!

our krauty fellows kreidler have just finished their european tour and really got their kicks playing live.with the release of >impressions dafrique< - the first remix 12 inch from their mind-expanding new album mosaik 2014 - they will once again raise the awareness of their audience for airy soundscapes far beyond the space-time continuum. side a features the fantastic new extended long 12 inch edit of >impressions dafrique<. here you can dance to percussive sci-fi music played live to get some outer-space satisfaction. the flip-side features a unit 4 (body dub, clone records) rework. unit 4s >oro borum bonga baum chant remix< is made for a disco party where not only mirror balls turn crazy. for those who like space, kraut, disco and body dub, its a must.

when sonic pioneers collide in an ideal setup within club culture dynamics, they do not just produce dents on the floor, but in fact amalgamate in a pliant way to stretch the space-time continuum by means of enrichment through sound. and knowledge. were we have such a mighty hook up: gerald simpson is known to be an innovator of electronic dance music. starting with manchester-based 808 state in 1988, sparking the fire of voodoo ray acid soul, measuring the black secret technology jungle, finding the essence of song based dance via new york city, he continues pushing evolutionary music processes since taking up residence in berlin. now he joins forces with the perlon visionary community of unfathomable deepness and unrivalled sound design always leaving room for novelty, scientific curiosity and blasting mind frames

double cd version